CD-ROM Interactive 11

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FileMaker Pro Database | 1995-06-21 | 26.9 MB | 197,408 lines

Text Truncated. Only the first 1MB is shown below. Download the file for the complete contents. Edition@ Interactive@ Serves Still@ HBAM2001MAY84 GUIDE.FM: 1930-1994 1975-94 1980-1990 386cd Adventures Afraid Airplane Aladdin Alice's Alive Alone America Americans Ancient Angels Animals Another Anti-static Apocalypse Armored Artists 6/21/95 CATEGORY CONTACT DESCRIPTION ISSUE MOVIE NO. RECORDS BEING BROWSED 6/21/95 CATEGORY CONTACT DESCRIPTION ISSUE MOVIE NO. RECORDS BEING BROWSED 6/21/95 CATEGORY CONTACT DESCRIPTION ISSUE MOVIE NO. RECORDS BEING BROWSED PLATFORM PRICE PRICE 2 PRICE FIND OPTIONS PRICE INFO PRICE INFO 2 PRICE SEARCH OPTIONS PRINT RATING SCROLL BACK SCROLL FORWARD SEARCH TITLE VIEW BY LIST VIEW BY RECORD VOLUME TitleB DescriptionB PriceB Price InfoB Price 2B Price Info 2B ContactB PlatformB VideoCD CategoryB AdReference Comedy Digital Movies Games History Languages Literature Music Sciences Young Children MovieB VolumeB IssueB PageB RatingB No. Records Being BrowsedB Price Search OptionsB GUIDE.FM(1) A0Under Under Under Under Over Scroll BackB Scroll ForwardB SearchB View by ListB PrintB QUITB View by RecordB FindB Price Find OptionsB If (Price = "";""; If (Price < 20.01; "Under 20"; If (Price < 30.01; "Under 30"; If (Price < 40.01; "Under 40"; If (Price < 50.01; "Under 50"; If (Price > 50.00; "Over 50";" Check")))))) ' Under ' Under ' Under ' Under Over Check lPATH CDROMAG3:THE GUIDE:GUIDE NEW BC Guide new CDROMAG3 BC Guide new FMPRFMPR The Guide CDROMAG3:The Guide:Guide new 660AV CDROMAG3 660AV CDROMAG3\A CDROMAG3 BC Guide new FMPRFMPR The Guide CDROMAG3:The Guide:Guide new 660AV CDROMAG3 660AV CDROMAG3\C :GUIDE NEW lPATH alis ISSI NOHO:THE GUIDE:GUIDE.FM GUIDE.FM Issi NoHo GUIDE.FM %FMPRFMPR The Guide Issi NoHo:The Guide:GUIDE.FM Issi NoHo Issi NoHo Isobel Pring . 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Issi NoHo A :GUIDE.FM 2G.J/ A Main Menu Main Screen Title List Credits A Main MenuB Main ScreenB Price Contact Platform Category Reviewed in CD-ROM Magazine Issue Rating Scroll Back Scroll Forward Search View by List Print FindB Price Contact Platform Category Review Rating Title Scroll Back Title ListB Records Found: Print View by Record Records Found: Print View by Record CreditsB A Do Prices Set up find Peform find Entertainment Find All &R A/H- -k9l%q &R A/H- ReadersF Do Prices Set up find Peform find Find All Yesf@ Helvetica Geneva Arial Times PRN Geneva MyriaMM_565 SB 300 CN MyriaMM_400 RG 300 CN UUUUUU }~//A ?}~/oK F1F1R JRF1JSV F1F1NsZ F2F1FR JR NsNsR RsNsJRJR JRJRNsR NsJRF1B F1JRR F1Rsc NsNsV NsJRB 1JRJRNsV NsF1= F1JRR NsJRFR F1 JRJRNsR F1F1B0B F1F1JRR NsNsJRF1B F1JsNs 1JRNsN NsF1= F1NsR NsJRNsR FRNsV NtNsR NtNsR JRF1B NsJRF1B JRF1B F1NsV JsF1B0B F1NrZ NsJRB JRB0= RtNsJR= NsJRF1B NsF1B F1NsB B0F1NsF1B F1F1B F1JRJRNRJRJRF1F1B F1B1B 1F1JRV NtJSF1B F1JRNsNsR sNsJRFRF1B F1NsR NsJRF1B JRNsR NsJRF1> NsF1= F1NsR NsJRF1B NsJRF1= NsF1= NsF1= NsF1= NsF19 NsF1= NsF1= NsF15 NsF19 Adventures Asimov's@ Atlas@ Barron's Black@ Computing Descent@ Domingo@ Enhanced@ Fatty@ Finder@ Gameshow@ Goldfinger@ Horse Interactivek Japanese@ Killer@ Library@ Love@ Mankind@ Missing@ Nature@ 0589@ 12-year-olds@ 1300@ 146.88@ 179.78@ 1933@ 1965@ 246333 297797@ 33mhz JRF1B NsF1= NsNsJRJRF1B NsJRF1= NsF1B F1NtZ JRJRFQ JRNsR FQFRFQFQJRJQ JRNsR 1JRNs F1JrNs NsF19 NsB19 JRB0= NsF19 NsF1B JRNsR NsJRF1B NsJRB1= NsF19 NsJRB F1F1B F1NsZ NsF1= F0F1B NsF1B F1F1B JSB0= JRF1= F1F2F2F1B NsF1= NsJRB JRF1B F1JRNs NsF1B F1JRNsR NsF1B NsF1B JSF1F1JRNs JRF1F1JRR JRF1F1JRR NsFQB F1JSR NsJRF1B F1JRNrR NsF1B 0JRNsR NsJRJRNsR JRF1F1JRR JSF1= F1JRR JSJRJRNsV NrF1B F1NsV NsJRF1F1B F1JRNsR NsNsJRF1F1 F1F1JRJRNsNsR NsF1B F1JRNtV NsF1B0B F1JRNsR NsJRF1B1B B1F1JRNsR NsNsNtR NsNsR NsNsR UUUUUU UUUUUU UUUUUU UUUUUU UUUUUU UUUUUU [UWU_ UUUUUU UUUUUU UUUUUU =/=/. n/>.>? n/>.> ?T}>/ ./>.> ./>.>/ User Dictionary User Dictionary 100 Years Of Motoring A collector s edition that performs more like a Ford Escort than a Ferrari The motorcar must surely rank alongside the computer as the greatest invention of the 20th Century. Sure, we ve gone to war over our o il supplies, we re chopping down trees so we can cover our fields with tarmac and none of us can breathe properly anymore, but hey! How else would you get the kids to school in the morning? This disc was made as a desktop journey through the National Motor Museum at Beaulieu (where they re probably about as obsessed with cars as you ever can be) which holds models and related memorabilia from the time Karl Benz fi rst got bored with walking all the way to the supermarket. There are two ways to navigate around the disc: by means of the Driving Seat, where different parts of a car dashboard will take you to different areas of the disc, or by means of a signpost listing the four sections Driving Seat, Workshop, Museum Library, Car Exhibit and Exit. The car also has a radio that you can tune to some clips of music from some slig htly dodgy re-recordings of car-related tunes such as the theme from Taxi, Carwash, and (for some reason) Riders on the Storm Wherever you are in the disc you can take a detour by clicking on the signpost in the bottom left-hand corne. This will allow you to leap to one of the four sections or exit. The option does, however, have one very big problem: interactive pages can be accessed from different parts of the d isc (as a form of cross-referencing) but once you have made a detour you will have to do a lot of clicking to get back to where you were. This is not only irritating, it makes it very difficult to build up any idea of the overall arrangement of the information on the CD-ROM. Another disappointing aspect is the poor playback quality of the movies. Taking a look at the files themselves, it seems that some of the movie s have been set to play back in expanded windows when accessed from within the environment. This means that they are both jumpy and very pixellated to the point where some areas of a similar colour just merge together. There is a problem with the depth of information as well. In the Effects of Motorcars section, for example, I expected a couple of short movies explaining how the world had changed for better or wors e as a result of this remarkable machine, but all that s offered are sentences such as Population movement to suburbs, and Automobile industry the lifeblood of many other major industries. The sub-section o n the pursuit of the Land Speed Record also has no moving footage of any of the land speed record attempts. Considering the amount of time we ve waited for this disc, this is a disappointing product, and at s an expensive disappointment. The potential for an excellent motorcar-based CD-ROM is still, very definitely, there, but unfortunately this is not the disc to fulfil that promise. Michael Hayes 100 YearO s Of Motoring Price 49.95 (inc VAT) Contact Koch Media 01252 714340 Category Reference/Entertainment Platform MAC MPC CD-i 3DO 49.95G Koch Media 01252 714340H MacI ReferenceJ 2R Under 50[ Under JsJSR RuJSNuR JtJSR FRJtV NtJRN JsNtV ^Q^rb ^r^q^qf RV/brj ZP^QZ0ZPZr^rV0N PR/V0Zrg VTN2Vt-l SZt-K 8b4a4A0b0c4a, ^PZ0^Q{y 4A4A8A 8b8b8 4b4A4@8A8b4 8b8b4 8A4b4 4b8a4 b<>11 /VrRqVrZ RQN0N/F J/RPRQV RqRqRQVr^rN rRQN0n J/J/JQVrV VrVqV QVQwy J/RqNQRqb NsNsNtNrNr JRNsNrNsNsNrNrJRNrNrNq NSNsNrNsNrNrNsNsNrNrNS JRJRNrNsNrNRJsNrNQNrNrNRNQRqR u>u>4b rN/wW 464Bv J0NN1 4bZ0Q QVr5j V/^rV0E ARPNr9 qbr1j 0VqFON NsF/5 *H*(NO9 NVJ5= q^PIi NPJ1F NQNQZ 4b8bQ NRN1J1A 4b0b^ F0Rq^ RrRQb NPN0) E"G.IoX qZqZrk k.i&h"f*H D*Hg5 NQJRB #6j.i&h 4b4AQj a>*H"f *h.h2i2i"() 4b4bZ Qn1w7 rprrr frfqe rVsJ1 jPnrn sNQNQ&g&Gb jqj/s nrnQr rPnPrrnPjPn C&HFo^ n0nPj jqf/e n/jqd &g&gJ NqNP^ *h.i> *i*H"G> 6*NpJ 6k2J*H6k: 2j2j"G jqf/o "F&G&H.)6k jrjrn F*H"G&H RlRm^ jqfPe j/rqd $.h"F"f 0RqR1^ n/X 5( dJO6Jg6 D&H6k>L.h 1nrj0s8 rRmJLA 0n/wy ZrN/N09VrRP= B0aQI ZsZQw rrnqdbd jQj.i RrJQB NrJ2sY jQj/wx 4b8b4 ,B,B, 9 VqVQZ qNPw5 8b4A8bMi 0c4aQj N0NP9 4A4AIi F/NQ9 0J01j RPN0A N2NR^ RrNqF 0Rr)Q 0b0b0c, 4b4b4 NQJ0RR^ sNQRQ{ J0Vsk6 1J0)L ZQVrVQN0RQb RJ2-K 0F1B21 0B1B19 NSJ2Vt= JtJSJRFSFSJSJsJSN NsJtNtJsJSJsJtNsFRJsJtJSJsNtNtNsFSJsFRFRJsJSJSF2JSJsJSJsJtJtJSJSJtNt5 RRRNQF VqRpV/RPRPVQR0VOR/R0R1ROV/R /R/RPVPV/R/RPVPV/R0RPRPR/ROROR/V/V/R RPR/ROVNV/ROROR.R0R/V/R/V.VOR R.VnR.R.V/R.R.V R.V/ROVNV.R.R-RNR.N.R R/V/N V.R/N R.R.R V.N.R.V V.R.R VqVQV0RPVPV1ROVPRoVpRPVO RPMVPRPVPVpROROVOV0R/RoVPV/VPROVQVOV/ROV/R0VOR0RORPVOV0ROVP ROVORPV0RPVOVOV/ROV/RNR/V/VNV/N/V/R/R.R/V/R/R/R.V/V/R.VORNR/V/R-VOR R/V.V.R RNN/V.R/R.VMV.VMR/V/R.V. ^q^q^ Zp^q^ ^p^q^ ^q^p^p^q^ Zq^p^ Reference Sciences Young Oracle Orange Oratorio Orbit Orbital Orbiting Orbits Orchestra Orchestral Orchestras Orchestrated Orchestration Ordeal Order Originality Originally Originals Originated Origins Clips log-load Clone Cloning Clore Close Close-up Close-ups Closed Closely Closer Closest Closing Clothing Cloud Cloudbusting Clown Clownish Clowns Cloying Clubs Interactive Interest Interested Desktop Desmond Despair Desperate Desperately Despicable Despised Despite Despotic Dessert Destination Destinations Destined Destroy Destroyed Destroyer Destroying Destruct Destruction Destructive Detachment Sub-section Sub-sections Sub-space Sub-standard Sub-teenage Sub-titles Sub-titling Sub-topic Sub-topics Subdivided Subdivides Subdued Subheading Subscriptions Subsequent Subsequently Subsides Subsidise Substance Substantial Substantially Substitute Substituted Substructure Subterranean Subtle Subtlety Subtopic Subtopics Subtracting Suburban Explaining Explains Explanations Expletives Explode Exploded Explodes Exploding Exploit Exploitation Exploited Exploits Explora Explorable Explorapedia Exploration Exploratory Explore InteractiveA Interesting@ Interface Interpret@ Interpretations Intervention@ Interviews Introduction Invaluable@ Invention@ Inventory@ Invisible@ Involving Irritated@ Issue@ Italy Japanese Jealousy Jean@ Jetpacks@ Jewel@ Jocular@ Johnson@ Journals Under 2 Unlimited: Beyond Limits Yo! Respect due, Philips! Its latest musical offering on the CD-i front means it laters to old-timers like Bowie and Pink Floyd, with a massive shout going out to the 2 Unlimited. For those not enough to know it, 2 Unlimited are Ray and Anita, a Dutch techno (their description, not mine) pop group, whose debut No Limits album has sold by the clog-load all over the world. Beyond Limits is an in teractive guide to the band and its hits. Ray and Anita themselves pop up to explain the disc s features: you get to choose which live, promo video or audio track to play, when to fast forward, when to rewind o r, preferably, when to stop it altogether. Nothing radically new there, then. The pep talk over, you are left to click away and explore the phenomenon that is 2 Unlimited. This assignment, however, is impossibl e, as the disc is not so much 2 Unlimited, but too limited mainly due to the lack of material the group has produced in its short career (and the fact that the songs they have released are indistinguishable to an untrained ear). As a result, their painfully repetitive are painfully repeated, either as audio-only tracks, or videos, or via two minimalist and uninteresting live performances. Even the usually interesting behind-the-scenes footage was far too short and very tedious (despite a cameo appearance from current student fave, Rolf Harris). The one plus point is that the encoding is very good. However, thi s does not make up for the lack of content, or the fact that 2 Unlimited are simply another well marketed, good looking pop group , whose music is targeted determinedly towards more youthful ears. Even the mos t dedicated of fans would be hard-pushed to justify buying this disc. At 19.99, this is a definite no, no, no, no, no. Marcy Marc Steward 2 Unlimited: Beyond limits Special Requirements DV cart for CD- Price 19.99 (inc. VAT) Contact Philips 0171 911 3000 Platform MAC MPC CD-i 3DO Encoding Very Good Track List No Limits, Tribal Dance, Faces, Maximum Overdrive, Let The Beat Control Your Body, Workaholic, TwK7ilight Zone, Magic Friend, Get Ready, The Real Thing 19.99G Philips Media 0171 911 3000H CD-iI Music 2R Under FRFt[9 ZiZ'j Z+Z+bkn 'jifHj bGjiniQ Gfgjhb'E R6N6= hfhfhQ fibHM bHfhn 'fGjHrjz b'Z&V Z&^&b'jHniv bGZ&Z ^wV6= BV.nN (V(V(Z)bIfjbibi^HR fIjjM iV(=e F0J15 rgrgn rhrhn rhrhv nHrhv nijiV j'rhnhjh^* 'jh^I rinirjr rinifH^'Y jHriv nibHU &nGviz bJ1F j'nHv 0NQNQ^ vIzjz RrNQc ZoJNJlJKN,F JMJ-J+B PB/[6 !J.o3 F)JgJ(9H ^rZP^/ZOn <g<F@F@eP 8E8F4&8&0%< 0G<(@(H)D @(<(<'@(@(<(<(<'@'@ @(D(H(@ D'D(D(LIDI<(n d4f<G@H@(@(<'8'4&8'<'@(D)@(<(@( @H<(<(@(@H@(<'<'@'< @(HID(H)L)HI8 4&8&4%4%0%0% 0%0%4 <&8&8',%8 ^hbg{p 0g,F4G0F8G0F(E$e(e 0&0&0F,F0&0&4F,F,E(e(e,E,F(e$e(D4%0E$e,F(E CML $E,F4G0G0g(e e e d(e$e(e(e$e d e$e(f(f$e d d$e$e d$e e FQJQJQB $e,F4G0F,f e d d d J2N3g C$f0G4'0F,f d d d d$e(e$d$d d (f0F4G,F e d$e$e d d$d0 SJQRrZ NrNrJQ5 N0NQV C e0F0F$E e d$d$d e e(e$e e e d c e$e d$e$e8 $e4fM $e$e$d$e e e d(e$e d(e,f c d d d e$e$d d e d0E,E d,F0F d d$d d$e$e e(e d,E0E d,e,e e$d d d$d d d d,e$d(e,e nJj*Ef d$e,e e e0 c d d d d e d d e e d d d NqNq9 0JRNsV ? JP%( frfrf bsb1bQf NrFQNsN sNrB09 NrF1B F1Ns> JQB0F1V NvDmb /F0F1B F1F1> e e d F0F/= [ Under 3-D Dinosaur Adventure Similar in essence to Microsoft s Dinosaurs, Knowledge Adventure s 3-D Dinosaur Adventure is aimed particularly at younger dino fans, though it is equally appealing to adults with a sense of humour. It is more Respect Respectability Respectable Respected Respectfully Respective Respects Respiration Resplendent Respond Responded Responding Response Restatement Restaurant Restaurants Restless Restore Restored Restoring Restrict Restricted Restriction Restrictions Result Bowie Bowie's Bowling Bowls Bowser Bowser's Boxer Boxers Boxes Boxing Boyfriend Boyle Bozzo Braben Braces Bracket Bradley Bradshaw's Beyond Bigger Biggest Biker Bikinis Billowing Billy Bioforge Bioforge's Biography Biogs Biological Biomes Birth Bishops Bitmapped Bizarre Bizarrely Bizarrely-adapted Black Blacked Blackpool Blacks Blade Blaring Blaster Blasters Blasting Blasts Bleary-eyed Blend Blender Blind Trees Trek's Trek-esque Trekkers Trekkiness Trekkyness Trekspert Trembling Tremendous Trench Trickier Tricks Tricky Tried Tries Triggered Triggers Trimmings Triplane Triplanes Trips Triumph Trivia Trivial Trivialising Troll Trolls Trooper Trooper's Assignment Assimilate Assist Assistance Assistant Assistants Assisted Associate Associated Associating Association Assorted Assortment Assume ssumptions Assure Assured Asteroid Asteroids Asthma Asthmatic Aston Astonishing Astonishingly Astray Astrion Performs Perfunctory Perhaps Perignon Peril Perils Period Period-piece Periodically Periods Periproct Perish Perkin Perkins Perky Permanent Permanently Permed Permitting Peroxide Perpetuation Perplexing Persevered Looking Loomis Loons Loops Loosely Lopez Lords Lore's Lorme's Lorne Loser Losers Loses Losing Hard-pushed Hard-to-spot Hardball Hardcastle Hardcore Hardened Harder Hardest Hardiest Hardly Hardman Hardware Hardy Harker Harking Harlem Harlem's Harmless of an edutainment program/learning aid than a reference guide, and as such has fewer still images and more animated clips and quiz features. On the main menu, the biggest window is the entrance to the Dinosaur Park click and the doors open and you can enter the park by moving forward with the mouse. Without the manual, it takes a while to figure out what you re supposed to be doing when you first launch the program , and the mouse control is awkward at times (though you can alter its sensitivity). Once inside the park you can choose to enter one of three time periods: Triassic Tour, Jurassic Jungle or Cretaceous Corner. Alternatively, you can go straight to the Dinosaur Reference section. Travelling through the theme park you can explore different paths and engage in any number of dinosaur-related activities. Activities range from Dinosaur Safari, where you identify the dinosaur from the clues given, to Save The Dinos, where you must save 15 dinosaurs from three different time periods before a comet hits Earth. Once you get bored of the animated sequence to enter the park (and believe me you will) you can take a shortcut and bypass it by clicking above the icons. All the activities teach you about dinosaurs what they looked like, where they lived in a interesting and often amusing way. Your reward for completing a quiz is a cartoon animation of dinosaurs essential in maintaining a child s attention. Fancy a film? 3-D Dinosaurs has 20 seq uences to choose from, all with accompanying soundtracks. Though the animation is not always quite as good as in Microsoft Dinosaurs, there is much more of it, and the sound effects add real atmosphere. Tyranno saurus Coming To Life is superb, as is the Dinosaur Battle. So what about the 3D effects? After all, it is called 3-D Dinosaur. When you launch the program, the opening movie featuring a charging dinosaur is in 3D, as are many of the images in the Dinosaur Encyclopedia, but if you really want to see these effects at their best, visit the disc s 3-D museum, where the dinosaurs really do appear to jump out at you from every angle. There are so many different facets to this package that it is impossible to go into every detail. Suffice it to say that Knowledge Adventure has used multimedia to its full advantage the program is fast, fun and packed with information. 3D Dinosaur Adventure Reviewed on MPC Price 44.95 Contact Guildsoft 01752 895100 Category Reference/Entertainment/ Education Platform MAC MPC CD-i 3DO 44.95G Guildsoft 01752 895100H Young ChildrenJ 4.5R Under 50[ Under 3D Atlas ,!HBHb8B8BDB( $ADbLcHB` 8!`al 4!\bl dad`d`d@d@d`hah d`dAdad d`h d hch \@pal d`d@hal 4 \`lahadad F2Nu%K D!`@h@h@d !$C0B<A@@HaU) JyNxV ( 4!@BLcX lapau( XJzNxRvVuF a\@`ad pal`h d@d`i' JwNuRtV zQzsvSv hah`h@d@i JvNtV hadbmj NwNvRtV h@hal zJxNwJTNSVuV YJyJwJTNRRtZ RSR1j 8FyJxJvJSNSR hadbh >yJxJwJuJSJtVta d d d :XBxJw NvNuJtN1U h dA`AdAd@d daiH dah@mI d h@d :7:7BWJxNwJ b`@`a`BdBdad@d@e dad`h ad d@d@d`h Ta\`\ `bdbdad@d@i h dAdbdAd@p bTBXA\a\ `bdAd d dAd dad h X!\B\b`b`bdAd d d BVZ4q dad haqk A\ \@\a\b`bdbdAd d h >U:5Vtr dbd@d@m c` ` X `bdAd d h >4Vte cd@dadbdah l dAd@`A\b\b` `b`A\ ` h h lbh dbdAh`l d@d@dadbd hAm PBTAh `B`B`b` db`A\!` h `@hAhbd dAd h ad@dAdBd@d i `b`bd \b\B\!\!d h TA\AdAdbd dbd haq ad d!dbdAd `b`adb`b\b \B\B`A`@d h H@P XAdAh dbd@dAi) d@dBd!d dbij dA`BdBdB\B\BXb`a``d@hcm D D@Pa`ah dbdbdadad@d@h d dbdAd@dad dah@`B`b` \bXbXb`a`ad hci H HAL@X dbdBdAd d`d@h ` d@h dad@`@` had@d@h`d``A` d `A\@\@\ \@X@`@d@d L PAPaX hadAdBdbd`d@d \ ``d dadA` d l`h@d`hal \cXCXAX@ \@\@`@d ` bP TbX da`a\ad dad@dAi( T Xa\ `b`A` d )4 `al \b\ Xba had@d@h P@T@\ \b\A\ `bi @X \a`a`aXa\a`adad dad@d@h AT XaX XaX \be PcPcHc8 ` \@\@`Ad@dAdAd@d h BT TaX X@Xb]k RUZuY `b\a\Ba \B\!\!` ` ` BP@PaX XaX@XAY* b\ T LB@ 4#,#,#,d8 \b\!\ AL@LaP XaX@X!Y 0",#( ,!,A8!HATbTATa]) fsf2j AP@LaP XaX@X Y 0#,",B,B0!4!@ P X@X bRb2a ZSVtNtR aP L@LaT@T P X 8#0!0!4b4B4"< H!TATbT TA] bH H L! 8"4B8A<b@"D"D H"PBTbX \be T!P PbT LAL@L bL D!<!8B<b@BD"H L"LBPATAX ` L@L L AH @A<A<g B<B@BD"H"LBP"TATaX ` LALaPaP@L@L LbMk RsRRNRNQR1Z @H@@A@b<b<"D"DBHBL"PBTa XaX X T@P P LbLaH H P 0! 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And deservedly so, because the computer generated 3D g lobes present on this disc knock the spinning tin variety into a cocked hat. The globes are created using images derived from computer-enhanced satellite photography, and there are many ways to navigate around them. Click the cursor anywhere outside a globe, and it rotates it in that direction; to search for a country, use the scrollable menu bar and the globe rotates to the centre of the country you want. Type a na me in the entry field or click on the surface of the globe and a country is selected, with written information and postcard photographs of local people, landscapes and architecture provided for each country y ou access. Drop-down menus allow you to switch between environmental, physical and political globes; and under other globes you can also view a hydrospheric globe, tectonic plates, the earth by night, contine ntal drifts and others. Phew! Globes can also show cities, ocean depths, mountain ranges and any number of other features, each of which are accompanied by a short narration. Among the drop-down menus you ll fi nd snazzy multimedia options: 3D Flights has you speeding about above a tract of land, using a combination of satellite and infra-red imaging to reveal geological make-up, while a concise commentary tells you all about it. Biomes (temperate grassland, savannah, rainforest, etc.) can be flown over, accompanied by narration, then a map shows its global distribution. There are also zoomable satellite photographs of ci ties around the world. Best, though, is the Russian spy satellite photo of London, where you can practically peek through the bathroom window of Buckingham Palace. Stories contains some depressing tales such as species extinction and habitat loss, pollution, overfishing, and the use and effects of nuclear power. The Timelapse presentations show developments of anything from the reduction in size of the Aral Sea ov er 20 years, to the aerial dispersal of debris following the eruption of Mt Pinatubo. The Statistics section is huge, covering agriculture, the economy, energy and the environment. All statistics include a tim eline from 1970-1991 for comparisons, and results can be displayed on a global chart, a line chart, a ranking table or a scatter (pie) chart. I was proud to see that the UK ranks consistently high for everythin g from CFC to CO2 emissions. There s even a geographical trivia quiz: up to three players (or teams) can take part, you get air miles for correctly answering questions. 3D Atlas is beautifully put together. I t informs in an eyecatching and entertaining way and it s only 40. What more could you want? Now, where did I leave those open-mouthed children Patrick McCarthy 3D Atlas Price 39.99 (inc VAT) Contact ElectPPronic Arts 01753 549442 Category Reference/Education Platform MAC MPC CD-i 3DO 39.99D approx Electronic Arts 01753 549442H Reference 5R Under 40[ Under A.D.A.M. 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Aimed specifically at students of Medicine and Life Sciences (and more particularly thei r tutors) this is not for the novice user, nor the faint hearted. Though comprehensive and sophisticated in content, it is easy to use and simple to understand. Open A.D.A.M. and you are confronted with three w indows: Primary, Library and Structure List. The Primary Window displays a full view of the human cadaver A.D.A.M. (or E.V.E. if you ve selected a woman s body) ready for dissection and exploration. On selectin g Full Anatomy you can descend through the layers of the body from skin to muscle to bones and internal organs using the Structure List and Depth Bar. Dissection through any structure is done with the Box Cut T ool or Scalpel Tool (the latter accessed via the sinister sounding Operating Room). If you decide to study a System Anatomy, the image displays the selected system only and dims the rest of the anatomy. You ca n explore in this mode by means of Zoom, Identify and Isolate Tools. Meanwhile, in the Operating Room, you can slice, cauterise, suture and swab to your heart s content without any risk to the patient. The Str ucture List can be sorted alphabetically or by anatomical layers and you can constrain the display to only show the viewable structures in the Primary Window. Locate any structure using the Search List and disp lay it in the Primary Window, and if you re not sure of the pronunciation there is audio assistance on hand, albeit in a strong American accent! Using the Identify Tool you can recognise any anatomical feature and call up the best view and related items such as Histology or Radiology. To extract or isolate a particular structure (or substructure) you simply click on the Isolate Tool and like an out of body experienc e the kidneys or hip bones materialise on-screen as if suspended in mid air spooky. You can view links to your selected structure such as anatomy related Histologies (slides of cell structure), Radiologies ( X-Rays) and cross sections for even more detailed information. These can also be accessed via the Library as can the Help Book, Projects Book and Self Test Book. Activating the Projects Book allows you to tune in to Dr Koop (a former US Surgeon General) in conversation. It is impossible to dissect such a complicated (and pricey) piece of software in one short review and at 1,762.50 anyone interested in buying it is strongly advised to arrange for a demonstration first. But the thousands of highly detailed and accurate illustrations are truly stunning. This multimedia title is packed with very technical information and gi ves you the opportunity to step through the complex and numerous layers of the body as if you were really stripping away body tissue and muscle. Years of painstaking research has enabled both scientists and doc tors to discover how the anatomical functions of the body work together and much of it has been recreated here. For those with more humble needs such as undergraduates who are intending to study medicine, a cut -down version, A.D.A.M. Essentials, at a mere 282 might be more appropriate. GCSE students and those with a general interest would be better off with a title like Dorling Kindersley s The Ultimate Human Body. R Teresa Maughan A.D.A.M. Comprehensive 2.3 Price 1,762.50 Contact Churchill Livingston 0131 556 2424 Category Reference/Education Platform MAC MPC CD-i 3DO 1,762.50G"Churchill Livingston 0131 556 2424H SciencesJ Over 6061:1:16160:1:16160 6161:1:161 6161:1 :1:16161:1616160:R>R6160 61>s:1:16061:1:16161:1:16161:1:16160:1:16160 6161:1:161 :1:1>Q>1B "s&R*R&2"s"R R"R&R"R"R&R"R&R&1&R&R*1"R"1JsZ 1*1.1 *s&R*R*R*Q&R*R&F &R"Q"R R"R.1"R*0&1"R"Q"R"1"2 1"R"1 R&1&1 R"R"1"R"R R"R*1- *1*0. &R.s. 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RsRPb Ojnfmb ^njm=h bMZ,bnfNjnV.M KN0fPV ZqJ19 nmnmZ-F pfMfM~ S*R21 fo^NZ RqRsB jp^-N VrF0E -b,fn^p^,bNRQJ1NQRQ^ S*R21 S*1.1*11 V.J/E RrRsV NRNsV J0N1NPF NQNPZ S*R21 N^-fMa V/b/Q .^Mbmfoj VpZo^ob bo^MU S*R21 "R*120{ bpfqbpf ^oZNY S*R21 &1.1&R2 jJjK^ J-VOZOZ S*R21 bNZ,1I S*R21 ^QbPQ -^mbnj S*R21 RPVP^r^0bP^/Z/Q S*R21 ZPbP^ S*R21 rQj/M NqJ1VsZs^rRRA S*R21 NqNqV NrNsRsRrJ1F0F1JQR ZKngag S*R21 S*R21 b/vrv/V jifI^ S*R21 qnPvrrQ^.