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- Newsgroups: alt.magic
- Path: sparky!uunet!mnemosyne.cs.du.edu!nyx!cragaisi
- From: cragaisi@nyx.cs.du.edu (Chris)
- Subject: Re: mirrors
- Message-ID: <1993Jan26.140851.14941@mnemosyne.cs.du.edu>
- Sender: usenet@mnemosyne.cs.du.edu (netnews admin account)
- Organization: University of Denver, Dept. of Math & Comp. Sci.
- References: <1993Jan25.215204.17736@kodak.kodak.com>
- Date: Tue, 26 Jan 93 14:08:51 GMT
- Lines: 27
-
- Just a brief note on the use of mirrors for practice (at least from my
- experience):
-
- Mirrors - good.
-
- Too much practice in front of a mirror - bad. I've found that after
- rehearsing exclusively in front of a mirror, I tend to perform the trick
- while looking away from my hands and my head and eyes cast slightly down
- (from the position I would normally take if I were in front of my mirror).
- This causes 2 things to happen: first, I look like a 50s movie zombie, and
- second, people direct their attention where I direct mine (away from the
- material and towards portions of the spectators anatomy where my sightless
- gaze unwittingly rests - it's unwanted circumstance, and uncomfortable for
- both of us).
-
- As a result, I work in front of a mirror until I'm sure that the angles are
- covered and the sleight looks good (incidentally, mirrors are also great for
- examining the _natural_ action that the sleight is trying to slip by as and
- then making the sleight match it as closely as possible) and then I get away
- from the mirror and rehearse the trick - patter, pauses, and everything -
- for at least as long as the mirror session went.
-
- It works for me.
-
- Chris
- --
- "The plan was simple. Unfortunately, so was Bullwinkle."
-