home *** CD-ROM | disk | FTP | other *** search
- Xref: sparky alt.prose:1543 alt.vampyres:1540
- Newsgroups: alt.prose,alt.vampyres
- Path: sparky!uunet!europa.asd.contel.com!darwin.sura.net!wupost!sdd.hp.com!hp-col!dag
- From: dag@col.hp.com (David Geiser)
- Subject: A Vampire Tragedy, Chapter 3
- Sender: news@col.hp.com (Usenet News)
- Message-ID: <1992Nov20.184558.20538@col.hp.com>
- Date: Fri, 20 Nov 1992 18:45:58 GMT
- Organization: HP Colorado Springs Division
- Lines: 183
-
- I am posting this for txdv1@isuvas.iastat.edu. Please do not mail to me.
-
- ----------
-
- Chapter 3: End of the Beginning
-
- She looks up from the terminal to check the clock, 9:00 pm, a
- rather pleasant surprise. She returns her attention to the report that
- she has just finished. After a bit she examines her notes on the case
- for the umpteenth time, checking for something, anything that she might
- have over looked. Seeing nothing she turns her attention to the window
- in time to see the sun set. A rather spectacular display. The bright
- vivid colors reflecting off the few remaining clouds left over from the
- excessive rain that had plagued the town and area around it all day
- yesterday.
-
- The clouds broke up earlier in the day allowing for a rather
- beautiful afternoon, one that she was unable to enjoy because of work.
- Really a shame too, considering that she's the coroner for the police
- department and the work she had to attend to was a young girl who was
- killed on her wedding day.
-
- She goes into the lab area to recheck the body, she may have
- missed something. She looks at the body and shivers as she recalls the
- actual cause of death, blood loss. She's seen people who had bleed to
- death before but there had always been a definite injury that had caused
- it, a knife or bullet wound, a traumatic injury from an accident, all
- ways something obvious, except for this time. This time is different,
- this time there are no outward signs of blood loss. There are no gaping
- wounds, no blood stained cloths, not even a drop of blood congealed on
- her body of the area around her, almost as if... The door opens and
- Toron enters the room.
-
- "Ready for diner? I do hope so, desert too." She looks up with
- a start.
-
- "Yes, I am actually finished here, for the most part." Toron
- gives her a quizzical look.
-
- "For the most part?" She walks over to her desk and picks up
- her purse.
-
- "I'll explain later. You'll just have to wait for the formal
- report tomorrow. Tonight lets just forget about work and relax." They
- leave. As the door closes behind them something moves in the lab......
-
-
-
- It's night as she drifts down the street. The distance between
- the lights creates a lonely pattern of alternating light and dark. The
- street lights add eerie shadows to the area around them. Strangely
- enough she has no more trouble seeing in the dark then the light. She
- does not take the time to notice this, she does not even notice the
- difference, there is only the drive, the need. There is someone,
- something that she must find.
-
- She doesn't quit know what she is looking for, only that she
- must find it. It calls to her, pulls at her. Her movements are not her
- own. She is like a robot at the power of some unseen controller. All
- that she knows is that she must find whomever, whatever it is that is
- pulling her strings.
-
- All that she remembers is going to the townhouse were she was to
- meet Johan's mother and cousin. A rather rainy day, as if that
- mattered. She had paused out side for a moment, slightly curious as to
- why she had come early, before entering the house. Johan had given her
- a key. She must ask him how he managed to get the use of a town house
- like that. She went to turn on the lights and then something, someone
- grabbed her from behind. The terror overwhelmed her and then she
- blacked out only to awaken on a rather cold slab of a metal table in a
- dark room.
-
- There he is by a lamp post that hasn't worked in years. His
- appearance startles her out of her dreamy recollections. He has the
- look of someone in their late 20's or early 30's, and the feel of
- something by far more ancient. His hair is ash brown and has a rather
- wispy quality to it. He is average in build as well as height and, in
- the dim light from the moon, his face looks almost as pale as a
- corpse's. His hand feels colder then ice as he places it one her
- shoulder and takes her with him. As he turns her away from the street
- she catches a pale yellow glimmer from his eyes as though he had just
- recovered from some long feverish dream.
