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- Story: Helpless in the Dark (setup)
-
- At the end of this dark corridor is an equally dark room, large, with a
- cavernously high ceiling. Inside the room there are no sources of
- light, no windows, no keys. In the center of the room, you will
- discover by feel, a woman is chained.
-
- Three chains descend from the ceiling far above, to attach to manacles
- welded shut around her wrists, and to a narrow iron ring around her
- neck. Her feet are solidly placed on the floor, but a step in any
- direction will bring her up on her toes, and the limits of the chains
- prevent her from moving very far. Her ears, you will find, have been
- plugged with wax - she cannot hear you as you enter, or as you explore
- the contents of various tables placed around the edges of the room.
- When you enter, her knees are held far apart by a pole strapped between
- them - this brings her to her toes and holds her juicy center open for
- your exploring touch. This spreader bar is the only item of her initial
- bondage that can be removed.
-
- What will you find? How will you treat this helpless captive? How will
- she react?
-
- {NOTE: There is no way to free the captive. Describe what she does,
- and what she feels, but not HOW she feels - i.e., "She moaned and tried
- to escape the bite of the lash" is legitimate, but not "She waited
- submissively, wanting to feel the lash." The captive is a victim
- (hmm... wonder who that could be?)
-
- PV
- ------------------------------------------------------------
- PV,
-
- I've enjoyed a number of your messages, and found the scene
- setup quite interesting. I also don't know if there was any
- explication of how I am to have reached the end of the dark
- corridor, but I chose to assign this history to the scene: I'm a
- businessman in an illegal and dangerous trade, and some people
- who would like very much to supply me are aware of my tastes, and
- arrange some entertainment, which after taking appropriate
- precautions, I take them up on, and find myself entering the
- scene you've described.
-
- SD
- -----------------------------------------------------------------
-
- Story: Helpless in the Dark (completion)
-
- The victim's perfume leads me to her. I run my hands over all
- of her until I know all her assets. Though she gasps at my first
- touch, she says nothing. As my hands explore she remains still,
- until I feel her breast and she twists away. I grasp her nipple
- and twist hard, generating an "Owww !". I feel her breast again
- and she remains still. "What's you name ?", I ask. She remains
- silent. "TELL ME YOUR NAME !", I command, but she remains
- silent. "Won't talk, eh ?" Grasping both nipples, I twist them
- violently. "OWWWW AHHH ARR", but no words, come from her mouth,
- and while twisting both nipples I pull the left one forward
- sharply. Her screams become shriller, but she doesn't speak. I
- get behind her, place my knee in her lower back, take her nipples
- again, and simultaneous twist and pull her nipples. She screams
- again. I keep pulling. "PLEASE STOP, PLEASE !", she screams.
- "YOUR NAME", I command, but she just keeps screaming " PLEASE,
- - AAHHH - MERCY - OOOOO - I CAN'T BEAR ANYMORE, PLEASE STOP !"
- I keep twisting. "I'M NOT RESISTING - EEEYY - OH PLEASE STOP -
- IF YOU'RE PUNISHING ME FOR RESISTING, PLEASE STOP, I CAN'T HEAR
- YOUR COMMANDS ! HAVE MERCY, PLEASE !". I release her and she
- becomes silent. I slap her face, softly. "Thank you", she says
- softly, taking the hint. I stroke her face, feeling the tears on her
- cheeks. "I guess it's OK if I don't know your name. You'll just
- be my Victim".
-
- "Well, dear, it seems verbal interaction is out. I'll just do
- what I want while you scream about it. Usually a couple has to be
- married a few years to reach this point". I start exploring our
- chamber and locate the tables with the toys. I find some toys,
- including a very nice oral pear. "Since we can't talk, let's keep
- you to grunts and groans". I find Victim again and locate
- her mouth. I kiss her but she pulls away so I seize a hank of
- hair in each hand and pull them taut so she can't move her head
- and kiss her again. She keeps moving her mouth to avoid my kiss.
