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- Copyright 1991 by S. Kitterman Jr. and the Las Vegas PC Users Group,
- 316 Bridger Avenue, Suite 240; Las Vegas, NV 89101. All rights reserved.
- This file was originally printed in the November 1991 issue of The Bytes
- of Las Vegas, a publication of the Las Vegas PC Users Group, and may be
- reprinted only by nonprofit organizations.
- Please give proper credit to the author and The Bytes of Las Vegas.
- -------------------------------------------------------------------------------
-
- Copyrights and Computer Software: Part II
-
- by Sam Kitterman, Jr., LVPCUG
-
- [The purpose of these articles is to give general information
- regarding copyrights and how they pertain to protection of
- software. It is not intended to constitute legal advice nor should
- it be relief upon to address a particular situation since the tone
- of these articles is general in nature.]
-
- In last month's column, I reviewed with you the basics of
- copyright law, i.e., such things as the nature of copyright law,
- where it comes from, and what it takes to obtain a copyright. In
- this month's issue, I will address the various types of "works" the
- Copyright Law protects and the requirement of "originality" for
- such works.
-
- Types of "Works" Protectible Under Copyright
- First, what types of "works" will copyright law protect?
- Quite frankly, copyright law protects anything that meets the
- definitional criteria, including but not limited to:
- (a) Literary works - stories and novels as well as
- characters which are have been "fully realized" or
- depicted or depicted in those works.
- On the other hand, please note that copyright law
- does NOT protect the titles of stories, novels, or other
- short phrases, such as slogans. Much of that falls under
- trademark law, a subject I'll discuss in later columns.
- (b) Musical Works (both lyrics and music).
- (c) Dramatic Works - Although the Copyright Act does not
- define "dramatic works" since Congress believed everyone
- knows what the phrase means, courts have given some
- clarification. As one court stated, a drama is
- a work in which the narrative is told by
- dialogue and action, and the characters
- go through a series of events which tell
- a connected story.
-
- (d) Pantomimes/Choreographic Works
- (e) "Pictorial, Graphic and Sculptural Works"
- (f) Two-Dimensional Works - This covers everything from
- paintings, advertisements and fabric designs to
- photographs.
- (g) Three-Dimensional Works - This area covers such
- items as sculptures, toys, dolls, jewelry and figurines.
- However, it must be noted that "functional" works, such
- as Halloween costumes may not be copyrighted concerning
- the nature of the mask or outfit created.
- (h) Motion Pictures and Video Games.
- (i) Sound Recordings
- (j) Specific Functional Works - Although functional
- items themselves are not copyrightable, certain works,
- having what is called "functional aspects", can be
- protected by copyright. This includes such items as
- architectural plans, recipes, and business forms to a
- certain degree.
- (k) Computer Programs, including computer-generated
- Displays. Although the Copyright Office for some years
- would not allow registration of computer programs, that
- stance changed in 1964. Since then the Copyright Office
- has allowed registration of computer programs although it
- has changed registration requirements from time to time.
- Strangely enough, computer programs are registered
- as literary works since such programs are composed of
- textual materials. Consequently, when one is seeking to
- register their program with the Copyright Office, they
- must use the TX form.
-
- As you can see, copyright law encompasses a broad range of
- materials. In the past two 1/2 years I have been specializing as
- a copyright and trademark attorney, I have sought registrations for
- clients dealing with everything from recipes for peanut butter pie
- and "secret sauces" to comic book characters.
-
- The Requirement of Originality
- As was also noted in last month's column, the Copyright Act
- requires three elements for protection to be given. One of those
- elements is that the work be an "original work of authorship".
- What does this mean? One of the acknowledged experts,
- Professor Nimmer, defined "original" as follows:
- ...it is now clearly established...that the
- originality necessary to support a copyright
- merely calls for independent creation, not
- novelty [which is required for
- patents]....Originality means only that the
- work owes its origin to the author, i.e., is
- independently created, and not copied from
- other works.
- See 1 Nimmer The Law of Copyright 2.01[A] (1982), cited in
- Hubco Data Products corp. v. Management Assistance Inc., 219
- U.S.P.Q. 450 (D. Idaho 1983).
-
- Clearly, what copyrights protect is your original expression
- of an idea, so long as you have not copied that "expression" from
- someone else's work. Indeed, even if your expression/"work" is
- similar or identical to another's work, you can still seek
- protection for your expression so long as it was "original". For
- example, if I had been born and raised on an isolated desert
- island, had no access to the outside world, and then, wrote my own
- Robinson Caruso, I would have as much right to have my novel
- protected for it was my original creation, not copied from Defoe's
- work.
- Although "originality" had been subject to differing
- interpretations by various courts, the United States Supreme Court
- recently ruled on this very issue. In Feist Publications Inc. v.
- Rural Telephone Service Co., Inc., the High Court affirmed that
- originality protects
- only...those components of a work that are
- original to the author....those aspects of the work -
- termed 'expression' - that display the stamp of the
- author's originality.
- and does not protect "facts or ideas" used by the author in his or
- her "work". Indeed, the Supreme Court held that although an
- author's compilation of "facts" may have involved hundreds of hours
- of work, copyright law will protect only those portions of the work
- "original to the author", such as the "selection and arrangement".
- In summary, originality is satisfied if you, the author of the
- work, have infused the work with original elements, elements
- bearing your "stamp".
- Next month's article will deal with authorship of "works".
- ----------------------------------
- Copyright 1991--S. Kitterman Jr.
-
- [Sam Kitterman, a member of the Las Vegas PC Users Group is an attorney
- with the firm of Quirk, Tratos & Rothel; he specializes in issues
- related to computer software. This is the second of a series
- of articles Sam is writing for The Bytes of Las Vegas.
- It was originally published in the November 1991 issue of The Bytes of Las
- Vegas, the official newsletter of the Las Vegas PC Users Group.]
-
-