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- Path: sparky!uunet!paladin.american.edu!howland.reston.ans.net!usc!news.bbn.com!NewsWatcher!user
- From: shetline@bbn.com (Kerry Shetline)
- Newsgroups: rec.audio
- Subject: CD/LD jitter: I certainly do get it! (Was: Kerry doesn't get it...)
- Followup-To: rec.audio
- Date: 1 Jan 1993 03:16:21 GMT
- Organization: BBN
- Lines: 59
- Distribution: world
- Message-ID: <shetline-311292221445@128.89.19.85>
- References: <shetline-311292220109@128.89.19.85>
- NNTP-Posting-Host: bbn.com
-
- PART II
- -------
-
- Given the basic data stream stability provided by servo regulation, very
- small buffers are quite sufficient to produce a regular clocked output. As
- long as the drive slows down the disc as the end of its buffer space is
- approached, (rather than waiting until the moment it is reached), overflow
- is no problem. As long as the drive speeds up the disc as the buffer runs
- low, (rather than waiting until it is empty), underflow is no problem. This
- simple scheme guarantees (short of complete mistracking or intentional
- cueing) that a steady, clocked device can always have data available to
- transmit at a precise rate. The earliest and the cheapest CD players have
- all had enough memory for this, partly because data has to be buffered for
- error-correction. This takes two forms -- a group of data words (96 bits?)
- is collected and an error-correction code is computed and compared to a
- code from the disc. If there is a mismatch, error correction or
- interpolation is performed. Then and only then does the data go on to the
- DAC (or out the coax or optical digital port).
-
- In addition, data words are interleaved -- that is, the physical word order
- is different from the logical word order. This makes it less likely for two
- adjacent data points to be simultaneously disrupted. The effect of this is,
- however, that if a CD player ever were to become so desperate that is was
- shoveling data straight off the disc into the DAC, the data would not only
- be jittery, it would be in the wrong order! Not to mention all of the
- subcode data, sync bits, and error-correction data that there wouldn't be
- time to filter out. (Need I bring up 14-to-8 modulation?) You wouldn't hear
- anything but a very ugly noise!
-
- In other words, if you are hearing CD (or LD) digital audio, and it sounds
- anthing like it should, the sound must, by the very nature of the process
- that makes it listenable, be as free of jitter as any quartz-crystal timed
- device can make it. The claims that Theta makes about its mechanical
- transport qualities can not be responsible for any perceived improvement in
- sound quality beyond an obvious lack of mistracking, clicking, and outright
- cacaphony. Note, I do not contend that the Theta doesn't sound better (I do
- doubt it, however). I merely claim that THE REASONS THETA GIVES FOR
- IMPROVED PERFORMANCE ARE UNSUPPORTABLE.
-
- In article <1992Dec31.093238@trc.amoco.com>, znpt01@trc.amoco.com (Norman
- P. Tracy) wrote:
- ...
- >many causes. Anyone at all interested in this topic NEEDS to get the latest
- >issue of Stereophile and carefully read the Robert Harley article measuring
- >jitter levels in a variety of products. And then order the AES reprints he
- >references to learn even more, I know I will be.
-
- I have found Stereophile interesting to read in much the same way I find
- tabloid headlines entertaining at the supermarket. I may be occasionly
- amused, but I'm still not going to let either of them make a dime from me.
- I might be convinced to look up the article you mentioned in a borrowed
- copy, however.
-
- > or two to be learned. Continuous improvement rules.
-
- Continuous snake-oil rules as well. The need always exists to know the
- difference.
-
- -Kerry
-