- Stubborn lady, this. I try to force the pear in her mouth but
- she resists. I take my knife and place the sharp side of the
- blade against her lower lip and apply a very slight downward
- pressure, and she opens her mouth. A stubborn woman, but not a
- dumb one. I pull down on her lower lip and she opens wider,
- enough for me to barely fit the pear in her mouth. I turn the
- screw a few times, opening the pear and stretching her cheeks. I
- stroke her face to check the tension and continue to open the
- pear over her first indignant then frantic grunts until I judge
- her cheeks ready to tear, then lock the setting. "No way you'll
- get that out." Before proceeding I kiss her eyes and neck and
- breasts and stroke her pussy. "A bit moist for someone who
- doesn't like this sort of thing. Or maybe it's just hot in here.
- Well, unless you tell me different, I'm going to assume that it's
- you who's hot. Nothing to say ? OK, you had your chance."
- I take the chains to her wrists and attach the lower links to ones a
- a bit higher with padlocks, causing her to dangle by her wrists
- w/o making her neck chain taut. With some difficulty I catch her
- flailing legs then raise her feet, crossing her ankles, and tie
- them together, then grab some hair, knot it, and attach her hair
- and ankles by a short taut cord. I turn her around several times,
- then release her. The sound of the chains tells me she's spinning
- freely, and I long for some light. I rub a smooth thick cane in
- her pussy lips to lubricate it, then lay below her with a hand on
- one knee as I carefully insert the cane into her vagina, slowly
- pushing it further in, then pulling it back a bit and shoving it
- back in. I can hear Victim twisting about above me, and the flow
- of fluid down the cane has increased. When I feel extra weight
- on the cane and hear Victim's grunts raise an octave I pull it
- back a a few inches, then unlock and remove the spreader bar
- before releasing my hold on her knee. Victim spins more slowly
- this time, each revolution bringing her further down the cane.
- I'm being hit both by the fluid dripping downhthe cane and the
- sweat thrown off Victim's body, and loving it. When the rattling
- of the chains stops, I start slowly moving the cane, making a small
- circle in the air as Victim's grunts become faster and louder.
- When they approach a critical point, I extract the cane, and can
- hear the chains rattle as she spins the rest of the way down.
- Delightfully, the rattling of her chains continues after Victim
- reaches the bottom, as she twists in frustration.
-
- I untie Victim's ankles. Her legs drop, hanging freely, and she
- directs a kick at me that only hits my thigh. I step aside to
- evade further kicks but none come. Listening carefully, I can
- hear her little grunts, and taking a guess, step in and insert my
- hands between her tightly pressed legs. I grab her thighs and
- hold them apart and she grunts loudly and kicks my legs with her
- heels. I catch her knees in my elbows so her kicks have less
- force and fewer targets and grasp her buttocks and stand there
- enjoying the anger of her grunts and the force of her struggles.
