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- From: ted@dgbt.doc.ca (Ted Grusec)
- Subject: Re: Dolby S vs. DCC etc.
- Message-ID: <1993Jan27.214034.12304@dgbt.doc.ca>
- Keywords: nr, compression
- Organization: The Communications Research Centre
- References: <C1HGp9.Jy7@acsu.buffalo.edu> <1993Jan27.201538.22693@viewlogic.com>
- Date: Wed, 27 Jan 93 21:40:34 GMT
- Lines: 23
-
- In article <1993Jan27.201538.22693@viewlogic.com> bobdavis@scumbag.viewlogic.com (Bob Davis) writes:
- >
-
-
- >By the way, this NOT an endorsement of DCC and MD. I am loath to even
- >talk about these formats seriously at this point, since they are techni-
- >cally in a negative direction -- mass marketing of sonic compromise. If
- >I could, I would encourage avoiding these formats. Hopefully, the
- >competing formats will kill each other in the market via the resulting
- >confusion and lack of consumer confidence. Whatever, I'm not buying.
- >
- >I do think lossless or nearly lossless compression approaches are worth
- >looking into, but the approaches used in DCC and MD formats don't qualify.
-
- I presume everyone knows that one unstoppable event is digital radio
- and this will use lossy compression (bit-rate reduction) that is
- similar to that in DCC - unstoppable because of bandwidth
- restrictions. I presume this means that digital radio will be
- condemned for a long time to being less than an ideal medium.
- --
- -----------------------------------------------------------------
- Ted Grusec - Communications Research Centre, Ottawa, Ont., Canada
- Internet: ted.grusec@crc.doc.ca - (613) 998 2762 - Fax (613) 993 8657
-