$ S*R21 v0jN1) >R6R"1"R f/bor.Mj R&1*R"1% or1r0r s"R"R& RQVRZrVRVrNPE QRqN0V0R V0V/N/VrN0A Over A Fish Called Wanda Does someone at Philips have a penchant for romantic comedies produced in 1988? This tale of a jewel heist gone wrong, however, is a whole different kettle of erm fish to the Eddie Murphy vehicle. Scripted by Computer Computer-enhanced Computer-game Computer-generated Computer-ignorant Computer-rich Computerised Computers Computing Comrade Comrades Conan Conceal Conceited Conceivable Interesting Interestingly Interests Interface Internal Internally International Internet Interplay Interplay's Unfortunately Uninviting Union Unions Unique Uniquely Unirritating Unison United Units Unity Universal Universally Universally-understo Universe University Unknown Unleash Unleashed Unleashing Unless Layers Laying Layla Layman Laymen Layout Layouts Lazily Lc475 Lciii Leaden Leader Leaders Leading Leaves Leaving Lecture Left-hand Leftovers Legacy Cut-sequences Cutdown Cutesy Cutscenes Cutter Cutter's Cutting Cyberboogie Cyberdelic Cyberdreams Cyberflix Cyberflix's Cybergraphics Cyberia Cybernetic Cybernetics Cyberplumber Cyberpunk Cyberpunks Cyberspace Cyberwar Cybrids Cycle Cyclemania Cycles Cycling Dissect Dissecting Dissection Dissemination Dissimilar Dissolved Dissonance Dissonant Dissuade Distance Distanced Distances Distant Distasteful Distilling Distinct Distinctive Distinctly Distinguished Distinguishes Distinguishing Distorting Distract Distracted Distributed Distributes Distributing Hip-thrusting Hippie Hippies Hippo Hippyishly Hired Hiring Hirsute ?rians Historic Historical and starring John Cleese, A Fish Called Wanda doesn t rely on the star to carry the can, but uses him as an anchor for some expert ensemble acting. Cleese plays a barrister who is called upon to defend a jewel thief (Kline) and consequently slips into a growing web of betrayal and deceit weaved by the womanly wiles of Wanda (Curtis), the gangster s floozy. Steadily, Cleese s ivory tower is scaled by a selection of w arped stereotypes: Curtis raunchy seductress with a passion for de-robing at the slightest mention of the words tagliatelle or carbonara; Kline s maniacally cruel, Buddhist weapons expert; and Palin s bumbling , stuttering, animal-loving dog slayer. Pacy and littered with great gags, A Fish Called Wanda is a true comedy caper in the Ealing tradition. Sad to say, the sound quality emanating from this disc is also on a par with the stuff Ealing was putting out in the mono. However, the film was definitely made in stereo, most likely in Dolby surround sound. Philips is at pains to point out that for all its studious ef forts in VideoCD production, encoders are at the mercy of the masters they are given to work from. Even if a mono print of this movie does exist, though, it is difficult to see why MGM/UA would supply a mono ma ster for transfer to a high-quality sound format. There is always the possibility that the stereo track lost its way somewhere in the encoding process, and Philips is currently investigating possible causes. P icture quality is also slightly below par, although not in a disastrous way; softening is obvious in parts, and there are some strange lighting changes in certain scenes. Andy Clerkson A Fish Called Wanda uires DV cart for CD-i; MPEG card for MPC or Mac Price 17.99 Contact Philips 0171 911 3000 Director Charles Crichton Starring John Cleese, Michael Palin, Jamie Lee Curtis, Kevin Kline Platform VideoCD EncodingK Average 17.99G Philips Media 0171 911 3000H VideoCDI Digital Movies ComedyJ F/F/B F/F/A 0J0B/B 0NrJQ9 F0F0F F0F0F/B F/F/B 0JQJQR NrJQ9 F/.JPJPF F/F/B F0F0JPNqJrJqN JqF/= F/F0F0F/F/F0J0 JPJQJqJrJQJPJqNrFPB F/JPJ0JOJOF0J0F0F/F/J0 .NrNqJqJQB0F1NrNr= F/JPJ0JPJPJ0J0F JQNqR NrNrJrJqFPB0JrR JP4J0J0JPNrR NrJQJrJRF0FPR F/F/JPNq JRJQJqJQFPJqV F/JPNqNq Jq*JQJQNrV F0JPNqJqJPJPJQNr Jq@NqR F/JPJqNqJQJPJ0JQR NqJPJqJrJQJQJrNrNrR NrFPF0FPJqJqJPF/F/J0NrV NrWJqNqJPB QJQJQNrJqJqJQB/F/JPNqR JPF/FPJQJqNrR FPF/B NrJQF0F0NQ NrF0F/F0JQNsNrN JQB0> JQJPF/JPJQ JQ'NrNsJQJQF0> Jr&FQB/B /JPJPNqNQ9 JrJrFQF0B0>0 0NrRrF0-I 0NQNqFPB/B 0RrNQ= 0RrJpA PNrF0= .RrNQA 0RrJ0= pF-J-RO5i J-Ro5 B2B2A :4:4>4BUB35 :3>4>UBVBU> 3>T>VBVBU>35 >4>VBVBU>4: >5BUBU>4:25 >4BUBV>4>3> >3BU>4> 3R Under 20[ Under A Portion Of Jethro My missus has just had a coil fitted and she s picking up CB radio operators on the bloody thing. When I left home today I was getting verbal from both ends! This opening shot from Cornish comedian Jethro (a h Songs Songwriter Songwriters Songwriting Sonic Sonic's Sonnenfeld Sonny Sooner Soothes Soothing Sophisticate Sophisticated Sophisticates Sophistication Sorely Sorrow Web's Webber Webster Webster's Wedding Weddings Wedge Wednesday Wednesdays Weedy Weekday Weekend Weekly Weekly's Weird-shaped Weirdest Weirdoes Welcome Welder Welders Selection Selections Selector Selectors Selects Self-appointed Self-aware Self-awareness Self-congratulatory Self-consciously Self-control Self-despairing Self-displaying Self-explanatory Self-indulgence Self-obsessed Self-parody Sensitivity Sentence Sentenced Sentences Separate )erve Mention Mentioned Mentioning Mentions Menus Mercenaries Mercenary Mercer Merriam-webster's Merry Mesopotamia Message Messages Messed Messrs Metal Metaltech Metamorphosis Metaphor Metaphors Transfer Transferred Transferring Transfiguration Transforms Transglumifier Transition Transitions Translate Translated Translates ranslations Translator Translucent Transparent Transpires Transplant Transplanted Transport Transported Transporters Transports Trapeze Trapped Traps Trash Approx Gamepad Hills Issues Mac/mpc 01734 01752 01753 01865 01892 01923 ousehold name west of Sussex, apparently) not only has the sold-out Salisbury crowd rolling in the aisles, but is typical of the observations on life in Cornwall that Jethro deals in; always smutty but never re sorting to the nature of some stand up comedy. Adopting the persona of a beered up simpleton, Jethro takes you on a trail of disaster with his mate, the even dafter Denzil Penberthy, or offering opinions on a range of subjects, from women having an easy life ( Even when they piddle they sit down. They don t even have to aim! ) to Ronald Reagan ( He was a cowboy for 20 years and never got shot once. They made h im President and he got shot twice in one week. As straight footage of the concert the film and sound quality are good, and you can jump straight to your favourite sketch to impress your friends. Finding them selves at a spiritualist s event (instead of a Michael Jackson concert), Jethro is shocked to find Denzil onstage answering the call for anyone who d shagged a ghost. , he says, I thought you said goat! ou either love it or hate it. Jerry Ewing A Portion of Jethro Special Requirements DV cart for CD-i; MPEG card for MPC Price 17.99 (inc VAT) Contact PolyGram 0181 910 5841 Platform VideoCD Encoding Very GooH 17.99G PolyGram 0181 910 5841H VideoCDI ComedyJ 3R Under 20[ Under Above the Law sVtVSVsVsZsVSVSVsZsZSZsZsVsVsVS VsVSVsZsVrVsVsVrZsVsVsZsVRVsV VSVs^ VSVSZs^ ZsZsZ ZsbQak eB3>2N bLb,Q ^,fMjnb,M ^,b,^V bMbL^,Z+Z FRFtFsFQR nnb,^,fLjmjmfLb+Z nnf,Y jNb,^,V,=H jmb,b nmnmb+Z NMJ,NoE ZTVuVtA NTNtZ pVP-( jMb,M j-j-EG (d(d( LnLn,] +nlrlnKnL] rknJj+Y rKj+f rmjLf nnjMb,Q onNr-Y fmfMU bLbMQ tJSkz boV-E NPRq^ ^oV-Z-I ZMV-M bobob PZoZo^ ,ZMbnf Z-ZM^NZMM VSVSVRVR VRVRRRVRN VSRRI MjLjLfMQ dFrk{ nnMjMQ mnlrlr nlb+Q 0F0JTR J2JrJR rlfLY svRmJ N.N.J NMJ.J N/J.J.JOB 2V0V.R-ZoI b0bQY Z/N/= RrNqNr^ NPN0Rqc -VMRLA 0NQc5 F*J,J*b 0RQ)) ,^oVpRQVt^ iVjsK HF(JIB FN)oN VqRQZ F,J-N-A oNpkW LnLnLnKnKn+n*n*j*jKn+j _:Z,wT RqNQRqJ NqJO= j n n*n*r*r* N/VPk7 ZqN0A ZqVPj R/N/c JORqf NORpo7 RPRPZ J/RPJ RoNORQA f f e ZqV0R n+n+n*n*nK r*n*n)n)n n+AH VORPk7 J.Vpg n*n*r*r*r+r*n*n j j n j j*n*j f j*AG JORrN1ZrVqNpZ VqJ/^ N0RqJOV n n j j n n*n*r* n n n n*n*r*rK=h 0RQsY RoVNf J.N/c R0R.NOV VqJ.k6 o~R.s7 RPF/JOc qVPROk6 J/NOk5 RPVPRO lrKrKvJvJvjvj r*v*vJvKvKvJvJv+ rKnKn+n*j*j j n ]L^pf OVpZqk n*n*r*n N0RPk7 PJORpRqZ j j*9G N/Vr5 NQNOg VOZoRMk n n)AF g~Zqb n n n JNJ.ROVqb NON.f pV/Zpf nmfLjmz N-VN= RPVpZ jmfmfMfnQ RrNP1 J.NORPR0Z NPVp^ bM^,Z QJ/NPf JRJQb VqN/b jnb-bMbMfnfnbMU NrRrZ ZqRoA R/ZRb RsRrV RrRr1 R/RPc JQNRV NQRqE F0JOf fM^,^-9I JQNqV NQJ09 VrR0A N/VPf JORq^ 0NPN.b JQNQRrRrNRJ0RQA N0F/V VQR0Z jnb,Q PNQNqRrNrV JQJ0NQNRRrNQNQN09j N0R/E fMfMZ /NQNQRrNrNrV NQJ0NRRrRrNqJ0J15k RPVQN/A Z1Z0Zpo /VP^o{ NrNqV Rr,NrRrF NPNNVo9 RrN09 N.RP= RqN/E R/J/9 V-R.V.V/M Today Today's Toddler Toddler-friendly Toddling Todorovic Toe-curlingly Togas Together Toggle Toilet Toilet-paper Token Tokyo Jewel Jewellery Jewels Jewish Jewison Jiggery Jigsaw Jilinsky Jilly Jimmy Jingle Jinks Jiving Joannou Jobe's Jockette Johnnie Johnny Salisbury Salman Saloon Salting Saltzman Salutary Salute Salvador Salvage Sam's Samisms Sample Sampled Sampler Samples 01865 01892 01895 01903 01923 01926 01993 13-inch 13-screen 14.99 Polygram Press Productions Products Projection Psygnosis Publishing Records Services Sierra Systems Technologies Turpin Virgin Vision Warner Wienerworld World Xiphias "Sit back and enjoy all the carnage and capers. These drivers are above the law! No pretence here of any kind of responsible safety message, just 52 minutes of collisions, skids, wheelies and blowouts in thi uncompromising collection of crashes selected from top quality motor sport. And they re not kidding, either. Rally cars crash and burst into flames, motorbikes smash across barriers dragging their riders be hind them, saloon cars career into the watching crowds, motor boats hurtle into the air and land in a pile of disembodied lumps on the water. And that s just the intro. Yet, despite the chaos, none of the par ticipants were seriously hurt, the commentator soothes us. Depends on what you term seriously . But despite yourself, you can t help but watch another bike crash into a bail and explode. Mad, macho and danger ous it may be, but it certainly bears out the adage that the only reason most people go to these sports is on the off-chance of seeing a crash. Luckily he wasn t too badly hurt this time, growls the testoster one-charged commentator as a racing car skids off the road and into some spectators and a rather unlucky cameraman. The most gruesome crashes are lovingly repeated in slo-mo and the commentator continues to wa x lyrical about drivers exercising their right to speed and drive dangerously, and... Above The Law! It seems almost pedestrian to note that the encoding was pretty good on this bargain-priced VideoCD and it delivers on its no padding, no nonsense promise. True, but only if you ignore all the padding the drivers are wearing and the general madness which is the basic premise of this disc. 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Allows Crowds Crown Crowning Crucial Crucially Crucible Crucified Crucifix Cruddy Crude Cruising Crumble Crumbled Crumbling Crusade Crust Cryogenic Cryogenically Crystal Crystals Cuban Cubed Cubes Cubism Cuddly Cul-de-sacs Culminates Culpa Hurtle Hurtled Hurtling Hurts Husband Hussein Hustling Huston Hutch Hutchence Hutchinson Hutchinson's Hyatt Hybrid Hybrids Hydrocephalitic Hydrospheric Hyeeeaaa Hyped-up Hyper-real Hyper-realistic Hyperbole Hypercard Hyperlinked Hyperlinks Ignore ctive Testosterone-charged Tests Tethered Tetris Texas Textually Textural Texture-mapped Texture-mapping Textured-mapped Th-th-th-th-th-that Thaddeus Thailand Thalidomide Thames Nothing Nothing's Notice Noticeable Noticeably Noticed Notices Noticing Noting Notion Notions Notorious alogic Novastorm Novastorm's Novel Novella Wearing Wearisome Weary Weasel Weather Weather-beaten Weave Weaved Weaves Basic Basics Basie Basie's Basil Basil-pot Basis Basket Basketball Bassett Basstoven Bastard Bastards Vision sited Visiting Visitor Visits Visual Visualised Visually Visuals Vital Vocabularly Vocal Vodka Vogue Voice Voice-actors Voice-over Voice-overs Voiceover Voiceovers Voices Volcanoes Voltaire Volume Volumes Volunteered A child screams in horror at a Michael Jackson/Heal the World poster. A good joke, if not a particularly politically correct one. But then The Addams Family and its sequel, Addams Family Values, are nothing les s than full frontal assaults on Middle American values. Indeed they may well have marked the beginning of the end for the Reagan/Bush era! Based on characters created by Charles Addams for his New Yorker magazi ne cartoons, which were later turned into a TV series, this is the ideal antidote to all the recent Christmas schmaltz. The arrival of baby Pubert wreaks havoc with the sensitive ids of the elder Addams childre n, Pugsley and Wednesday. Enter nanny Debbie Jilinsky, (Cusack), full of soothing balm, but is she all she appears to be? Will Fester be her brain-addled sex toy? Do we care? Frankly, not a lot. The film doesn t really take off until Pugsley and Wednesday are despatched to summer camp where they are scorned by the other disturbingly Aryan children and forced to watch Disney cartoons. As with its precursor, Addams Fa mily Values belongs to Anjelica Huston, who as Morticia gets to play the part she was born for, (sorry, Anje, but it s true!), ably assisted by the late Raul Julia (Gomez), and Christopher Lloyd as lovable Uncl e Fester. The encoding quality is clear, if not particularly crisp, and anoraks anonymous will be glad to know that the numerous Dolby Surround effects are recreated accurately. Despite glimpses of a dark sati rical edge, Addams Family Values remains a concoction of one liners and special effects cobbled together on the back of a weak plot. Still, it s tough on family values and tough on the causes. Mark Sutton Addams Family Values Requires DV cart for CD-i; MPEG card for MPC/Mac Price 19.99 Contact Philips 0171 911 3000 Director Barry Sonnenfeld Starring Anjelica Huston, Raul Julia, Joan Cusack Platform VideoCD oding Very Good 19.99G Philips Media 0171 911 3000H VideoCDI Digital Movies ComedyJ V2x.w2 &4.v* &v"U! :3>uW[ d:2W: :t:s6R6 :t2R61- .w2Uc 3R Under 20[ Under A Airplane! A masterpiece of off-the-wall comedy, says the blurb. Unfortunately, this is one masterpiece whose greatness has been somewhat eroded by time. While the Airplane! that appeared in 1980 was indeed bright, bree Marked Markedly Marker Marker-pens Markers Market Marketed Marketing Marketplace Marking Markowitz Marks Marksman Marksmanship Markus Marlon Marmalade Marred Marriage Marvelous Masks Mason Mass-market Mass-produced Remains Remake Remarkable Remarkably Remarks Remastered Remedies Remember Remoreseless Remote Remotely Remove Renaissance Rendered Rendering Renditions Renegades Renewable Renoir Renoir's Renowned Repackage Repackaged Repairs Repeat Suture Suzukis Svelte Svengali Swaggering Swain Swallow Swamp Swamplands Swapping Swarm Swayze Swear Swearing Sweat Sweater Sweats Sweaty Sweep Sweeping Sweeps Sweet Sweetest Sweetly Sweetness Sweets Swelling Taken zy and refreshingly zany, a much-needed counterblast to all those hackneyed 70s disaster movies (and there are filmic references a-plenty), the double-disc CD-i Airplane! that wings its way into 1995 is a sadl y faded affair. One obvious reason for its lacklustre performance is the diminutive role of Leslie Nielsen, whose madcap brilliance is the most abiding legacy of Airplane! and its subsequent spin-offs. While Ju lie Hagerty s daffy Elaine makes for good comedy, her co-star Robert Hays (Jeff) fails to achieve take-off (as, presumably, has his career since those movies). What really hits you watching Airplane! 15 years o n is just how much it relies on verbal silliness for its comedy. Thus you have the running motif of pass puns like, t call me Shirley or heavy-handed literalism so when Jeff books a ticket for the section he s handed gasp! a smoking ticket. But let s not be too hard on this Neanderthal japery. Because hidden among this torrent of weary wackiness there lurk a few comic gems. To wit, some well-cr afted send-ups of pilot-speak, John Travolta Saturday Night Fever routines, the very 70s love affair with black streetwise lingo, tupperware parties, automatic pilots and religious cult freaks. The CD-i inte rface is the familiar Philips control bar but even though the content is showing its age the encoding is well up to 1995 standards: there are very few mosquitoes or macroblocks, and the colours are bold and bri ght. Robert Dwek Airplane! Special Requirements DV cart for CD-i; MPEG card for MPC/Mac Price 17.99 (inc VAT) Contact Philips Media 0171 911 3000 Director Jim Abrahams, David Zucker, Jerry Zucker StarringJS Robert Hays, Julie Hagerty, Leslie Nielsen. 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You ve drunk from the mug, bathed in the bubble bath and scrubbed with Counterblast Countered Counterfeit Counterpart Counterparts Counterpoint Countess Counties Counting Countless Countries Country Courses Court Courtesy Cousins Cover Coverage Covered Covereth Covering Covers Covert Coveted Neanderthal Near-perfect Near-silent Nearby Nearer Nearest Nearly Nearness Neon-lit Nero's Nesbitt Nessun Netherworld Network Neuromancer Never Never-seen-before Nevertheless Nevetheless Neville Pinatubo Pinball Ping-pong Pinhead Pinhole ointer Pinpoints Pints Pioneered Pioneering Pioneers Pipeful-of-st-bruno Pipeline Piping Pirate Pirates Pisstake Pistol Pitch Pitched Pitchfork Pitching Pitfall Pithy Pitting Pittsburgh Pixel Pixel-perfect Pixelated PowerD Practitioners@ Prayer@ Pre-school Predictably Predominantly@ Premier@ Present@ Presented Presuming@ Previous Price Pricing@ Prince's@ Prismatic@ Probably Problem[ Problems Process Producer Product Products Program Programs@ Project@ Trees@ Tune@ Unfortunately@ Various@ VisionH Wearing@ Window@ the soap. What new Aladdin-based adventure could possibly await you? It had to happen; roll up, roll up for Disney s Aladdin Activity Center. Faced with the opening screen, introduced by a fair imitation of Ro bin Williams genie, you can visit the Sultan s Palace, the Marketplace, the Cave of Wonders or the Movie Theatre (don t remember that in the film The Movie Theatre is, in fact, the best place to be as it ha s half a dozen key clips from the original film, shown fairly small and scratchily. Given that there s over 400Mb of unused space on the CD, however, there s really no reason why much more of the film couldn have been included; after all, both the movie and the CD are owned by Disney, so there shouldn t be any copyright problem. Bored with the movie? Then check out some of the activities tastefully strewn about you r cushion. You can find your way through a maze, match identical pairs of objects, or find pairs of cards; you can play join the dots, colour in pictures, or test your musical memory by repeating a sequence of notes; or you can spell out words you hear pronounced. This is all very well, and the genie does pop up in an entertaining fashion, but 20 minutes in we re getting a little bored by these puzzles so let s lea ve the film theatre and see what delights the Palace, Marketplace and Cave have to offer. Er exactly the same ones, as it turns out, only with different backgrounds. Take away the pop-up genie, the music, the monkey playing the pots and pans, and the Arabic-style backgrounds, and all you re left with is a collection of tired games and puzzles repackaged as this year s merchandise. No new games, no new ideas, no fre sh thinking whatsoever and over 400Mb of wasted opportunity. Given the leaps forward that children s software has made, this is dull stuff indeed. If you really want to cram more Disney down your children roats, give them a bar of Aladdin chocolate. They re less likely to choke on it. Steve Caplin Aladdin Price Between $28-$32 Contact Disney Software 001 818 543 4372 Category Entertainment Platform MAC MPC CDL -i 3DO $28.32G Disney Software 001 818 543 4372H Young ChildrenJ ,c0A0A,B,B,A,A(B(B(!(!$B !$A !$#$" PcLCPdL 8d8D4C8C4d8 <c<d<c8c 4c4c4d4 4d4C<d8d4D8e<c8c8e8e8E<e4 L#@`U% LcLcLdH cDdDd@c@d<c<c8d8d4d4d0d0C0C0d,c(B(`EF 8c8c4d4d8 8b0c4d 0d0C8c 4d4d0d0c4c4c0d$! 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Afte r all, it s not every day you can program a game where the Queen has a beheading fixation and a turbaned caterpillar smokes a hookah. So Europress Software, recognising the story s potential, has done just that , and with Alice s Adventures launches its new Living Classics series. Interestingly, this CD has been developed using Klick & Play, the company s consumer multimedia creation tool, which it claims has cut deve lopment time drastically and enabled the relatively low price. Alice s Adventures is based on an abridged version of the story, and the program has been faithfully recreated with the original illustrations of J ohn Tenniel (though with added colour). The result is that the CD looks just like a Victorian storybook, with pages of text accompanied by colour illustrations. After installing the CD (a simple affair as long as you have the correct Windows audio drivers), you re treated to the Map screen from where you can go to key points in the story, play a selection of games or have the story read to you from beginning to end, as you follow the highlighted words on-screen. The digitised speech is entertaining enough, each character being graced with an appropriate voice from the persuasive purring of the Cheshire Cat to the spaced -out slur of the Caterpillar, all supplied by a cast of Shakespearean actors. Clicking on the small illustrations on the page will prompt a short animation accompanied by speech but these, although smooth, ar e fairly basic and ultimately disappointing. Even if you click on an illustration, the picture will perform another basic animation, like Alice falling stiffly through the White Rabbit s rabbit hole hardly ja w-dropping stuff. And it s here that the program fails to make the grade. If you look at, say, Br derbund s Living Books series, which has also been adapted from children s stories, the pages are a moving, audi o-visual feast with heaps of interactive illustrations, showing the merits of a multimedia story over an ordinary book. Admittedly, Alice s Adventures does contain a number of games to add a little variety, but there are only four in total. These range from the Caterpillar s Game a rather dull Simon Says -type jaunt to the not much better smash- em-up Duchess game where Alice has to hurl food at the crazed croc kery. Marginally more entertaining is Alice s Game an avoid- em-up featuring our Al drinking potions and gathering keys. Once again, there could have been more inventiveness when it came to both the games and the presentation of the story. The illustrations are colourful and pleasant, but they re overshadowed by the text and just don t do anything exciting. A couple of short biogs of Carroll and Tenniel have been t hrown in, but these consist of a page of text with a badly digitised, sepia-toned photograph of each man destined to send any child straight to snooze city when a cartoon or puzzle piecing together their liv es would have been far more innovative. On the plus side, you can listen to the story being read aloud on any audio CD player. The box text capitalises on Alice s words at the beginning of the book, What is th e use of a book without pictures or conversation? But then what s the use of a CD-ROM without interactivity? If it weren t for the price, I d say get yourself the pop-up book and audio tape instead. Amaya Lop Alice s Adventures In Wonderland Special Requirements 386 PC (486 recommended); Windows 3.1; 4Mb RAM (8Mb recommended); 256 colour graphics; Windows-compatible soundcard; can be used on an audio CD player PSprice 19.99 (inc VAT) Contact Europress Software 01625 859444 Category Entertainment Platform MAC MPC CD-i 3DO 19.99G Europress Software 01625 859444H Young Children LiteratureJ tJR)J 1NsNsF1NR9 RJRJ29 QJQJQB F1F0JRF1F 1JQF1 JRF1F1 F1JRNrJRB NsJRR NsF1F1JRJRNsNsNR NsJQZ b,^-Ah f.f-9 ^brB- JMFM)G B+Fk-h jbjbnAZ VqF0B RrRrR 1NsJRZ V+VKZ NrJOc6 RPNOkx sNsJRB JpNpgU NRJ/V RqJPZ >'>'5 B)>H5 qJOF/9 QF0JQZ JLNnJmcO NqNqg7 qF0gW NsNr= rJPJQV sJQJQZ RPRpZq FONoFOJqV RB,FM9 pNP_4 F/N.b !Vnks MJMc4 QN/9i RmN-k NRRrV F0J0oY VNNnJM)I F1Ns= MJL_4 J0F1kY FQRqR F.RoFM$ RNso{ B.JPw F1F1Z JRJ/ox F0JRo{ NsNsR JPF-k7 PRrk9 F2NsV F.NoZ 0JRNsF1JR> .F+1h RpNoA N.RO-I B+F0V q(a=% FMNOgS NpB,Z NqRqb /VO^pY NoBK: 1F1JR{ JQNsc 0N.9i qR0N.5 QNQRO .RQRPR0N/A NoJo= VqbnNQ 1RPV-J/%) JONqZ F0F1NrB JQJQ1j N/ROZ VqNQV V.N/RP^ VPZp^pRPZqZqZpRP9 F/RoNqZ ZqRqNP= RPVqB NPNPJ0F0J/N0J/J0J J0RrJ J1NQNPJ0J1J0B JRNQN0RrF pRpsU PNpoU /JOov PRqoU f.bNj RrJ0RrZ RqNPNqNPJPN/A B&FhJh9 0Nrg8 1F1F1 NtJs=h ZgJ'B'F(R FHJhF'B')$ sNso{ RF1F1V RhRiV 2^roX BFLgr r^QfrI F1Nsg: N/NPZ NNsF0F1Ns= F1NsV 1NskZ JRNsNss F1NsB F1Rs{ LN/_4 QROJQ{ NONM5 F1JR= J0ZOVP^ ZoZpc JRF1F /VqNP9 mJ/Zqf VON.f 1JR)J VqZpf JRNQNP9 qN0R/^ fNbpV.N JRJs^ NsJRV ZOZOb JRJQ= sJ0J/RPA n^Ns6 VOR/b ROZpB ZqRO^ NSNsV VPVPk fqZNVNb VOV.^ VPZpc5 R.VOb qVPZq^q^ JPNqNq= JRNsB NsJRV RBVC5 JRNsJR^ MNLJJJiA 1NsF0w Q>+FIJ%> RJRkZ RJRkZ VlZ-V ^"NEZg^ JmB.J0Z NqRrF1^ JHJHNiRgR F$JD= RQN0R ROR.R RPVq^ ZNVpZ VrVPZOf VOR.VP^ J0B-9 fmb,^ /JRNQ{ pR.VOVpZ 1F1Ns= bpR/^ J0NQNrNRV F1F1V NsNsR NsNsR JRNsR NsNsV NsNsV NrNRR NsNr= NsNsV F1NsJRA 1F1J1F1B F0F1F1)J RF1JRc sF1-k JRJRF1R JRNs%) >Y>X:X>X>xBx 2.5R Under 20[ Under Alive I remember a sick joke that did the rounds 20 years ago, inspired by the plane crash in the Andes where survivors ate the flesh of the dead to stay alive. Apparently, Uruguayan air stewards began asking hungry Queen Story's Story-driven Story-line Story-telling Storybook Storybooks Storyland Storyline Storylines Storytelling Stowaway Strada Strafing Straford Straight Withdraw Within Without Wizard Wizard's Wizards Woefully Woken Wolfenstein Woman Relatively Relatives Relativity Relax Relaxed Relaxing Relayed Release Released Releases hlentlessly Relevant Reliable Reliant-hating Relic Speed Speedily Speeding Speeds Speedy Speigelman Speigelman's Spell Spellbinding Spelled Spelling Spellings Spells Spelt Spencer Spend Spending SpendsSpin-offs Spin-throws Spinal Spine Purring Purse Pursued Pursuers Pursues Pursuing Pursuit Pursuits Purveyors Pushed Pushers Pushing Pussy Pussy-stroking kland Quarks Quarter Quarter-screen Quasi-girlfriend Cheshire Chess Chessmaster Chest Chestnut Chestnut's Chevalier Chevrolet Chevy Chewing Chiaroscuro Chicago Child Child's Child-infotainment Child-like Childcraft Childhood Childish Childlike Children Illustration Illustrations Illustrator Image Image-quality Imagery Images ately Immensely Immersed Immminent Immortal Immortalise Impact Impaired Impaled Impeccable Impending Imperial Detail Detailing Details Detect Detection Detective Deteriorates Determination Determined Determinedly Deterred Detonators Detour Detract Detrimental Detroit Devastating Devastation Develop Developed fliers whether they would rather look at the menu or the passenger list. That kind of humour was perhaps the only way people could handle the enormity of what the 19 survivors had done to stay alive for 62 da ys before help arrived. Cannibalism is one of the last taboos, and would hardly seem an issue for mainstream Hollywood to tackle. With such scope for sensationalising and trivialising the subject, the makers o f Alive deserve credit for producing a film that tells the survivors story with dignity and understanding. Of course, many elements have been Hollywoodised: the accents are more UCLA than Uruguay, a couple of the survivors must have been a dentist and hair stylist, and the movie s slogan They survived the unimaginable by doing the unthinkable plumbs the marketing depths . But in the end the courage, ingenuity and raw-edged resilience of the survivors make this an inspiring movie. It doesn t shrink from showing the actual eating of the corpses, but then it doesn t linger lasciviously on the act of cannibalism either. Indeed, the meat becomes a side issue the real story is the brave quest by a trio of survivors to get help by walking out of the Andes and into Chile. The widescreen format of VideoCD (the first letterbox r elease since Ghost) is welcome and the Dolby soundtrack is excellent, but the video encoding is a letdown. There are no artefacts to speak of, but the image is so edged that at times it seems out of focu s. Still, it s never less than watchable and the quality of the movie provides plenty of mental, if not visual, inspiration. Mat Toor Alive Requires DV cart for CD-i; MPEG card for MPC/Mac Price 17.99 ContacJ t Philips Media 0171 911 3000 Director Frank Marshall Starring Ethan Hawke, Vincent Spano, Josh Hamilton Platform VideoCD Encoding Average 17.99 Philips Media 0171 911 3000H VideoCDI Digital MoviesJ 4R Under 20[ Under Alone in the Dark The definitive action and adventure game gets the 3DO treatment and still manages to reel in some scary shocks If you are an avid games player you will already have heard plenty about Alone In The Dark. 