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- Newsgroups: rec.audio
- Path: sparky!uunet!mnemosyne.cs.du.edu!nyx!tlode
- From: tlode@nyx.cs.du.edu (trygve lode)
- Subject: Re: Question about rear speakers for surround sound
- Message-ID: <1992Dec28.204121.11468@mnemosyne.cs.du.edu>
- Sender: usenet@mnemosyne.cs.du.edu (netnews admin account)
- Organization: Nyx, Public Access Unix @ U. of Denver Math/CS dept.
- References: <5757@gold.gvg.tek.com> <1992Dec28.033413.11695@midway.uchicago.edu> <20595@ucdavis.ucdavis.edu>
- Date: Mon, 28 Dec 92 20:41:21 GMT
- Lines: 31
-
- In article <20595@ucdavis.ucdavis.edu> matthews@eecs.ucdavis.edu (Thomas W. Matthews) writes:
- >Has anyone tried using an unbaffled driver as a rear speaker?
- >The listening position could be in the null of the rear speaker's
- >directional response. Room reflections would convey the rear channel
- >sound to the listeners. Of course, the reflections off the left wall
- >would be out of phase with the reflections off the right wall; the
- >listener would be in the "crossfire". I don't know how this would be
- >perceived.
-
- I've done this myself with what I feel are good results. The technique
- I've used is to mount a reasonable quality full-range speaker on a board
- large enough that the shortest path from the front to the rear of the
- driver is at least a quarter-wavelength of the lowest frequency of
- interest; the surround channel in Dolby surround systems is bandwidth-
- limited to 100Hz to 7KHz, so the baffle plate doesn't have to be very
- large and, if you mount it against a wall like I do, the side against
- the wall may be as small as desired. My current setup has four speakers
- like this mounted on the side walls with one pair slightly forward of the
- listening position, the other slightly behind (about 6-7 feet apart). I've
- tried other placement options, including against or near the rear wall
- with less satisfactory results.
-
- The end product is a dramatically diffuse soundfield relatively independent
- of listening position--perhaps the most impressive demonstrations of this
- technique are several episodes of the new Star Trek, where sound effects
- on the ship and various planets really do seem to come from all around and
- various off-camera sound effects (such as doors opening) are surprisingly
- well "steered" by the front speakers and sound as if they're coming from
- specific locations well off to the side and nowhere near any of the speakers.
-
- Trygve
-