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Text File  |  1992-12-13  |  3.0 KB  |  130 lines
  1. @ Sample for Computing in Musicology 1991
  2. @ Philip Hazel, June 1991
  3.  
  4. Heading 13 "|Mahler"
  5. Heading 13 "|\it\Das Lied von der Erde, \rm\Der Abschied" 30
  6.  
  7. *Define F     "\bi\f"/s2
  8. *Define FP    "\bi\fp"/s2
  9. *Define SFPP  "\it\s\bi\f  pp"/s2
  10. *Define P     "\bi\p"/s2
  11.  
  12. Linelength 400
  13. Pagelength 575
  14.  
  15. Justify top left right
  16. Notime
  17. Unfinished
  18.  
  19. Staffspacing 1/66 2/0 3/58 4/0
  20. Systemgap 54
  21.  
  22. Tripletfont 9 italic
  23. Textsizes 10 12
  24. Underlaysize 9.5
  25. Startlinespacing 0 0 0 -1
  26. NoSpreadUnderlay
  27.  
  28. Bracket
  29. Brace 2-5
  30. Breakbarlines 1
  31.  
  32. Key B$
  33. Time 3/4
  34.  
  35.  
  36. [staff 1 treble 1][hairpins above]
  37. [slur/ll20] "\rm\- ses."/l8 "\it\- len."/l8 $G [es] r | @1
  38.  
  39. "\rm\do not hurry"/a/u1 "\rm\nicht eilen"/a R! | @2
  40. R! | ["33"] R! | [4] R! | @8
  41.  
  42. [text underlay]
  43. "O beau-ty! O life of end-less love-=ing,="
  44. "\it\O Sch\o.n-heit! O e-=wi-gen Lie-=bens,="
  45.  
  46. r "\it\appassionato"/a/l20 r </r6/d4 f_/g/t c'-\g/\ < | @9
  47.  
  48. "\bi\(f)"/a/l8/s2
  49. "\rm\steady"/a/r8/d8 
  50. "\rm\nicht eilen"/a 
  51.  
  52. C'._ | B. | rrf | [sshere +11] {4/a g_abc'} | @13
  53. ["34"/d2/l11] {2/a/u2 e'\M\_c'\M\} | {2/a/u2 #c'\M\_d'\M\} | @15
  54. [endstaff]
  55.  
  56.  
  57.  
  58. [staff 2 treble 1][stems up][ties above]
  59. [slur/ll20/d12] f'-[es]e'-d'-c'-%b-.[slur/rd6]a= | @1
  60. [xslur/rd6/co2]%A'._[es] | @2
  61. {4/a a'#g'[es]f'[slur/b/co2/rd4/rr2]#c'}[space 1]#c''-\g/\[es] | @3
  62.  
  63. #C''._ | C''._ | c''#C''\>!\ | @6
  64. #C''.\>!\_ | c''\sd\ [stems auto] < D''_ </r20 | @8
  65.  
  66. d''=%c''= "veloce"/a "cresc. molto"/b/u2
  67. b'=a'=; g'=f'=e'=d'=; c'=b=a=[slur/b/co2/rd4]g=\f\ [space 12] c''-\g/\[es] | @9
  68.  
  69. C''._ | B'._ | B'\su\ [stems up] %f'_ | @12
  70.  
  71. {3-/5/a/d1 f'g'a'b'c''} | @13
  72.  
  73. [stems down]
  74. {2/a/u5 (e'\>M\e'')(d'\>M\d'')} | @14
  75. {2/a/u5 (#c'\>M\#c'')(d'\>M\d'')} @15
  76. [endstaff]
  77.  
  78.  
  79. [staff 3 treble 1][stems down][ties below][hairpins below]
  80. (F.%B.) | @1
  81. [slur/b/ld2]D'e\>!\_ | @2
  82. "\it\ cresc.  -  -  -"/s1/r10/d13 {2/b e\M\[es]b\M\} | @3
  83.  
  84. &SFPP;/l20/d15 {4/b/u4 r\l-12\ [slur/b/u8/rd4/co4]#C.\>!\_} | @4
  85. {4/b/d3 c"espr."/a/d11 d[es]ef}_ | @5
  86.  
  87. f[space 2] "\it\cresc.  -"/s1/l3/d4.5 #f\>!\ g\>!\_ | @6
  88.  
  89. "-   -   -   -   -   - "/b/d16/l6 {4/b/u4 g%f\>!\ %e\>!\ "#"/ul $e\>!\} | @7
  90. &P; q  Q  | Q! | &FP/d2 Q! | @10
  91.  
  92. {4/b/lx/u4 [move 6] q "\it\^cresc.-"/ul/s1/d2 #fba} | @11
  93. #F "#"/ul g_ | {4/b/u5 ga\>!\ d'\>!\ &F/d3 c'\>!\} | @13
  94.  
  95. {2/x &P; q "cresc."/l2 q } | Q! | @15
  96. [endstaff]
  97.  
  98.  
  99. [staff 4 bass 0][stems up][ties above]
  100. [slur/ll20/d14] {4/a/d2 $)g\>!\[es]%g\>!\%a\>!\%b\>!\} | @1
  101. [5]Q! | F`. | @7
  102. r\l20\ r\l20\ [slur/ru2] d'_ | @8
  103.  
  104. [beammove -4]
  105. d'-e'-[es]f'-\>!\(a-\!>\#f'-)a'-\!>\g'-\!>\ | @9
  106. %E'_%f'_ | [move 6]f'[space 6]qq | @11
  107.  
  108. r\l20\$E'_ | e'-d'-c'-b-a-g- | @13
  109. (F.B.D'.F'.)_/a | (F.B.D'.F'.) | @15
  110. [endstaff]
  111.  
  112.  
  113. [staff 5 bass 0][stems down][ties auto]
  114. %G`. | (C.E.$G.$B.) | (%A`.E.%G.#C'.) | (B`.F.) | (%B`.F.$A.) | @5
  115.  
  116. [slur/a/rr36][slur/a/rr36/lr8/d10]
  117. [slur/b/rr41/lr6/u20][slur/b/rr41/u12]
  118. (C.F.%A.E'.)[es][es][es][es] | @6
  119.  
  120. Q! | {2/b (b`\M\f\M\b\M\) (%b`\M\f\M\$a\M\) } | @8
  121. (C.E.G.) | (D.F.B.) | @10
  122.  
  123. [newline]
  124.  
  125. [slur/b/u18/ru2/lr6/rl4][slur/b/u24/ru2/lr6] (DFBF')(#cfb%e')[es][es] | @11
  126. (%C.%F.B.) | (F`.A.) | @13
  127.  
  128. {2/b r\Ml-8\ (b``\M\b`\M\)}_/b | {2/b (b``\M\b`\M\)($a``\M\$a`\M\)} | @15
  129. [endstaff]
  130.