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Lovecraft. The original PC floppy disk version introduced us to the 3D animated polygons that made up Emi ly Hartwood and Edward Carnby, the two intrepid investigators of paranormal happenings, who form the game s central characters. The 3DO version is a faithful conversion based on the CD-ROM of the PC floppy vers ion and follows the plot of the original. Your friend or uncle Jeremy Hartwood, depending upon which character you choose to play, has apparently committed suicide in his creepy old mansion Derceto. Rumours ab ound of decidedly dodgy and devilish doings at the mansion and you decide to sniff around. When originally released it was the near definitive action/graphical adventure game of its time. And it still is, altho ugh there are a few minor niggles with this version. The one we tested was an NTSC disc and therefore occupied a smaller space on-screen; the PAL version, I am assured, will use the full screen. This version a lso seemed to run more slowly than the floppy-based title, causing the characters to look like they were running through treacle at times. The final complaint is the fact that using joypads for games like this is a pain when exact positioning of your character can make the difference between solving a puzzle and having to go back and load your saved game, which can be intensely frustrating. None of these factors seem s to affect my enjoyment of the game too much, though, and I still found myself being sucked into its nightmarish atmosphere, despite the fact that I spent days and nights playing the original and knew exactly what to expect. This is an excellent game on PC or 3DO and if you like puzzle-solving/adventure games, it s well worth buying. Duncan Swain Alone In The Dark Price 39.99 (3DO)/ 24.99 (MPC) Contact InfogrameK)s 0171 738 8199 Platform MAC MPC CD-i 3DO 39.99D 3DO price onlyG Infogrames 0171 738 8199H GamesJ 4.5R Under 40[ Under Alone in the Dark 2 H>i>f- '2(6)>J- *6'6)2&. %6%!h >g6F- 2(2). :F6H- >f:EF 6(6 % '>F>G- 6%6%!D 6L2*- 6&>i- oboZ-9H BlNkR,Q ^Nb/Y 6%:E6%% ^/bq^NQ .bo^oV O>N!' fobO^ 2.2,:,^ nhrh^(! KR*:KF rgnhrhV() +BI>&:IF bobof boboj BPFpJ ^obobojmf,Ei +61.s2s% NqB0F0FqJ fMbNZ Z.bo^NQ 0.Q2v BNBMFPFqN .R.Q.1% RGjhv NJBLF bo bObOM bjbiN >0*1.R2 L:M>.9 >M>Mf FlF+>oFnJ ZpbobNbofoZ-M R.R.R% 2Zq)I /bo^.^N^N E>F6%2 12s2R%I VpZ-V ^NZ-9H IBi6$) 2t.S.R.1% s.12r6t2S.1% '6%2$BfF 2&. - F-N)>H% f P&l LGP'P ^QZQR &6 BMR f TGl *Fk: BoFo Bh6F:L- 6%6$. L&diXHDh-m T'\HT /^OZ-Q !.1!k N^o)h 6.:O- 2 6)>h% P6.)i 6Q*0.R2s6 G2). 2&2 :F>f>F2 >GBhBhFjN *.2*1*1 6s2R6 2):F>f:&) 6%>E2*& .12s2s6 >): !G >g:E- *1.s* .22s) 2$:&V :G>g9 1.Q..2+N b0bPM 1.r.R*.6GB ROF,E Jkri$ >l6->iN p:q..2P> F/Br! >l2/% :+>G2 .120.1.1* >g>f- >L:*1 BmBnN :F:E>f:E% F:E!D 2s.1! :,BMBOFnFmFmBLBmF FqFn>M:,1 L>L>+: *BLJL) +:+F,- E:F:E. :.>O>O% 2s.r.R :GBIj 6t2t.R! 2s2s6 *R.Q2RcS 2s2t2s.r2R.R% >f:%6$- JB+op Bg:E6$- >L>GBgF 2Q:oB :E6$2 6E>fF >f-BgJ >NNq1 ,:.Jn9 0nSnr=) >l:K6'!E HNjFi6&) \HHf@ 1f25) LBK_- 8ELg\ sjRj1Q `idi\ 6$:E>f5 PGP'`HX %Bg>F>fB Bg>') LgX'P&@&H&\HX fPb/b rsfQfrrsf1% /n1npM G>F>H6 fRrqrsQ Rrsjrr c(D\H` j2j1nR5( b.zrM 2rQEj b(d\H`hU' @%DF, <e8e$ 1rRr0n j1vsn2Yj snSn1n1i Rf1nSjRb0Q v2ztvSq ! D@%@E@ #4E d vRvRvtv rrvsv v1vsz qb0MH rRrsn "$D@%4 8E@%4% rfrA( vrvqv0q rtrSr1] (dD&4% c4E,$ ($,%$d$$ vSv1v1 B4E8E$ 4e@& D b,D(e(E0E vtvsvRz zsvRu B0eH&D v1v2v1v2v nRj1e nOf1a r1j1i rRn1q 4%<FX( PvrUk C d0E rQrsj1a CDF]H 1rRn2rRj1i CPGaI Mansion Mansions Manta Mantis Mantra Mantraps Manual Manual's Manually Manuals Manufacture Manufactured Mapper Marauding Marbles Marcello March Marching Marcy Marginally Maria Marianne Marina Mariner Marines Marino Mario Marital Different Differently Differing Differs Difficult Teleport yourself into the latest version of a game that promises superb gameplay with even more locations, puzzles, ghosts and ghouls Many people complained that the first Alone In The Dark game (reviewed for the 3DO on page 104) was too simple. Infogrames countered this with Alone In The Dark 2. This is a much bigger game with more locations, puzzles, characters, ghouls, zombies and just about everything else that made Alone 1 such a superb game. The story is slightly different this time and revolves around the shady netherworld of voodo and reincarnation. It is Christmas Eve,1924 and Carnby gets a call for help from hi s old buddy Ted Striker. The daughter of a wealthy Californian family, Grace Saunders, has been kidnapped. Striker believes she is being held captive in a creepy old mansion high on the Californian cliffs calle d, appropriately, Hell s Kitchen. On arrival, Carnby discovers that Striker is missing your cue to creep into the crumbling mansion and discover the fates of both Striker and the cutesy Grace. Alone 2 has sup erior animation to the first, the most notable improvement being that Carnby now runs like a man instead of a woman sidestepping her petticoat. And the movement of the characters in general is smoother and fast All the characters are fully animated and calculated in real time 3D. The action is viewed using the same kind of cameras as in the original, but now there are more of them. In Alone 1 you had the choice of playing two characters. In Alone 2, for the most part, you can only play Carnby. But in a later section you take the part of Grace. This is one of the best parts of the game. Instead of the usual macho mann er of resorting to fisticuffs or the nearest available shotgun to defeat the resurrected pirates that are after your blood, you have to use a combination of childlike cunning and ice cubes, marmalade and teddy bears. This may sound silly but it is immensely satisfying to see the supposedly helpless Grace running rings round the murderous cut throats. The CD-ROM edition includes various enhancements that have been add ed to the original floppy disk version but don t really do much more than the original floppy-based Alone2. Digitised speech has been provided as voice overs to the numerous books that you have to read, most of which are of the Aaargh, me hearties, there s pieces of eight in the crow s nest school of acting. For some reason the soundtrack now contains Irish folk songs and is of audio quality played directly off the Thankfully there is a now a teleport so that you don t have to complete the difficult and rather tedious maze at the beginning of the game every time, although if you are playing the game for the first tim e you should get around the maze yourself as it gives you good practice and some handy hints for what to expect later. A new sequence with a couple of fairly easy puzzles involving Grace, a tree and what looks like a zoot-suited, three-piece jazz band in the grounds of the mansion has also been added. The CD-ROM version of Alone 2 is well worth a look. It is a worthy and improved sequel to Alone 1 that still manages to sustain the brooding, dangerous and frightening themes of the original. The gameplay is improved upon purely because of the amount of puzzles, problem-solving and hand to hand combat. The addition of Grace SQ aunders is the icing on the cake. Duncan Swain Alone In The Dark 2 Price 44.99 (inc VAT) Contact Philips Media 0171 911 3000 Platform MAC MPC CD-i 3DO 44.99D inc VATG Philips Media 0171 911 3000H GamesJ 4.5R Under 50[ Under Alone In The Dark 3 000088 HHPP`` ||,,PP tt LL LLxx,, HHtt(( DDll$$ @@hh$$ <<`` 88XX ``xxhh XXll`` LLddTT DDXXLL 88LLDD 00DD88 $$8800 TTll|| HH``tt <<TThh 00LL`` $$@@TT xxDD ,,DD|| ,,@@xx ,,88pp ,,44hh ,,00`` ,,((\\ ,,$$TT |||||| llllll \\XX\\ LLDDLL <<44<< ,,$$,, << H llxxdd ddpp\\ \\hhXX XX``PP PP\\HH LLTTDD xxxx`` ppppXX hhhhPP \\\\HH TTTT@@ LLLL88 DDDD00 8888(( 0000 xxxxll llhh`` \\\\TT PPLLHH @@@@<< 000000 $$$$$$ ||``00 ttXX,, llPP$$ tt ,, {+CCB jihiigF ghhij mmkkjkkj i(hihi jjlgikkjm IL<ONN O NNMM 546JJ S0U.) 6654: mBnooO TSTTSS 75667 ihjghiihi i*hiihklmnM EECBB DDBCC hhihiin LJKGHKF -.-., JHIKF .-,-- IIHJJ -.--., C1212 1*0Ii IIHJJ 21ijhii hhigiikoo lliiji 31131441 445446 ABBCC 4 1AB DCBCC + *+*| Promises Promising Promo Promote Promoted Promoter Promoters Promotes Promotion Promotional Prompts Prone Pronounce Pronounced Pronouncing Pronunciation Pronunciations Proof Propad Propaganda Propelled Propeller Propellor Propellor-driven Proper Properly Properties Dark-haired Dark-style Darkened Darker Darkhill Darkness Darks Darksheer Darling Darrell Darth Darting Darts Darwinism Dashboard Dashed Dashing Dastardly Dated Dates Savannah Savant -a-colony-from-c Saved Saver Saves Saving Savings Savour Savvy Sawgrass Sawgrass's Saying Car-related Caracalla Caravan Carbon Carbonara *d-framed Cardiff Cards Careening Career Careers Careful Carefully Fates Father Father's attist Fatty Faulkner Fault Faultless Faults Faulty Faves Favor Favorites Favour Favourable Favourably Favoured Favourite Favourites Favours Faxes Fearless Fears Fearsome Woman Woman's Womaniser Womanly Women Women's Won't Wonder Wonderbra Wondered Wonderful Wonderfully Wonderfulness Wondering Pixellated Pixellation Pixelorama Pixels Pixilated Pizza Pizzazz Placate Place Planetary Planets Planned Planning Plans Plant Plant-life Planted Planting Edition Editions Editor Editor's Editor-in-chief Editorial Editors Edits Edlinger/zagreb Educate Educated Educating Education cationally Edutainment Edward Eerie Eerieness Effect Edition Education Effect Effects Egg-cited@ Eighties@ Electric Electronic Electronics Elizabeth@ Embroiled@ Emerges Empty Enabled@ Enchanting Encoding Encounter@ Encyclopaedia Enemy Eng-ger-land@ ExistS Expenses@ Explaining@ Explore Extermination@ Faces@ Fairly@ Fantasizing@ Fates Feast@ Various Variously Varmint Vatican Vaudeville Vault Vcr-type Vedder Veersite Alongside Aloof Aloud Alpha Alphabet Alphabetical Alphabetically Alpine Already Three-piece Three-pointer Three-ringer Three-set Three-step Three-title Three-to-seven Three-track Three-year-old Threw Thrill Thrill-a-minute Thriller Thrillers Thrilling Thrillingly Thrills Thrillsome Thrive Thrives Throat Throats Throbbing Throes Throne Throttle Throttles Throttling Through Improvement In-game In-yer-face Inadequacies Incarnations Inception Inches Incidentally Incidents Include Included Includes In this latest version you are taken to the world of alchemy, Navajo Indian magic and reincarnation in this sinister but outstanding game Poor Emily Hartwood. Just when she d put the horrors of Alone In The Da rk 1 and 2 behind her, things have started to go pear-shaped again. Desperate to get out of the interactive entertainment business and into a normal life, Emily has secured a job with the Hill Century film comp any. But no sooner has the company set off into the Mojave desert, to shoot a Western in the sinister sounding Slaughter Gulch, than the cast and production staff start to disappear. A few days later, an exhaus ted and terrified horse turns up in the desert, with the words Call Carnby written on its saddle. This is more than enough information for the discoverer of the horse, a man of infinite resourcefulness who se lls the horse to a porn director to cover his expenses, and gets word to Edward Carnby star of AITD and AITD2 and professional Emily Hartwood recoverer that Emily has once again landed herself in the brown stuff. Which is where you come in. Following the Lovecraft-inspired world of AITD, and the voodoo hobbies of the pirates in AITD2, we are now taken to a world of alchemy, Navajo Indian magic and reincarnation. Controlling Carnby, all you have to do is save Emily, find out what happened to the film crew, recover the cash from the making of the film and hopefully do something about whoever s responsible. Daunting for some, but all in a day s work for the private eye with the knack for the macabre and the walk of a haemorrhoid sufferer wearing fibreglass underpants. AITD3 is like a blend of the styles of the first two games . The principal charm of the original AITD was that mixed in with the puzzles was a significant dollop of out-and-out edge-of-the-seat terror; AITD2 kept the puzzle elements, but concentrated more on action. Th ere was an awful lot of fighting and shooting to be done, but unfortunately the constantly-changing camera angles that typify the series made shooting at people as straightforward as nailing jellyfish to the wa Aware of these problems, the designers have tried to go back on themselves in this version, restoring the genuinely sinister atmosphere of the original and at the same time reducing the amount of combat ne cessary to progress. This more balanced approach takes the best elements of both preceding games. For those of you who really can t hack the combat elements, either because you have the hand-eye co-ordination of an England opener or simply prefer puzzles to fighting, help is at hand in the form of three selectable difficulty levels: the easier the level you select, the more damage your blows do to the villains, the less harm their blows do to you, and the more likely you are to survive long enough to try your hand at the next mind-bending puzzle. You can select the easy level in the happy knowledge that you won t miss any scenes from the game, and that the puzzles themselves aren t affected. You won t, for example, find annoying little cowboys popping up whispering: The inflatable cricket bat s hidden behind the bearded lady shaving equipment. Another improvement is in the number of saved game slots: there are four areas to save to, each of which can hold up to six saved games, and you can also have the same number again to any number of floppy disks. The graphics are up to the usual standard, with animation that s been tweaked to the point where some sections in the game have a frame rate of 94 frames per second, a level usually rese rved for animation classics like Jungle Book, Fantasia and Captain Pugwash. Although the sound is only SoundBlaster quality, the SFX are atmospheric and work well. Where the first two games involved getting out of and into big old buildings, this one uses a Wild West ghost town, so there are ramshackle buildings all over the place with treacherous floors, knackered stairways and scary passages; but there s the added dimension that it s also been used as a film set, so there are facades on some of the buildings, some visual trickery and a fair few props to utilise. And, of course, there are the villains gun-toting ghost c owboys, whose pleasure involves hanging about in side streets shooting at passers-by. Their presence means that to explore the town, you ll have to be inventive. There s none of this swaggering down Main Street for you. As you play your way through the game, the plot is revealed in a series of film clips, flashbacks, and the usual mountain of reading material (read aloud for you by graduates of the Lee van Cleef Scho ol of Cowboy Acting). This includes reincarnation, big cats, deadly green slime, Indian magic and what appear at first to be 70s-style disco medallions, but later turn out to be even more ominous. Selectable d ifficulty levels mean that it s more accessible than the first two games. In terms of size, the game s bigger than either of its predecessors, and will give the average puzzler more than their money s worth in game-playing time. What other game allows you to die and be reincarnated as a cougar and your evil twin, perform a pole vault across a bottomless pit, and wander around with a Gatling gun tucked under your arm? s packed with shovel-loads of ingenuity and you don t have to be a professional marksman to succeed. Patrick McCarthy Alone In The Dark 3 Price 49.99 (inc VAT) Contact Infogrames 0171 738 8199 Platform[ MAC MPC CD-i 3DO 49.99G Infogrames 0171 738 8199H GamesJ 5R Under 50[ Under Americans in Space S:V6V6V:V:V652 464:4% :U24) 565:5:V:U:V6T :U>x>x:U64!k :U>w>W2 5>w:V% 4>W>W) 466>w6 23:U> 63F31 >vFR> :VB19 5:U:31 23632 3:V6564- U:W65>U- V>x:V:3) b c$a A w66:V1 >W6T) c b$c >w64- c$b$b c$b b b$b 4:U642 2424- b A @$ c b b 46U64- U6T64- U6U23) 4>W652 >5>U- 2:U:U1 >w:V2 3:U64- :V>w642 3:U64- 5:V>v2 3:U63- RF1%) B1F1BR!* 65:V- +^mVMN B1[F1J1FQ5 >v:U2 .^+^LV-R RF1B0F F1F19 65>U- 4:W6V64) 0F2F2F/-i 6U:T) 4:V:S) 6U>v% 4>V:3% 4656466:W1 4>V22! :V6565:62 656464- :5>V- 3242464- 4>V>V- 4:W662 4Bw>V) 5>w66- JrNrJs)k SF2F1-K 5>w:W- Bx:V23:U) v>w:6- >w6T% 0B1)( RF1F1B19 sJsB11 >wBx:6- RNSRQE 2F1B1F15 JRNsV JR3B1 FrJsJsZOE sJsNrNrN tNSNRJRNSNPA RJSNSJ2V RsF21 tNsNsNrF09 RNsJsJSFRB1F2JsBR J1J1> FrF15 :v>W66. F1FRNs-l BJRNsJRF1B NsNrNrFP> V:w:56 NsF1JRF1FRR RF1F1FRB1F1 1B1B1F1F1JRFR!) 3>wBx6U652 JRCJQ= V>w6V6V6 B.FOJO1 FRB1FRB1B 266>x6V6V1 FPJQJQJrJQ1 JRNsJRJRJQ1 SJRJRN v6565- FOJqJPNrNsB F1FRN JSJQNsF.F.%) F0F1)j 2B2B1B F2F2FRFQ5 F2F2B J2JRR JRNsN F1FQ= /F1F1F0F0JQ9 1FRJR5 NuJrFQFQJRNs-k F1NsNsR JRF2B 4>T>T:45 RQNsNs JrNsJsJR QNsF1F1B JsJrJr 1JsJRJRFR%) RF2JSN F1NsF1B B/F0JQNrFQF1J2Ns1 JRJsJRJRFRF2B JRFR%J rFRJrJrN 1JsJRJRNRJRJRNs PJQF0 JsJRJrJRNSJRNs JsF19 NqJP9 2>T>T64- qJRJRJsJRJRNs- B0B11 F1NsB JrB/= sJrJRJRNrFRJS= sJRF1B NsNsJrNSV JrNsJR5 tJRJrJ1NRJSNt= JRF1JsNRJ1FQJQB F1NsR 1FQFQNSNtV F1F1B1B RJRF1B F1JRNsJS1 NtJs, RFRJ2NSNRNRJ2 FOB.B RJRFR= JQJRJQ= RF1F1J2A B1Js> 36464- B1B1FRFRFQF1JRFRF1> FRF1B B1NsN FRF1F1JQF1F1> Js.BS5 2FQJsR JR F1= 1JRF1FQFQ RF0F0= F1F1B B1JrNsV RJRJRNrNrB JrNtFRB ?F1B0> F2JSJSJsN JsJRF B1B1> 1FRJtN JSFRJRJsJrJsJsNsNR B1JSNR 1FRFR JsJsNs JsFQJsV 1F1F1B1F1JRNsJR9 JRNsN NsJrFQJQZ JrJRNsR FRFRJRJRNsJSNsR B1B0> FQFQB0B B1FRF1B B2B0> JRF1B FQFQF1F1JR F0B/> /FQ)j sF1FQFQB NsFQ= B1F1B1B F1F1B F1F1JR1 JRF1F0 1F1B0F1F1R NtJRF1F2F2F1F 0F1F1B0B1B1= F1JRF1B0B JSJRJRF1F1B B0B0= RFRJRJQFQF1JRJQJr5 JRF1F1B0= F1Ns)j FRJRJS F1JQF1F0F1F1FQFR5 F1J1F0B 1B1JR%) 1F1B0F1FRF1B B1B1>1: B0F1F1B1F1B F1JRF1 B0JQJR 1F1F0F1F1B B1B1B F1JRNsF1 1F1F1B F1B1B 1JRF1NsJR9 F1F1JRB F1JRJsFRF2B1)k sJsJsF2B1F1JR> F1F1FQNsB 1F1B1 JRJrJS- FRFRJRF2F1= rJrNsNsNtJsJRFRNsV FRFQJR B0F1B1B1B0F1F1JRJR- RJsNRJRJQ F1B1B >1>21 JsJsN JsNNsR NsJRJsJRF1F1> JRNs1 RJRJRFRB1F0B0B1F1B NsJRF1B F1F1JR9 1JRJRF1B F1F0F0B1B1B QJRJRJQB F1FQ!) World World's World-renowned Worldly Worlds Worldwide Worm's Worms Worthiness Worthwhile Worthy Would Wouldn't Wound Itself Ivanov Ivory lhouse Jam's James Jamie January Japan Japanese Japery Jargon Jaunt Javelin Jaw-dropping Jazzier Jealousy Expenses Expensive Experience Experiment Experimentation Experimented Experimenting Experiments Expert Expertise Experts Explain Explained Machine Machines Machismo Macho Macintosh Macmillan Macrecorder Macro Macroblocks Madame Madcap Madden Maddening Themselves Theology Theoretically Theories Theory Level Levelled Levels Lever Levers Leviathans Levin Levinson Levitate Leviticus Lewis Lexicographers Liberace Liberties Liberty Librarians Life's Life-threatening Lifeblood Lifeless Lifelike Lifespan Lifetime Popping Poppins Populace Popular Populous Porky Pornographic Porsche Portable Portals Ported Portentous Porting Portion Portrait Portraits Portray Portrayed Portraying Portsmouth Poses Posey Position Position-ing Positioned Lady's Lager Lagoon Lagrima Lakeside Lakin Lambert Lamborghini Lament Lamento Lammermoor Lamont's Lampoon Lampoon's Lampoons Lance Land's Land-loving Land-speed-record-wa Landed Landing Landis Landlord Landmark Larking Gun-toting Gung-ho Gunged Gunman's Gunner Gunner's Gunpoint Guns'n'roses Gunshots Gunsight Gunslinger Gunslingin Gushed Gut-wrenching Habit Habitat Habitats Habitroids Habits Hackneyed Present Present-day Presentation Presentations Presented Prettified Pretty Prevent Prevented Previous Promises@ Prompt@ Properties Proposed@ Protagonists Protection Provided Pryor's Public Pull-down@ Punches Purchase Purring@ Puzzles Qualities@ Quantity@ Queen@ Queens@ Quentin Question Quickfire@ Reached@ Real-time Realising Really Rearing@ Rebels@ Recite@ Recognise@ Recommending Recorded Average Averages Averaging Avert-the-localised Averts Avery Aviation Await Awaited Awaiting Awake Awarded Awards Aware Awareness Awash Awesome Awesomely Awful Awkward Axel's B-movie Babylon Bachelor Cougar Cough Coughing Could Couldn't Council Counsellor Count Counted Counter-attack Counter-culture Counter-evidence Geared Gears Gecko Geddit Geena Geffen Geilgud Gelatinous Geldof Gemini Genepool General Generalisation Generally Generate Generated Generating Generation Simon Simple Simpleton Simply Since Single Sinister Sitting Skeletal Sketch Skids Slapping Slaughter Slaves Slayer Slice Slide Slides Slightest Slightly Slime Slips Slo-mo Don't Don'ts Donald Doncaster Double Double-act Double-disc Doubt Doubts Douglas Downhill Download Downside Doyle Dozen Dozens Dragging Drama Drank Drastically Drawing Drawings Dreadful Dream Dreamt Americans in Space is what it says, and that s what you get: the Soviets barely warrant a mention in the Apollo-Soyuz mission, although the V2 does get a bit of a look in. The program opens with a display of a hall, from where you choose Pilot s Manual a help file), Express Tours, which covers the Race to the Moon, and Mission Control. Express Tours also contains a detailed section called Turning Points (the X15, ea rly shuttles), Disasters (Apollo 1 & 13, Challenger), Living in Space and Cruising the Planet. All the subjects are supported with text, stills and video. Mission Control covers American exploration from the ea rly days through Mercury, Gemini and Apollo to Sky Lab, the Shuttle and beyond. Each is supported by photographs of the crew and craft together with video footage, if there is any. The program contains some stu nning photographs and film from the early days, and it would be difficult to find a better collection. The American bias is sometimes intrusive, but this is a thorough, if sanitised, account of one of the pione ering endeavours of the twentieth century. Americans In Space Price 47.59 approx Contact Multicom 001 206 622 5530 Category Reference/Education Platform MAC MPC CD-i 3DO 47.59D approxG Multicom 001 206 622 5530H SciencesJ 3R Under 50[ Under Ancient Lands 1^Q^RZ0ZQj N0N/sV OV.bpj jRfqj db0s4 *fjfjfJfjj jkfkbK^*Y .jNnojqjqjQjrAi jjJjkn ^1br^1n ^1brbso b*^ ^+j ^Rbsf Jbkfk^)Y *^JZ*U ^lVKj N*ZK= $d(d(d$d K^KbKr c(d@d C dvL~ PD8c n(n e (A,dA& C@dPdX d$dD DdHEP @dDdL Kbl^KU $d(d$d(d4 rk]h JflfK^kY $d,e@ Irirjv n(rIrjz InIr*n i )r*r m r(rjz r*r*m vkv)mg r n*m DdHdT (d$d, (d d( c d4dP (d,e< 8d4d, c,d@dT rjn q c(c,c0 ,c0d4dHdX d$d c$c, 8D8dDdP (c(c0d@ ^*^)U bKbibK^ Mh ^+fkj *fJjjj d$d(d,d0d8 Dd@dDd@ KbJbJb+^ d(D(d, 4d@d<DDd@d<D0 c d$D(d, <d8c8 0d,d( (d$ d *^ A& (d0d4 4d4c@DD d(d(e0 d$d$d( 0d4d0 d$B(d0c0 Atlas Attraction Automobiles Aviation Awards Azimuth Barron's Family Jethro Lands Limits Motoring Portion Space Tommy Unlimited Values Wanda Windows Wonderland World Years 002000 01235 01252 01625 01752 01753 Among Amounts Amphibians Amused Amusing Apparently Apparition Apparitions Appeal Appealing Appeals Appear Appearance Appearances pplicants Application Applications Disasters Disastrous Disbelief Microsoft, famous for its own empire-building, takes time off to see what happened to others efforts Hell hath no fury like a wannabe Pharoah. Poor old Thutmose, kept off the Eygptian throne for 20 years by H atshepsut, he ordered her image chiselled off every statue in the land when he finally made it. Clearly a man with a castration complex, he later became one of the most aggressive rulers of the era, despite the fact that he was rather short. Thutmose is one of the heroes of Ancient Lands, a ziggurat of a CD-ROM from Microsoft examining the ancient civilisations of Greece, Eypgt and Rome. Our guides, if we choose to employ them, include Roman slaves, Greek poets, Corpulus, Nero s right hand man, and, somewhat surprisingly, Melvin, world travelling accountant , who does an Eygptian tour of which Thomas Cook himself would b e proud. Guides provide overviews of different aspects of life or culture. Other routes into the contents of this CD are via specific entry headings Monuments and Mysteries, People and Politics, and Work and Play. Navigating is very simple: choose a culture, pick a subject area, and you ll arrive at a series of illustrated entries; how the Roman baths worked, what Caligula thought of the notorious poisoner Livia ( Ulysseus in a dress ), what contemporary historians think (she was much maligned); and the fact that upper-class Romans looked down on dancing to the extent that the phrase dancing in a toga was a term of a buse. The information is wide-ranging, covering a huge range of subjects, with wonderful details dropped in; there s an entry, for example, explaining that cuniform, the first writing, was developed by tax ins pectors, and that the scarab beetle was sacred because it was believed to push the sun across the sky. The text is clear, with highlighted terms explained, the illustrations are well chosen, and the video is as good as could be expected given the limitations of the medium. Beneath a general heading say, Troy other entries are grouped as clickable icons. There s information on Helen, the wooden horse, and on the German explorer who found the nine cities of Troy. A useful chronology for the relevant civilisation, and a regional map, can be accessed from two icons at the top of each entry. Every so often you stumble acr oss a puzzle or game fit the Greek personality to his invention, for instance, or decide who looks more dead, Rameses III, or Boris Karloff playing a mummy. In many entries, icons suggest related areas worth exploring from other cultures or other areas, so the Hanging Gardens of Babylon points to an entry on the Lighthouse at Alexandria, another of the seven wonders of the ancient world. Apart from the three major cultures, there s a fourth category for civilisations that got away. To be found here are China, actually the oldest continuous civilisation in the world, and the Sumerians. A series of themes run through all the entries, so it s possible to compare, for instance, the life of women, soldiers or children across the different cultures. The pictoral index is adequate for specific entries, but there should be a full tex t search because while it s simple to locate a subject category for instance, cooking in Rome, or Spartan battle dress s not so simple to find a single city, say Epheseus, or a more obscure artefact, or even to be sure whether it s there or not. This is a shame because there s a great deal packed on to this disc from impeccable sources including the BBC, National Geographic and Dorling Kindersley. In all, an a bsorbing general introduction to ancient cultures with a huge bearing on our own. Caroline Bassett Ancient Lands Price Under Contact Microsoft 0345 002000 Category Reference/Entertainment/ Education PlatS form MAC MPC CD-i 3DO 45D and underG Microsoft 0345 002000H HistoryJ 4.5R Under 50[ Under Angels %))I)j-k-k-k )I-k)J-j%) NQNrV Zk9c9[ N1N/ZpZ-VP f-rN=G Z,^n5 b&RIN jPn.r jOfOj jnnpr ^LfMY 0oYF/ k9FP5 rjrIrIr nQrrnrv XrprPr r'r'n n&rir rjr(r%m vir&r n'n(r'n'n&m n'r'r'n&n n'n&n ^MVM^ j%)J1 ,F4B3 rJ1% = R)Z'r XbpnOnM 8ZPnof JRNrFRJQ pjPwY n'r'nGnGr'n&n Z1^Qj r'n&n'n'r'nGrGv'r'n'n n'rGrGr'r'n'n'n&n n&rHI rjnHnHr'n'r'n&r&m rIr'r' n'n'n r'j(9 qjp{z IF2o| v'vGnJ5 UFVJv =g=h= sJ1JQJ1J1J1J1NRRSRs JSJSJRV B2B2>3: JSJSJSF2F2FRFRF2F2F3 1JSNsNs RsRsRrRrRsR RsRsRrRrR c7g8g7b 1k-j1 0J1NsZ VnNQF1 0J/J-VmJ 2fk^( 1J1JRJR F1Nsg9 ,f {T oVg5^ NOJ+Nq 8RqNpN,E )*JS5 nZ,bm 1Rs-J j+f+^,^n JRNs9 KfmfKU s4fLa JRF15 2*R*S*ukY JSNTJT JOB0oW J/NRRRNQ 6t.t&S s&SkY Zk9kZ Yk9k9g k:k:k NQ%)N 9_;_[[\_[[[[;[:W [:[:[:[:W JpJOB.B/JPZ c\_:c:gZ R-VL= JpFONpV 6NpN-R, NsF25 :,JOQ NoN,1f RONON 0F2JsJt FM^NfmVN VrRQN1R RQRRV 1HfljMn RrRtZ fKs5= &j&^' )JQsz F-J+^ VKVME j&f'E J-F,f QF1J1F1 ZK^l^lRLR F,F+b F0JR= RsN0NRN1Zq R*R+N*N+F rJ1sz V*VKVLRKJ K:C9C RMVqRqRO NN.V+ NRRsRr R+RLVmRME >uwU{ J,R-w N+VmVMN, bJflo NpRrZ k6k7^ N+VmRnRMF-B yRrwY N,N-NLN- ZqNpJ Z.ZoZpb J,RnRMRM N,VORNRNF OJ1RoRoJ/Z LN0oy J,J,N-J-B -R.VM mVORNN+ wV{x^ J.NqV V,N.R/ZMZmR/R ZpZqZqZPR0^ VsVqR0 GJ1oy J.J-A 5RqNpA TRO-H 7^Psy N0VsVS=j &NQoy NLNLF WZ/^Nj VRVsRRR %N1oz FKJLF+w F2NtZ NRJR1 ,rh^Mj GNQoz F+JLNLwu *s*uN0w JRJsV FKJLJLst JLF+JLF+^ R1RQVR9 VpVPRPV F+JKJKF+^ 62.t* .j0wY RRVsZs^ hJQoz JKJJJKNMb {B2JR F+VmJLZ RMRMJ F*J+NLNLN,JM= hJRoy JKJ+RMJLRnRo= ZJ2JSB VoR-VMRMR.VMRLZmVLj RmNMNmRmR NSRSV ZoZnZnRMVmZm^mb LVnRlVmVlJp9 J/NORNN J,J,N,R,RLVMVNb 2J1JQJ1N1N1JQJ1J1F1F1J1F rJsNRJRJ1F J1F1F1J1F1F1F1F1F2F1F F0F1F F1J1NRNRNsRs sJ1JRNRJ2J2JR NRJRNRJRN2NQNRNRNRJSFSBR>2B2JRJRR SF2F1FRV Yk8k8 Yk8k8k8k8k9k9kYoY F/RrZ NQJQF0^ NQNrV *t"S& )%)%) )%))I ))I)I)I)J ybls6 6c5g6 ybO{Y 5bms6 NQRQN1N1J NQRQRQN1N1J 0N0N0N0N1R1N0N RPRPR0NPN0N0N/J N0N1N0N0NPR1N0N0N0N0N0N0J0J0J J0J0J 0J0J0J0J0J J/J/J/J J/J0J0J0F NQJ1J0J1F0F Heroes Heroic Heroically Heroine Herring's Herrings Herself Hesitates Hesitation Hesse Heston Heterosexual -tech Hibernating Hiccups Hicksville Hidden Hideous Hides Hiding Hierarchical Hierarchy Enabled Enables Enabling Enacts Encapsulates Encapsulating Encarta Enchant Enchanted Enchanting Enclose Enclosing Encoded Encoder Encoders Encoding Contents Contest Contestant Contestants Context Context-sensitive Contextless Contexts Contextual Contextualises Continent Continental Continents Continium Continual