Animation is based on a principle of human vision. If you view a series of related still images in quick succession, you perceive them as continuous motion. Each individual image is referred to as a frame.
A frame is a single image in an animated film.
Historically, the main difficulty in creating animation has been the effort required of the animator to produce a large number of frames. One minute of animation might require between 720 and 1800 separate images, depending on the quality of the animation. Creating images by hand is a big job. ThatÆs where the technique of keyframing comes in.
Most of the frames in an animation are routine, incremental changes from the previous frame directed toward some goal. Traditional animation studios realized they could increase the productivity of their master artists by having them draw only the important frames, called keyframes. Assistants could then figure out what belonged on the frames in between the keyframes. The in-between frames were called tweens.
Once all of the keyframes and tweens were drawn, the images had to be inked or rendered to produce the final images. Even today, production of a traditional animation usually requires hundreds of artists to generate the thousands of images needed.
This program is your animation assistant. As the master animator, you create the keyframes that record the beginning and end of each animated sequence. The values at these keyframes are called keys. The software calculates the interpolated values between each key to produce the completed animation.
The software can animate just about any parameter in your scene. You can animate modifier parameters, such as a Bend angle or a Taper amount, material parameters, such as the color or transparency of an object, and much more.
Once you have specified your animation parameters, you can play the animation back in the viewport by using the Play button. You can export your .gmax animation back to your video game and see the results.
Traditional animation methods, and early computer animation programs, are rigidly locked to the concept of producing animation frame by frame. This is okay if you always work in a single format or do not need to specify an animated effect at a precise time.
Unfortunately, animation comes in many formats. Two of the more common formats are film at 24 frames per second (FPS) and NTSC video at 30 FPS. Also, the need for accurate time-based animation versus frame-based animation is critical as animation becomes more common for scientific and legal presentation.
Different animation formats have differing frame rates.
gmax is a time-based animation program. It measures time, and stores your animation values, with an internal precision of 1/4800 of a second. You can configure the program to display time in a format best suited for your work, including traditional frames format. See Viewport Configuration Dialog.
Many of the examples in the following sections describe time using the frames method for the sake of tradition and familiarity. Keep in mind that you are really animating using a very precise time-based method, and frames arenÆt created until you play or export animation.
You can locate the basic animation tools in the following areas of the interface:
Track View: Provides detailed animation editing capabilities in a floating window. See Track View.
Track Bar: Provides quick access to keyframes and interpolation controls. See Track Bar.
Motion Panel: Use this panel to adjust transform controllers that affect all position, rotation, and scale animation. See Working with Controllers.
Hierarchy Panel: Use this panel to adjust all parameters governing the linkage of two or more objects. These include inverse kinematics parameters and pivot point adjustments. See Hierarchy Panel.
Time Controls: Use these controls to move through time in the viewport displays. You can move to any point in time, and play animations in the viewports. The time controls, documented in Viewport Controls, include:
To get started with animation, see Using the Animate Button.