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- Newsgroups: rec.martial-arts
- Path: sparky!uunet!psinntp!sugar!scovar
- From: scovar@NeoSoft.com (VSI Shell Account)
- Subject: Lost thread/LEARNING
- Organization: NeoSoft Communications Services -- (713) 684-5900
- Date: Thu, 24 Dec 1992 05:52:42 GMT
- Message-ID: <Bzr1nx.IE@NeoSoft.com>
- Lines: 84
-
- Organization: NeoSoft Communications Services -- (713) 684-5900
-
- To: stark@dwovax.enet.dec.com
- Subject: Re: body memory
- Newsgroups: rec.martial-arts
- In-Reply-To: <1h4vvtINN65m@usenet.pa.dec.com>
- Organization: NeoSoft Communications Services -- (713) 684-5900
- Cc:
- Bcc:
-
- In article <1h4vvtINN65m@usenet.pa.dec.com> you write:
- >
- >ek@patty.gud.siemens.co.at (Ernst Krudl) writes...
- >>With learning a new form/kata I usually experience body memory: I can not
- >>recall the form in my mind, but once I start to repeat it, I realize
- >>it is still there.
- >>Can anyone explain this on a medical/biological level (or any other), please !
- >
- >I can't explain it, but it seems interesting to discuss.
- >
- >There is some evidence of sensory channel-specific memory of a sort.
- >
- >Several popular models behavioral 'strategies' (after Pribram, Miller,
- >Galanter) as having components in specific senses; kinesthetic or body sense
- >being one of these. One of these models, found in Neurolinguistic
- >Programming, would probably either explain your experience in terms of
- >preferences for kinesthetic tests rather than visual ones in your performance
- >strategies, or in terms of the visual tests being below the threshold of
- >consciousness at this point.
- >
- >The practical implication, in NLP terms, *might* be that teachers are
- >best advised not to try to teach you by way of visual metaphor, since you
- >don't seem to organize your kata performance that way, at least initially.
- >That's useful for a teacher to know. Some people prefer to organize their
- >performance visually (even though they certainly have the capability to
- >remember kinesthetically as you are doing).
- >
- >Eventually, most people use primarily kinesthetic memory and tests, I think,
- >once the kata is learned very well. An expert performer can do the kata
- >blindfolded, without visual reference points or even with confusing visual
- >reference points. A novice performer is frequently confused simply
- >by asking them to start facing a different wall.
- >
- > kind regards,
- >
- > todd
- >
-
- I started replying to this post and my port got stomped on and I lost the
- thread. I apologize in advance for not snipping more text, but the
- background is important to my point.
-
- IMHO (read: In the universe I inhabit), mastering a skill is first
- modeling, and then integrating. One progression is "awkward, awkward,
- awkward...mechanical, mechanical, mechanical...natural, natural,
- elegant". This is also true for the instructor, and instruction is a
- different skill from execution. I generally learn very well by
- seeing the skill demonstrated, then doing it. After a while my RAS
- (Reticular Activating System) has a model that includes all visual,
- kinesthetic, auditory, etc., cues appropriate to executing the new
- technique. I suggest selecting the best models you can to learn from,
- and actually DOING---'cause in the long run repitition is the mother
- of skill. There comes a point where practice, either in the dojo or
- in the mind, will help you excell beyond what you coluld learn by
- observation alone---(your internal model is more complete!).
-
- For those of you who get a lot from reading, I suggest:
- "The Inner game of Tennis" by Galwey
- "Quantum Fitness" by Dardik
- and "Peak Performance" by Garfield.
-
- I'm trying to keep this short'cause it is a rich subject....
-
- Mike Burke, Aikidoka, Certified NLP (apologies to the "no-ranks"
- thread!)
-
- Newsgroups: rec.martial-arts
- Subject: Lost thread--LEARNING
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- Organization: NeoSoft Communications Services -- (713) 684-5900
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