Amiga ISO Collection/AmigaDemoCD2.iso/ASCII/TEXTE/SEX/ADULTSHARE/N/NGAMES11.TXT

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From: [e-mail] (Hazer)
Newsgroups: alt.sex.stories
Subject: Naughty Games, Ch11 - repost
Message-ID: <[e-mail]>
Date: Mon, 17 Jan 1994 15:27:43 UTC
Reply-To: [e-mail]
Organization: Anonymous contact service
Lines: 219
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                        Naughty Games
                        by F. M. Hazer

               Chapter 11: The Execution of Amy

The four girls were laying nude on Amy's king size bed. They were
exhausted  from  their  naughty  game that they had just finished
playing.  The  welts  on  Amy's  body were fading as were the red
stripes  on  Sally's  back. They were watching the projection TV.
when  Sally  said "I have an idea for a photo album that I'd like
to  do."  The other girls all expressed interest. Sally continued
"I got the idea from Amy's birthday whipping." She then explained
the  concept  for the photo book. After the explanation, Judy was
very  concerned  about such a project and was being protective of
her  younger sister. Amy, however, was thrilled at the idea. They
discussed  the  potential impact of such a project, including the
legal  aspects.  Sally  assured  them  that  it is not illegal to
photograph and publish pictures of naked children as long as it's
not  for  sexual  exploitation.  This  is, in part, thanks to the
American   Sunbathing   Association   which  regularly  publishes
pictures of nude children in their monthly magazine.

Judy  was  still  concerned  about the pornographic nature of the
proposed  pictures.  Sally  assured  Judy  that while the picture
would  be erotic, they were not pornographic. It took a while for
Sally  and  Amy  to  wear  down  Judy's  resistance. Miss Edwards
remained neutral in the argument. She was excited by Sally's idea
but  also  shared Judy's concern. Judy suggested that perhaps she
could  do the book but she would reserve the right to not publish
it  after  she  saw what it looked like. Sally said that it would
cost  several  thousand  dollars  to  produce  the  book  and  no
publisher  would  extend  an  advance without assurances that the
book  would be free to publish. Amy suggested that she would loan
the  money  to produce the book. In that way, Judy could veto the
project if she didn't like the final product. Also, it would lend
additional  credibility  to  the legality of it since Amy herself
would  be  the  producer. Judy was starting to concede but wanted
one more assurance; the book would not be published in the US. It
would  be  published  elsewhere,  like Europe. Sally agreed. They
worked  out an agreement as to ownership, royalties, etc. Amy was
granted  ownership  to  the book since she would be the producer.
This  would  also support their defense should any legal problems
arise. Sally would get the lion's share of the royalties.

The  project involved Sally preparing for each picture during the
week.  There was a lot of logistical work in preparing the props,
costumes,  and  extras  for  each photo. The actual shooting took
place each Saturday afternoon at a rented studio. That meant that
their usual Friday night naughty games had to wait until Saturday
night.  It  wouldn't  do  for Amy's body to be covered with welts
during  the  shootings.  It  took  three  months  to complete the
shootings  plus another few weeks to put together the rough draft
of  the  book.  Finally, the big day came. Sally brought home the
first  draft of the finished book. Miss Edwards and Judy sat next
to  each  other on the sofa as they were presented with the book.
Amy and Sally stood behind them so that they could watch.

The book was titled "The Execution of Amy; a Fantasy Photo Expose
of  Execution.  by  Sally  Cheng"  The photo journal contained 10
scenes  which  represented  the  final act of a different form of
execution.  As the reader turned the pages, the left page of each
scene  contained  a written explanation of the scene, the form of
execution  that  was  being  depicted,  when  and  where  it  was
practiced.  The  right  page  of each scene contained a black and
white  photograph  depicting  the  actual  execution.  The common
thread  of  all  of  the scenes was that the condemned victim was
Amy,  a  totally nude Amy. Judy and Miss Edwards turned the pages
and looked at each scene.

The  Hanging  -  The nude Amy is standing on the trap door of the
gallows. The view is just forward of her right side. The front of
her  can  be  plainly seen as can her arms which are bound behind
her  back.  Her  hands  are  bound  by  a generous amount of rope
wrapped around her wrists with her hands palm-to-palm. Her elbows
are  similarly  tied  behind  her  back with a generous amount of
rope.  The  effect  is  to thrust out her breasts. Her ankles are
also  bound  with  rope. Her long blond hair is gently blowing to
her  left  side.  The hangman's noose is around her neck with the
knot laying on her right shoulder. The executioner can be seen in
the  background  about to pull the lever which will open the trap
door.  Amy is looking straight ahead at no one. The expression on
Amy's face is one of passive resignation to her fate.

Drawn  and  Quartered - The nude Amy is seen with both wrists and
ankles  tied  to  ropes  which are being pulled in four different
directions.  Amy  is  hanging by the ropes about sixty cm. off of
the ground.  The  view  is from her left side near her left foot.
Her  head  is  laying  back and her face cannot be seen. Her long
hair  can  be  seen  laying  on  the ground.  Her  vagina  is  on
prominent  display  as  her  legs are spread apart at a 90 degree
angle.  It  is  obvious  that there is considerable strain on her
limbs  as  her  body is about to be torn into pieces. Even though
the picture was staged, Amy must have been in great discomfort to
hang that way by her wrists and ankles.

Crucified  -  The  nude  Amy  is  "nailed"  to  a  cross  in  the
traditional crucifix position. Her head is laying on her left arm
and  her  eyes  are closed. Her long hair falls down the front of
her  body  on her left side. Trails of blood can be seen dripping
from  the  wounds in her hands and feet. The look on her innocent
face  brings to mind the words "Father forgive them for they know
not what they do."

