Reply-To: jj@alice.UUCP (jj, still grouchy and out of sorts)
Organization: NJ State Home for Bewildered Terminals
Lines: 33
In article <1993Jan21.121032.13184@nntp.nta.no> harald.ljoeen@nta.no writes:
>These are all musical signals. The music I like to listen to have
>*non-stationarity* as one of its most dominant and important features.
>You proposed to record
> - a pulse train at 630 Hz or so
> - set of non-harmonic tones spaced about 750 Hz apart, starting in
> the 690Hz range
> - white noise
(you left out the signal cycling between l and r)
>which are non-musical stationary noise signals constructed to reveal the
>weaknesses of the coding scheme in DCC and MD.
Of course, the musical signals I listed are examplars of the analytic
signals I proposed, at least for some notes at some time.
Go ahead and use the music. It has the same effects as the
analytic signals, and if it makes you happy to use music instead,
go ahead. I still have great confidence in my suggestions.
Take the clarinet and harpsichord of the SQUAM disc. Take
Suzanna VEga's 'Tom's Diner'. Take track 8 of "Graceland"
by Paul Simon (and Ladysmith in track 8). Try Shepherd Moon.
Try any recording of the dance stuff in Carmen. Try some of
the slavonic dances.
They're all music, yes?
--
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Member HASA - Athiest Scum Division
"Extremism in the defense of liberty is no vice" - AuH2O for President