Continually Continue Continues Continuing Continuity Convoluted Cook's Entry Entry-level Envelope Environment Equal Equally Equals Equation Equipment Equipped Equivalent Equivalents Erased Erection Eroded Erotic Erotikill Erroneous Error Erudite Eruption Escaped Scary Scatological Scatology Scatter Scattered Scattering Scavenger Scenario Scenarios Scene Scene-setting Scenerios Scenery Seemed Seems Seepage Seers Select Selectable Selected Selecting Selection@ Self-proclaimed@ Sensations@ Sense Separate~ Separating Sequence Sequences Serifed Serpentine@ Serves@ 3b-section@ SureR Suture@ Taken Teleported@ Testosterone-charged@ Than@ Themselves Three-piece@ ThroughK TodayG Transfer@ Trees@ Tune@ Unfortunately@ Unless Various@ VisionH Voyage@ Wearing@ Which Window@ Sacred Sacrifice Sacrificed Saddam Saddam's Saddam-alike Saddies Saddle Sade's Sadistic Sadly Sadness Saenz Sailing Sailors Sainted Sakata Salaries Sales Salesman Salient Surely Surface Surfaced Surfaces Surfer Surfers Surfing Surgeon Surgeon's Surgery Surjik Surmised Surmounted Surnames Surpass urveys Survive Survived Survivors Susan Sushi Suspect Suspect's Suspected Suspects Deals Dealt Deannatroi's Dearest Death Deceit Deceleration December Decent Decide Decided Decidedly Deciding Decimate Decision Decisions Decker's Declaration Declaring Declined Declining Decoagulate Decoder Kindersley King's Kinky Kinski Kipling's Kiril Kit'n'kaboodle Kitchen Kitsch Klaus Klick Kline Kline's Knack Knackered Knees Knife Knight Knighted Knives Knobs Knock Knocking Knocks Knowing Knowledge Known Knows Kondrashin Bat's Batch Bathed Bathetic Baths Batman Batsman Batter's Battered Batteries Battersea Battle Battle-hardened Battles Battleship Battlestar Battlezone Battling Bawdy Bawling Bayer Bayerisches Bazookas Do they exist? Can they heal? Do they really need wings? And why do they all seem to shop at Laura Ashley? Complain about evil spirits in Papua New Guinea and you will probably receive a sympathetic nod and th e address of the local witch finder Do the same in Hemel Hempstead and you re an immediate candidate for care in the community. As this CD-ROM makes abundantly clear, the perception of madness, and a whole lot of other unexplained phenomena, is cultural. Here, when people retell their experiences of meeting angels, being healed by them or being taken to meet God (it s a he, by the way, with a beard and gown), you can not help noticing how normal they appear. Unlike UFO abductees, the many subjects of this discs are neither spooky, spooked nor mad. Of course, the USA (where this CD-ROM comes from) is a vehemently Christian s ociety. And if you believe, as most Americans do, that angels are real, have bodies and can be called down from heaven to help us, then it is only natural that people are going to meet them. There has been a h uge resurgence of interest in the subject of angels in the US in recent years, and to a lesser extent here. Somewhat disturbingly it seems to be caused by seepage from the Last Days mentality of fundamentalist Christians: that Doomsday is immminent and that we will see the Book of Revelations come horrifyingly true. Although most of this disc is devoted to the good side of angels, the portion that is devoted to dark angels or devils contains testimony from a New York priest who says he is seeing an exponential growth in the number of possessions and exorcisms in his city. Thirty years ago there were none, now there are more than 200 a year. If the Rapture is coming, then it is not surprising that we should see an upsurge in the divine as well as the evil: hence the rise in the number of angels, and, bizarrely, angel shops. T his disc is a complete resource to angeldom. There are histories of angels, angels in art (quite a lot of kitsch Victorian dead children here), angels in films, angels in songs and a complete listing of angel g ift shops in the USA, Mexico and Canada. I scrolled through this section to see how long it was. Awesomely so, was the answer. And if you re too lazy to drive to your nearest angel emporium, there is an interac tive mail-order catalogue for you to peruse. This is one of the most interesting, well made, imaginative CD-ROMs I have yet come across. The research is impeccable. Every topic is linked to others by marvellous ly designed (if slightly camp) icons, and most topics contain a round table discussion between angel experts. Click on one of the experts (ranging from bishops and priests to New Age seers although no Satanis ts to balance the debate) and they explain such vital questions as Do angels have wings? Why do they always play musical instruments? or, more substantially, Do they have the power to heal? Of course, s all hogwash. At least that s this agnostic s view. And I suspect even a true believer might find this disc s angel propaganda a little too much to swallow. Nevertheless, other CD-ROM developers could do wi th getting hold of this, just to see how well this type of thing can be done. Stop sniggering at the back. Jim Smith Angels Price $59.98 Contact Live Interactive 001 818 988 5060 Category Entertainment PlatfQ orm Mac MPC CD-i 3DO $59.98G!Live Interactive 001 818 988 5060H MPCI ReferenceJ Anna Tommy jmf)Q J/J/F bQbqbrbrbqb bpVPE ^sZRVRV2VRVRZRVRRR ^R^rVRVRZR^rbsf ^rZRVRZRfs^rZRZ2VR ZSZRZRRRZRZRVS V2Zrb ^RZr^s^R^r^Rf ^r^r^RZRZR^r^RZRZRZrZR VSV2VRZS^S br&bsbsjsfsbrbR^rbrbs^R^rQ ^s^rZR^RbRbRfsjsjsn SZSVRZRZrVRZRVRZRZRVRRRVRZ R^s^SZr^s^sZRZsZrZRZsb VR,ZRVRVRZSZRZrZrZSZRZrZs^sZsZs^s^sZSZRbrZSZSZs^sj ^sfsbs^sbs^sZR^r^R^r^s^S ^s^S^sbs jsfsfsbsbrfsjsbrbR^s^S^Sbs^s^SbS SVRZRZRZSZSZR ZR^s^SVRVRZR^R^rVRRRVRR2N2VRZrZRVRVRZR ZR/VRZr^RZR^r^r^sZrZrZsZSV RVR^rZRVSRR^Rj ^s^rbr^s^rbs^rZRZrZR^S^sZsZSZs^sZSbsfsfsj jsfsfsbrbsbs^r^rbrbr^S^sZS^SbS^sbsbs nsjsjsn jsfsfs 0ZS^s^rZRZsVSZRVRVRZRZSVSZr^rZRVRZRZRbrbrZRVSR2RRV2brjsfs^s^Sfsf ^rZRZRZSVSVR^RZR ZS$VRRRVRZSR2ZRn V2^rfsbr^s^s^r^sZSZSZRZR ZS^sZr^sbsZSZSbrbrfsjs br^sbr^rZsbr^S^sbsbs^sbsfsfsjsn ^0Zs^sZSVRVSZsZsVS ZRZrZrZR^S bs+^sVRN2RRb 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ZrR2RRN2R2R2VR^RZRZRbRfrjrnsjsfsn VrR2RRN2R2V3ZRZRbR frrjr jrfsfsn ZrN2RRR2RSVRZRZR^S fr&fsfsjrjrjsjsr ZPRN9 jsfsk ^rfrfsjsns ^oZPZ ZrRRR2 VR)VS^R^RbRfrj nsjsn VrN2R RVSVRVRZR^R^Rfr fs!jsjsn bOfrn VR ZR^RbRbRbrfrfsfsfrfr VQN3VSVRVRZR^RfRjrfsfr frfrfsfsjrY bO^-jqj fsfsjsn VrN2VRZR^RbrbrfrjsjsfsjsjsjrfrjrjsjsjqU fsbrj ZrVRVRZR^Rbrfrfrfsjrfrjrjs jsjrfPM ^rVRVS^RfS jrjsf rjrjs jsjrbPI bsZRZR^rbrbrfrfr fqfqf ^rVRZr^rbrbrfsfsnrjrjrjs fr@jrn nsjrn ZR^rbrjrfrfs jrbPM fsjsr fs^rj fsbRbsf brbrjrjsj nrjsjs jr~^OM ZqRpJ.A jrjrn fsfsn rbrbrj jsjrjr nrnrjq^.Y jsfsnsv fs^Ro frfrfsfrjsjsfrfrfsnsr jsfrjrn jsjsn /bofqf nsfrbrjsr fSfsf nrnrr nrnrr nrjPjpj jqjrn ZRbrfrr fsbs^ nsnsr jrjrn nrjrnrrrr V1ZqZ 1RrVRVRNSNRj fsbRf V1VRn nqnrr jrnqr FsJSFR= Bt>TN fsfsf 6423:T64>TJs9 >u:v> &4.U.V.v*U& .V.V.v2v.v.U.T* 2x.5* $b$b, b b b( Exist Existed Existence Existing Exists Exited Exiting Exocet Expanded Expanding Expands Expansive Expect Expectations Expected Expecting Expense Will's Willard Willard's William Williams Williamson Willie Willies Willing Wills Willy Wilson Wilson's Wimbledon Wimbledon's Wimmin Wince Wince-worthy Winch Winching Windblown Winding Taken Takes Talent Talented Talents Tales Talisman Talkie Talking Talks Tally Tandem Tangent Be-bop Beach Beaches Beadle-style Beady Beaker Beals Beamed Beaming Beans Bear's Bear-type Bearable Beard Bearded Bearing Bearings Bears Beast Beastie Beasties Beasts Beat-'em-up Beats Take a fantastic voyage around the human body sidestepping American humour along the way The premise of AnnaTommy An Adventure Into The Human Body is that Anna and Tommy (two odious American children) have demonstrated a prodigious interest in anatomy for which they get rewarded , by being miniaturised into a little ship and la Fantastic Voyage packed off for a good nose about in someone else s insides. heir journey, they are accompanied by a self-proclaimed zany computer, and all three take every opportunity to indulge themselves in humorous asides. As you can probably gather from the finely-honed wordplay in the title, it s belly laughs all the way. Unwelcome though many of these jokes are, they are nowhere near as unsettling as the PA-style announcements that accompany our heroes approach to a new area of the b ody: Attention approaching testes booms the computer. I suppose it s nice to be warned. While bobbing about, the kids are either quizzed on the purpose of their current location, or have to perform certain tasks that help the body to function effectively. These tasks take the form of bizarrely-adapted computer games from the early 80s. In the kidneys, in a weird version of Breakout, they have to use their ship t o bounce pill-shaped nutrients back into the body while allowing the nasty brown waste products to leave. If you think that s mind-bending, wait for the testes, where our heroes are called upon to play a game o f Asteroids inside a gigantic testicle, in order to decoagulate a lumpy sperm. These tasks and quizzes can either be selected by navigating around the body internally, or by clicking on them from a diagram of t he body and selecting the various systems skeletal, circulatory, lymphatic, or whatever; a completed section prompts irritating hand slapping and cries of Good jaahhb . And that s about it. You might be forg iven for thinking I think this product is entirely useless, but that s not quite true. This disc at least attempts to be entertaining about a subject that might otherwise have come across as dry as a bone. The idea of bolting on games and jokes to educational content is a good one. And there is a good deal of solid educational content here. There is also a high degree of enthusiasm. Everyone involved certainly seem s very enthusiastic about internal tubing. The reproductive system is a pretty intense place! , for example. The trouble is, you don t get the feeling that their enthusiasm will translate to the kids. Perhaps this is because the games are not very good, and not particularly well linked to the content; the kidney blasting game, for example, teaches you nothing about the way kidneys work, which is a real wasted opport unity. Meanwhile, the jokes are lame and very American. Unlike most so-called edutainment products, this one has a fair amount of . Unfortunately, there s not much in the way of compelling tainment go with it. Patrick McCarthy AnnaTommy Price $49.95 Contact IVI Publishing 001 612 996 6000 Category Entertainment/ Entertainment Platform MAC MPC CD-i 3DO $49.95G IVI Publishing 001 612 996 6000H Sciences Young Children nNjOY PrqrPi nqnPn/n.n/rPn.n.] PrqrqnPj nOn.n-n PrqnqnpY .n/n/j .nPjr^ -nOrPrqnOn n/rprPrqf/] .rOrPv fPrrrrrqnqnPnqrPv OrqrqrPrPrQrqr rqrqnqnqrqnOa ZQ^Qb/n fqnPrqrqnqrrrrnqj qrqrqnqrqrrrrnPe nqjpfPf b.j.rqrqnqr j-j.f/frf -j-ez n.rOrqr n-nNnoj.j-j.f j/nqrqv .nOnqr nOn/nqnqrrr -n/nOnqrrv rrrPnq nqrQrQrqrqr rqrrv Orrrrnqnqrrr rqrqr -nqrrv bqbrbrb nQnOj rrnpnPn.r .bOfPbpjpwZ /rqrqn.j .^qs9 PnOnOr /rPn/e .rOrPrPr PrqrPrPrqrq{Z rqnrr PrqrOn.n-j.w .bp^q^/Z n.n/j NrPrPrqrrb jNj-a NrOn-a n/n/a nPrPrPrOj -rrrPn.r/n.] n.n.i rPrOnPnOrPf PrqrqnOa PrOrPn/e n.rOe Orqrqj -rOn.r.j On.nPrPrOnOrOj nOn.e OrrrrnqY nPnOrqrqrPn.n.r/e -rPr/e .rPrOi rqnqrPrPn/n.n.n-e rPrOe rqrrnQa .fPjOe rrrQrPrOrOrPrOrqrpa nQrPrOe .rqnqrqrqrOrOrQnqrrnq] jOr.r/e /rPrrr rqrqnOrOrqb/U -r/rPr rPnOjOb0I Pr/rPrrj.8 b0f/U .n-n.nPIi .rPrPrqn.] 6J7F6J7J6B 6J7J7J6J7J7F Another World 3DO players now get the chance to follow Lester Chaykin s adventures in this awesome version of the classic platformer Having made an appearance on almost every other platform from the PC to the Megadrive, the Which Whichaims Whichever Whiff While Rewind Rewind/fast Rewinding Reworking Rex's Rexxon Rexxons Reztropolis Rhapsody Rhetorical Rhinovirus Rhodesian Rhonda Rhymic Rhyming Rhythm Rhythms Ricardo Richard Ricovero Rider Riders Rides Ridiculous Ridiculously Insides Insight Inspectors Inspiration Inspired Inspiring Install Installed Installing Instance Instances Instant Instantly Instead Instinct Instruction Instructional Instrument Instruments Intelligence Intelligence-free Intelligent Intended Intending Intense Intensely Intensive Intent Intention Interact Interacting Interaction Interactive Appropriate Appropriately Approval Approving Approx Approximations April Apron Aptly Aptly-named Arcade Arcade-action Arcade-style Arcade/puzzle Arcades Arcane Archaeological Archaeologist Archaeologists Archaic Archer Archetypal Assignment@ Assumed@ Astrion Astronauts Atmospheric Attachmentsg Attenborough Attractively Authority Average Aviation Awarded@ Axis@ Backwards Bad-assed@ Ball@ Banging Banned Baron BasicH Bat's@ Beatty@ Became Because Before` Begins Behold Breakout Breaks Breezy Brest Brian Bribe Bridesmaid Bridge Brief Briefcase Briefest Briefly Brigade Bright Brighter Brightly-coloured Brightly-painted Brigitte Brilliance Brilliant Brilliantly Brims Bring Brings Britain British Clicking Clicks Clients Cliff Cliffs Climactic Climate Climatic Climax Climaxes Climaxing Climb Climbing Climbs Clinging Clinic Clinical Clinically Clip-for-clip Circulatory Circumstances Circus Circuses Citadel Citadels Citations Cities Citing Citizen Citizens Cityscape Cityscapes Civil Civilians Civilisation Civilisations Civilization Clack Claim Claimed leverly Has-been Hasn't Hasselt Hatch Hatches Haunts adventures of Lester Chaykin will already be familiar to many. Not only was it an excellent game, oozing with atmosphere and fiendish conundrums, it was highly innovative in its use of polygon-generated figure s which allowed an unprecedented realism of movement. With the 3DO version, the game-mechanics remain identical. Under your control, Lester performs the usual platform-hero s repertoire of running, shooting, sw imming and jumping across a hazardous terrain infested with bad-guys, solving puzzles and struggling towards the next cunningly placed password stage. The screen-update is razor-sharp and Interplay have made ge nerous use of the machine s palette to provide some spectacular backdrops. Every screen has been hand-painted before being digitised, giving the landscape a rich textural look. Set against this finery, the cha racters look decidedly nondescript. It s a shame the programmers didn t take advantage of 3DO s muscle to revamp the figures but, hey, they still move like a dream. The music and sfx are top-notch too evocati ve, tasteful and entirely event-dependent for maximum tension. Another World taps only a small portion of the 3DO s power, nevertheless it is by far the best version yet. Jake Michie Another World Price 44.9H:9 Contact Interplay 01235 821666 Platform MAC MPC CD-i 3DO 44.99G Interplay 01235 821666H GamesJ 4R Under 50[ Under Anti-Static %cJ;? 34?>6*,--++--,, --+,-*,2505<<2,0*3;H`EBB A=@DAC>BACBAB=CBCBBAA<AA> @A??==> @#C?DC==A>B?B=?>>BBA@BCBBDCCD@CEAAB?>A =/>B?AB? 17EC3% $#*$#& 9 .&''/>^~H@ *4H#C1& x]dffggfb^e]c``_fhgjjfjuvlcfmq "^I:>><>36EA5+,--++,--, -:,-,*-1104<;4,,+4EQcS=B@@D<BDB@A?CB?BACA@>>=>A?>=?==>==<<=@@ >=>==>==BEEA=>@ <>@@??=@= =<CDBAACCDAB@ACC?@>? =+?=" B3<HB3 05:2&)*/Mi @A?<? B?>ABAA?> ?A@C>8-@# x\bfebbf_]^]]``]bef iproegip &mO?BDBD86HG6++-,,-+ .-21107<8,-,3EO b8>;=@=A? =<<==<==<;; ATBFDAA@CB@C?AC@>A>53>?FhP?D?@??BAA@CB>A?A=>>=?>= <;>><?? 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It is not, as its name suggests, a disc designed to clear a build-up of static from your CD-i player that would have been far more useful. Load this one up and you are barraged w ith cycles of computer-generated cybergraphics and animation, all accompanied by a repetitive house music soundtrack. If you were off your head at a rave, then it might be vaguely entrancing, but as a consume r product it s little better than audio-visual Muzak for E-heads. Flashing slogans like Get Out of Your Mind surrounded by fish or a woman dressed as a teacup falls a long way short of a mind-changing experienc Paul Nesbitt Anti-Static Requires DV cart for CD-i; MPEG card for MPC Price 15.99 Contact Philips 0171 911 3000 Platform MAC MPC CD-i 3DO Encoding Fair 15.99G Philips Media 0171 911 3000H CD-iI MusicJ 1R Under c B B B C$B B$" ",C$C (B(C(C(c c c B$B("("$!(!("$"$" !$" ! ("(C(c B$c$B(" $" $!$"$"$!$"$"$!$! " A c$B $!$"$"$!$!$"$" A$c$B(B(" ! "$"$" c$C$B$"$! $!$! 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"(C(C(B(B("(B B$d B$B !,C$#(#("(#$"(" ("(C(B$B c (#(#(C("("$B( B(d$B(C(C("(C (B(C(d c(d(C !,D$# (" $"$"( #$"$B("("(C$d A$d(d(C(#(C(#(# B(d(C(#(#("("$#$"("(C(c A$d$"(B("("$"$"("(" !,C$"("$"("$"("("$"("$"$"("(C (C(C(# B C(C(B(C("("(#(C(C,C,d (c$" !,C$" ("$"$c (d,D,#(C(C,C,C,D$C C$B B(C("$"$"("$# !,D$"$# ("$"$C(d !,C$" "("("$"(C $"$"("$"(" !,C$" $"("$"("(#$"(" 0d0D0C(# C B(c$B("(" !(#$" $"("("(# (C,d C (C0D,D,C0C,C0C0C,C(D C(c,C(C !,C$# ("("$"$" ("x(#("(C(C,d$d C C " # C B "(C,d$c $c$C(d(C 2R6R2r7 C C B B$C(C,"(#$" $"$"(" !0D(#(#("$"("$ "("("$" (" $"("$"("$"$"(#("$"(# 0C,C,d(d 0d0D4d 0dI0c0d0C("$ $c,d(c< c$C B$B$"("$ (",C,C,#(#(# $"$"("$"("(" ("("," !,C,C("("$"$#("("(#("("(#("(#$"(# ,C,#,C0d$C 0dF4d0d0c,C !, ZqVp= B,d,C(B (#(#("$" (C(B("(#( B(C(#("(#(#(D B(d(C(#(# (#("("$" ("$#$B !,d,C,#,C ("("(B ,C0d$C B(C$B(C (#("(#$" !(c$" (C(#(#(C(C C(C(C(# $"$"$B C !$c$C(#("("(#(#("(C(c C(C("(# (#$"$c $C("(#(# !$c(C(C !(d,D,C(C B B B !$C$C(B ,B("$"$c "(C(c,C, !(d(c FpJosq "$c(C $c(d$d$c (C(C(B(B,"(C,C(B$B C(d(#(C,#,#(# 0E(D$d $D,D4e$ $"$"$ d d(C(# (" (#("(#(#("(d BQN1V10 $"(#$"$"("$C C$C$#("(#("(#(# (" $"$ "("(#(#$"(D B $!("$"$C ! C$C$" $"("("$"("("(# (#("("(C c !$"$B B(e$C(# $"$"("("$"("("$B !(C$"("$"("("$"("("$"$"("("$"("$" B $!$! ! !$"$"$ ("$"$"("(#(C$B !(#$"$" (#$"$# c ! ",C !("$"("$"("("$"("("$"(C [ Under Apocalypse Now This is the mother of all Nam movies. When Francis Ford Coppola finally screened it in 1979, he stated: This isn t a film about Vietnam. This film is Vietnam. It is an absurdly grandiose but forgivable claim Programs Progress Progressed Progresses Progressing Progression Progressively Prohibition Projected Projectile Projecting Projection Projectionists Projects Prokofiev Prokofiev's Prolific Prominence Prominent Promise Promised for a man who mortgaged his house and risked personal ruin to get this $31 million opus off the ground when Vietnam was still a taboo subject in Hollywood. This well-encoded, three-disc VideoCD features a head y cocktail of drugs, death, destruction, and morbid philosophising by Willard (Martin Sheen) as he moves in on Colonel Kurtz (Marlon Brando) at his camp of Stone Age jungle followers and AWOL death fetishists ( including Dennis Hopper). A host of sensational set-pieces assault our senses during Willard s journey down the river into Cambodia. We hear music by Wagner blaring out of airborne speakers as a village is raid ed by a squadron of attack choppers. Like Colonel Kilgore (Robert Duvall), we smell the napalm in the morning as jets decimate the tree-line. We see a morale raising show of Playboy bunnies degenerate into a drink, drug and hormone-induced riot of horny soldiers. Apocalypse Now brims over with fine cinematic metaphors for the madness of a war where all the manpower and high-tech weaponry that money could buy were defeated by the resourcefulness of an enemy determined to win. One Gulf War later, we appear to have rediscovered our faith in bloodless, mechanised, Nintendo-style war it is time to watch this film again. ll the phone out from its socket, draw the curtains and watch this film in a dark room, hooked up to the hi-fi (the Oscar-winning soundtrack has been digitally re-mastered into Dolby Surround). s an earth-s hattering experience, and without doubt the best VideoCD released so far. Buy it. Michael Kavanagh Apocalypse Now Requires DV cart for CD-i; MPEG card for MPC/Mac Price 17.99 (inc VAT) Contact Philips 0171 9J~11 3000 Director Francis Ford Coppola Starring Martin Sheen, Marlon Brando, Robert Duvall Platform Video CD Encoding Very Good 17.99 Philips Media 0171 911 3000H VideoCDI Digital MoviesJ 5R Under 20[ Under Are You Afraid Of The Dark? An adventure game for children set in a spooky old theatre Anyone who s ever seen Friday The Thirteenth knows that if you tell some American teenagers not to go down to the cellar, that s the very first thing .FNFNNpB/-j cJRkZ m: )f 1F1JsB1Z BF2gZ F1NSo{ F2JR1 NsF2V RB1B2g: Jzjzje 1JSNtk[ NSFRB )rIzjq F2JR= sF1FRJSJR5 F1B1^ sF2g: F1JR5 B2B2B B2B2B n M# B1F2FRFSF1= 1F2F1B B2FRJsJSF1B F1B1B1> B1B1B2B1B1B 1F1kZ FRB2> B2B2> F1F2B B1B1> B2B2B 1F2F1B1F1FRB1B1F2B1= F1F1FRF1B B1F1B1B FRJRJSJRF1B B1F1F2F2B1B RJRJSJsJsJSJRJSF1B F2FSFRFSJSF1> 1NsNsJRF1JRNtJsJRFRB1> NsNr9 B1B1F2FRFRJSJSFRB JRFRF2FRNtJsJSFRB1= 1FRJRF1F1JRJsNsR sNtFRJs> B2FRFSFRFRF2F2B1> JSJSJsJRFRNsR NtJRF1B /F1B1F2FRJsNtNtN sJRFRJtFR= FRJSFRFRF1F1F2B JRFRNsR JsJsFRJRNsNsJRJRFR JR.FRJsR RNsF2NtJS= 1FSFSB2B F1NsV NsNsR JsNsNsR Js&FRFRF1F1F2JRJSJsV F1FRJRNsJSB B1B2BSB2 FRJRJsR Js7FRFRFSNtJtJtR JRB1B 2B2B2FSFSB2B F1F1B JRF1JRJRF1JRNsNsJRJR JtFSF2B1F1F1B F1JsR NtJsFRB1B F2B2B FSFSFRFR F1F1B1= B1F2B1B2B2> B2FRFSJSFR 1JRFRJRNtR NsJsJSF1FRV JtFSF2F2F1F1JRF1FRJRJsNtR NtJRJRFRF1FRNsNtJRJSJsJsJtJsJs FSFSJsNtN NtJsJsJSF2 F2B2B1> B2JSJtJtJ NtNtJsR 1Jsg9 JRFSFSJsNtR JsJsFRJsN JtFSFSBSFSJt B2Ntc: B1B2F2> F2JSN F2JSR FSJtV 2B2B2FSJsJsF2> FRFRFSN JtB2> 1B2NtR JsF2B2B FS>1B 2FRFRF1JSNsR SJsJS FSB2FSB2B2B1B B1FRJs F1JRNRA VsVRI FRFRN NsJRJR JRF1B B1NtV F1F0B F1JsJRR F1F1B J1J2J1 JRJRR N2J1J2NsR F1NRRsRsRSN J1J1F F1F1J2NRA NsF1B 1F1B1B NsJRJRF1F1F JRNRNsJRF NsFRB1Nsc 1F1F2JSJSB F1F1R NtNtN JsJsJRJSJSJsJsN NsNsNR NRRsNRF1JRJ2J1F F1F1NsJSJsR NtJSFR> F2F1F2JSJSNtJtJRJsJRFRN NtNtV JsNsg9 JsJsFR F2FRNtR NsNRJ1 F1J1J1J NQN0E J2JSF1B1V JRJ1A NtJtJtFSFSN JtJtJSF2N NtJtZ JSF1B1 F1F1FRJsR /^.^/Z JtFSN NsJRB F1JRJSN FRJSJSJsNtR NsJRJRF1F1B F1F1A JRNsR NtJsFSJsJtR NsJRF1B F1NsR V.^.jpnOb NrJQJ1F0B F1NsR f-vovnvMv,i NsJRJQJQF0F 1JRNsV ,r,v-r,e NsJRJQF0B F1NsR v-rNj J1JRB JRJRF1F F0JQNsNsV nMvMr,v,n NRNRR F0JRNsR F0NrJRJRR F1NsJRF1F1JRJRF JRJRR JRJ2NRR VtRRN1J F1J1NRRsV J0JQF1 1JRJRF1F1JR RsRtRsNSRsV /J0JQJR F1JRR FRJtR F0F0= F0J0JQNRNRNsNs NsNsR JsJsV JRFRJSNtJRNsR NrNrNqR F1JRR NtJsJsV F1NsR JRNsV NsJSJRJRNsJRJRNsV Coils Coincide Coincidences Coincidently Coined Coins Coktel Colby Cold-warfare Colds Coleman Coleridge Collaboration Collaborators Collage Collapse llected Collecting Collection Collection's Collections Collective Cambodia Cambrian Cambrix Camcorder Camden Camel Camelot Camels Cameo Cameos Camera Camera-surfing Cameraman Cameras Camilla Caminito Campaign Campaign/record Campaigns Campbell Camper Campfire Campfires Staff Staffs Stage Staged Stages Stagey Staggering Staging Staid Stain Stained Staircase Stairs Stairwells Stake Stakes Stale Stalk Stalking Stallone Stalls Stalwart Stalwarts Stamp Stand Finest Fingers Finish Finished Finishes Finishing Fire-balls Fire-bomb Fireballs Fired Firing Firmly First Metaphors Meteor Meteors Meter Methinks Method Methodologies Methods Meticulous Meticulously Metres Microscope Microsoft Microsoft's Microwave Microworld Mid-atlantic Middle Midi-compatible Midnight Might Mighty Migrant Migrated Defend Defended Defender Defenders Defenistrate Defiant Deficiency Deficits Defies Defined Defines Defining Definite Definitely Definition Deirdre Deities Delectable Deleted Deliberately Delicate Delicately Delicious Delight Delighted Delightful Mechanised Mechanism Mechanisms pddle Media Medical Medicine Medieval Mediogre Mediogre's Medium Meeting Meets Mega-villain Megabytes Megadrive Megalomaniac Megalomaniacs Mehta Melancholy Melds Mellersh Melvin Member Members Memorabilia Memories Memory Menopausal Mental Mentality Mentally Under they will do. So it is with Orpheo s Curse. Two children, Terri and Alex, set off to explore a creepy old vaudeville theatre opposite their grandfather s house. The theatre was built by The Great Orpheo many ye ars ago after his great success as a magician. However, one night, during his world renowned teleportation trick, he teleported his assistant his daughter, Elizabeth into limbo, never to be seen again. Orph eo went mad, never performed again and the theatre closed. It is rumoured, though, that midnight performances still take place at the theatre after all these years. So what do you do? Avoid the place like the p lague? Or see if you can get into the theatre and scare yourself to death? Foregone conclusion, really. This is only the second title (after Director s Lab) that Nickelodeon (the international cable and satelli te children s TV channel) has released. It s based on its Are You Afraid of the Dark? TV programme and is the product of Nickelodeon s philosophy of producing television you can do. The intention of the disc i s that you tell your own ghost story by choosing what to do in the theatre. Once you ve got into the theatre and have had the willies scared out of you by your first meeting with a ghost, the story stops and yo u, as the user, are introduced to the Midnight Club a group of all-American kids sitting around a campfire who tell each other ghostly tales. To join the club you have to tell them a spooky story, so you re or dered to go back to the theatre and direct Terri and Alex through a story made up of your decisions. If you do happen to suffer a grisly demise at the hands of Orpheo, for whatever reason, the cheery members o f the Midnight Club will give you some advice so you can do better next time, and then give you the choice of quitting or going back to some point in the game. After the initial meeting with Orpheo, when he tel eports you (as the girl, Terri) to somewhere within the building, he leaves you to snoop round his theatre pretty much as you want. You can click around rooms and corridors in much the same way as in Myst, but Orpheo s Curse also contains a series of photographs of a real vaudeville theatre in Chicago in addition to the rendered images. This means that the pictures of the stage are given an added sense of realism. S omeone has even gone to the trouble of photographing the entire boiler and machine room for you to click around for no apparent reason. Your hand icon changes to an eye when you move the mouse over things you can interact with, although the icon and the type of action you can perform are not always consistent. The clickable hotspots can also be very odd shapes and you can sometimes end up clicking on the wrong thing , or on the same thing twice because the hotspot is so big. There is an awful lot to explore here and you do get the feeling of creeping round a disused theatre. Having said that, the scene changes that result from your clicks can often be so great that you re left not knowing which way you ve ended up facing. The game is structured so that if you collect a set of objects, deliver them to the right place, and rescu e your sibling along the way, you can get out of the theatre before Orpheo s midnight performance (where he plans to teleport you into limbo) and get home which is where you should have been in the first plac The game suffers from the same problems as all adventure games in that if you get stuck it gets boring, and if you find out that you need something that you know is on the other side of the theatre, you got a lot of clicking to do to get it and get back. Interspersed through the adventure, and triggered as a result of your choices, are short narrative segments, each of which consist of a voiceover and a serie s of still pictures. Occasionally, clicking on something in the theatre will reveal an animation rather than a slide show or a voiceover, but these are very jumpy and few and far between. The whole thing looks as if it s been put together by people who have never heard of QuickTime or Video for Windows. Once you get to a bit of narrative it is added to your list and you can play them all, like a VCR , by clicking o n an icon brought up at the top of the screen. Other icons let you go back to the Midnight Club campfire to replay your last bit of advice, keep tabs on the items you ve picked up and exit from the game. The di sc contains pictures and digitised film of real actors from the Are You Afraid of the Dark? television series and Nickelodeon claims to have spent a lot of time on the costumes and the make-up for the monsters you encounter. If a lot of time and money has been spent, it doesn t show; the costumes are nothing special and the monsters look like they re wearing the kind of rubber masks you find in a joke shop. Maybe, ho wever, that s the point. For a generation brought up on Freddie Kruger and late nights playing Doom, this is not going to scare anyone witless, but a welcome bit of pace is injected into the gameplay when you s tart getting chased by a mummy and have to click madly at the mouse to get away. Overall, there has obviously been a lot of time spent of the visual feel of the game but there is a huge gulf between the beautif ul 3D-rendered lobby of the theatre and the monsters who look like they were filmed in someone s garage. The game comes across as a fairly simple, though extensive, puzzle-solving adventure. There s a lot of fu n to be had here and it will keep the eights and above involved for a long time and it s the kind of thing you need to go back to several times to complete (there is a save function) which is no bad thing. It a worthwhile game despite some problems, and promises a lot for the future from Nickelodeon. Conor McNicholas Are You Afraid Of The Dark? The Tale of Orpheo s Curse Price 49.99 (inc. VAT) Contact CIC 0181^: 563 4013 Category Entertainment Platform MAC MPC CD-i 3DO 49.99G CIC Interactive 0181 563 4013H GamesJ tjwfZ^<Q !