- As her struggles abate I pull her closer and start kissing her,
- working down from her neck to her breasts. She twists as if to
- escape but her grunts have changed; they're just as loud, growing
- louder, but the modulation has changed from that of an
- exclamation to that of a question. I release a cheek and bring
- my hand between us to undo my belt and pants, observing as I do
- so that Victim isn't taking advantage of the lessened grip to try
- to free her leg, so after dropping my pants and kicking them away
- from me - with this lady you sometimes need to move fast - I put
- both arms around her back and pull her to me, allowing her to
- slide down a bit to wrap her legs about me before I press her
- against me rubbing her chest against mine as I bury my mouth in
- her neck, being only slightly slowed by the frequency with which
- I hit my teeth on the narrow band encirling her neck. Unable to
- wait any longer I thrust urgently into her and she starts riding my
- cock, forcing herself up and down its length, her grunts
- accelerating and the heat rising in her chest and we are both
- about to explode...so I push her away, leaving her squealing and
- twisting in her chains. I step back not quite fast enough to
- escape a kick in the head - how does she aim so well in the dark -
- but with both feet off the ground she can't put much force
- behind it and it does no damage. I find my pants while she twists
- and kicks and grunts what are definitely some sort of angry
- exclamations, and dry my throughly lubricated cock. Then I
- circle behind and catch her legs as they return from their
- mission of destruction, get my arms below them and press her legs
- to her belly. I wonder how strong she is when she hasn't been
- hanging in bondage cause she's plenty strong now, but so am I,
- and I have her tightly held, her only resistance being to strike my
- head with hers, but her thick hair is so nice that this is rather
- pleasant. With no preliminaries I trust my hard dry cock into her
- tight unlubricated rectum thrusting hard as she groans ig pain, her
- fevered struggles making it very hard not to ejaculate immediately,
- but I find the discipline to wait until I've thrust my self fully
- within her, then come massive. Now too weak to hold this
- vixen of a victim, she breaks free of me and kicks me in the
- stomach and groin, barely missing the essential equipment - her
- aim is REALLY good - and I fall to the ground. She didn't do
- any real damage, and the pleasure was well worth the pain, but as
- a matter of principle a victim can't be allowed to strike without
- being punished, so I rest a moment while Victim tires herself
- out, then catch those lethal legs and bind them together. I'd stubbed
- my toe previously on a ring below her, and I find it now and push
- the other end of the rope binding her legs through it, then pull
- till her legs are stretched fully and tightly, then tie it off. I
- take the cane and aim hard strokes against the backs of her
- thighs, the blows raining down on them as her angry grunts change
- to imploring whimpers. Under the circumstances, my energy
- doesn't last long, and after 20-25 blows I'm spent. When I stop
- striking her thighs I realize that she's rubbing those legs
- together again, trying to get that orgasm. A very determined
- woman we have here. "I'd have liked to have met you in the light
- some time, Victim, but with those permanent wrist restraints on I
- don't imagine you're ever going to leave here. But I guess
- someone had to be here, and you've a talent for it". I find the
- spreader, untie her legs, feeling her thighs to confirm the
- rising welts, and fasten it on her knees in time to prevent her
- orgasm, and leave her kicking and moaning.
-
- I've probably already caused lasting damage to her wrists and
- arms, but in case she ever does get out of here - and I find
- myself hoping, to my surprise, that my business associates can
- find some way to free her someday - I adjust the chains so her
- toes are back on the ground. I then unlock and close the oral
- pear and extract it from her mouth. When it clears her lips,
- she works her jaw for a bit, and, having established that
- everything works, shouts "YOU S*O*B ! YOU PROBABLY *CAN'T* GIVE
- ANYBODY AN ORGASM..." and continues with a long string of
- quite literate and imaginative invective. Feisty. If I had time
- I'd do her again. Well, I can't stay long, but one last torment
- ( I hate letting a woman get the last word ). Leaning against a
- table is a sheet of metal with a hole in the middle attached to
- some wires. Since finding the floor ring, I know the purpose of
- the metal. I locate it and the other essential equipment and
- place it under her feet. She doesn't seem to have encountered
- this before. I hook up the battery and throw the switch on the
- transformer "AND ANOTHER THING - AARGH IIIIIEEEEE". Ah, there's
- some last words I can let her have. I can tell by the sparks
- that result when her sweaty feet touch the metal that she's
- hopping from one foot to the other to minimize the pain to her
- feet without hanging any longer by her wrists. I wonder how long
- she can keep it up. I figure about 20 minutes, and set the timer
- - oops, sorry Victim, I didn't mean to raise the voltage, if
- there's any dogs here that shriek will bring them - ah, here's
- the timer - for 25 minutes.
-
- Between shrieks she's finding the breath to alternately curse me
- and make some really intriguing offers.
-
- I'll sound out my new suppliers. Maybe I can get her as a
- throwin.
-
-