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- Path: sparky!uunet!wupost!usc!randvax!edhall
- From: edhall@rand.org (Ed Hall)
- Newsgroups: sci.fractals
- Subject: Re: Fractal sound?
- Message-ID: <4133@randvax.rand.org>
- Date: 3 Jan 93 04:06:20 GMT
- References: <93002.002334U41602@uicvm.uic.edu>
- Sender: news@randvax.rand.org
- Organization: RAND
- Lines: 27
- Nntp-Posting-Host: ives.rand.org
-
- In article <93002.002334U41602@uicvm.uic.edu> U41602@uicvm.uic.edu (Rich Chong) writes:
- >I heard that there is a fractal tone that sounds like a tone of
- >a forever increasing pitch, but in reality doesn't.
- >Is there a name to this? Can someone post a sample or a generator?
- >Thanks.
-
- I'm not sure if I'd call it a "fractal," but the so-called "Shepard
- tone" is such a sound. The sound consists of a bank of rising
- tones--say, ten tones in total--each an octave apart and rising in
- unison. A given tone starts at a very low frequency and with zero
- amplitude, then gradually fades in as it rises, becoming loudest around
- the fifth octave and gradually fading out to zero amplitude when it
- reaches the tenth octave--and then starts all over again at the lowest
- frequency.
-
- Because of the gradual fade-in/fade-out, the starting and ending points
- of an individual tone are not heard, and the ear tends to focus on the
- tones pitched around the fifth octave, hearing them as a group of
- "endlessly" rising tones.
-
- Psychologist Roger Shepard discovered the principle behind these tones,
- while Jean-Claude Risset developed the "endless glissando" I've just
- described. I have a CSOUND instrument which produces these tones, if
- anyone is interested and has CSOUND.
-
- -Ed Hall
- edhall@rand.org
-