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- Newsgroups: sci.lang
- Path: sparky!uunet!charon.amdahl.com!pacbell.com!decwrl!ames!agate!stanford.edu!nntp.Stanford.EDU!alderson
- From: alderson@cisco.com (Rich Alderson)
- Subject: Re: Tones in PIE?
- In-Reply-To: sommar@enea.se (Erland Sommarskog)
- Message-ID: <1993Jan26.155242.10047@leland.Stanford.EDU>
- Originator: alderson@leland.Stanford.EDU
- Sender: news@leland.Stanford.EDU (Mr News)
- Reply-To: alderson@cisco.com (Rich Alderson)
- Organization: Cisco Systems (MIS)
- References: <1993Jan16.185630.25871@enea.se> <1993Jan20.184737.15289@leland.Stanford.EDU> <1993Jan24.114225.28870@enea.se>
- Date: Tue, 26 Jan 93 15:52:42 GMT
- Lines: 33
-
- In article <1993Jan24.114225.28870@enea.se>, sommar@enea (Erland Sommarskog) writes:
- >Rich Alderson (alderson@cisco.com) writes:
- >>First, lets make our terminology more precise: Lithuanian, Latvian, certain
- >>Slavic languages, ancient Greek, and Vedic Sanskrit are supposed to have (or
- >>have had) *pitch contours*, rather than *tones* as that term is usually used.
- >
- >So let me ignorant layman ask: how would you describe the two different
- >accents in Swedish, are they tones or pitch contours? Not that I'm
- >questioning anything, I just want to be able to relate to something I know.
- >From where you wrote elsewhere, I would guess the answer in the latter.
-
- Your very well-informed guess is correct.
-
- >>The final upshot of all this is that we usually reconstruct the PIE accent as
- >>a pitch rise based on the Greek and Sanskrit evidence for its pitch nature.
- >>In addition, the oldest Indo-European languages do not show the kinds of
- >>vowel reductions we expect from a stress accent, as in the history of
- >>Germanic or Latin, or the Romance languages.
- >
- >Again, I want something to relate to. Do I understand right that none of the
- >accents in ancient Greek are the same as the one single accent as Romance and
- >West-Germanic languages? (And which is one of the two possible in Swedish?)
-
- That is correct. The grammarian Dionysios of Halicarnassos described the
- accents of his time fairly carefully, using terminology which he explicitly
- imported from music: That the acute was a rise of a musical fifth, that the
- grave was a lowering of the "tonos" = "musical pitch," and that the circumflex
- was a fall after a rise.
- --
- Rich Alderson 'I wish life was not so short,' he thought. 'Languages take
- such a time, and so do all the things one wants to know about.'
- --J. R. R. Tolkien,
- alderson@leland.stanford.edu _The Lost Road_
-