$#0d@ 8GHg@ ! 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JuB59 ,!4A0 !$!0!,! 0D0D(" H%Lf@D( @#PeP 8 @C@A8A 0!@"< < 8!<"8"8 4!<B<b0@ 8"@c4 $ 8!HA< @!@"< 8A4!4!, 8A, @!<!@!D!@ @$@C@A< 4 , 4!4!4 4 8!< 8 8!4 @!<A8A4A @A)DBDCDC@ <"<$@#DBHbDb@B<"@!@!8A4!0 4 8A8"@BDC<C8A<"8"8!@A<A8A8A0 ( $ 4 @ 8 ,, 0 , 0 8 8A<A<!4 0 0 4 4!4 4@4@0 , $ $!, 0 0 (@,!, $ 4 4 < <"( BwBWF <b4 0 4!8!, >V>7BXF BWBV>V>7FXFxF >6B7>65 FxBWBVBVBWBWFXFyF FxBxB >6B6>5: FWBWBVBVBWBXBYF FwBVBVBWFYJ FxFUBUBVBwF FvFVFVBVBVBWBXBXByB BU(BWBYFzJ FUBU>5>6BVBvF BXByBwFxFzF BVBUB5>V>WBYF 4R Under 50[ Under Armored Fist This tank simulation may well remind you of another game The first thing you notice about Armored Fist is how similar it is to Comanche: Maximum Overkill, a playable combat helicopter sim released by Novalogic Teleported Teleports Telescope Telescopes Telescopic Television Televisions Temperature Temple Tempo Temporarily Tempt Temptation Tempted Tempting Ten-foot Tendencies Tender Tending Tends Tenement Performed Performer Performers Performing After Aimed Aiming Ain't Airborne Aircraft Airfield Airliner Airplane Perform Performance Performances Scenes Scenic Sceptical Sceptics Schaefer Scheduled Scheme Schenk Schiavelli Schlockers Schmaltz Schmeichel Schmuck Schmucks Schnibble Schnozz Scholar Schoolroom Schools Schoonmaker's Schtomp Schubert Schubert's Schuppanzigh Narrative Narrative-based Narrator Narrator's Narrow Narrowly Narrows Nasa's Nasal Nascar Nastie Nasties Naturally Nature Naughty Nauseating Navajo Naval Navigate Navigating Navigation Navigator Show's Show-offy Showboating Showbusiness Showcases Showdown Showed Shower Showers Sidecar Sidekick Sidestepping Sierra Sifting Sight Significance Significant Signing Signpost Signs Silhouette Silliness Silly Silver Silver-haired Similar Simon Simple Simpler Simpleton Simply Simulation Simulator lo-mo Brown Brown's Brownie Browning Browns Browse Browser Browsers Browsing Bruce Bruce's Bruising Brunette Bruno Bruno's Brush Brushed Brushes Brushstroke Brushwork Brussels Brutal Brutality Brutally Brute Brutish Bryan Bubba fornian Caligula Called Cambodia a year ago. This used the company s Voxel Space technique, used to create detailed landscapes, and it worked well. Armored Fist, a tank combat game, uses the same technology, although the game has a few extra trimmings such as billowing smoke, a night vision mode and a built-in mission construction set which enables you to create your own battle scenarios. There are eight pre-defined campaigns to wade through and fo ur different types of tank to control (two American, two Russian). You can opt to play the game as an armchair general from the Command and Control Vehicle or get right in among the action and control a tank yo urself. It plays well and there s always plenty going on in every mission, be it a FIBUA in Bosnia or a hoohah in Cyprus. The interface is intuitive, animation and sound are generally first class (the radio ban ter is a nice touch) and the Voxel Space Landscape Generator brings the whole thing to life, as do the animations that crop up when you ve completed a mission or been hit. The only real niggle is that the graph ics look blocky when you use the external view or are close to other tanks. A two-player link-up option would have been nice, too. In all, it s very well done. Armored Fist is immensely playable even if it isn t totally original. It s Comanche with knobs on, only on the ground. Jeremy Wells Armored Fist Price 44.99 (inc VAT) Contact US Gold 0121 625 3388 Platform MAC MPC CD-i 3DO 44.99G US Gold 0121 625 3388H GamesJ 4R Under 50[ Under F4JUFUF4F3F3 JUJuFTJVJUFTJUR F3F4F4F36 >5FVJvJuZ FwB6B5JvV >5:56 JUJuF3B3F3 F3B3F4F3B JvFTF3B5R FvFw>56 :5BVR >5JvV BV:5:5B5V F4JuF4B :5:5_ >5B5: UFUFTB 3JTB3F3F4JUJvN wJwFv>56 JuJrFQ5 FQJqV F/F/R NpJQNpNq^ JwJvJU6 B5FVFV>56 FUFvJvN PJPk+ sF3F4JUJUJTFTJUJUN FvFvN JoF/g NvJvJvJuJuN >4FUNvN OFOB/F/5 OJOB0FQB FU>5B4B5FUFVJwR JvNvJvF4B3= FUJUFTNvR FU>4B4N F4JUN JUFUJUJU JUF4JUFUJUJUF4B FUFvN JvJUFTF4B4B4B5F5JTJUJUJTB5> B4F4JuN JvFU>4B4B4B5B5B4> >5BUJwN B4JUR JvJuJvFUF4B F3F4F3B JvJVJvR F4F4JTN B4FTF4B B4JUJvJvN FUBVBUB3 >5JvZ JuBUBVB4BUBUFUJvR JvNvJvN NvFUFTF4> JVFUB4 JUNvNvJvJuJvN JvFTJvJvFvJvJuJuF5B4: B4F4FTJTJUFUJvN FTF3B4> B4BUBUB5> FTFVB5 >5'B5BVBVFUFUN NvJuBUBUF5F3B3F3 JUJvR JvJvFTB 3FTNvR >5>5B5 FVB5B5BUBVB5B5BVFVFUB4B4F4> >5B5>5B5>5BVB5B4 B4>5JvR F4NvN NvJVJTB F4JTR JVJUNvNv F4FTJVFUB4F4JUJvR F4FTFTF4B F4JUJuF4FUV >5FvJvN NvJuF4> F4F4FTFTB4> B5JuFTB4B4FTFvFvJvN BV>5>6FVB5> >5BU>V>VB5>5BUJuJvJuBTB5 >5B4B4B5: FUFVBVBVB4 B2 F2NRRsR J.F.F tFvFUFTBUBUFT B4BTF3 -ZOVNV ZN^OZOZNV. N,R-R ZOV.R-V-^o^oZOZNZNR N-N-N,J VN^o^OZNZO^O^OVOV.VNVNV-V. -V.VNR N-N-VN ZO^pN -N-VN V.R-E -R.R-R- VI5H R*R*VjRJb R*NJ% R)Zif J R*^ 1JRF1F1JRJR= NsNs1 NsF1c NsJR5 F1JR5 F1JRJRF1 NsJRJRNs9 F1F1JRB F1,JRB '"G"g"g"G JRNsB "G"G" ^P^p^-Y Nature 19-year-olds 20mb@ 28-minute@ 33mhz 8000@ Action-packed@ Already@ Animation@ Assignment@ Audio@ Barn@ Being@ Boundaries@ By-play@ Category Entertainment/educat@ Certainly@ Claiming@ Compared@ Consists@ Creamy Deeds Delights@ Detail@ Disparate@ Divergently@ Done@ RJRNs-k G"g"g ZpZqZ.U q^P^O^ F1F1JR5 $F1F1JR= NsJRNsNsJRNsNs RQ^PV *H*I. *I.I*I. *I.I.I* *h.I.I*I. .**I.I*I2 2**I*H1 F1NsNrE) rVQUh NsJRJR Ns JR F1F1F0F11 rNQNsRrNsVPZr NsNsR 1F1JR J0J1NQJQJRNsR l2+2+-k Since Singalong's Singalongs Singer Singer's Singer-songwriter Singers Singing Single Single-aircraft Single-click Single-engine Single-level Single-movement Single-player Voyage Voyager Voyeur yeuristic Vulcan's Vulnerability Vulnerable Vultures Wabbit Wackiest Wackiki Wackiness Wacky Wagging Wagnalls Wagner Wagner's Wagon Waistline Waited Waiter Waiter's Waiting Hookah Hooked Hooker Hooker's Hoped Hopefully Hopefuls Hopeless Hopelessly Hopes Hoping Hopped Hopper Horde Hordes Hordings Horizon Horizons Horizontal Horizontally Hormone-induced Hormones Horned Hornets ostess Hosts You've Young Youthful Youths Yucca Zantzinger Zanzibar Zealand Ziggurat Ziggy Onrushing Onslaught Onslaughts Onstage Onwards Opener Opening Opens Operate Operated Operates Operating Operation Operational Operations Operative Operatives Operator Operators Opinion Blood Blood-crazed Blood-curdling Blood-free Blood-spattered Bloodfest Bloodless Bloody Blotchy Blowing Blown Blowouts Blows Blubber Bluebyte Blues othered Bottom Bottomless Boulevards Bounce Boundless Atari Pack For Windows Retro games are certainly in vogue now, but is dredging up 15 ancient Atari VCS 2600 titles taking things just a bit too far? Archaeologists we re not. When Activision announced that it was going to publish a CD of its top VCS 2600 titles for Windows at the CES in January, much of the interactive entertainment industry paid an inordinate amount of attention. This was mainly because there was no other decent produc t on show, but partly because it s the largest collection of retro games to be published commercially. I will admit to approaching the product with a certain amount of trepidation. I d played many of the origin als in their intended manner sitting on the floor of my parents front room playing the things with those excellent Atari joysticks and my nose inches away from the TV. OK, I ll admit that retro is certainly at the moment, but surely playing the thing in Windows and with a keyboard is going to remove some, if not all, of the enjoyment? All of the games here had their day more than ten years ago and, to be tru thful, that s where many of them should have stayed. If you ve only recently discovered what a computer game is, this product is going to mean absolutely nothing. It may have 15 games on it, but unless you layed them before it just isn t worth looking at. If, however, you fall into the category of people who remember the original and either haven t got their VCS anymore or can t be bothered to dig it out of the l oft, you ll find a certain degree of enjoyment from sifting through it. The contents of the disc covers a number of years when Activision was in what many consider its heyday. Kaboom!, Pitfall!, River Raid, Box ing, Chopper Command, Cosmic Commuter, Crackpots, Fishing Derby, Freeway, Frostbite, Grand Prix, HERO, SeaQuest, Sky Jinks and Spider Fighter make up the full collection, and between them they re probably respo nsible for generating entire genres of video games. Cosmic Commuter and Chopper Command are some of the first horizontally scrolling shoot- em-ups I remember seeing. The two classics HERO and Pitfall! are proba bly some of the earliest platform games ever dreamt up (and, believe me, you may have fond memories of them, but they re completely bloody boring compared to anything released since), and River Raid and Sky Jin ks were almost certainly pioneers in the vertically scrolling shoot- em-up market. Spider Fighter was, er, not very good no, oops sorry, a sort of Phoenix type thing, except not as good, and both Frostbite and Freeway are a bit Frogger-y. What does that leave? Oh yes, Kaboom! and Crackpots which are very similar games involving things dropping from the top of the screen to the bottom. The former involves catching bombs from a frantic looking criminal type resplendent in stripy jersey and silly mask, whilst the latter has you throwing plant pots at spiders which are crawling up the screen. That just leaves Boxing whic h is a top-down beat- em-up (ish), Grand Prix which hails from the days when racing games were horizontally scrolling affairs and you just had to move up and down, and Fishing Derby which defies description s a fishing game for chrissakes! The fact that the graphics and sound are utterly, utterly not very good is beside the point really. No, my main point is that people will only buy this for nostalgic reasons and to be honest, a penny short of twenty-five quid is a bit much for something that potentially is only going to entertain you for a very short while. It s brilliant for digging out and showing your old mat es and doing the Wow! Do you remember this one? conversation. But, as I discovered, this also soon deteriorates. Me: Remember when we used to play HERO round at your place and your mum used to harp on abo ut doing homework and stuff? Pal: Yeah it was brilliant, wasn t it? Me: Well, I ve got it for the PC now an exact copy. The game is then loaded from Windows no flashy music, no fanfares. It is, i n fact, exactly as we remember. Pal: Wow! What a classic. Five minutes of gameplay ensues. Pal: Er, John. Me: s crap, isn t it? Pal: What the hell were we on when we were kids? tried it with a few people, all of whom remember the originals, and the reaction was the same. If you do want to dredge up your video games playing past this is probably the best nostalgia kick you re going to get since Microsoft Arcade came out, but it serves a different purpose to that of a At best it s something you have on your hard drive (despite being on CD it only takes up 6Mb of disk space and you d t need the disc once you ve installed) and play every now and then to alleviate the boredom. Part of me feels an obligation to give it a good mark because of the pedigree but, nah, it s a bit boring. hn Davidson Atari Pack For Windows Special Requirements: 33MHz 486 Price 24.99 (inc VAT) Contact Activision 0181 742 9400 Platform MAC MPC CD-i 3DO 24.99G Activision 0181 742 9400H GamesJ 2.5R Under 30[ Under L$MAR M M(m$M m9 m(M m$M8 M,n$m n, LR6Q $m m, $m m, $m m( m$m, m$m, $m m, $m m, m$m,F m$m, $m m, $m m, $m m( m$m, m$m, $m m, $m m, m$m, m$m, $m m, $m m, $m m( m$m, NVR6, $m m, $m m, m$m, m$m, m$m, $m> m, $m m( m$m, $m m, $m m, m$m, m$m, m$m, $m m, $m m( m$m, m$m, $m m, $m m, m$m,m h(m,m m$m,m m$m,m$m m,m$m m,m(m m$m,m m$m,m m$m,m$m m,m$m m(m,m m$m,m m$m,m$m m,m$m m,m(m m$H m$m,m m$m,m$m m,m$m m(m,m m$m,m m$m,m$m m,m$m m(m=1 L,m$m m(m,m m$m,m m$m,m$m m,m$m m,m(m m$m,m m$m,m$m9 m,m$m m,m$m m(m,m m$m,m m$m,m$m m,m$m m,m(m m$m,m m$m,m$m m,m$m m,m$m m(m,m m$m,m m$m,m$m j j k FRF2B1_ F2%)L sJtFS gTF=p :8MO Y>8>P >8>8>Y)p >8>8>7 >7>8>8: rrrrrsv rrrrnr9 ZuZU> ZUZuj 868JWz >8FXFX B8FXFX>86 >7>71 6m2L:S)q E`f\FXh: PfX$P "B"@"B&'&(. 2/:4: :7 2m. 2M622M :7:768: .h.j: fdF`g`fMO :42m2N: 2l2L63= dF`gMO 2M2l* `f`f`g`g\ gXgXg\fI. e&d&c&b*H5 +&b&c&b&d6 jJKJj- R.^pb Recognise Recognised Recognising Recognition Recollections Recommend Recommend-ed Recommendation Recommended Recommending Regional Reincarnated Reincarnation Reinforcing Reinhold Related Relationship Relatively Absolutely Absorbed Absorbing Absorption Abstract Abstraction Abstruse Absurd Absurdity Absurdly Abundance Abundant Abundantly Abuse Academy Accelerate Accelerated Acceleration Accelerators Accent Accents Accept Acceptable Acceptance Accepted Accepts Unless Unlike Unlikelies Unlikely Unlimited Unlock Unlocked Unlucky Unmatched Unmistakable Unmitigated Unnatural Unnavigatable Unnecessary Unnervingly Unobtrusive Unoriginal Unparallelled Unplayable Unrequited Unresponsive Unsanitised Unsatisfied Unsatisfying Category Category Education Category Education/business Category Education/entertainm Category Entertainent/educati Category Entertainment Category Entertainment/educat Hero's Scrubbed Scrum Scrumptious Scrunch Scrutiny Scuba Scuba-esque Sculley Sculptor Sculptress Search Searchable Searched Searches Searching Seaside Seasoned Seatbelt Seats Seaweed Second Second-rate Secondary Seconds Dreamt Dreamtime Dreamweb Dreary Drebin Dredge Dredging Dregs Dress Dressed Dressing Dressing-up Drifts Drill Drills Drink Drinking Drinks Drive Drivel Driven Driver Driver's Drivers Drives Compared rison Comparisons Compartments Compatible Compelling Compendium Compensated Competent Competing Competition Competitors Compilations Compile Compiled Compiler Complain Complained Complaining Complaint Complaints Complemented Complements Complete Completed Completely Completes Compared@ Compete Compiles@ Complete Completing@ Complex@ Complexity@ Composed@ Comprised Computer@ Conceived@ Concept@ Concert-based Conductor@ Cone-breasted Confusion@ Conned@ Conscious@ Considerations@ Detail@ Developed Different@ Difficult Digitally@ Digitisation Direct@ DisastersQ Dissect@ Distribution@ Domingo@ Don't Edition@ Eng-ger-land Excellent@ Feast Frequency@ Goners@ Grenades@ Hand@ Henry@ Historical@ Ignored@ Includes London@ Lungs@ Massed@ Miniature Moves Nonetheless@ On-screen Overdrive@ Passage@ Peculiar Played Power@ Promises@ Quickfire Recorded Response@ Satellite Section@ Selection@ Serves Shoot-'em-up Phone hones Photo Photograph Photographed Photographer Photographers Photographic Photographing Photographs Photography Photorealistic Photos Photosynthesis Phrase Phrasebook Phrases Physical Physically Physics Physique Picard Picasso Picassos Beside Besides Bespoke Betacams Betamax Betray Betrayal Betrays Loaded Loading Loads Loadstar Loathe Loathes Lobby Lobotomy Local Locale Localised Locals Locate Located Location Locations apalooza Lollipop London@ Longer Longing Looking@ Looks Lopez Lovely Low-gravity@ Low-rent Lucas@ Luminaries Lumps Marked@ Massed@ Master Matterd Mechanic@ Mechanised@ Mechanisms Media@ Mention@ Metaphors Metric@ Mid-seventies@ Mile@ Milton@ Mind@ Miniature@ Pasta Paste Pasted Pastel Pastel-coloured Pastiche Pasting Patch Patches Patchy Patently Pentium People People's Percent Perception Perennial Perfect Perfectly Perform Serves Service Serviceable Services Setting Settle Seven Several Severe Shade Shades Shadings Shadows Shady Shagged Shakespeare Shakespearean Shallow Shame Shape Shapes Share Shared Shareware Sharper Shaving She'd She'll She's Sheen Sheep Sheer Shelf Shelves Sheriff Serves Serving@ Seven Sewers@ Shade@ Shakespearian@ Shapely-looking Shifts@ Shoot-'em@ Shoot-'em-up@ Shoot-'em-ups@ Shoot-out Shortcoming@ Shoulder@ Show@ Showing@ Shows Shuffle@ Significant Simple Simply Since@ Single-player Sinister@ Sitting Sizable@ Skipping Sliced@ Slideshow@ Serves Shapely-looking Should Slideshow Smooth Songs@ Station@ Studio@ Suspects@ Technological@ Titles@ Tours@ Underpaid@ Update Users@ Voice-coached@ What's@ Window You'll 442842@ Multimedia@ Polygram@ Aviation Adventure Strap on your goggles for an aviation disc that s earned its wings This is a vast CD-ROM. It contains three aviation games, four reference areas, a movie theatre, a paper plane manual and a boundless sense of fun. Put like that it seems like a recipe for an awful mess but, in fact, the whole thing hangs together well, despite the noticeable differences between each section. The four reference areas are a case in po int. The first is The Reference Library a hypertext encyclopaedia of aviation where you navigate through hundreds of articles by clicking on icons, pictures and hot words. The second is The Aviation Museum, a Doom-style virtual reality museum where you can wander around under the control of the mouse, inspecting the exhibits. Some are pictures and some are rendered animated sequences that look very slick. The third , The Aviation Lab, is a collection of aeroplanes that you can examine in detail and even take their outer skin off to inspect their innards. The fourth, The Aircraft Encyclopaedia, is a simple database of aero planes. All these are very different approaches to the same problem making a database of aeroplane facts interesting. Despite the fact that they have obviously been sourced from different developers, none rea lly overlaps the others and you are left with an agreeable sense of getting more than one perspective on an interesting subject. The downside to this is that there is no cross-referencing between the separate r eference areas. Neither is there any command in any of the programs which limits the amount of reference work for which the disc can be used. The three games on the disc are the Macintosh classic Glider (brought to Windows for the first time), F4U Secret Sortie (a World War Two flight simulator) and a trivia quiz. I say Glider is a Mac classic advisedly. It is, in fact, a fairly dull puzzle game, but it is sti ll one of the better games for the decidedly non-gaming Mac platform. F4U Secret Sortie is an ancient-looking EGA game that runs from DOS, although Aviation Adventure can launch it from the main interface by qu itting from Windows. The trivia quiz is a simple point-and-click multiple choice after which is too easy to be challenging. The other parts of the CD-ROM are a paper plane manual and a movie theatre. The theatr e contains a number of too-short video clips, most of which have had new soundtracks put to them by Aviation Adventure s designers. The results are somewhat unsubtle and cartoony, but quite funny. There s also some distressing footage of a mocked up airliner crash that I wouldn t advise watching before going on holiday. The movie theatre is a good example of the sense of fun the disc exudes. Click on any of the heads in the audience and they will talk to you, tell you a joke or just laugh. Likewise click on any dummy button on the mock-up database control panels and you will be rewarded with a sound effect such as radio st atic. There is lots to do here, lots to see and lots to play. This reminds me of the multimedia equivalent of an Eagle annual, providing good quality edutainment for the younger teenager and upwards. Jim Smit Aviation Adventure Special requirements 486 25SX, 8MB hard drive space, 4MB RAM Price 44.95 (inc VAT) Contact Guildsoft 01752 895100 Category Education Platform MAC MPC CD-i 3DO 44.95G Guildsoft 01752 895100H MPCI ReferenceJ RrJ0^ R.N.N R.R.Z RPRNVOVNJ RNN-A R-R.Z VOVNf VNR-b RNVo^ R.VOb ZOZoZoI ROR.Zpb ZoVNVNN R-R-N VpVNZo^ ZoVOZof VpVoj N-VNf R.RNZpZpZ VpROZ ROVpk R/ROZpVpROVob VoROf VOVOo N.R.f ZoZof ZoRNVOf RON.I ZoVON.J N.N-R.= R.RNN ZoR.f ZoVNf VOZof 1JR)J VOZob ZpZpZoZo^ R.ZoZpVNf F1NsR ZoZo^ RNVNZo^ ZoRNR.R-^ ZoVNb N-ZoZoE ZoZpf R.R.N VNVO^ VOVoR.NOZpf VORN^ N.N-^ R.VO^ ZoZof OROVpV VpRpVpRpVpV N.VoRON.RoVoRNRNN-= R-Vob NsNsNrNRJRJ1 VORPV ^o^o^ NrF09 RsF1= RsJQ= NsJQJR NrJQ= NsJQ9 1NsNs= JRJRV NrF1B NrF1B JRJR{ RsJQF0%) NrJRJQ-k F1F1B RsNQJR%( RrJQNR! NrJQNR! 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ZoRNb ZNZO^ RQVpZ VNZNZnZnZN^ Zo^o^ VOZp^ VoVNR-J RPR.^ ZoV-f ZoZo^ R.Rpf JRJS1i VNVNZnZnVM^ Zp^ob ZpZoZo VORNb ZoZof V.VNf N.VOb NsF1c pRR.VNZnZnVN^ ZpZo^ ZpVob R.N.J ZoZob ZoZnf Zo^ob J1JS$ k?R.VNZnVNVM^ -ZnZoI -VNVNVOZoZoZpZoZNM N.R.ZoR-VNZ VOZoZpb ROVOb R-ZNf ZoZob ROVoZ i<VNVNZnVNV-Z -VNRNE RNVOZoZo^ ^pN-^ ZpZoZoJ VNRNf R-VNf VNVNZnVN RNR.A NsF1c sgVNZNZnVNV-^ ZNZnVMI N-Zof N-Voj N.VoR.b ZoN-j VoVNI JRJ1^ ZnPVNV-^ R-ZoVNb ZpROVO^ VoVNZoZoRO^ VpZof NsF1B weVNZnZnZNZMZ -VN^oN ZoR-RNf -ZoR.^ VNZof VOVOROA R.N.E R.ZN^ ZNRN^ VNZo^ 1J1F2 VNZnZo ZpZoVNVo^oR.I RNR-b VoN-E ZoRONsJ1J2kZ -ZqVOE o%R.VNZnVNV.VNR-A ZoR-R-^ VoVOb VoROVp^ RB11l 1F1FQB0= 0FQF1B1 VNVNZNR-V- V-VMR-V-VNVNZN^oVOZp^ oVoVNRNb VNVMR-R- -VMVNZOZo^pVOVON ZpZof R-V.V.R-E 4R Under 50[ Under Bad Golf Made Easier There are 50 million golfers, 80,000 professional golf tutors, 12,000 books on playing golf and 400 instructional videos. Mind you, these frightening statistics come courtesy of Leslie Nielsen, the silver-haire Goggles Goghs Going Goitre Golfer Golfers Golfing Golina Golino Gomez Gondoland Articles Artist Artist's Artists Artwork Aryan Problem Problem-solving Problematic Problems rochnow Proclaimers Prodigious Prods Produce Produced Producer Haven Haven't Havens Having Hayes Hazardous Hazards There There'd There'll There's Therefore Therein Footage Football Footie Footing Footprints Footraces Footsoldiers Footsteps d master of deadpan slapstick (Airplane!, Naked Gun, Red Rock commercials), so of course they could be complete rubbish. And unfortunately, so is this title, but there s clearly money in them there golfing hill What other explanation could there be for the dismal run of comedian hosted cash-ins? We ve already had to suffer Tom O Connor s wacky golf CD-ROM and surely it s only a matter of time before the late Pete r Cook s funny golf video makes it onto the silver disc. Nielsen attempts to explain the theory of bad golf to a vile pink-shirted nerd called Billy (imagine Michael J. Fox crossed with John Denver) and resc ue a leaden pastiche of the rapid fire humour of the amusing Naked Gun series. Despite the odd pithy gag ( I drank a hearty breakfast, made passionate love and walked a mile in another man s shoes to warm up f or this game ) this is poor stuff. Example: Billy needs an iron (some kind of golf club) and he s handed an electric iron. Nurse, pass the stitches. Not. Even if you like wacky golf videos, this is measly fare lasting a paltry 30 minutes. The encoding is not particularly good either with smeared, garish colours and impaired resolution possibly becasue the title was mastered onto NTSC video. Overall this is only ju st better than the Tom O Connor title, but as Mr Nielsen puts it the reason this game s called golf is because all the other four letter words have been taken. You said it. Paul Nesbitt Bad Golf Made Easier Special Requirements DV cart for CD-i; MPEG card for MPC Price 17.99 (inc VAT) Contact PolyGram 0181 910 5841 Director Rick Friedberg Starring Leslie Nielsen, Archie Hahn, Robert Donner Platform VideoCD EncoJ ding Good 17.99G PolyGram 0181 910 5841 VideoCDI Digital Movies ComedyJ 1R Under 20[ Under Barron s Book Notes Take a book, reduce it to the sum of its parts plot, motive, characters and what do you end up with? 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At this point fabulously informative statements like: George Orwell was a quiet decent Englishman who passionately hated two things: inequality and political lying, become straws to be thankfully clutched at. And there are many such nuggets in Barron s collection of Book Notes. There are 68 authors, and 101 complete, unabridged literary guides in this CD-ROM collection. Writers range fro m Edward Albee (Who s Afraid of Virginia Woolf) to John Milton (Paradise Lost). It s a decent selection, weighted towards older English and more modern American literature including Faulkner, Vonnegut, Tennes see Williams, and Miller. There s also a sprinkling of classical texts Plato s Republic, The Prince and a few other non English speaking authors including Dante, Voltaire and Hesse. Each guide includes a b iography of the author, plot summary, chapter by chapter breakdown, and major and minor character summary. There s a potted history of the issues raised by the work, a discussion of how it fits into the author s canon, and a brief consideration of its literary merits, or cultural significance. Each entry is coded so it can be reached faster although scrolling through individual entries is simpler. Barron s is factual ly reliable, although alarmingly definite on motives as indicated by our Orwell example. Searching by word is fast and easy within each entry, and although the screens are prettified DOS with that subtle ASCI I text look they are readable. Accessing guides and the information within the screens is easy enough, but not particularly intuitive even in Windows. This product can, by the way, also be run under DOS. he home screen provides two basic selection options title or author. Choosing a single work, an author s writings, or a group of related articles is a matter of click selecting. You can then run through the c hosen articles either manually or via a useful Autoscroll feature. The result of searching tends to be a welter of windows cluttering up the screen nothing is closed unless you tell it to be. Close Window is therefore a useful command. Selection can be honed via a word tool which includes standard search functions you can run words together or include wildcards. It is thus possible to discover hopefully in ti that Ishmael, of The Bible fame, was also the character in Moby Dick. Searching can be set to run across selected works or across the entire product and it has to be said, it s fast. Type in sheep and gun s and wham! you re straight into a discussion of Animal Farm. Try Love and Technology and you can choose notes on Brave New World, The Prince, The Hobbit and All The King s Men. In all, this is a reasonably c ompetent tool, even though the CD-ROM version doesn t really do a great deal more than the tree-based editions. But to really exploit the possibilities of the medium, surely the texts themselves should also ha ve been included. That way when you d found your references to love and technology in the notes, and read up what it all means, you could look up specific instances in the works themselves, and end up with winn ing cross-referenced quotes, or even, perish the thought, a better understanding of the work in question. Incidentally, the illustrations are terrible. Caroline Bassett Barron s Book Notes Price $49.95 (inc RkVAT) Contact The World Library 001 714 756 9500 Category Reference/Entertainment Platform MAC MPC CD-i 3DO $49.95 inc VATG#The World Library 001 714 756 9500H LiteratureJ RJRJRNsF1-k RJRJRR RNsJRF1B *' *&! 