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- From: matthew@cs.mun.ca (Matthew J. Newhook)
- Subject: Re: Finishing techniques
- Message-ID: <1992Dec21.131622.10306@cs.mun.ca>
- Organization: CS Dept., Memorial University of Newfoundland
- References: <1992Dec10.210038.29499@reed.edu> <42441@sdcc12.ucsd.edu> <1992Dec13.143844.298@cs.mun.ca> <1992Dec18.201240.8104@cs.brown.edu>
- Date: Mon, 21 Dec 1992 13:16:22 GMT
- Lines: 32
-
- tac@cs.brown.edu (Ted A. Camus) writes:
-
-
- >matthew@cs.mun.ca (Matthew J. Newhook) writes:
- > I.e., use a technique that controls their center to throw them.
-
- Correct.
-
- > However, I disagree that sankyo and kotegaeshi only rely
- > on pain. With sankyo, by twisting the arm into a tight "bowstring"
- > (i.e. slightly more extended than one would do to inflict maximum
- > pain), one has a very convenient lever to control uke. Here one
- > immediately manipulates uke without waiting for any "pain effect".
-
- Well, I don't know about you, but the only reason I move when these
- techniques are applied to me, is so that my wrist doesn't get ripped
- off. The point of leverage of these attacks is at the wrist, so
- therefore if you don't move the wrist gets broken, and there is no more
- leverage.
-
- > -- Ted --
-
- >==========================================================
- > Ted Camus Box 1910 CS Dept
- > tac@cs.brown.edu Brown University
- > tac@browncs.BITNET Providence, RI 02912
-
- Matthew
- --
- Matthew Newhook (matthew@engr.mun.ca) | "...get on with the fascination
- Faculty of Engineering and Applied Science | the real relation, the underlying
- Memorial University of Newfoundland, Canada | theme" - Limelight, Rush
-