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- From: jpb@calmasd.Prime.COM (Jan Bielawski)
- Newsgroups: rec.audio
- Subject: Re: CD Sound Quality
- Message-ID: <5393@calmasd.Prime.COM>
- Date: 22 Dec 92 23:24:07 GMT
- References: <1992Dec19.113749.8088@leland.Stanford.EDU> <19DEC199208241886@rigel.tamu.edu>
- Distribution: usa
- Organization: Computervision, San Diego, CA
- Lines: 29
-
- In article <19DEC199208241886@rigel.tamu.edu> mjf9968@rigel.tamu.edu (Pi(3.143832666)) writes:
- <In article <1992Dec19.113749.8088@leland.Stanford.EDU>, kong@leland.Stanford.EDU (Kong Kritayakirana) writes...
- <>> 99% of the audio buying public has already been suckered into
- <>> thinking that CD sound is the be-all end-all of sound quality. They are
- <>> mistaken. ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
- <> Although we can definitely engineer a better medium for holding music, I
- <> think we can say we have perfectly satisfied our ears with 44.1kHz x 16bit
- <> data for each channel. Who the hell can tell the difference between 96dB
- <[digital babble deletia]
- <> and we definitely can cure jitter by putting the crystal of the DAC system
- <> IN THE DAC box, not in the transport box. The whole jitter scene then
- <> becomes a nonissue.
- <
- < Further proof of how one-track-minded people have become
- < about the storage and reproduction of music.
- <
- < Obviously yet another "critical listener" who auditioned
- < a $200 CD player versus a $200 phono set-up and decided
- < that digital was inherently better.
-
- It doesn't matter, IMHO. The point is:
-
- The difference between the CD and the LP is very close to nothing when
- one compares both CD and LP to the live sound.
-
- Jan Bielawski
- Computervision, San Diego
- jpb@calmasd.prime.com
-
-