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Don t eat that baguette. It may come in handy as a weapon against your biker enemies This is another attempt to transplant the manic racing thrills of Super Mario Kart to the PC, this time using fur-clad Barron's Baseball Basie-swinging Bear's Beethoven's Below Benny Berlitz Betty Beverly Beyond Bioforge Birthday Bureau Business Caesar's Called Cannon Capsule Carreras Cartoons Cd-rom Central Chadwick Changing Chaos Chase Chris Chronology Chuck Cinemania Class Classic Classics Guides Guiding Guignol Guildsoft Guilty Guinea Guinness Guise Guises Guitar Guitar-based Guitarist Guitars Gulch Gummer Modern Module Modules Moggies Mohican Moist Mojave Molly-coddled Moment Momentous Moments Momus Monarchs Monasteries Monastery Mondite Mondites Mondo Money Money's Moniker Monitor Monitors Includes Including Indexes Indian Indians Indicated Indication Indie Indigestion Indistinguishable Individual Individually Indulge Indulging Industrial Industrial-strength Cross-referenced Cross-references Cross-referencing Cross-rhythms Cross-stitch Cross-training Cross/scrooge Crossbar Crossed Crosses Crosshair Crossing Crossroads Crossword Crosswords Crotch Crouch Crow's Crowbars Crowd Crowd's Crowd-filled Crowd-pleasing Crowded A-changin A-plenty Aaargh 714340 726975 737630 753423 757033 778077 780370 791346 792617 814132 Domark Electronic Europress Express Freeman Gametek Guildsoft Helicon Infogrames Interactive Interplay stone-age characters, loosely based on rock stars and the like, driving high-powered sidecar combinations. Naturally enough. There are six couples to choose from, each with varying ratings for acceleration, to p speed, durability of bike and physical toughness, and all punningly-named to such a desperately tenuous extent that you feel sorry for whoever had to come up with them. Like Mario Kart, there s an admirable element of slapstick violence, except there are no pick-ups lying around the track with which to shoot people. You have to resort to hitting opponents over the head with guitars, baguettes, or whatever it is yo ur passenger happens to be carrying. Unfortunately, you can only hit to your right, which limits the fun somewhat. By about 50 percent, actually. There are eight courses to race around. They re short and simple and four levels of difficulty give an element of longevity. Two player games can be played over a network. When playing in split screen the players have to choose any two controllers keyboard, mouse or joyst ick. There s no facility for two joysticks, or even for two keyboard users, which is odd. From various reports I d heard, this was supposed to be pretty awful, but it s really not that bad. There are some nice details in the animation, it s fast, and the in-game music s passable. It s only intended as a bit of lightweight fun, and that s all it is. If it were 20 cheaper it might have been worth a punt. Patrick McCIbarthy BC Racers Price 34.99 (inc VAT) Contact Core Design 01332 297797 Platform MAC MPC CD-i 3DO 34.99G Core Design 01332 297797H GamesJ 2.5R Under 40[ Under Beethoven s 5th BVF{' :T>T5 B c$c p6P:P5 q:q:q>P Q>R>R VjZjZjV(E J*ZJZjZJ=% JVJVjZIEe NFF&5d F0JQ9 VkZkVJE .wFRB F0J0F0J0J0F0 />r>R>rBrB fN&5g 5*5.5% ZJZjZ VfVfR&1f RLF0J0F0F0F !VesF 63:TG $C,c4 "h"JF B^J=% C@#DCDC8#= @CDc@c8C,C, b,C4C0C0C "M bRI!% /:r:01 Q>r6R5 q>r>s2 Q:q20%( V)ZkkU /2020. EJf>&5 :uF&= JRF1F1F1B NrNrNrNrNrNrA 0NrNrNrNrNrNrNr Racers Races Racing Radio Raging Rampage Raquel Rattle Raven Reaches Realms Rebel Records Robots Rolling Romeo Ruff's Russia Safari Samurai Sarah Satchmo Saturday School Science Scooter's Scrooged Secret Secrets Select Shark Sherlock Characters Charge Charged Charges Charging Chariot Charismatic Charities Charity Charlatan echnik Check Checker Checking Cheerful Cheerleader Cheery Cheese Chemical Cheshire Admirable Admirably Admiral Admiral's Admirals Admire Admirers Admiring Admission dopted Adopting Adoration Adoring Adrenalin Adrenaline Adrenaline-pumping Adriaaaan Adrian Adult Adults Advance Advanced Advancement Advances Advancing Advantage Advantages Advent Joysticks Ju-87 Jubilation Judaeo-christian Judaism Juddery Judge Judged Jurassic Jurgen Justice Justified Justify Kaboom Kaddafi Kael's Kamco Kansas Kapkan Kaplan Karajan/berlin Karate Karloff Katana Kathryn Kavanagh Keaton Users Usher Using Utilise Users@ Utilise Utterly Vampires@ Various@ Vary@ Veers Verhoeven@ Version@ Versions Vga/sound@ Viciously@ Victory Video Videocd Viewmaster@ Views Vintage@ Virtually VisionH Visual Vivienne@ We'rec Wearing@ Weeks@ Weren't Whats 297797 3.5mb 30000 303322 317864 32-page 332233 33mhz Da Da Da Dum! The deaf guy with a great ear for music gets the interactive multimedia treatment Stealing a march on Microsoft s multimedia exploration of Beethoven s Ninth Symphony, Software Toolworks has deci ded to tackle the Fifth in a much more multimedia fashion and almost pulls it off. To begin with, you can take for granted the quality of music. This CD-ROM can be played on an audio CD player, and the recor ding, by the Edlinger/Zagreb Philharmonic, compares favourably with my Von Karajan/Berlin Philharmonic audio CD. You can also assume that any classical music CD-ROM worth its salt is going to include a detailed critical dissection of the piece and a biography of the composer s life and times. It s what you get on top of these basics that distinguishes a winner from an also-ran. With Beethoven s Fifth, Software Toolwo rks is clearly aiming for the I recognise that tune and want to know more market, where listening to the music and learning a little about it take precedence over the minutiae of the reference portion of the disc. Presumably for this reason, the interface is extremely friendly, attractive and intuitive, with good use of colour and graphics. You can see at a glance the structure of the symphony, play each section in dividually, with accompanying text boxes explaining what is going on. You can also consult the score as you go along to see how the piece looks to a musician although this area is annoyingly placed in the cen tre of the text and can t be moved or re-sized. The symphony as performance is right at the top of the agenda. There is a huge section devoted to explaining how the symphony orchestra works. You can explore the various sections, finding out about the instruments, their sounds and ranges, and then run a mini movie showing the instrument being played. At this stage in multimedia s development, the quality of on-screen video still leaves a lot to be desired. The actors look like they are talking out of synch, or have no top lip; and when it comes to physical musical instruments, such as the cello for example, much of the bo w work is lost. But the idea is a brilliant one, and when the technology finally matches up to the concept, I will happily trade in all my audio CDs. 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Okay it has a good cast (Johnny Depp, Mary Stuart Masterson and Aidan Quinn ) plus a quirky sensibility that co Myers Myopic Myriad Myself Myst-esque Myst-style Mysteries Mysterious Mysteriously Mystery Mystic Mystical Mysticism Mystics Mythical Mythological Mythology Myths Myung Narcotic Narrate Narrated Narration Glance Glasnost Glass Glasses Glean Gleaned Glenn Glide Glider Gliders Glides Gliding Glimmers Glimpse Glimpses Glitch Glitches Glitchy Global Globally Globe Globe-trotting Globes Videocd Children uld be in tune with the twenty and thirtysomethings that make up much of the VideoCD audience. But otherwise it s a film that few people have heard of and even fewer have liked. Things start off well. Johnny D epp on a train reading a Buster Keaton biography, looking moody and cool, with an unfeasibly upbeat Proclaimers song bursting off the CD in majestic digital audio. Things go downhill from there, though. Depp pl ays Sam, a talented eccentric who falls for Joon, a mentally disturbed (in the nicest possible Hollywood fashion) young woman who lives with and depends on her brother Benny. Benny is a tough but tender car mec hanic who loves his sister so much that he can t get out and have a proper relationship with the winsome waitress Ruthie. You can guess how it all turns out. Sam and Joon get together. Benny says Whoah there! and upsets Joon. Sam starts doing awful Buster Keaton skits. Joon loses some more of her marbles. The waitress Ruthie shrugs her shoulders and goes back to serving donuts and coffee. Benny sees the error of h is ways and gets together with Sam to rescue Joon from the madhouse. Before you can say corny Hollywood denouement Sam and Ruthie are back together while Benny and June live happily ever consummating their ne w found domestic bliss by toasting bread with an electric iron. On the encoding front, though, this is a corker. The picture quality is splendid: bright colours, natural flesh tones, and virtually no artefacts. The sound quality is tub-thumpingly good, especially if you re a Proclaimers fan. The interface is the standard Philips 3.1 but graced with a lovely menu screen. Great presentation, shame about the content. Mat Toor Benny & Joon Special Requirements DV cart for CD-i/MPEG card for MPC/Mac Price 17.99 (inc VAT) Contact Philips Media 0171 911 3000 Director Jeremiah S. Chechnik Starring Johnny Depp, Mary Stuart MK:asterson, Aidan Quinn Platform Video CD Encoding Excellent 17.99 Philips Media 0171 911 3000H VideoCDI Digital MoviesJ 2.5R Under 20[ Under Berlitz for Business: Japanese Learn the basics with Sesei, your colourful tutor There are no articles in Japanese (no , or ). There are also few plurals, no changes in verb endings for gender and few verb tenses to confuse yo F2F2F tJuF4 JT'JuJTFTJuN JUNuNuR JtF3FS5 2F3B3B3)l NTJTF3F2F3F F2F2F JSF2B1V FSNtV NvJSF FSJuR B2B4B B4NvR FSB1B1F3B FTJuR F2F3B F4NuR J2F2F2B NvB3= JSF2F3B3F4F3A JSF3F3F4F3F3B 1N1N1R0VQRQNQRqVQVP^qZP^p^q^ ZoR.VPV0ZPR.VOM NtF1F F2FSFSB2B3F49 F32FTB VNZob ZoVOVPV0VPR.VON VOV.R VOVP^ F2J3= JSF3F3JSJTF3A ZN^ob ^oVOVOVPVpVOR.M VOVQZ F2JS= JTJ3J4JTJUF ZnZoV/ZPZpVOV/M F2NtB NtJTFTFTJTF ZN^ob ZoV/ZPZpVPV/M VOVQ^ F2NtF2B NTJTFTJTJTF2F ^oZN^ ZoV/ZPZPZOR.N ZOV.R V/VQ^ F3NuJ3F NTJTJTJUJTF3F bnZNbob ZoV/ZOZpVOR.R ZpVNR B2F2F2F F3NuF3B NtJTJTJUJTF3F ^mZNbob ZoV.ZOZoZON ZpVNR VOVQ^ F1F2NtB NtJSJTJtJTF2F ZMZn^ ZOV/ZO^oZOR R.ZoR-R VOVq^ F3FTR NtJTJTJUJTF2F ZMZn^pb ZOV/ZO^p^oR R.^pV.M B2FTV NtNtJUJUJTF2F bm^Lj VMZo^pb ^pZOVOZO^pZpN V.^pV.M F2RtF2B NtJtJTJUF3F ^mZ,j ^nV-^o^pb ^pZNV.Zo^pZPM .^pV/N F2NtF tJTJTJUF4F ^mZLn ZmVM^p^pb ZNV-^o^p^qM /ZpV/N ROZr^ F2Js9 TJtNuJUF3F ^LZ,j ZLVM^ ZNV-^obp^qR V/ZpV/f ROZr^ JRJS9 tJuJUJUJSF ZLZLj V-ZMb ^pVNV-^ob VOZpV.N F1NsF1B JUJUNuNTJRJ1E J2J2E RqZpb Z,ZMj V,ZNf ZNZN^ob VP^pR-R F1NtF2F2NUNvNvNuJSF J2J2A RqVp^o Z,ZMf V-ZNf ^oZNb ZpZpR.N J2JSA RQROZnj V,Znf bpZOZO^pb ZqZPR NvB2B RQRO^nj bp^pZOV.^pb VOR/ZqVPR RQROZmj ^pZOV/^pb VOR/ZqVPN NQN/VNj boR-ZOf ZOZOr VOR/VPVPN R/VsV NQN.ZNj ZoZNb V/R.ZPVPN /RQNRE 0NQN.Zoj ZoZNb R/R.ZQVPN B4Jv= NQJ.Vnj ZoVNb R/R/ZqV0N ZNV.^ R/R/ZqR/M 0NPJ.N-E ZNV.^ R/R/VPR/N ZOV/^ R/R/ZPR ZOV/^q^ B3Jv9 V.V.^p^ ZMR.^q V/V.b V/V.b ^rR/R VMR.^qbq V/V/b ^rR/V0R V-R.ZpZpb ZrR/V0R V-V/ZpZp^pbp^pR V0VQN V-V/Zq^q^pbp^pR V0V0I rSn3a V.V/ZQ V1V1I V.V/V0ZOZo^pZOM VQVRN Q^s^1f1n V/VPZp^p^pZPR VQVRR bSf2n1i VPZp^p^pZPR R0R1N R/V0M btf3j2i V/V/ZO^pZpVON R0N0N R0V0M jTn2n V.ZpZPV/I R0R0I jtnsrsrSn2j V/ZPR R1N1N ZrZsE trTn3j PfqbQj FTB4F V/ZQV0I R1N0J 0nRj2Y V/V0V0I sjsnta /V/V0V rbQAJ F1J1Vsj nsj2] ZPZQR R0R/E bufTe rtj2f ZQZQR jvnUvVn3Y nUr4r3rSrTr3rTr bQ^1bQbRv r2r3v3r pfpjqfQb1^ VTVTN rTvur 3B3FUNwV JoNoF.Np1 p^Ob/b 1ZsZrR R1ZtVSJ NPNq)I RN^p^.Y N1J2F ^P^0U RO^qbQ^ 2VuZu9 NNJ.5j O^ObPbPQ TZuVT) Z/^0Z 1VtVuE RSVT= VuRSVrb ^0bQjrj VuJ2N3VuVvVT^ RUJ2E /bQ^0Q RUR3N3Vsb VvN2A R.V0N1A tVuN3J RUVvRTVsb R/V/ZqZRV2VRVsRs= ZQZrVsVsZsZ VRRS= RsRRR2J RtRsJ qbPEk RrJ0F sbSb2Z 2^R^1fQb/AI RJ2- VR^RbRb 0NPJ0F V.^OV.Zq{ J5Rws} ZsRRZ RRN1E URvNUJURxs RSRuZ ^1f1a V0b/] JSF1V J3Nt^ RSVsb N3R1Vqf VRN1N oJpFO= V/ZQb RsZSY RSV10 ZsVS- 1N3N4E 1RURVJ VPZq^ JRNsZ V0ZR^s^ JSNsZ RtRs^ NtJ3= ^sVQR0) RsNRNsNrNrJQRsZ J2JRVsV RvNtNsJRF V2ZRE J2J1J0NRRs JSJ2F2F NsJ2J HR2R1I J3F2F rKj)] vN51n J1J1F 1JRNSJ2A rJn a N6N6RWF ZqVq^ RpNONQRQV0V V0Z/U ^m^ ] NwF4NTA N3VSf ZuR3R2Zsb VlN*A RwJ4Z VsVtN2E VRVRM fKb Q rjjIb)Q Z-^,U RVsZRQ 2ntrta nHni^ bJf*a 0VQVr^ R0V2ZSftnte VQVQM ^RntjSa 2jTfS] B0FQFRJRF1B .JOF0JPJQFRFRF1B J0JQNrRsNSN2J2J J1NRNRNQNRV RsRtNSJ2E N1N1NRRRVsRRRRRsNRNRN2J J0NQRRVsZ Vt2RTN3E J0NQRRVsV VuVTRTE N0N1RQVrZsZt^ ZuZuVtVtN2N N1V2V2VSZt^t^tZtVSV2R R0R1R0R0Q V2ZSZSVSV2V2R2R V1ZR^S^S^t^tZtVSV R1VRZSZSV2M F2FSF3NuJT= F3NT= V0ZRZRZSZs^ ZuVuRTN4J JtF3B2JuB3JUJU= VTZTZu^ VuRUNTF BSBSFT: FuB3BTFuFT> N2R2R2NRRRRSRTVuRSN3N2F >0FsF B3Jv9 uBTBtFt JuFT= N2RSRSVTVuZ VuRtNTJ3F FtFtJv5 FuFuFUB39 N3N3R3R4VTVURTN4N3F Twenty Twenty-eight Twenty-five Twice Twilight Twinsen Twinsen's Twist Twisted Twister Twisting Twists Twisty Twitchy Twittering Mechanic Mechanical Mechanics Before Behind-the-scenes Being Being-hit-over-the-h Belgium Found Foundation Foundations Founded Founder Fractured Fragment Fragmentary Fragmented Fragments Frame Frame-rate Framed Frames Framing Francais France Contact Contacts Contactsierra Contain Container Containing Contains Contemporary Contemptuous Contender Contenders Content Contentious Under Apple LaserWriter Pro 2.0 - 2.1F! Pro 2.0 - 2.1I UK English - Spelling u. Because of this, says this CD-ROM, spoken Japanese is not that hard to learn. Don t you believe it: the pronunciation might be quite simple for English speakers, but understanding spoken Japanese is a differ ent proposition, and as for trying to understand written Japanese, forget it. To be fair, this disc doesn t pretend to teach you Japanese overnight, but instead aims to arm you with enough basic Japanese to ge t by on a business trip. The whole thing is done in a cartoon schoolroom run by Sensei, a colourful tutor and guide who takes you through tutorials on basic expressions, arrival in Japan, booking and managing a hotel room, using the telephone, eating out, travelling around, shopping, and entertainment and leisure. You learn how to say sword (katana) and bear (kuma), which may be useful round the negotiating table in Tokyo, but in the interactive dialogue sessions meeting a Japanese woman outside a lift, for instance it won t be easy to get a sword or bear into the conversation and a few more words like ruko*ru (alcoho l) would have been useful. The 12 topics are accessed from a simple interface. Each time you exit a section, a tip appears in a screen window telling you something about Japan and the Japanese. Avoid wearing t ight clothing as you will be sitting down a lot is one invaluable travel tip. Whether you will get anything from this is up to you. Sensei admits that there s nothing to worry about when you arrive in Japan be cause the airport signs are in English, and many people speak English. Okay, so it s polite to have a smattering of conversational Japanese, but most Japanese business people will understand good English better than bad Japanese. Stuart Price Berlitz For Business: Japanese Price 99.99 (inc VAT) Contact Sierra 01734 303322 Category Education/Business Platform MAC MPC CD-i 3DO 99.99D (inc VAT)G Sierra 01734 303322H MacI LanguagesJ Over Over A a a (^HbHZ b*fJfJb*fkjKn _#$aP bHbhbh bHjJjjjJn nkjJjkn )b*jjb)fJn (bHbHbI^I^H^HbI^)^I^(b)f)b)b)fJjkfjfJnkn nknkr Z ^*^*bIb*fJjkf*fJn 'Z(^(^HZ(R V'Z(Z(Z b b*^ ^ ^*fJfJbJfJj nkjJjjr )bIbibH^(^G^H b(b(b b)fJjkfjjjjkn njnkr ^)^ b*n fIb)n Ibhbhfibibhbhbi f)f)jJjkjknkR jjjjn ^)^*bIb jjn jjfifiAf ^)^(^)^(f)fKb(fIfJjjjJn nkfib'9E Z(^(^HZ ^)b)jijj^'M Z'Z'Q bIfH^ bIbIfIfIbIbHbIbIjjjjfiZ RF1)J R+VLV+V, VL ZLR mZlZLZLZmZlZL lZl^l 1JRJR^ VnN-9g VnVmVnNM9h VnVn= RNRN9h R-R,E rAvAQb rAj"1 NsJRB -RnRMVn= NMRnN-N R,N,R,Z Vm,VM) RNR-9G rkrkz nJf E MRng2 RrRRB rknkv rkj*I# f+b*Y nJj 4 N-J-NNRN9 ,VoN-V AnKrlv nkj*nK9 nKj*rKj Z$$aP rKrkj*^ ] kjJj*j)rjrkj F0N.V NsJRZ lnKnKY f j*rkrlv 8rkrk5% -RN5h s(cN1kZ nVnNMV RnN-= ]$$aP JRNsc af rKrkr jIrl1 q$$aP af)nKnKr q$$aP Kj*nKr nKnKf jJr N,N-Z KnKnK c$$aP VnVn9 VnRnZ ,N,Zm9h g;$aP F1JRNsB cNHsf -RMN,VM9h dG$aP m>$aP JRNsB -VnVnV RLR,VM= ZI$aP VnVn= NMNMZ -VnRNVm=g MN,RM9h -RNR,N-= F+F.FN= VnVM9h N+NLJ+RL5 +Rnot hJ+RIJ)= U4$aP +Rnou Y4$aP -VM=g LNmNmZ >G6E! 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The idea is that you pick up a new language in the same way as you learned your mother tongue. Extended periods of listening are designed to give the student an understanding of French based on the context in which the words are used ra ther than the content of what is being said. The whole CD is therefore in French and the student advances through 50 lessons listening, repeating, reading and eventually writing as they go. The emphasis through out is on the spoken word on the dubious assumption that reading and writing are built on an oral command of French and you are encouraged to repeat everything you hear, parrot fashion, and guess what is go ing on from the graphics that flash up. For example, when a picture of a clock appears, you understand what it is and how to tell the time without translating a thing; when two people greet each other, it s obv ious what Bonjour means; and so on. The idea is reasonably well implemented; however, the program is difficult to install, the interface is agonisingly slow and there is no way of judging how well you are doing until you advance to the writing level if you ever get that far Berlitz Think and Talk Reviewed On Mac Special Requirements Microphone or MacRecorder Price 170.37 Contact Softline 0181 401 1234 Category EH"ducation Platform Mac MPC CD-i 3DO 170.37 Softline 0181 401 1234H MPCI LanguagesJ Over Over Beverly Hills Cop Three minutes in and we re already into our first car chase. This film, like its main character, doesn t hang about. 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Can motormouth cut it among the Armani-clad West Coast sophisticates? You bet yo muthaf***ing ass he can. The encoding is good but not exceptional. Surprisingly, it s not the car chases that cause the problems, but the overall lack of cont rast and colour depth. Sound quality is fine although the 1984 vintage pop songs have dated horribly. Susan Marino Beverly Hills Cop Special Requirements DV cart for CD-i; MPEG card for MPC/Mac Price .99 (double bill including Beverly Hills Cop II) Contact Philips Media 0171 911 3000 Director Martin Brest Starring Eddie Murphy, Judge Reinhold, Stephen Berkoff Platform VideoCD Encoding Very Good 34.99 (with Bev Hills II)G Philips Media 0171 911 3000H VideoCDI Digital Movies Comedy 3R Under 40[ Under Beverly Hills Cop II Beverly Hills Cop II kicks off with the Uzi-toting Brigitte Nielsen charging into a jewellery shop and advising its patrons to eat the floor . Anything you say. 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Streetwise Detroit cop Axel Foley, again played by Eddie Murphy, hears that a buddy in the Beverly Hills Police C Department has been shot by the gang, so of course he drops everything and heads for the West Coast. From then on the film is more or less an exact remake of the original, even copying the establishing montage of the bizarre and exotic Beverly Hills citizens (an excuse for lots of blondes with legs up to their cerebellums, out walking their pink poodles). It doesn t particularly matter, though, as the whole point ofE the film is to provide Murphy with set pieces so he can do his bad-assed mother thang. Second time round,his charm, such as it was, begins to wear off. God help those who paid to see Beverly Hills Cop III san Marino Beverly Hills Cop II Special Requirements DV cart for CD-i; MPEG card for MPC/Mac Price 34.99 (double bill including Beverly Hills Cop) Contact Philips Media 0171 911 3000 Director Tony Scott StaGjrring Eddie Murphy, Judge Reinhold, Jurgen Prochnow, Brigitte Neilsen Platform VideoCD Encoding Very Good rnnnf,b rmnLnLrLnL n*n+n+e nonor npjojOnOj.Q vnrmrmvnvm n+j*n+ n+n+f rnnnz ronNrov nojOjOnOj.] rm(rnrnrmrmrMnLj+n+nLj+j j+j+n+j+f nnjMz nnjMro nononNj-] nL"j+j j+n,n+f rnnMz npnOf nnjMU +j*j*n+n,n+f ronor nonNj.j-nOv rorOrNronNQ nL1n+j*j*n+nLnLf ronnr nnjNnOj-j-r vprorNn-f vnvnrnrmrmrl nLnLnKj+nKnKn+n+n,nLnLf ron-z ronNv nojnjOjNnNror rnnNj- vnvnrn rMnLnLjKj+ n,nLnLf ronor jOnOnonoronNnNf-Mh vnvnvm nMnLnLnK n+nLnLj nnnnr rpnonOnojOnonofNQ j.nNnNb n+n,n,f vornz nnnnr rpnonOnojOnonojNj.nNnNf *^*Z*Z*bL9% rMnLnLn+ n+n,j+f nojOnojNnonpjOjNjNnNb rmrmrMnM n+n+j,f jo"non nonnjNnNb vnvnrnrn j+n+n+j nonojojononpnononNnOf rMnMnMnLnL j+j+n,j+j no npnononNnNb vnvnv rMnMnLnLj, ronor no#nNnnb rmrmnLnL j,nLnKj+a nonnr npnonojojonon nononnnnb mrmnM j+j+n+n,nLnLj+f jojonojnnor nnb,EF rnn-rmrmv rmrMnMa ,j+n+n+rLrLnLb jnjon +rmvm jLnLn,n+f npjojonojnjon npnoa nnnnb +j+j+Y nonnr nonojofNnojnjon npjononNb n+nLnK] nonnn jnnnjmnnnnnon jojojOno^ rmj+j+Y nnfnj nonon jojNnNnob rmnLU norpv nofMjnn jnjnjNjnjonon nojononob vmrme nnnnjojnjNjn jojonob jnnon rmrmv jNjnn jojono^ rmnLnMrnv rmrmv jNjnjonojnjnjojonon npjojono] nmnLrnv rmrmr nNnnnonon nojnjnjNY nnnmrmnmnmAF nojNnn nojonojNY fNnon nojojojOY rnnmr nnrnv jojnjojonon no jOY nojnn nojojnjojonon nojojonOY nojNnon npjonojOY nnjnnor npjononoY fNb-b.bNZ npjo{ jojO] nnnnjn5 jMnnfn npnon nojojnfN] nmnnnnjN=& nojNjnjN nonpnpnojojNjNY $b b b nm jLjL=% nojNnn nojOjOfNY (b,b, ,fLfKfLfLf+fLjLfLb+^ jNnorojNjnn jojojOjNZ rnrNz jonpnojNnonon jojOjofNU $b$b b b nnb,Y nnronojNnonojojojnjojnjonojojnjnfNU (b$b b ,a(b b b( rNror jNnonojn jo-jnjon nojNjnjnZ nnjMr ^+nmQF jNnonojOnon nojojojnjnjon jojNjnjNZ nojNY Mjob-b-Q (b$b( nnnonojNnor jojnfNjNjnjnn nojOjOfNZ jLnmnmn jljmjmjMnmb,M <b4b b jnjnjNjnjnn nojNjNjnZ jmnnjMY n-ror nnnnnonojnnonn^ j,j,nNnnnnrnnnjnnnnnb (vjnj^ I Jnkf)f m>nonmr n-n-Y VMZ)Q nnnnr nIn(rJ8 RLZ Q n)j(j(n vkrJn*j rJ~ rIrIA$ virIviz vKvlz rJnJ~ j*vlz j rl~ n)n(e R,bkv viviz +nKj n*z vkrJn*n*vkrKrKe fMfK, vjvjvivjf $ (a,a0 0b0b0 b b b$b( n)rJn* )j n*j a rjrIrIrJ= (b$b$b a4 f+f*IE n)rJM ^+fLr r)rIn)U NfMjMjLfLfM^- Lj*j f n(n(f ^-^-^,Z,^,Z rkrJrJe ^MbmIf rIn)nIY rlf f nJrlrlv nkrlz vkvkj U b b$b$ 1vkvkz rIj n*vkz vin(a j+n*n*j)n)rIrIv vjrIrJrJn) rJn)vJz R*R U jNf-b-fMjMr +j*j)f )nIrIvjvjj vkvJvJ n*j r)z n*vlv vjnIf j)j(n)j)a JvkrJr)n)rJv nIj rJrkvkvjvkz vkn)j)f Irjj)e jnjNf,b j-nNU jn)n)j n)rjvJrJvkn)a n)rIrjvjvjv rJj a rIn)f jmfLf,f-f,b f-j-] rJj f f vkn)] JrJrJ MbMb-b,b- n*n*rJvkrJ] vlj Y m^,bLfMjNf-b j j)n*rJvKe vkvjv fMGb,^ n*rKj U ^,^,^ ^-b-f-f,b-^ b b( b b$b(b( b b$b$b b $b$b$ *n*rJn*f b(b( (b$b4 ,b$b(b0 f*j)n n j n i f f j j n n j .Zq^qf 0V0V/V0V0R ZP^qZPV0brv 0brbr^R^Qbsf bsbSbR^RZ1bsf bQ^/v 0Z0^1br^R^R^Sbs^QM Z1^RbRbR^1^1frZ0E .ZO^ObNM Z0Z0^QV Z0^QbrbRbr^RV Z0Z0Q Z/^0bQ^Q^RbsftfsfsbsZ1Z/R V.Z/V Z/Z/^Pb1^1Z Matter Matters Mattinata Mature Maturity Maugham Maughan Maxima Maximum Maxis Bad-assed Bad-guys Baddie Baddies Badge Badger Badly Baffled Banker Banter Barbara Barely Bargain Bargain-priced Bargaining Baron Baron's Barraged Barriers Barrister Barron's Barry Bartender Based Basi's Basic Encoding Encodings Encompass Encore Encyclopaedia Encyclopedia Endeavours Ended Endings Enemies Enemy Energy Engage England English Englishman Enhancements Enigmatic Enjoy Enjoyable Enjoying Enjoyment Enlightened Enormity Enormous Enough Ensemble Ensues Ensured Enter Entertain Entertained Entertaining Entertainment Planning a holiday on Mars? You ll find that there isn t a Fodor s Guide yet. Will this disc do? s face it: the universe is big. Even the Solar System is a pretty huge undertaking, so it takes a lot to nav igate it. And if you were travelling to Mars and beyond as this CD-ROM, from The Discovery Channel, promises d want a bloody decent guide. Unfortunately, this CD-ROM is a long way from being the best gu ide around. It s not that the information isn t interesting; it s actually pretty difficult to be uninteresting about the subject of extraplanetary travel. It s more that Beyond Planet Earth doesn t put that in formation together in a very coherent or compelling way. For a start, the four sections of the disc are essentially split up into the media used. So, from the opening screen you get the choice of The Planetary Theatre (narrated movies), The Solar Gallery (still images with some un-narrated movies), The Space Experts (talking heads answering questions), and Mission To Mars (a bit of everything). If you re investigatin g the Solar System, don t you want to do just that and use an interactive diagram of the Solar System to find your way around? I know I do. To be fair, there is a Related Topics button, but this makes life more difficult than it needs to be. It may also sound churlish to complain about the captions to the still images, but these are universally banal. Fractured surface, Europa, one tells us, without inviting us in and telling us why the surface is fractured, why that is interesting and why this picture was thought so important that it is one of only 200 photographs on the disc. All of them are viewed in a miserly quarte r-screen window, with no option to blow up what must surely be pretty high-resolution pictures to full screen size. There s a narrative at the side of this particular photograph, but this never mentions the fra ctured surface. Buried further down in the disc is a commentary which tells you that the first Mariner probes to Mars took over 200 high-resolution photographs. We don t know what the pictures look like, though , because the tantalising photograph we have to accompany this piece of information is a rubbishy-looking picture of a probe, with the usual intelligence-free caption A Mariner probe The Space Experts sect ion is where you pose questions to the four eggheads Doctors Louis Friedman, Kathryn Sullivan, Bruce Murray and Buzz Aldrin (surely some mistake Ed). These people should know what they re talking about, alt hough none of them have much to add to the well of human knowledge when it comes to other life in the universe. Kathryn says intelligent life is widespread; Louis says it is one of the great mysteries and, with no actual train of argument, it looks like there s a 50-50 chance; Bruce thinks there must be, just has to be; and Buzz? Well, Buzz says that those who have thought about it a lot think there must be and, ha ng it all, it s great for science fiction, ain t it? Thanks, Buzz. Stuart Price Beyond Planet Earth Price 39.99 Contact Astrion 0181 202 0011 Category Entertainment Platform MAC MPC CD-i 3DO 39.99G Astrion 0181 202 0011H SciencesJ 2R Under NsF1= tJRg9 RF11l sNRNs^ RRtJRc F1F19 RNSF11 RF1NsV F1NsB NsJRR JRF1F1{ F1JR^ sNsF1Nsc NsF1F1V 1NsF1R JRNsR JRNsV NsNs^ F1Ns^ $c,b4 -zNvMn Izkzlzmv b b0CUg b c,CL (d4ce sF1kZ F1JRF1B vkvlz b8ci sNso{ b$b<#] RJRg9 NsJRR b(C(bQ ZpVOI 1Nso{ 1JRF1 sJRo{ VrN0V N/N/Z ZPZq1& ZoR/I sF1JRw QR01( NQJ0A RF1g9 RJRJR^ 1JRNs5 1NskZ NsJRR JRF11 1F1F1R NsJRZ cNSk9 F1F1B %[ Under Beyond the Law If Chuck Norris is the poor man s Bruce Lee, then Cynthia Rothrock is the poor woman s Chuck Norris. Like Norris, she s a former martial arts champion who has karate chopped her way onto the shelves of video sh Rubbishy-looking Rubble Rubble-strewn Rubik's Rubin Rudderless Ruddy Ruddy-faced Rudeness Rudimentary Rudiments Rudolf Ruined Ruining Ruins Ruled Ruler Rulers Rules Ruling Rumble Rumoured Rumours Bubble Bubbles Bubbling Bucket Bucketful Bucketload Bucketloads Buckets Buckingham Buckinghamshire Buckner Bucks Buddhism Buddhist Buddies Budding unnies Bunny Bureau Burford Burgess Buried Burns Burst Bursting Buses Business Buster They're They've Thick Thickens Thief Thieves Thigh Thing ops across the globe. The chubby-cheeked actress has starred in dozens of straight-to-video pot-boilers, in which she kicks, knees, nunchacas and shoots hundreds of extras until no one else is left standing. Beyond the Law is an early example of her oeuvre, when she was still earning a crust on the production line that is the Hong Kong film industry. The plot, as usual, is perfunctory. An FBI supergrass flees from the Mob and takes refuge in Hong Kong with his sister. Rothrock plays a tough-as-nails G-woman whose orders are to bring him back to the States. Several clownish Hong Kong policemen alternately help and hinder her, as do the massed ranks of the notorious Japanese Mafia, the Yakuza. Either you love these chop-socky movies or you don t. Fans of the genre will be glad to know that all the key ingredients are in place: p oor lip synching, ridiculously OTT sound FX (if someone picks their nose expect an ear-splitting thwaaack! ) and splendidly choreographed martial mayhem. Personally, I can never watch these films without thin king of Mike Myers splendid pisstake of the genre in Wayne s World 2. And this particular movie is further spoilt by the actress who overdubs Rothrock s lines. She has a grating, squeaky whine that would make Betty Boop chunder. The VideoCD transfer is poor, and suggests the master tape wasn t up to much. The speed of on-screen fisticuffs often results in digital blocking as the MPEG encoder struggles to keep up, a nd the overall colour balance is noticeably dull and lifeless. All told this is a title strictly for committed shlock movie and/or Rothrock fans (believe me, they do exist). But for most of us in the cultural mainstream, Beyond the Law is beyond the pale... Mat Toor Beyond the Law Requires DV cart for CD-i; MPEG card for MPC/Mac Price 12.99 (inc VAT) Contact CD Vision 0181 503 0589 Director Lau Kar Wing StarringKJ Cynthia Rothrock, Kirk Miu, Shing Fui On Platform VideoCD Encoding Poor 12.99D inc VAT CD Vision 0181 503 0589H VideoCDI Digital MoviesJ 1.5R Under 20[ Under Bioforge It may not be the easiest game in the world but the attention to detail, atmospheric plotting and excellent graphics make this stand out Bioforge s initial scenario is rather vague. This is because you have to NNNNA R/V/N RpRON.N-RNI F0JqB J1J0= *u*sK9 JrNrB .t*SK *t&RK8 *t&SF NrJPB *t*SF FPB/= *T*RK *t*SJ R/V/V/R .t&RF /^p^oV,R *T*2F /R/AT ZOVNR-M *T&2F QJRNrJr FQDJQJrNrR NrRrV /ZpV/Q *T*2F 1F2FRFRBQB1BQB0 FQ;JQJQJRNrNrR ZNZOR B0 F0FPJQJqF Z/Z/Q &U"4B >1>>0>0> >0B/B0= "T"4B Obp^-Y b/fOb-U fpfo^ b,f,fMf-b-] fOjPj/f.] jMnOnOj nojMf jNnpnPj/f jOnpr noj-f OjpfOf.jNnpnOjOj/f.f.f- roj-e .f/b.jOjNnonNnOn/j-j.f-nNv rpnOa ^qZPR .b/f/jOnOrprorOrOn.n.j-j-v b/fOnpnOr rprprPr/n.j nof-U ^.fPn -nNroz /j/jOrpr.vpz bq^PQ rOvpvNzpz ^ObObp^.Q /rOvn bObOboU Obo^N^oV ObPbO^PV.b /^Obp^PZ/b .