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- Newsgroups: alt.callahans
- Path: sparky!uunet!munnari.oz.au!metro!news
- From: mar@physics.su.OZ.AU (David Mar)
- Subject: Mishael's Four Word Story
- Message-ID: <1992Nov22.002127.9301@ucc.su.OZ.AU>
- Sender: news@ucc.su.OZ.AU
- Nntp-Posting-Host: physics.su.oz.au
- Organization: School of Physics, University of Sydney, Australia
- Date: Sun, 22 Nov 1992 00:21:27 GMT
- Lines: 111
-
- Danger Mouse waves for attention again.
-
- "Most of you will remember Alfvaen's request for four word story set-ups,
- and my subsequent request for the same. Well, the first response I got
- was from Mishael, who supplied the words:
-
- "limn, hemidemisemiquaver, lambdoid, arquebus.
-
- "He also admitted that he was trying to be difficult. Well, it took me
- a while to come up with something, but here is the result. I hope you
- like it, Mishael."
-
- DM pins up a sheet of paper on the noticeboard. It reads:
- =========================================================================
-
- "Hemidemisemiquaver! Hemi! Hemi! Listen to me when I talk to you!"
-
- The master's stick crashed down on the desk, causing Jacob to spill his
- pot of ink. The brown sepia ran across the page, staining his painstaking
- work beyond all recognition. He scrabbled to upright the pot and prevent
- the further spread of the ink.
-
- "Maybe that will teach you to pay attention, young Leitz. Now you can
- start the page again, and there will be no supper for you until it is
- done. With all of the notes correct! Four strokes, not three!"
-
- Jacob wanted to mutter a curse but restrained himself. Instead he silently
- rose and crossed the room for a fresh piece of parchment. Why someone
- would want an illuminated manuscript of music was beyond him, but it was
- not his place to question. As a mere acolyte, his lot was to carry out
- the orders of the masters, however strange they may seem.
-
- Normally Jacob spent his writing time copying and illuminating holy texts.
- This morning, however, he had been given a piece of music to transcribe.
- He was to copy the staves and notes, then limn the clefs as though they
- were the initial letters of holy psalms. Presumably the music was for
- performance during a service, but Jacob's musical training was too
- incomplete for him to recognise the piece.
-
- Jacob also collected a rag to clean the desk as he watched the master
- leave the room. He wondered why the masters were so impatient lately.
- Normally it was rare for them to become angry with the acolytes. Perhaps
- this piece of music was needed urgently...
-
- ***
-
- Jacob woke the next morning to the sound of shouting. He quickly rose, put
- on a robe, and peered out his small window. In the courtyard of the
- monastery was a group of soldiers, standing beside horses and armed with
- arquebuses. One who appeared to be their leader was arguing with the High
- Master.
-
- "What do you mean, a week?" the soldier was yelling, "I told you we need
- that music today!"
-
- "And I tell you that such things take time," the High Master replied
- calmly. "Would you be happy presenting an inferior work to your god?"
-
- The soldier fumed, and Jacob thought that he would strike the High Master,
- but he kept his temper and turned to gesture to his men. They shouldered
- their weapons and went to their steeds. The leader turned back to the
- High Master. "Two days, no more. Present me with your best then, or we
- shall raze this place to the ground. I shall be camped outside with my
- men."
-
- That explains it, thought Jacob, worshippers of a heathen god, forcing us
- to produce their filthy offerings. May the Lord have mercy on their black
- souls.
-
- He turned to his door as footsteps approached. There was a loud knock,
- then the voice of one of the masters shouting, "Leitz! Get up! There is
- work to be done!"
-
- ***
-
- Over the next two days, Jacob worked harder than he had ever worked
- before. The musical manuscript took shape under his skilful pen. His
- masters had not told him about the soldiers; they had simply instructed
- him to do his best and fastest work. Jacob knew that their doctrine
- would not allow them to be satisfied with an inferior work, no matter to
- what purpose it would be put.
-
- But Jacob could not help thinking that some sabotage would not go astray.
- Anything which disrupted the worship of false gods could only be good.
- So, on the final page of his work, Jacob deliberately distorted the
- shapes he drew. He had picked up the feel of the musical notation, and
- simply invented his own instead of transcribing the rough sheets given
- to him. He ended with a final flourish, an illuminated distortion of a
- treble clef which ended up lambdoid in shape, and which he felt certain
- would ruin the work for the purpose of being an offering.
-
- The masters were so eager to get the completed work to the soldiers that
- they did not check the final pages. They had complete faith in Jacob, who,
- after all, was their best and most gifted scribe. The lead soldier
- accepted the manuscript gruffly and led his troops away on their horses.
-
- ***
-
- Late that night, in the smoky underground chamber of a temple dedicated
- to death and destruction, the priests were astonished to be witness to
- a full manifestation of their chosen deity.
-
- "Your offering is accepted," said the semi-transparent figure above the
- altar. "This music represents me well, and shall serve as our anthem as
- we ravage this land. We are very impressed. Particularly with the ending."
-
- Two hours' ride away, Jacob Leitz slept well.
-
- ========================================================================
-
- - Danger Mouse.
-