The  Burning  Witch  -  It's  17th century Salem. The nude Amy is
chained  to  a  stake with her hands above her head. Her feet are
covered  with  a pile of wooded sticks. The town folk, dressed in
traditional  puritan garb, are about to watch Amy go up in flames
as  one of them is shown about to set a burning torch to the pile
of  wood.  The angelic look on Amy's face speaks of innocence and
injustice.

Beheaded  -  It's  the middle ages. The nude Amy is seen kneeling
with  her neck laying on the chopping block. Her hands and elbows
are  tightly  bound behind her back. Her long hair is laying over
her  head  on  the  ground.  Her  small neck is exposed. Her face
cannot  be  seen.  The view is from Amy's left side. On her right
side is the executioner. A giant man dressed in leather pants and
no  shirt  which  shows  off  his  hairy  chest.  There is a hood
covering  his  head.  He's  holding a large hatched over his head
ready to deliver the fatal blow.

Firing Squad - It's world war I. The nude "Mata Hari" Amy is tied
to  a  post  with  her hands behind her back. The firing squad is
aiming  their rifles at her heart. The commanding officer has his
sword raised about to give the order to fire. Amy is looking down
passively waiting for the bullets to rip through her body.

Electrocution  -  The nude Amy is strapped into the wooden chair.
One  electrode  is  strapped  to her inner right thigh. The other
electrode  is  tied  to  her SHAVED head with a harness. Her bald
head  is  a  striking  contrast to the other pictures of her long
hair.  Behind  her,  the  warden can be seen with his hand on the
switch. He is about to close the switch.

The  Gas Chamber - The nude Amy is strapped into the metal chair.
The view is through the chamber window. Amy's head is laying back
against  the chair and her long hair is falling down her front on
her  left  side  and  lays  in  a pile in her lap. She is staring
blankly straight ahead. A cloud of gas can be seen rising up from
under the chair.

Pirate  - The nude Amy is seen about to take the last step off of
the  plank from the side of a sailing ship. The view is from just
forward  of  her  left  side  Her  wrists  and elbows can be seen
tightly  tied  behind  her back. A pirate can be seen shoving Amy
onward to her fate with a prod to her back with his sword.

Vampire  -  It's  Bram  Stoker's  finale.  The town's people have
opened her coffin revealing the nude Amy with flaming eyes; she's
wearing  some  kind  of  contact  lenses.  She has her mouth open
revealing long fangs. She looks like a snake about to strike. One
of the town's folk is holding a wooded stake to her chest between
her beautiful breasts. Another is about to strike it with a large
mallet.

There  is  one  final  photograph at the end of the book. It is a
picture  of  a  fully  dressed  Amy, seen from the waist up, with
Sally  standing  behind  and to Amy's left. They are both smiling
warmly.  The  write-up  is from the author and photographer Sally
Cheng,  expressing her appreciation and thanks to her good friend
and   model  "Amy."  The  write-up  further  explains  that  this
photo-book  was  produced with the full knowledge and cooperation
of both Amy and her family.

All  of the photo-scenes were designed to evoke a sense of erotic
horror.  The  viewer  if filled with a sense of outrage that this
beautiful   innocent  looking  creature,  Amy,  is  about  to  be
destroyed.

Judy  and  Miss  Edwards  sat  in stunned silence after finishing
viewing  the  book.  Sally asked what they thought. Judy couldn't
find  the  words.  Finally, Miss Edwards expressed their feelings
perfectly  with  the oxymoron "It's grotesquely beautiful." Sally
smiled  broadly  and  said  "Good, that's what you're supposed to
feel!"  Judy and Miss Edwards finally admitted that it was a good
piece of artistic work, even if it was bizarre.

They  then  discussed each scene and all the work and preparation
that was required for the pose. Amy said that, in general, it was
hard  work.  There  were  only a couple of times when she got any
sexual  thrill  from  the pose. These were the times when she was
tightly  bound.  She  said  that the "Drawn and Quarter" pose was
especially  stimulating. Sally and Amy explained how the pose was
done. The ropes were attached to posts which were out of sight of
the  camera. Amy was laying on a stool while the ropes were being
tied  and  drawn  tight.  Then,  the  stool  was  removed and she
actually  hung  by  the  ropes while the pictures were taken. Amy
said  that  while  it  was  very  stimulating  it  quickly became
uncomfortable and she could only hang like that for a few minutes
before her wrists and ankles really hurt. It was just long enough
to  take the pictures. There were several pictures taken but only
the "best" one was selected for the book.

Judy  and Miss Edwards asked about the "extras", the other people
who  were  in the scenes. Sally explained that they were all good
friends  of  her's,  and  all gay. Judy asked about the big hairy
"ape"  with  the axe. Sally said that he's also gay and is a line
backer  for  a  professional football team. He agreed to pose for
the photo provided that his face was not shown. Amy added that he
is really a kind gentle person and they become good friends.

They  finally  asked  about  Amy's bald head in the electrocution
scene.  Amy  said that it took nearly two hours of makeup work to
hide her hair under a latex skull cap.

Judy again got reassurances from Sally that the book would not be
published  in  the US. Sally agreed and further stated that there
would  be  nothing  in  the  book  that would indicate Amy's true
identity.  As  far  as  the  reader could determine, this English
language  book could have been produced in England, Australia, or
South  Africa.  Judy  finally agreed to sign the release forms so
that Sally's photo book could be published.
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