^pbpbpZ/b bo^oZNb vNn-j bo^O^Nb vnvorofNQ ^N^Nbpf vorNz bObObpb vOzqz zqzpz vqzqzpz bOfpj rorovpn zqvqvqzqz fofNj rPrPvOvpz zpzpz Z.Z.^Obpj fpb/bOfqf /rqrpvpz vqvpvqz zqzqzpvpnNY /frbPZ ^.bObpf zqzqzprPj/IG bN^.b.j .fOnPv vpnNY bo^MZ-bof Pjqnqv vovov roj-Q fq^-^-fp fobobo^.^Nf r.r.rOvpz ^.bNf fnbNfobN^-f zp*vpronNU ^.fOj fnbLbMbMb-f r/rOn zpvovOrOrOf.Qh fNb-b-bNbNboj 1vpvpvovorNr.n/] fn^,^,bNbObOj vpvpvovorovovNrNn.j fpb.fpr jpjoj bM^MZ,^-bO^O vO r.j bM^,^-^-bO^O^pf f.nPv vprOrOrNrNr.n.e fOb.r fNb-^-^-bO^O^Obpf f/j/nOnOrPrpvprOr.n.n-n fNbNr fpfpb.^ bpbOf rP.rOr/r/m bobnr fo^-f fo^-^,b-bNbOfpn n0rPrPr/r fnbNf bn^-Z b-fNfof ^-bNbO^-^-U fofof /Z/bpfojoj b-bMZ ^N^Nfpn Vo^ofpjob-Y ObpZ.M .Zp^pZ >1B1N /^/^.Z.Q *u*S: ^/bO^.^.M &u&36 QJQVq^ ^qR/RRc[ R.R/J /jrjqnPj0f /rPvPz bqbp^pZPR "t"S2 0RQVQZPZ0R R.Vp^ "u"S. "u&S2t*1 "t"R. t"R2t*1 J nonnrnrNrov VpROE rpnOf F/J.ROVoVOR.N u"S.s* Of/f.j /rqrqrpnpr u&S.s.1 :.B/F/J.NOZ 3.T.2 fQjrn "P.P:PFPJQV &Q.06/>/> NP,RPVqN0A rpnpnonpv >R2R2s2s! j/jOj.j.r &R&0% RFsBRBR>1: b/jPjqf/f.jOrpv N/VPb 1>0>1>RBsBs:1% RObqj /fqfPjon jojNjNf &s&R&R*R*R"1 VPbqn Fr>PB jNjNj-nNrOrOvpz rB0BQF .nOrOrPvqz /jOnOn 0^Pfqj F0FRBRBRB1FrBr!j ^Pfqj ^Pfpj rBQBRFRBRFr: boVNJ /^/fpnqr qBrBrFrFRBQB0)J RpNqN b0fPjpnqr FQBPBP) ,nNrov VON.B ^/fPfqjqn /JrBQFRFQ>0B01 ,nMrnrNvoz Z0^Qfqjrn -n.rOrovpz Z/^Qfqjqjqj QFsBR>1>1: n.nNrOvpv Z/b0fPfPfqf FrBR: j-nNroz ^/bPbp^q9i BQ>1: n.rpv ^QZ11 n.rOvpz JrNrR n.rOvpvp JrNrN j/n/rOrprOrov rJrNrN >0>09 n/n.nOron JrJrNrR j.nOjOU qJrJqNq -j.f.M -f.b-AG sNrJq rJqNrNrNq 0FqFrFqJr /JqJQ 1FQFQFrJrJ qJQNqNrNqNq JrJQNrNqNQ RJrJrNrNrNqNq /BPB/FPFqFqJqJ FRFQFQ)i 1NsNsJrNrRr BQBQ> >0BP>0>0: NsNrNrNqNrRrNrNrNsR rNrNqNQNqNqNrNrNsN rJrJqNrJQJqNrNrNsN RNrNr JrNrNsNsJR PNqNQJQNqJQJQ PJqNQNQNRJR JrNrJrNrNrJQ QJqJQJQNqNq Star's Starblade Starboard Stardom Stardust Stare Starfighter Starfish Starfleet Starfox Staring Stark Starports Starred Starring Start-up Started Starters Feast Feats Feature Featured Features Felix Fella Fellates Fellini Fellini's Fellow Feast Features Feelings Fending@ Field Fifth@ Figure Filled@ Filters@ Finally Finds Fine@ Firing First Five@ Gcse@ Generation Generous@ Gibson's@ Glance@ Globes Goggles Grant@ Graphically@ Graphics Greet@ Supergrass Supergroup Supergroup's Superheated Superhero Superheroes Superhighway Superimposed Superior Superiority Superkarts Superlative Superman Supermarket Supermodel Supernatural Supernova Supplies Supply Supplying Support Supported Supporters Supporting Supportive Suppose Supposed Supposedly Magazine Magazine's Magazines Magellan Magellan's Magentas Mages Maggot-sanctuary Maggots Magic Magical Magician Magician's Magisterial Magnetic Magnetism Magnification Magnificent Magnificently Magnified Magnifying Magnitude Mile-long Mileage Miles Milhous Milieu Militant Military Milked Milking Miller Miller's Milligrams Million Million-selling Millions Mistake Mister Mixed Mixture Mock-up Mocked Mocking Model Models find out who you are, where you are, and why you ve acquired such strange tastes in face make up. All the player can deduce from the intro is that one minute you were to be seen jetting smoothly through space in a rather unstylish, but no doubt perfectly functional ship; the next you were awake on an operating table and somebody who looks like Anthony Valentine in futuristic surgeon s garb was shoving an assortment of Black and Decker s finest products into your thorax. At this point, you (understandably) blacked out. The game starts with you regaining consciousness. You find yourself in a cell, under the guard of a robot equipped with a giant hypodermic syringe; your body has more weird-shaped metal attachments than a gynaecology department and more electrical circuitry than Blackpool Illuminations. In fact, you look like a hu man equivalent of the Lloyd s Building. And you ve only got two fingers on each hand, which is going to play merry hell with your career as a translator for the hard of hearing. Naturally, you re keen to get ho ld of whoever did this to you and exchange a few words. Escaping from your cell is the first priority, after which you find yourself in a kind of human experimentation laboratory-cum-high security prison comple x. The gameplay is a cross between that seen in Ecstatica or the Alone in The Dark series, involving wandering around various locations, interacting with machinery and picking up anything going, all the while s olving puzzles or dealing with problems. Just as in Ecstatica, the only way to survive the confrontations with security guards, robots and rampaging aliens is by indulging in hand-to-hand, and later armed, comb at. (Those who are less proficient at this sort of thing will be pleased to know there are three levels of difficulty, concerned almost entirely with making it easier to survive a fight). The fighting moves ava ilable to you are surprisingly varied, especially given that they re being carried out by a huge bitmapped main sprite and that the game isn t a dedicated beat- em-up: using the CTRL and ALT buttons in combinat ion with the numerical keypad, you have a number of evasive and blocking manoeuvres, and a complete range of punches and kicks including jabs and uppercuts, spinning, roundhouse and side kicks and a back somers ault; you can also stamp on people s knees, kick them in the packet and even head-butt them. These fancy moves are all very well against other humanoids, but they won t really serve you too well in a fight with some of the enormous security robots that litter the place. Trying to fight one of those is like punching an oil tanker. Fortunately, you ll quickly acquire a laser blaster or two, which are a little more effe ctive. In some locations, these laser blasts even bounce off the walls, which means that the cowardly (or sensible, in this game) can shoot things around corners before they re aware of your presence. To help y ou in your quest, you have an electronically controlled health and energy system. The energy from your powered suit can restore the health of your remaining biological parts after a fight, and any batteries you find around the base can be used to power up the suit. You also have an inventory which, in true adventure style, you re free to pack to the brim with rubbish you find on the floor. Items range from the obviou sly useful, like laser blasters and medical devices, to the more obscure, like flutes. How you re supposed to play a flute with only two fingers on each hand is another matter. Everyone in this game seems to b e equipped with a personal log, into which they spend hours recording their inner thoughts and which they then leave lying around either because they re naturally forgetful, or they never made it back from th e operating room alive. And the only way you re going to piece together any information about your situation is to forget the impeccable manners you picked up at finishing school, and read everyone s diaries. U nfortunately, being locked up and operated on by mad scientists doesn t tend to encourage a light literary style, and most of them are heavy going. Equally unfortunately, you have to struggle through them, beca use hidden among the dull stuff (usually several pages down) are essential things like codes for security doors. Gradually, it emerges that you re in a Mondite base on a planet belonging to another couple of ex tremely dangerous races of rock-eating, acid swilling monsters. Don t ask how the Mondites got there, it s a long story. You discover that the mad doctor with the DIY tools is a Mondite called Dr Mastaba, and t hat you re not the only person who s been experimented on in this way. You also find that you re not the only thing that s rampaging about the place, kicking hapless Mondites to a pulp. There s also a seemingly unstoppable monster with home field advantage, who s determined to blow up the nuclear reactor that powers the Mondite base. Can you stop it? Are you really stupid enough to try? And how about those Mondite ma rines that are out to get you? In other words, unlike similar games that look this good but turn out to be one dimensional plodders with little to recommend them, it s pretty action-packed. And the graphics rea lly are good. The ambient lighting effects are excellent: windows cast shadows across floors and machinery; faulty lights flicker and crackle. And it s not just the backgrounds that look good the characters a re all bitmapped to high heaven, too. Camera angles change to frame the action, but unlike Ecstatica, the effect isn t so intrusive that it hampers your chance of success. The sound effects are outstanding (esp ecially when bits of ex-robot rattle around the stairwells); footsteps thud in close-up shots, and diminish as you walk away. The atmosphere and attention to detail is excellent, to the extent that you can log onto most terminals that appear: if you look through maintenance data logs, for example, you ll see requests for repairs to things you ve destroyed previously. It all helps to add to the atmosphere. But, it i t the easiest game in the world. Even at the easiest setting, you ll still need to make good use of the nine saved game spaces. There s a degree of trial and error about it, with certain tasks that must be c ompleted before others; and there are sections that need to be completed within a tight timescale. The only other thing to bear in mind is the need for a good, fast machine with plenty of memory to run the game (we reviewed it on a Pentium 60). If you ve got the hardware, though, you re in for a treat. Make that a tough treat. Patrick McCarthy Bioforge Special Requirements 486DX, 8Mb RAM, 10Mb hard disk space PricbQe 49.99 (inc VAT) Contact Electronic Arts 01753 549442 Platform MAC MPC CD-i 3DO 49.99G Electronic Arts 01753 549442H GamesJ *N,1j DfE5" $b$b$I NrJQ5 RtNsR 1F0RsV pRpNNA 0NRNRF 0NRRsZ J.NOA $jE=c JRNrF ^%^%1# jejeb$Ab NORqZ J.H1j RpRO^jZ b$jE5C jQJ A .N.)( F0NQZ NORoRpRPRPRpV 0NQJPRr^ )F,%' 1F1%I t>2_Z OJONo^ @dD$L D#@d8 De@DD#H DCL$L @DDDI( JRNr_ F-F/J1 F2F09 JOF0F2-k $d0d,d5) fP^/M NLRm= ,NLRmV NMNLF RmRnV NrB09 4e4d4 DDDe@e@eD J,F,5 NL|NMRmNmNmRmRmR 4e4d8 8D<d< 8d8D8d8d<e<e8e< ,J,J+J J,NmRn J,N,NLJ,J F,NmNoR 8D@e9 J,NLNMJ,J,NLNLNmRn RmNmNLNMNmR DDD$D#D ,J,J,J+J J,J,NLNLNMRmNMJ+NLNMNLNMNm UJ+NLNmNmN JMF,N LRmNLJ+J+J,NLNLJ,NmRnRnNm NmRmRnR J,NLNmR B,%F-FMR NLRmN,J J,NmRn RnNmJ J,JLZ RnNmJ+J RnNMJ RnNLJ+F J+NLJ,J+N,b NLNLc +N,J+J,J,J+J RmRmNLJ,Z 0NQNQNPF "0DM RPRPNPJ0F J0NPJ1J/B ;-&J*k.k*k*K.l2 qRqNON/A 2l*k.l6 RPN/= VqRPF F0NQV RoNNJ-9 k7&i& FqFmJ.J %fDAb L&*&(&+ 2m2m&K i,"j* *k.l*k&k J"i"j i"i"i& 'R Under 50[ Under Black Rain When New York cops Conklin and Charlie played by double-act Douglas and Garcia witness a Yakuza (Japanese mafia) execution, they know they re on to something big. Which is more than you are with this turkey Butchery Butler Butter Butterflies Butterfly Buttock-clenching Buttocks Button Button-pushing Buttons Buyers Cambodia Functions Fundamental Fundamentalist Fundamentally Funded Funding Funeral Funfair Funfrock Fungi Funky Funkyoka Funnier Funny Fur-clad Furiously Furman Furnishings Furniture Furore Furrow Gains Galactic Galactica Galaxy Galileo Gallagher Attachments Attack Attacked Attacking Attacks Attaining Attempt Attempted Attempting Attempts Attenborough Attractions Attractive Attribute Attributed Audience Audio Circuitry Circuits Keenly-felt Keyboard Keypad Khommeni Kicking Kicks Kidding Kidnapped Kidnaps Kidney Kidneys Kilgore Head-butt Head-to-head Headache Headaches Headbutting Headcandy Headcrash Headers Headgear Heading Headings Headless Headley Headline Headlines Headlong Headphones Headquarters Headroom Heads Headteacher Headword Headwords Heady Healed Healey Healing Health Action-packed Action/adventure Action/graphical Actions Activate Activated Activating Active Actively Activision Activists Activities Adage Adaptability Adapted Add-ons Addams Added Addictive Adding Addition Additional Effect Effective Effectively Effectiveness Effects Effete Efficient Effort Effortless Effortlessly Efforts among life s bento box of movies. The blockbuster credentials hunky Douglas of Basic Instinct meets even classier director Ridley Scott of Alien and Thelma and Louise seem perfect for one of the first majo r movies on the brave new world of CD-i. Unfortunately, what you gain in technology you lose in terms of good old-fashioned Hollywood virtues like a decent plot or script. The basic idea is strong: American cop s chase Japanese gangsters in the seedy underworld of Osaka and meet a bullet train of problems. Andy Garcia ve sidekick to Douglas foul-mouthed loner is also a fresh element, but he s for the chop half w ay through. And from then on it s lots of soul searching for the revengeful Douglas as he struggles to comes to terms with strange Japanese notions like honour, friendship and loyalty. Shame. Scott s direction revisits the steamy streets he created in Blade Runner, but despite the fact that this film has more dead flesh on display than the average sushi bar, the action is slow and adds up to no more than a straighta head buddy cop thriller with all the subtlety of a karate kick to the groin. Technically speaking, the dark shadings make for a fairly efficient CD-i encoding, that slightly drizzly effect in long focus shots working well for all the rainy backgrounds Scott loves. The superb sound quality is wasted, though, on the constant crack of small arms and the roar of assorted Yammies and Suzukis. George Kaplan Black Rain Requires DV cart for CD-i; MPEG card for MPC Price 15.99 Contact Philips 0171 911 3000 Paramount Director Ridley Scott Starring Michael Douglas, Andy Garcia Platform MAC MPC CD-i 3DO Encoding Good 15.99G Philips Media 0171 911 3000H CD-iI Digital MoviesJ 2R Under 20[ Under Blender 2/2O6O:p6p6o6p:o:p:p:o :o:p:o:p:o>o>p>p *S"S3 :Q.1& &Q&0.QSW "S&S&1&s. &t"R&2"22 &s*s* q*0.rW6 &s&S2 T"3&v ZoZpZpRq6 *r&Q2 ^o^NR.VpVk ^oVOZpVpJP% VOJ/NP: &/*QSx ZOZPVPNPJ/B s&ROX Z-VNA R/Vpg &t*t2 "u&u&u* &S"u*u* Zq^pwv *3*S! Q(61% Q:QWY F::Qo B/JPoV Credentials Credibility Credible Credit Credited Credits Creep Creepily Creeping Creepy Creole Creosote Crescendo Cretaceous Crew-mates Cribbing Crichton Cricket Cries Crime Crimes Criminal Criminals Cringe Cringeworthy Cripple Crippled Cd-i's Cd-i/mpeg d-only Cd-quality Cd-rom Chop-sockey Chop-socky Chopped Chopper Chopper-flying Chris Chrismas Chrissakes Christian Christians Christmas Christopher Chroma-key Chronological Chronology Chronology's Chubby-cheeked Chuck Chums Chunder Chunks Churchill Churlish Churning Chute Cia's Cielito Cigarette Cilla Cinderella Cinema Cinemania Cinematic Circa Constant Constantly Constantly-changing Constellation Constitute Constituted Constitutes Constitution Constrain Constraints Construct Constructed Construction sumer Consumerism Consumers Consumes Consuming Consummate Consummating Consumption Contac Contact Read all about it, er, hear all about it, er, see all about it, oh, hell, this is the first music magazine on CD-ROM Launched in the US in November, Blender is a fast-paced pop-culture and music magazine on CD -ROM that is aimed at the 18 to 30-year-old generation brought up on MTV, Rolling Stone magazine and video games. Described by its US developer as the first significant effort in the development of a new form of journalism, Blender purports to cover every form of global pop culture ranging from music to film, through underground culture, television and technology. The name is a statement of intent that these elemen ts can be convincingly combined in an interactive magazine that contains text reviews and interviews, video, music, non-linear comic strips, computer game-type features, horoscopes, documentaries, jokes, pop ps ychology, fashion and a healthy dose of counter-culture attitude. Surprisingly, it works really well, and it is surely only a matter of time before it spawns a generation of imitators, as did its print-based p rogenitor Rolling Stone. Aside from an astute cultural mix, Blender is an impressive technological achievement, from the superbly designed interface that guides you around the various sections to the fast cut animations and rollover soundtrack. The main menu divides Blender into four key areas called Microwave, Icebox, Fixtures and a guided tour of the highlights which lasts 15 minutes. Microwave contains 25 new music reviews split into five sections: Dance and Trance, Make Mine Funky, Rock!, Commercial Alternative (or Indie in the UK) and The Highly Unusual. Each album gets a fairly brief but thoughtful and sometimes amusing text review, accompanied by around 20 seconds of a sample album track and (frequently) a short QuickTime movie of either a band interview or promo video. The Highly Unusual section certainly lived up t o its name featuring a re-release of an album by LSD guru Timothy Leary in which he reveals: You can be the Maharishi this time around, you can be anyone this time around. You can sit in a cave with a ten-foot erection, laughing and smiling... Er, quite. In a separate byway of the Microwave menu is a goofy horoscope where, after choosing your sign, your future is revealed by a member of cult US band They Might Be G iants. The Fixtures menu is the best part of Blender. An interview with American musician and author Henry Rollins makes imaginative use of CD-ROM technology. Initially we see an outline of Rollin s spartan ho use/HQ and clicking on different rooms triggers a short video sequence in which he shows us his living room, his weights room and even what s in his fridge fascinating stuff in a voyeuristic sort of way. 3-screen text-based article on Rollins then follows, generously supplemented by video clips of Rollins talking about related topics. For example on the third screen we are told: But even in his own environment , though whip-smart, Rollins is a guarded, tightly wound individual. A plastic toy strongman on a shelf in his informal digs reveals a self-aware sense of humour. But Rollins lightheartedness doesn t seem to g o much further than that. Click on the accompanying still of Rollins talking and his disturbingly intense manner admirably illustrates the point. Another witty and well observed article compares the Woodstock 1994 and Lollapalooza festivals: The enjoyment comes not so much from the event itself, but from a collective sense of unity through adversity, concludes the author over a backdrop of an idiot falling repeat edly into the mud at Woodstock 94. Other, less cynical points of view from participants are included in short video clips that appear throughout the piece. Also in Fixtures is the Digital Gallery which shows off the black and white photography of seminal NME photographer Chalkie Davies together with an audio interview, this suffers from the small size and dubious resolution of the featured photographs. The final p art of this section presents a non-sequential digital cartoon strip called Refrigerator Johnny. There appears to be no set running order to this story only a set of interlinking events. Puzzling, but an interes ting use of CD-ROM. The Icebox section is filled with more general pop culture items, including a pop psychologist, a fashion section, a Get Stuffed-type cookery feature, a bluffer s guide to new trends and th One Stupid Question section which asks a number of musicians the question, What really makes you happiest? A bowl of spaghetti, is Tori Amos first and least pretentious answer. Overall, Blender is gr eat fun. I spent at least four hours trying out all the different sections. And even though this is the first issue, the program runs smoothly, rarely crashes, and is remarkably free of the click and wait syndr ome that bedevils so many CD-ROM multimedia titles. The background music, specially composed by House artist Momus, is surprisingly unirritating, even after three hours. And Blender was only let down, if at al l, by the poor sound quality in several of the interview sequences, and the slightly flakey but nevetheless immaculately lip-synched QuickTime video that pervades the disc. Editor-in-chief, Regina Joseph, claim s that the second issue, due out in February will overcome these faults, and at around $10 per issue it looks a reasonable proposition. It costs around the same as an audio CD in the US, is much pricier than a music magazine, but is considerably cheaper than the average CD-ROM. So is there a market for it? If the future editions pack as many features in as this first issue, I d say the era of the CD-ROM music magazi ne has arrived. At the moment Blender is not distributed in the UK. Non-US subscribers can fax 0101 315 437 9863 for details. Paul Nesbitt Blender Price $49.95 for five issues Contact 001 315 437 9863 (fax)]K or 001 212 302 2635 (fax) Category Entertainment Platform MAC MPC CD-i 3DO $49.95-for 5 issues )G-001 315 437 9863(fax) 001 212 302 2635(phone)H MusicJ Blind Date Forget political correctness. Navigate those dating dilemmas and get Sandi into bed Anyone familiar with National Lampoon through the original American satire magazine, the countless spinoff movies, or the o cB0o{ boZ,M FwFV= ^.ZP9 ^o^mQ V.V-^P^OfqM nV+=G ZN^NZOb bo^oZpf z&v&fIA ^.ZOj r)b Z+M G~GzFv&v& z&zGjJ9 Z.ZpZ/f z&zFvGrIfKR,= &zFzFv&v&z&v'VL%J z'zGv&v&vFv&v& zGzHjIV+9 &~GzFv&z&z&nIE ^qbpE v&zFzF~GzGzG z&z&vGjI^ = &~Gv&v&z&vG^+%I FzGv&v&z&jI1 fpbnV vF~F~GzGzFz&z&zFvFnIV FzGv&v&z&jJ= r&zFv&v&z%nI1 &zFzFzGz&z&zFzGnIJ FzFv&z&vGN zGv&v&z%^ VOZ/r zF~FzFv&z&zFrHZM- &zFv&z&z &^l!I zFv&v&z&^L zF~FzFz&z&rH^+1i GzFv&z&fJ-j r&zFv&v&zGF. 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NsF1NsF1V JRJRB NsF1-k F1JRF1= F1NsZ 1JR)J NsNsJRV RF1-k NsNsF1Z BJR-k JRF1B F1JRJR= JRNsZ JRNsB JRJR= BF1%) F1F1-k F1F1%) sF1NsR NsJRF1NsNsF1 F1Ns= JRF11 JRJRF11 F1NsV NsJR= F1NsNsJR NsF19 JRJR= RNsNsB JRJRF1= RF1JR9 RF1F1%) 1F1-k !F1NsV NsF11 B6QIJ >v6VE Music Music's Music/performance Musically Musicals Musician Musician's Musicians Musicianship Musiquiz Musos Must-buy Must-have Must-see Mustard Muster Mustered Mutant Mutants Generation Generations Generator Generators Generic Genres Gently Genuinely Geographic Geographical Geography Geological Geometron George Gerbilman German Gesticulates Gestures Getting Ghost Ghostly Ghosts Ghouls Giant Giants Stripy Striving troboscope Strode Stroke Strokeplay Strokes Stroll Strong Stronger Strongly Strongman Strongpoint Strop Struck Structural Structure Structured Structures Struggle Struggles Struggling Strut Struts Strutting Stryker Technological Technologies Technology Technology's Technomatic Tectonic Ted-like Teddy Teddy's Tedious Teenage Teenager Teens Teeny Teeth Teflon Tele-orb Telegraph Telepathically Telephone Telephoto Teleport Teleportation Technological@ Teenager Teleported@ Telling Ten-year-old@ Tendency Tennent's@ Tension Terms Terrible Terrorist@ Tester@ Testimonials@ Testosterone-charged@ Than@ Thanks That's Theatre Their Thoseu Thought Threec Three-piece@ ThroughK Tiles Trance Trancer Transatlantic Transcends Transcript Transcriptions Rollin's Rolling Rollins Rollover Rolls Romanova Romans Romantic Romay Rome's Ronald Rondine Rooftops Rookie Rooms Roosevelt Root-'em-up Ropey Ropiest Rose's Rosella Roses Roster Tolerable Tolerate Tolstoy Tombe Tomfoolery Tommy Tonal Tones Tongue Tongue-in-cheek Tongue-wrestling Tonic Tonight Tonnes Wowed Wracked Wrangle Wrapped Wraps Wrath Wreak Wreaking Wreaks Wreck Wrecked Wrecking Wrenched Wrestle Wrestling Wriggle Wriggles Wright Wright's Wright-inspired Wrigley Wrinkles Wrist Wrists Wrong Obsessed Obsession Obsessions Obsessive Obstacle Obstacle-ridden Obstacles Obstinately Obtain Obtrusive Odious Oeuvre Off-chance Off-the-wall Offer Collector's Collectors College College-style Colleges Collegiate Collide Collides Collins Collision Collisions Colombian Colombians Colonel Colonies Colonisation Colonise Colonists Colony Color Colossus Colour Comes Filled Filler Fillers Filling Fills Filly Filmic Filming Filmographies Films Filofax Filter Filtered Cookery Cooking Cooks Cooling Cooped Cooper Coorghhh Copied Copies Copious Copiously Copper-bottomed Coppola Copying Copyright Corel Corker Corking Corley Cornball Corne Cornell Cornell's Corner Overdrive Overdubs Overdue Overfishing Overflowing Overgrown Overhead Overkill Overlaid Overlain Overlapping Overlaps Overlays Overload Overlong Overlooked Overlooks Overlord Overly Overnight Overran Override Overrun Overs Overture Overused Overview Overviews Overweight Overwhelming Overworked Overwritten Overdrive@ Overseen@ Package Padding@ Pairs Panasonic@ Papier Parallax Parental Parkinson's Parody Parsers@ Particular Particularly Pixellated@ Plants@ Platformer@ Plato's@ Playground Pleased@ Pleasingly Point Pointer@ Polite@ Popping@ Positioning@ Possible utspoken writings of former editor P J O Rourke will know what to expect from an interactive CD-ROM out of the same stable. If you re prepared to leave your political correctness to one side, drop any preten sions to sophistication and settle for a few belly-laughs instead, you could do a lot worse than checking out this CD-ROM, which takes Blind Date to limits Cilla Black could only dream of. You play Mr Slightly -Below-Average, a lonely guy who turns up at the offices of DUDS (Dates Unlimited for Desperate Schmucks) looking for a date. We know every man has his needs s say you ve been fulfilling yours manually r ecently, begins the man behind the desk. Now, I know in the past I ve set you up with a few water buffaloes hey, how did I know that cheerleader used to graze during halftime? But I ve a good one for you th is time s perfect. And so you re off to meet the gorgeous Sandi, who opens her door in a low-cut black number with the words: Hi! Wanna shoot some stick? Then it s down to the pool room, where the earl y part of the evening unfolds. As far as plot goes, your motivation is simple: you try to get Sandi to go to bed with you. The mode of play leaves little room for manoeuvre; she speaks, and you make your choice from two or three responses printed at the bottom of the screen. In the corner is a Mood Ring, which changes colour between red (bad) and blue (in with a chance), depending on your choices so far. You can get hints from Max the bartender; from DUDS helper Burford, who pops up when you and tells you why; and, sometimes, from Sandi herself. But the golden rule is when in doubt, buy her a drink, if you ve got the cash; your $100 starting fund doesn t stretch far when you have to fork out for drinks, taxis and pizza. But don t get her too drunk, or she ll pass out on the pool table. And don t get her angry, or you e likely to end up with a pool cue in the groin. One of the biggest problems is that your character s a real jerk. Mmm, delicious, says Sandi after the first drink. To which you have the choice of replying ei ther: Of course it s good, I paid for it You know, if I made that at home it would cost, like, 20 cents. And it gets worse. I feel like I can tell you anything, says Sandi, just as you ve got her mood ring glowing bright blue. To which you have the choice of I want to build an industrial park in your cleavage ve been fantasizing about you all night and I feel the same way I still wet my bed. Being cool in this context is simply a matter of being less of a jerk than you might be. Eventually, if you re not a complete schmuck, you make it back to Sandi s apartment and, if you really play your cards right , dodging nieces, flatmates, psychological tests and deranged German exchange students, you . What do you win? Well, it would be a shame to give too much away but it involves heavy metal music, loads of dry ice and bikinis. Despite its 18 certificate, there s nothing pornographic about this CD. Which, after struggling through to the end, will be a little disappointing for some. Sob! But when all is said and do ne, Blind Date is simply good, dirty, adolescent fun. Steve Caplin Blind Date Price 39.99 (inc VAT) Contact Domark 0181 780 2224 Category Entertainment Platform MAC MPC CD-i 3DO 39.99G Domark 0181 780 2224 GamesJ 4R Under 40[ Under +A!Bob Dylan: Highway 61 Interactive The cynic in me wanted to headline this piece, another clapped out old rocker goes interactive . But that would be drastically unfair both to the artist and Graphix Zone, the developer of this disc. 