-
- They walk in silence threw the dark empty streets until they
- come to an old stone building that dates back threw the ages. There
- they stop. He opens the door and enters. She silently follows at his
- beckoning, her will still not her own. As he shuts the door she notices
- her surroundings for the first time in his presences as if just having
- wakened from sleepwalking. As she looks around her she notices him
- walking through a door on the other side of the hall. She quickly
- follows even as her mind tells her to run in the other direction.
-
- "Come my dear and we will get better acquainted, you and I."
- His voice is a soft whisper and she finds that as before, she can't
- resist his command. The room is a quaint study with only one window
- that was bricked over when another building was built next to it. The
- room has an archaic look to it as all the light is coming from gas
- fixtures and scattered candles. There are cases filled with books of
- all ages. There are more books stacked everywhere, except for two
- chairs sitting in the middle of the room. In one of the chairs sits the
- man who brought her here.
-
- "Sit down my dear and I shall explain all to you." She sits in
- the chair across from him as he indicates. She does not exactly
- remember moving to the chair and it occurs to her briefly that he is
- controlling her. The thought departs as quickly as it came.
-
- "First is first, we must dispense with a few formalities. I am
- called John Storn, you are?"
-
- "I am Colera." She hesitates a moment as if fighting with
- something inside her. "Colera Jenson, soon to be Colera Lenvel." He
- smiles a smile that can only be described as cold and dark. A smile
- lacking all substance. In a moment it is gone leaving only a shiver of
- remembrance to haunt the mind, as well as the soul.
-
- "Let me explain what has happened to you." His voice has dank
- ancient feel to it as he talks.
-
- "A few weeks ago I saw a painting of you which I talked the
- previous owner out of." He indicates to a painting that is hanging on
- the opposite wall.
-
- "It was not long after that that I first laid my eyes upon the
- real you. I decided then that I would have you. My first attempt last
- night was a failure. Luckily, however, the weather conditions gave me a
- lovely second chance. This time, as you can see, I did not fail." He
- pauses. "I must mention something else before you retire. In order to
- really have you, I first had to make you into what I myself am, a
- vampire. I hope that you find your new existence to be satisfactory."
- He smiles again, this time it almost touches his eyes, almost. She finds
- herself smiling back.
-
- Instantly she finds herself hating this man. It occurs to her
- that he is someone who will stop at nothing to get what he wants and
- usually gets it. He decided he wanted her so he got her. No one gets
- Colera Jenson that easily, not for long, not with out paying for it.
-
- "Oh, one more thing. Since you are now one of us you must learn
- how to survive in our world. Right now you know nothing of how to use
- your powers or how to hunt. It is common practice to apprentice out to
- an older vampire who can teach you these things."
-
- "Oh, and who might you have in mind", she comments
- sarcastically, "the ever famous Count Dracula?"
-
- "Well, you do seem to have a sense of humor. No I plan to teach
- you myself. You are, after all, my fledgling."
-
- "What does that mean exactly?"
-
- "Simply that I made you and as such I am your master."
-
- "Master? As in I do as you say, like it or not?"
-
- "You will have no choice. Just as you did this night you will
- find yourself compelled to do as I say. You will find it rather hard,
- if not impossible, to resist, even for a second." She sits silently,
- her mind running threw the information that he just passed on to her.
-
- Well if I am a vampire, meaning that he really isn't insane as
- he appears to be, then I have the rest of eternity to rid myself of this
- 'man'. For now it it probably best is I play along with him and bide my
- time. It just might be in my best interest to learn what he wants to
- teach me. It would be useful and I don't seem to have any choice in the
- matter.
-
- "I seem to have little say in this matter", she says out loud,
- "so I will pay heed to what you have to teach me. If things are as you
- claim, then I shall have to pay extra attention to what you teach. If
- not, it shouldn't hurt anything. For now, however, I am rather tired
- and would like to get some sleep. If you would show me to my room I
- would be thankful. Or is it a coffin?"
-
- "Yes", he replies, "of course, please come with me." He seems
- rather pleased as he leads her to a room in the back.
-
-
- --
-
- Isn't it funny how Jesus was so peaceful and Christians are so pushy?
-
- --
-