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- From: mimir@hardy.u.washington.edu (Al Billings)
- Subject: ShadowClasping Ritual from the Orgone Committee
- Message-ID: <1992Dec26.075205.5894@u.washington.edu>
- Sender: news@u.washington.edu (USENET News System)
- Organization: The Friends of Loki Society
- References: <1992Dec26.074006.5022@u.washington.edu>
- Date: Sat, 26 Dec 1992 07:52:05 GMT
- Lines: 224
-
- Shadowclasping:
-
-
- By: William Hunter (Yellow Circle)
-
- A Ritual Process Wherein The Alchemist Consciously Reaches Within
- to Change the Interplay of Light and Dark according to Her own
- Will.
-
- Fear is an internal state which we as a species have evolved as
- a survival response to danger. The famous fight-or-flight behavior
- common to mammals has apparently served countless generations of
- our ancestors in their four f's: fighting, feeding, fucking,
- fleeing, which were the limits of the activities that they as
- primitive, barely human anthropoids,saw as being possible. The
- purpose of this working is an affirmation that, occasionally, even
- we practitioners of the Mystic Arts act outside that range of
- mammalian activities.
-
- To step beyond your fear is the second task that any person must
- perform to take conscious control over their life, their evolution.
- There is no escape from this requirement. There is no real progress
- in your life or evolution if, once reaching this initiation, you
- fail to take it and succeed. The initiation of Fear admits for no
- middle ground. We, each and every one of us, make a choice and it
- is a choice as simple and as ponderous as the choice to breathe.
- We surrender to our Fear or we do not.
-
- If we surrender then we become the slaves to our fear. It will
- require of us that we forgo all the risks that are essential to
- ourselves. No matter how many masters you have who oppress you,
- all of these are helpless against your Will unless you have let
- yourself be mastered by your fear.
-
- If we step beyond our fear, we have exchanged the illusion of
- safety for the reality of change. This does not mean that we lose
- our fear. Happily the adrenalin thrill of danger is something we
- can always count on. What we gain is the ability to step beyond our
- fear and use it as a warning system instead of a yardstick by which
- all actions are measured.
-
- This working is an invocation of the shadow side of each of the
- four elements. For earth fears of being buried alive, for water
- drowning, for fire being burned alive, for air falling. These are
- obvious examples. Your own tortuously twisted psyche can certainly
- provide a cornucopia of infinitely more personal/fetishistic fears
- for your own enjoyment and elucidation than I could. In each case
- the fear is categorized under one of the four elements. Wether it
- is best to concentrate on a single fear for each element, or even
- to only invoke and integrate one particular fear during the course
- of a ritual, is best decided by each practitioner on a case by case
- basis. This working can be performed by one or many.
-
- Materials:
-
- Altar: Suitably furnished with the four elemental weapons. Also
- let all the tools on it be appropriate to the elements.
-
- Circle: May be drawn on the floor, redrawn on a mat, or traced
- around the area of the working.
-
- Incense: Use any scent that combines the four elemental
- attributions, or any that is attributed to the element of the
- spirit.
-
- Weapons: In the case of a group working must absolutely be
- consecrated to group workings. If no such implements exist, each
- person must bring their own consecrated weapon attributed to the
- element they will be embodying or all of their own weapons if they
- are not each embodying a single element.
-
- Temple: Let it be dimly lit with one priority in the lighting
- arrangements: for shadows to play and dance on every surface. The
- only other furnishings should be those that pertain to the
- elements. Images of deities are particularly unsuited to this
- working unless the concerns of the deity are almost exclusively
- elemental.
-
- Robes: The participant(s) may wear any clothing. Normal attire
- until the Invocation(s) begin is ideal. Once the Invocations begin,
- though, skyclad is the best being a metaphor of nakedness and armor
- shed for our fears for us to approach and learn from them.
-
- Time: There is no absolute requirement save that the Ritual take
- place at Night. This symbolizes the realm of the unconscious that
- we wish to enter.
-
- Drugs: These are not recommended save in the case of a fear so
- overwhelming that it could simply not be faced any other way. Such
- participants are potential weakspots in the Cone of Power, though,
- so be cautious.
-
- Music: Optional. Bach's Toccata and Fugue in D minor, or any
- suitably sinister and/or soothing melodies depending on the
- temperaments and Wills of the participants.
-
- The formula for the overall construction of the ritual is
- banish-invoke-banish. Of course the incontrovertible necessity of
- performing opening and closing banishing in a working in which
- literally unknown numbers of demons are being stirred up in order
- to examine and integrate them is too obvious to comment on here.
- As is the sub-moronically simple precaution of repeating any part
- of the working that is not performed exactly to the predetermined
- formula for the working. Mistakes are costly when dealing with our
- fears. Obsession is a natural state for fear when excited, and
- usually the Will of the practitioner is better served by
- integration. Immediate entering of the working in your magickal
- diary is of incalculable value but you know that or you don't. Joy
- be to you in the attainment of your Will.
