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- From: harelb@math.cornell.edu
- Newsgroups: alt.activism
- Date: 27 Dec 92 16:52 PST
- Subject: FILM: Manufacturing Consent
- Sender: Notesfile to Usenet Gateway <notes@igc.apc.org>
- Message-ID: <9212280050.AA29933@tba.msi.corne>
- Nf-ID: #N:9212280050.AA29933@tba.msi.corne:-1297078148:000:5801
- Nf-From: math.cornell.edu!harelb Dec 27 16:52:00 1992
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-
- From: harelb@math.cornell.edu (Harel Barzilai)
- Subject: FILM: Manufacturing Consent
-
- [Originally posted to misc.activism.progressive from PeaceNet's media.issues]
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- Topic 798 Film rev: Manufacturing Consent
- rich misc.activism.progressive 12:30 am Dec 24, 1992
- (at pencil.cs.missouri.edu) (From News system)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- A New Documentary
- On Noam Chomsky
- and the Media
-
- By David Peterson
- Insight Features
-
- "They who have put out the people's eyes reproach them for
- their blindness."
- --John Milton
-
- Mark Achbar and Peter Wintonock use this line from the great
- English poet as the inscription to their new documentary,
- `Manufacturing Consent: Noam Chomsky and the Media.' The same
- quote was also used to inscribe the 1988 book by Chomsky and
- Edward Herman, `Manufacturing Consent: The Political Economy of
- Mass Media.'
-
- The quote captures one of Chomsky's basic themes: in the
- relatively freer, formally democratic societies, particularly the
- more powerful ones, the role of the media is to blind people to
- their real interests in truth, freedom, authenticity, fellowship
- and justice. As a component of an ideological system, the role
- of media is to "manufacture the consent" (the phrase penned by
- Walter Lippmann in his 1922 book `Public Opinion') of these same
- people to policies and to a way of life that is typically not in
- their best interest and often self-destructive as well.
-
- This unhappy fact of life also has a more optimistic
- concomitant: the native capacity of people to escape from these
- doctrinal constraints. We all feel the need to move in the
- direction of something more truly human, providing we are willing
- and able to make the effort.
-
- Hence ruling elites of every stripe have always found
- themselves forced to resort to forms of thought control and
- deception. They have done so more or less to the same extent
- that their social structures were unjust or their governments
- behaved unjustly, whether against their own citizens or other
- countries.
-
- In Chomsky's perspective, the human species is not without its
- emancipatory potential. Thus, as opposed to the political
- insider, the activist's ideal is to help people discover their
- decent instincts, as well as to provide them with the moral,
- intellectual and political tools they need to act on these
- instincts in a positive and constructive fashion.
-
- The film's general approach is to portray Chomsky's legendary
- and uncompromising labors toward this end. More important, it
- succeeds--impressively. Achbar and Wintonock have managed to
- match many of Chomsky's theoretical points with helpful footage
- concretely representing the point he's making.
-
- One good example: Chomsky is shown quoting Reinhold Neibuhr's
- infamous line about the need for "necessary illusions," i.e.,
- "emotionally potent over-simplifications" to keep the great mass
- of people in check and on the proper course. The filmmakers then
- cut in with a Reaganesque PR film on the glories of the Strategic
- Defense Initiative, complete with space-based lasers zapping
- incoming Soviet ICBMs. It's a riot--you'll love it.
-
- The film also has some excellent vintage footage of Chomsky
- appearing on Dutch TV, in a 1971 debate with the French historian
- Michel Foucault. There are clips of a debate with William
- Buckley on `Firing Line' and of Chomsky speaking outside MIT,
- denouncing the technocrats who created the Indochina wars. There
- is a powerful treatment of the comparative U.S. media coverage of
- the Cambodian and East Timorese bloodbaths, which serves as a
- classic example of the media's subservience to power.
-
- There are also interviews with people who think the Chomsky-
- Herman Propaganda Model is a lot of crap. From my seat in the
- balcony, the film does have one boring lapse. The work is in two
- parts; first is "Thought Control" (95 minutes), second is
- "Activating Dissent (72 minutes). About two-thirds of the way
- through part one, the filmmakers travel to Media, Pa. Who knows
- why the footage is there, except maybe they invested a lot of
- time and couldn't bring themselves to cut it?
-
- Most average, everyday people know little or nothing about
- Noam Chomsky. Yet I think they are the people who would most
- enjoy and have their eyes opened by this film. As Chomsky puts
- it toward the end of part two:
-
- "The question is whether privileged elites should dominate
- mass communication, and should use this power as they tell us
- they must--namely, to impose `necessary illusions'....Either the
- general population will take control of its own destiny and will
- concern itself will community interests, guided by values of
- solidarity, and sympathy, and concern for others. Or
- alternatively, there will be no destiny for anyone to control.
-
- -- 30 --
-
- David Peterson is a free lance writer living in Chicago.
- ** End of text from cdp:media.issues **
-
-
- INSIGHT FEATURES / December 1992
-
- If any IF articles are downloaded for use in the print
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-
- ** Topic: Chomsky on Media **
- ** Written 2:56 pm Dec 21, 1992 by hrcoord in cdp:media.issues **
- From: Human Rights Coordinator <hrcoord>
- Subject: Chomsky on Media
-
- /* Written 8:43 pm Dec 20, 1992 by ihandler@igc.apc.org in igc:nfd.ifeatures */
- Film Review / 700 Words
-
-