home *** CD-ROM | disk | FTP | other *** search
- Path: sparky!uunet!zaphod.mps.ohio-state.edu!pacific.mps.ohio-state.edu!linac!att!bu.edu!icad!young
- From: young@icad.com (Jonathan H. Young)
- Newsgroups: rec.folk-dancing
- Subject: International Folk Dancing and "The Macedonian Question"
- Message-ID: <YOUNG.92Nov18161145@black-nag.icad.com>
- Date: 18 Nov 92 21:11:45 GMT
- Sender: news@icad.com
- Organization: ICAD Inc., Cambridge, MA
- Lines: 69
-
-
- I hesitate to open up rec.folk-dancing for a flame fest, but I was
- very disturbed by an incident last weekend and wanted to discuss the
- issues on the net so other international dance groups are not
- surprised if/when similar events happen to them.
-
- [Disclaimer: I do not speak for or represent the MIT Folk Dance Club.]
-
- Last weekend, the MIT Folk Dance Club was very fortunate to host Pece
- Atanasovski, who gave a weekend workshop in Macedonian dances from his
- native region (near Skopje).
-
- Unfortunately, some of the publicity for the workshop was
- understood by the local Greek community as being political in nature,
- and they attended the Saturday workshop and culture corner to protest.
- We were able to avoid a major incident largely through the
- intervention of the MIT Hellenic Student's Association, although some
- dancers were intimidated by the protest.
-
- As you might imagine, the MIT Folk Dance Club was somewhat surprised
- by the protest. Although we promote the dances of all cultures, we
- were accused of taking a partisan political position on an issue with
- international repercussions.
-
- In conversation with the protesters it was unclear how we could have
- avoided take a partisan position. They argued that "Yugoslav
- Macedonia" was a fiction promulgated by Tito in the 1940s with
- expansionist intent, and that the only true Macedonia was entirely
- contained within Greece. Furthermore, they stated that there was no
- authentic indigenous culture or ethnicity north of Greece, because it
- had all been supplanted by slavic pseudo-culture imposed by the
- communist regimes over the last 40 years.
-
- International folk dancers routinely distinguish between "showy"
- arranged or choreographed dances and the strong, simple character of a
- village dance, and we have long lamented the suppression of the
- indigenous cultures under communism and other oppressive regimes. We
- try to learn about the culture and history of the regions from which
- our dances come, and we try to use terms which bear some relation to
- this culture and history.
-
- In particular, the MIT Folk Dance Club has historically used the term
- "Macedonian" to refer an amorphous region of the Balkans with similar
- dance and musical styles, not delimited by any national or provincial
- boundaries. In my experience, this usage is consistent with that of
- other international folk dance clubs in the United States, and
- includes portions of south-western Bulgaria, northern Greece, and the
- southern region of the former Yugoslavia (which is now calling itself
- the Yugoslav Republic of Macedonia). In addition to being a useful
- distinction in terms of dance styles, it is my understanding that the
- term has been used to refer to this region for hundreds of years.
- (This does not negate the Greek fear of invasion from the north.)
-
- Of course, we were not unaware of recent political developments in the
- Balkans, including the establishment of an independent state calling
- itself Macedonia out of the southern portion of Yugoslavia, and the
- fact that the Greek government has opposed the use of the name
- "Macedonia" for this country. It is my understanding that the EEC and
- the United States have not yet officially recognized Macedonia because
- of the name issue that Greece has raised.
-
- How can international folk dancers continue to refer to this region
- without causing an international incident? In general, we defer to
- our workshop leaders in choosing the appropriate adjectives to refer
- to their dances. Do we have to resign ourselves to controversy any
- time we learn dances from a region of the world whose name is in
- dispute?
-
- --- Jonathan Young (young@icad.com)
-