-
- The Working
-
- BANISH:
- Let the Circle be drawn and inscribed using the greater and lesser
- banishing rituals of the Pentagram, or the Elemental invocation of
- the system used by the practitioner. Let there be one circle drawn
- by each participant, and let that circle be drawn and redrawn to
- their satisfaction. The final circle will be the Greater Pentagram
- Ritual to be drawn by one chosen beforehand by all concerned.( Or
- any other Ritual like the greater Pentagram.) In the case of one
- participant this final circle may not be necessary. In the case of
- a group working it may not be necessacary either if the Alchemists
- are familiar with each other, otherwise it is wise to include this
- final -- different -- circle as closure for the collective Will of
- the group.
-
- INVOKE:
-
- The sigil used for the invocation is the unicursal hexagram. This
- symbol, unlike the Star of David has two advantages: First it is
- not associated with any major religion, Second, its symbolism is
- not associated with the seven philosophical planets, but rather
- with the Sun and Moon as a duality containing all the attributions
- necessacary for a working of integration of the Conscious (Sun)
- with the Unconscious (Moon). The unicursal hexagram is for some a
- more harmonious blend of Fire and Water (Male/Female) symbols than
- the Star of David. This seems to me to be a function of the very
- structure of the drawn symbol itself. Instead of two triangles
- complete within themselves, that intersect at harsh angles to
- create a whole, the unicursal hexagram is better described as a
- whole from which the lines suggesting two triangles emerge from a
- common center. In that center can be placed any appropriate symbol,
- and it will remain a harmonious part of the whole, rather than
- being isolated.
-
- Each hexagram is to be traced in each quarter. This may be done
- with a weapon but is best accomplished by the bare hand. Unlike
- most tracings this is done with both hands, with the hexagrams for
- the active elements being drawn from the top point, and the
- hexagrams for the passive elements being traced from the bottom
- point. It is irrelevant which attributions for the elements to the
- quarters is used save that they are agreed to by the participants.
- In each quarter, trace the hexagram with the symbol of that element
- in the center. This symbol is traced with one hand, the
- non-dominant hand of the tracer. That is, if the invoker is left
- handed, let the symbol be traced with her right. And vice-versa.
- In the case of one ambidextrous, use one hand for the passive, and
- one for the actives or the hand you do not write with. The
- invocations may be done in any order as long as the invocations are
- done clockwise.
-
- When you have traced the hexagram, vibrate the appropriate Word
- of Power as you finish tracing the sigil of the element. Naturally,
- as you inhale you will be picturing the Word filling you with a
- radiance that travels from your nostrils throughout your entire
- body. Upon exhaling, imagine the Word leaping from you filling the
- entire quarter you are invoicing. Let this Word fill the multiverse
- with its resonance and through the power of your Will it will
- create a gate with the symbols you have astrally traced, to summon
- your fear or fears of this element to you face to face, within your
- circle. It bears noting that even if a fear is by no means wholly
- integrated by means of a single ritual, simply opening up to it
- will strengthen the will, understanding and imagination of the
- practitioner. These fears you summon may have any astral form(s)
- that are significant to you.
-
- Debate as to if each quarter should be invoked and banished
- separately, or if all four elemental shadows should be invoked and
- the banishing circles and hexagrams be traced at one time, must be
- resolved on a case by case basis.
-
- BANISHING:
-
- The banishing hexagrams are simply traced in each quarter in
- opposite sequence with the invoking hexagrams ie: first the
- elemental sigil, then the hexagram. If all four hexagrams are being
- traced at once at the end of the invocations, do so counter-cloc-
- kwise. Vibrate each word of power in the same way as you did for
- the invoking hexagrams. Picture the shadows leaving as they came,
- through each hexagram.
-
- Perform the banishing circles as described in the beginning, being
- even more careful, if possible, than with the opening banishing to
- insure smooth as possible integration.
-
- Words of Power:
-
- There are four of these. One for each quarter and Element. They
- must be decided on by each practitioner/group. The diversity of
- systems usable prevents me from being able to recommend any set of
- Words. I must also add a suggestion for a variation of this working
- in which there are five Unicursal Hexagrams, and Words. The fifth
- is attributed to Spirit.
-
- Expect unusual and vivid nightmares in the days immediately
- following this working. Nobody even implied that this integration
- business was going to be easy, or even what we usually consider fun
- (at least not in all its aspects!). You may also expect that at
- least some of the fear(s) integrated in the Circle are simply
- easier to face up to in day to day life. The true focus of Magick,
- and source of power for the practitioner is how s/he lives their
- daily life rather than these rituals. Use of this ritual for a
- focus for attacks on one's enemies is almost guaranteed to
- backfire.
-
- Joy be to You in the attainment of Your Will!
-
- Interested in communicating? Write to: Orgone Committee P.O. Box
- 614 Vanbrunt Station Brooklyn, NY 11215
-
- SEX IS PEACE
- TRUE WILL NOT SLAVERY
- CONCIOUSNESS IS STRENGTH
-
-