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N RA! @R Za^BZ V@^`A BVe1@ @J V V - Z@Zd= b`V R ZB5` @V V n V!^dE ^aR Z@^@n DZ`Z@R J eZ@ZaI v&v&v v&v&v%v&v&v vFvFv&v Blind Blinded Blindingly Blink Bliss Blistering Blisteringly Blitz Bloated Blobs Block Blockbuster Blockbusters Blocked Blockiness Blocking Blocks Blocky Blofeld Bloggs Bloke Bloke'-type Blokes Blonde Blondes Little Little-known Live-rail Lived Lively Liven Lives Livia Living Livingston Llewellyn Lloyd Lloyd's Lloyds Lo-res Loaded Delights Delirium Deliver Delivered Delivering Delivers Delivery Delphine Deluge Deluged Demise Demographic Demolition Demon Demons Demonstrate Demonstrated Demonstration Demoralising Demos Demystified Demystifies Dench Denied Denis Reports Represent Representation Representations Representatives Represented Representing Represents Reprimand Reprinting Reprobates Reproduce Reproduced Reproducing Reproduction Reproductions Reproductive Reptile Reptiles Republic Republic's Republican Republished Repurposed urces Respect Industries Industry Industry's Indycar Ineffectually Inefficient Ineligible Inept Inequality Inevitable Inevitably Inexorably Inexperienced Inexplicably Infectious Inferior Inferno Infested Infinite Infinitely Inflatable Inflict Inflicts Influence Influenced Fantasizing Fantastic Fantastical Fantastically Fantasy Fantasy-rpg Fast-forward Fast-moving Fast-paced Fast-talking Faster Fastest Fatal Fatally Fates , born Robert Allen Zimmerman, is arguably the greatest singer-songwriter of the 20th Century, and this dual-format CD-ROM traces his life and times from his birth in 1941, through his 30-year recording and per forming career, while striving to recreate the myriad social and political events that influenced his work. What exactly is Highway 61 Interactive? Well, when you boot up the disc (itself a challenge, it needs an absolute minimum of 4.5Mb free RAM to run on a Mac) you are presented with a rendered montage of Dylan memorabilia. There s no menu or index Graphix Zone wants you to work for your enjoyment. Most of your initial interaction with the program involves randomly clicking on icons to see what happens a kind of Fisher Price activity centre for grown-ups. Some links are pretty obvious the camera takes you to a pho to album. Others are more obscure: a falling leaf transports you to Dylan s family scrapbook? Er, I ll have what you re having, guys. Many of these links are simple audio or video clips, but some take you away from the montage to a rendered 3D environment. If you ve seen Interactive you will be familiar with the form. But instead of a tour of Prince s bachelor pad, you are catapulted into a variety of locations th at have figured strongly in Dylan s career. There s Greenwich Village back in 1961, complete with a bongo-beating hobo loitering outside the Coffee House. There are the Columbia Recording Studios, circa 1965. A blow me now we re backstage at Madison Square Gardens for Dylan s 30th anniversary bash. To encourage your exploratory exploits, the developers have ensured that the most desirable goodies never-seen- before footage of Bobby D s 1993 performance at New York s Supper Club can only be accessed once you ve visited all the other six 3D locations. Each time you go 3D you get a portion of the Supper Club ticket, which builds up gradually, until hey presto the CD-ROM crashes and you have to start all over again (I know, it s my fault for not saving my progress). So what about the content? With the support of both Dylan and his record company Sony, there s no shortage on that score. For starters, there s a full CD digital audio track of Dylan s electric version of House of the Rising Sun , recorded two years before the Animals took the song to the top of the charts. Elsewhere there are 10 complete songs and over 40 clips. There are four full-length videos, including the ground breaking promo for Subterranean Homesick Blues In the recording studio you can unearth out-takes from the Like a Rolling Stone sessions, complete with muso banter. Plus you get all manner of other Dylan-related material, including a collection of bootle g album covers, Internet addresses for wired buffs, celebrity interviews (including Eric Clapton, Lou Reed and Pearl Jam s Eddie Vedder), a compendium featuring the lyrics to every Bob Dylan song and there en a chance to view Mr D s etchings. s all good solid stuff, a lot of it previously unavailable and often leavened with a dose of irreverent humour. And QuickTime 2.0 means that the video footage is pretty darn good. But I do have a couple of nagging doubts. There s no real objective overview of a career that has had its fair share of the rough as well as the smooth (remember Farm Aid?). The interactive timeline feature is shallow on information and the interaction is limited to the odd fragment of hypertext. The lyric compendium is also a missed opportunity. You can only search it by song title, so if you re trying to source an isolated lyric you ll be disappointed. Why didn t they make it a full blown concordance of Dylan s work? A feature allowing you to tap in words like Guthrie Mister , and track their usage acr oss the artist s entire canon of work, would have justified the asking price alone. But perhaps the developers are saving that for another day. But perhaps I m seeing the odd dead tree and missing the lush for est. Whatever your doubts about Graphix Zone s slightly esoteric interface, this is a superbly realised CD-ROM product. I m not a great Dylan fan, but I kept coming back to the title. Dylan was more than just a songwriter, he was a crucial focus for the cultural, social and political revolution that swept through the United States and beyond during the 50s and 60s. Like Woody Guthrie before him, he had an unstoppabl e desire to tell it how he saw it . And nuggets thrown up by the CD-ROM keep reinforcing this: for instance, the disc tells the story of Hattie Carroll, a black woman who died in 1963 after being assaulted by a certain William Zantzinger. He was sentenced to only six months in jail, and Dylan went on to immortalise her fate in the Lonesome Death of Hattie Caroll . But as well as providing the full lyrics to the son plus photos of Zantzinger and Carroll the CD-ROM also reveals that 33 years later, Zantzinger was in court again: this time for collecting rent from blacks occupying run-down properties which he didn en own. The times they haven t changed that much. But such insights help to make Highway 61 Interactive a fascinating experience as well as a worthy, if occasionally flawed, exploration of one of the giants of 20th Century music. Mat Toor Highway 61 Interactive Special Requirements PC: 486SX 25MHz or faster, 8Mb RAM (recommended), 16-bit colour, 15Mb hard disk space, Mac: 8Mb RAM, thousands of colours, 10Mb hard\V disk space Price 49.99 Contact Wienerworld 0181 954 8777 Platform MPC Mac CD-i 3DO 49.99G Wienerworld 0181 954 8777H MusicJ 4.5R Under 50[ Under ,A Body Park vFv&v zgzgz v&v&v v%vGv&v v&v&v v%v%v v&v&v%v v&v&v v&vFv&v v&vFv&vGvGv zgzgzfzfzgz v%v%v&v v&v&vFv& v%vFv%v&v v%v%v v%v&v&vFv&vF zFvFzFzfzfz v%v&v&vFvFzgvFvFvf v&v&v v&vFv&v%vFv&v v%vFvFv%v%vFv&v&z&a v%v&v%vFvFzg vF(zfvFvFv&vFzfvfvFvFv&v&vFvFv&v &vFv&v&vFvFv%vFvFv&vFv&v&v &zFzfzgzgzf vFv&vFvfzfvFvFzgz vgzgzfzg v&v&u &vFvFvG vfzfvfvFzfzfvFvFzGU# vFzgz gzgzf zgzgz zfzfzgzfvFv zgzfzfzgzgz zfzfvf &vFzfvfvFzfzg zfvfvFv&v zfv&I vHvGzgz vgrGi v&zgvFvFvfzfzfvFvFvfzgzfzgzFr (rIviv rIn(n zgvFv%u v%vFzfvfzfzgz zfzfm zgzfz vfv&v%v zgzfvFvFzfzgzgi #zgv&v&vFzgvGvFv&v vFzfvFvFzfzfvf v&vGvFzFe &v&v&v vFzfzF vFvFm .vfzgz&a v%vFzfr zgvFz&v )v%zg zgzgz j/vn=i zgzgv&a v&v&vFvFv zgv&r %v%v%i v'v'v v'vHv'v'vHn v%zFzFzfzgv&u &zFvFz zgv&u nqjPjOfOfP^ z%vFz zgzgvGv&v /jqjqb/U /^/^/Z HrHrhrhrHE$ rhrhr z%v&v&vFzfzFv&v Pnqf/M z%v%v %v&z%v zgzGv&vgz (z&]d vhrJz Pf.f/n/f vhvi] 'vHvhvirH]C 'v&zgz &zfzfz >zgzFv zhzgzgvgv&]C vGvGzhr(e &zFzfz vpf/M .nPjOU v%zfz vFzfz jpfOjp rpnpEI rjf Y vgvFzgz *@zgz rEvfz VON*N*R*N*N*NON- vFvEvfz vFv%v%m v&vFv%vFvFzfz %vFvFzgz 7zGvFr&Me cZ/k6 vFvFr%e zgvfvFn vFvfz vfr%j vFv%v%zfz zfzfvE r$v%vfz zfzgzgz 1NskZ sNS-k NRJs= f j ri~ RNtJRF1g: F1F1FRFRB zhzj~ 2Nsg9 v&zi~ 0a(b, NsF1F z'vIrKb-M v(zkrKb+^ zgv&q zgv&v Mrlzj~ zgvgzgz zgvgzgz zgzgz c cE& RsJRZ zgzgvgzgzgz bZ0w7 vFzgvgzgz zGzhzhz zgzgz zgzgz zgzgvFvFzgz (zgzhz zgvGzgzgvgvFvfzgz vGzhz zgzgz vGzhz )~hzgz RV1=( ~hzgz ^RR1-k RV1A( Z1RR= RbtZsB R^QZsNR c$c0 c c c c c c c c c c(b0 (b$b( Interactive Interceptor International Invasion Inventor Investigating Isaac Jackrabbit Madonna Mankind Motoring Movies Multimedia Nature Notes Patrol Pavarotti Peter Planet Portion Prehistoria Proposal Prince's Princess Princesses Principal Principle Principles Print Print-based Printed Printer Printers Printing Priority Priscilla Probably Probe Probes Problem 1970-1991 1970s 1980-1990 1980s 1990's 1991's 1993/1994 22000 Starting Startle Startled Startling Startlingly Startrek Starts Startup Starvation Starved Starving State State-of State-of-the-art Stills Stitches Stock Stone Stone-age Stops Stories Storm Story Blues Bluesbreakers Bluff Bluffer's Blunt Blurb Blush Board Board-game Boardgame Boards Boasting Boasts Boats Bobbing Bobbit Bobbitt Bobbitt's Bobby Boddy Bodies Bodily Bodyguard Boffin Boffins Bog-standard Bogey Boggle-eyed Boiler Boils Bollocks Bolting Bolts Unearth Unearthed Uneasy Unembellished Unemployed Unemployment Unending Unentertaining Unerring Uneven Unexciting Unexpected Unexplained Unfair Unfamiliar Unfamous Unfavourable Unfeasible Unfeasibly Unfettered Unfinished Unflinching Unfold Unfolding Unfolds Unforced Unforgettable Unforgivable Unfortunate Dylan-related Dynabyte Dynamically Dynamics Dynamism E-heads E-mail E-scape Haddonfield Hadn't Haemorrhoid Hagerty Hagerty's Haggish Hailing Haircut Hairs Hairy Haldeman Haldeman's Half-baked Half-burnt Half-decent Half-hearted Half-hour Half-man Half-pig Half-second Half-size Half-submerged Half-witted Sourced Sources Sousa South Southern Sovereign Soviet Soviet's Spaceship Spaceships Spades Spaghetti Spain Spanning Spano Spare Spark Sparks Sparse Spartan Spatial Spawns Speak Speakers Speaking Speaks Special Specialised Usage Usefully Useless User-friendliness User-friendly Fun health and anatomy from Body Park to get your kids in touch with their body parts If you ve ever wondered how the hip bone s connected to the thigh bone, then Virtual Entertainment s Body Park might have the answer. It features an unusual journey through the human body aimed at teaching children in the four to ten age range aspects of anatomy, nutrition, health and safety. The program starts off on a political ly correct footing. When you re introduced to Albert (a sort of pink bear-type thing), you find all his friends aboard the Cool Bus to be a motley crew of multi-racial kids, including a disabled character in a wheelchair. The message is clear from the outset no matter what we look like, we all have the same bodies, and should know what makes them tick. In an attempt to jazz up the potential boredom factor of strai ght learning, you re taken on a trip to the Body Park. The park itself has been designed in the shape of a large, verdant human body a kind of anatomical Alton Towers which appears on the map screen. Dotted over this shape are the various rides you can visit. By clicking on Albert s Gizmo (a little gadget attached to his belt), you can easily call up the map screen and explore parts of the park without taking t he scenic route. You quickly learn that Professor Frankenslime (profession: mad scientist) is lurking in the park waiting to turn real people into robots which he can then control. So far the Prof has managed to turn one person into a dummy, the unfortunate Harvey, whose silhouette appears on the map screen. If you manage to win one of the many games en route, Harvey has a magic body part added to his physique, and once you ve mastered them all, he comes alive and joins his chums. Signing up at the ticket booth as a new visitor to the park, you embark on your journey with Albert who gently coaxes you through a series of games, lessons and experiments. These have been well crafted with a good balance between education and fun. Each of the body attractions is composed, basically, of the same elements. The first is a screen with a house in the shape of a human heart with a selection of Albert s friends or foes hanging around outside. Clicking on characters or objects will produce a series of animations connected to the body part theme and clicking on the door of the house will lead you into a screen with an icon menu. If you click on the Discovery icon, you re presented with text and a picture describing, for example, how your lungs work acc ompanied by Albert s running commentary. The associated Health & Safety icon goes into frightening detail about the dangers of smoking. Most enjoyable are the experiments and games. The former have a heartenin g Blue Peter feel to them: best of all is The Skeleton experiment where I learned how to make a rubbery bone using a glass container, some vinegar and a chicken bone. The majority of games have a time limit an d, should you fail to beat the clock, Frankenslime rears his ugly head in mocking victory. The games range from dragging and dropping parts of a skeleton onto an empty human shape to the fab blood game where yo ur task is to lead the red blood cells to safety while avoiding the mean old viruses. Some of the screens, particularly the lessons, were a little unexciting graphically, but overall it s colourful, cartoony a nd appealing, boasting a user-friendly interface, clear digitised speech and catchy music. And where else could you learn how to make a rubbery bone? Amaya Lopez Body Park Price 39.99 (inc VAT) Contact Tech RMMagic 0171 486 3202 Category Entertainent/Education Platform MAC MPC CD-i 3DO 39.99G Tech Magic 0171 486 3202H Young Children SciencesJ 4R Under N2RTZ b NsZ J2JRk9 VuRtNSNSV RSNsJ2Vt^ RtNRNsVtNS NSVTV RtJ2F J2VuV 2J2NSI VuRt^ VURtNSJ1F1J1F1JRJ2A NsN3JS= RSRtNRN2NsJRV VtNRA NsF2J2Z VuVtJ2N2Z J2JRk9 RtRtRSV VTRTR3RT^ JRF2g ZuRTV VuVUV VtVtNSRSZ N2NrA VuRtZ N2RSN tRtRTN NSRSJ2N2J NMRlJ%! 2RE%g NSR4VuV VUNRVuV N3F1^ 1J*!i |~VvZ RtVtVuV RtVuVuVTZ VuRtJRNRA 2VtVtRTRTF VuRtV 0J1!j JMN$B VuVtV VtNsNsV RSNS9 NRJ19 VuRtN2NSNSNsV |~N2NSN3RSV NSRtRtN3NSNSJ RFJ*, ,$8EA N3J1= RRtNsF 1RE%g RsJ1A J2NSZ 1J1JRR J2J1= RSRsRtZ J1RRV RsRsF B NhNc 2RE%g J2J2F RsRtZ JRN3RtRtZ 2NE%g {lVu^ VuRSRSRtVuV RTRSR4Z ZuVuZ 2RE!f NEJ"%, ~~VtVUZ VuVuNSN3RtRtVtVuZ VUVuRTR3 VuR4VuA ARF5c VuVt= RtNSJ RtZu^ VtVtV *JE!+ J3NSI 3RTJRB J1JRA n!r`~ J2NSE 2N3J2F v!vaf@M# X~N3RSRTVTVtRTJ2N2RSVuVTVTRSRSN NRNR9 VtVTZ R4N3RsA VuRTVuRSVtRtNSRtZ ZvRTRtR NSRSN3JRJ2J2N2V VuVtN3RsJ NSJSN3VUZ VuN3JSNSF SiVUZ VuRTR4NtR4V R4VtZu^ VuVtVtRsE ZvVUV RTN3A RtRtVtZ VuVuRTRtJ JRVuV VuRTNtR4VTVu^ VuVuVTRsA RTN3NSVuZ RuJSN3RTV F1J2V NTNSJ2RtRuVvRURtVuN29 b~VuVTR NSN3RTV RSN2R RTVuVuZ VuRTN VTRtN2F2NRRTRtVuZ VuRtRSJ2J J1N2RtZ VtRSJ2RtV VuRTN N2NSN2RtVuVtNRJ RTVuZ VuVtN3J2J2RTRtRTZ F~J2E VtVu^ SNSVtVuZ VTRTV SVt-K uNSNSE RSNRJ2F1A SNSVtVuZ VTVTVSN2J J1NSVSVTVTZ NSNSE NRRtN3V J1J2NRR NsJ2J 1NRRsE VtNSJQ9 NSRtN3NSNSJ RVtNSF RsVu^ NSJ1F QNRRsE R3NRJ2E sNRNrRsRtR NRRtV RtNSN2N2A RtJ2= 2NSVtJ2F J2NSRsA 2NRNS5 SNSN2JRRsV VuVuV RSNR5 RSN3RtV VuNRE NSJ1J2N2V VuVtN3J2= 2NSRtJ2 J2RsRtV RTRTVuVuV RtRsJ2 $J2RtNRNSR NRNSRtRsVuVTV R3NR9 VtNSNsV RSJRA VtVtV VUVU^ NRJ1JRJ TRSRTNRNSRSVtR4R3Z VuRSNRJRRtRtRT VuNSNR= VtRSN RsNRI SN3RSVtZ RSVtN NRRtV RtRuVtVuVuV JRJQ= VTVtVS VuVuZ RtNsNrN1N3% VuVUJ1RTV N2N1F1Z VuVUZ VuR4V NSNsNRN1RSZuZ VuVuRSV VUVTZ RSVuVuZ ZuNSRRRsRtb RSR3F RtRTRtV RTRtRTNSJ VTNSRsNRN2B VTVTZ VtRtRTN3J1RTNSRsN1J2J1B VSRtRTRTNSNSRSRT Vt.RtRSVtRTRSNSNSRTRTRtVSV J1VsF RSRSR4NSJ RSN2N RSN2A SRtN2NSI NSJ2RsRSV N3N3V RSRsJ2NSZ J2JRF1F1E F2J2NRJ RsRSj VTRT^ uRTRsRtV NRNRNSk JRNsb NSJRR RSNRJ #0A,B,a,A cNRs| RsRsV RtVub RsRsb VtVuVuV NsNRRtZ R4RSRtRsVtZ RtVu^ VuVuN3RSZ RtRtVtZ TbXbTbXbXb\ RtRsV VTRtRtVu^ VuRTN3A NSRSZ N3NSB NSZuZ Xb4d$ ( $cI F1NSV RtRsNRNR= VuRtF J1NsJ2= RtJ2b 1RtRTV VUZuZ NSNR5l VuNSVuRSN2F 7^71, ZvVUVTV VuN3V VtRsVtZ VtRsVtV Lb0d1 VuNS5 Rt0VtZ VTVuV RsVTZ RTVtVuZ VtRs= RsVUVtRT VuERsF VuVtRTV RTVUb VtVt^ RsN3RtN2N2J29 VtVuZ RSRSA RSN2RsN3RtV tRSJ2= VtRuRTJ3NSJ2F JRF1F J2NSJ3RTRuVtV RsRsb N3J1E NSN3N2NRRSN3I JRJ2J F1N29 N3R2NRRSJ 3JRJ2NSNRJ2N J2N3I SNSN3ZtVtVtVuVUV RT-VuR3VSN2J2NSZ 2VTRtN J2NSN2RSRtRTR4V VtVtRSRSJ1A SRtZtVt RTRtVuJ tZtRsVtRsN2RSRSRTRTVtVuRtR3RTNSRSRSN2RsVtRsZtVtA J1RsNSRT= TRTRTVtVsRtJRRTZ NSN2RR VtVUV VuVu^ VUVTV VuVuRSV VUR4Z VuVtVUZ RSVuVuZ RtNQJ1R VuVUZ VtRt! 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Perhaps it was the enigmatic charm of Hawking himself wheelchair-bound, unable to speak except through a computer-generated voice synthesiser; perhaps it was t he dry humour and fresh approach to a subject which has alternatively baffled and bored the layman in equal measure. Producing it as a multimedia extravaganza seems, in retrospect, to be a natural stage in the Hawking phenomenon. And from the start, it is clear this will be no dull scientific tract. The disc launches straight into the control room of the man s spaceship, with a cartoon Hawking sitting in his wheelc hair surrounded by clickable objects: the book itself, annotated throughout with icons to lead you into the events on the CD; a microscope, which takes you deep into Quarkland; portraits of Newton, Einstein and Galileo explain the men and their theories. Or you could step onto the flight deck, where you can steer your course in search of black holes. Humour is the key note throughout the disc. Jokey drawings of the m ain players of science accompany their life stories; animated Quarks turn smoothly into animated Hawkings and back. A caricature of Bertrand Russell gesticulates wildly to a packed lecture hall, as his pompous tones drone out the current universe model of his day, only to be interrupted by a Pythonesque woman expounding her view of the universe as an infinite series of tortoises sitting on each others backs. The sun is so hot it sweats, and a hand comes out to wipe its forehead; and when it runs out of nuclear fuel we see it standing by the roadside with an empty fuel can, hitching a ride. But there s more to this CD than just jokes and cartoons; all the scientific theory is there, but made even more accessible than the book. Drive down Relativity Street at the speed of light and see what happens. See what happens to cannonbal ls when you fire them into space. This CD uses a similar technique to those Marx for Beginners, Einstein for Beginners books a mixture of serious fact and cartoon, making difficult topics easy to understand. The commentary throughout is narrated by Hawking, with his familiar computer-generated voice playing a subtle counterpoint to the humour inherent in his words. s hard to compile a multimedia project as comp lete and as rigorous as this without at some stage falling into the boring-facts-at-the-end problem; but this CD avoids that entirely. Every paragraph, and often every sentence, is imaginatively illustrated riginal, humorous, and always with a sense of fun and discovery. Dull historic facts come to life and are made fascinating through the use of animation and wit in what is an immaculately conceived, perfectly pl anned CD. For all those who found A Brief History of Time (the book) hard going, this is the easy and enjoyable way to understand some of the most complex scientific issues of our time. More than that, this CD fully exploits the potential of multimedia in its constantly inventive, never repetitive exposition of Hawking s ideas; part Rius, part Terry Gilliam, and wholly new, this is perhaps the most innovative CD-ROM yet produced. Steve Caplin Brief History of Time Price 58.70 Contact WH Freeman 01865 726975 Category Reference/Entertainment/ Education Platform MAC MPC CD-i 3DO 58.70G WH Freeman 01865 726975H SciencesJ Over Over Bugs Bunny Collection Warner Bros is enjoying something of a creative renaissance with its Animaniacs series and it s good to dip right back into the past to find that the very earliest toons were just as funny. While the Porky Pig FsB29 F2FSF3F3FRF19 23.3.6.W26.5>3>2625 L>FsWZ :1>1>SBUFuJ FtB29 1B2>5>vB FuFv>uBtFSBSB3B *42R:0>P9 u6W6W66BT>VN :4BvFvF Bu:TB3B2B2> 62606123.52V2v>sFs:w>SN .324.V2X2y2x> :U6w6W:x> >w65. 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J4F3F4JUF5B 3J4JTFTF3B 0b4b<b@bH 3J3J3B $c,b4b<b@bD <bD!HAPbT F5F4> Annotated Annotation Annotations Announce Announced Announcements Announces Announcing Annoy Annoyed Annoying Annoyingly Annoys Annual Anodyne Anonymous Anorak Anorak-based Anoraks Another Hot-air Hot-linked Hot-spot Hot-spots Hotbloods Hotch-potch Hotel Hotel's Hotkeys Hotlink House/hq Household However Hubba Human Humanoids Humble Humdinger Humongous Humorous Humour Hundreds Hungry Hunky Difficult Difficulties Difficulty Digby Digest Digesting Digestive Digging Digichrome Digit Digital Digital-digital-digi Director's Dirty Disabled Disappear Disappointed Disappointing Disappointment Disaster Disasters Topics Topless Topographically Topped Topping Toppings Topples Topside Torch Torchbeam Torturing Total Totalling Totally Touch Touchdown Touchdowns Touches Tough Tough-as-nails Tougher Toughness Toughy Tourist Tourists Tournament Tours 11.75G CD Express 0181 518 4151H Digital MoviesJ 4R Under 20[ Under /A Bureau 13 Some speech has been added and there are some new graphics. It s no extravaganza As CD-ROM releases go, Bureau 13 is another of a growing number of games which see the transition to this newer media as nothing cartoons are all from the very earliest period, this Bugs Bunny collection shimmies back and forth from the days when Bugs had still only narrowly escaped being called Jack Rabbit to more familiar post-war mC aterial. The highlight of the collection is the Second World War toon Falling Hare, in which Bugs is tormented by a gremlin while chilling out at a military airfield. The cartoon is based around the extended chase that seems to be the recurring theme of all the great Warner cartoons. It features most of the world s stock of being-hit-over-the-head sequences and a sizable allowance of the trying-to-break-a-door-downE -only-to-have-it-opened-at-the-last-moment ones as well. The better cartoons are directed by one of the lesser Warner animators, Robert Clampett. Sadly, the only cartoon directed by the Godhead himself, Chuck J ones, isn t very funny. Wackiki Wabbit, it s called, where Bugs becomes the object of desire for two starving, shipwrecked sailors. Bubbling over with gags, it ain Bugs Bunny Collection Price 11.75 ContaGCct CD Express 0181 518 4151 Platform Mac MPC CD-i 3DO Encoding Good JRJOB.= F2)J VPNoF0= RoRoN NoFNB JQNpV NoNqV NpNqR JqNrR Fr>sNRBrJ Ns60>1[ NsRpN JRFRJtJ1FtF JuFuNsF1)J J2FRF JrF1^ BuF1Jt BtRrJ NsNsN NtRsF0B B/J0- FsF2F JsBuNR5 NtBSF tNr%H BO:oB JrB3> >1JqR F1>N>Q>oJpB B1Ns>T-J FRJ1J FrFrFsF19 NrJRNs^ FuNR= NtJRA Fs>rJRNsNR= 1F1NsJRB JuJR>T5 /F1-k >s:P:TB0FRN J1BQV 3NsF15 RsFrB1J0BqF1F1= 0JQF1JqBrJ1JRF1J BRJ1JRF1F1NsR NsFSF NpB1J2F JRF1JRF1JRJRJsJs JtF/9 FtFuN JRJRNpJRR :/F/RtJRF1B F1F1= F1'FRF1A B.NQ- sJRJRF1F1JQF1JRF1NsB JRF1F1JRF1F1JQR JSF1! 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B-:,>-2L>/:M:mB-FNF1>M6MB2Jo:nB0> F1F0B JPNs5 JRBQ: 2-FK>-:MB.>M>q>M:nBNFo>pV BoJr-k 1F1F.B0JQFO> F1F1! >M>/:->MBMBN:-J cF0g6 1JsJR .B-F0)J F1F1B F1F1B F1JR! 1NsJRJPF.= F1NsB F.F0B0F1= FO:0A PJpB0JQ FPF/F0FOB F2FOFQF0B F/F1V NsNs= FNB1JpF09 F/F0B F0F1= FOF2F.B/9 JnVrI OZMjN= bJR)J cNs)J BJR)J BJR)J cJR)J Z+Z,J1 M^.Fo ^pZ+U F1F1JR%) F1F1-k 1JR%) JRF11 JRJR)J B-F/= B-B+B JRF1)J RJR%) >-6M>-= >-B-B >o>,F0:nB B-B-= B-B-> FQFp:MB F/>oB-B B0BNB F1F-B FOFPFPF/F1FO>pBPFNFNJP>o> B-FMJLBp>MB F/F1FMB,B+JnB F/F0J/B RJR)J >/>OB0JP>PB0Bn>o>M>OFqJqBp>OBO>P>/>O>PBO>OFqF FqFp>pFPBO>pFq>NBqBP>OFqBOJQNrJ FqNqJ JpRrJ BpFqFpNqN JqBpFqFqF JpNrR JqNoNq>qJqR BpFqFqJPNrN NpNpJoNoJPN JOFLJpJOJQN NoJnB JoB.F0JpFLJO:-B/= BRB0>qJQB FSJp:oJqR >QJONqFRFn>qJQF >rBoJpFrJo> BrNqN JPNoJsJn JqNsJ JSJpJpJRV FONpNqFQN NoFMNqNnN NrJqV JoF.JPJOFOJOBNB/= FqJqFsNpF FsNpF JsJsB JRNqJ NrJpN JSF.F-= JoJQNqNoNpFOF/B-> PJNBK9 FPJRR NrJoJQFNJoB JrNrR JoJQF1B NSNsJRJpN JOB-N NqB,B B-JOJQNpJOFMFN> JS>0N JrNr>01l JRJNB0B.JoNsR NsJoNrJoJPJQFNI >1JOF NrJOR B/NpR JQJoNrJqJnF1FLF J+>*> NrJrN FNFRJ NrF/N F/JqN FPJPNpFLFLFMFLFMJNB+J FMB+B,+J NrJqR JNJQR NpB/FNJqJPN FLFMFLFLFMFLFMR-JLJ-J B->B+B,I JRNrJ JoJNJoR NrNsN NpNpNrN NqJlJpJlFLFNFJFNFLFKN/N Escaped Escapes Escaping Escapism Escapist Eschewed Eschewing Escobar scort Escorting Eskimo Esoteric Especially Essay Essays Essence Essential Essentially 39.99G Gametek 01753 553445H GamesJ 2R Under 40[ Under Burn:Cycle One of the year s most eagerly awaited game arrives and proves to be a winning combination of movie, adventure game and shoot- em up If you haven t seen the making of feature which starts on page 38 of this more than the addition of some speech and graphics. So it s worth noting that this game is going to be no multimedia extravaganza. The bizarre plot centres around a secret American government agency whoC se sole purpose is the tracking down and possible extermination of paranormal or supernatural phenomena, basically X Files stuff. The really strange part is that of your six agents, one is a witch, one a vampir e and another a priest whose special ability is that of prayer! When one of your agents goes rogue and tries to assassinate a small town sheriff, your group, or, rather, two of your group investigate. Up to thiE s point the story is animated in the usual 3D, but from here on in the standard VGA adventure stuff takes over, such as the slightly from the air type view of the screen all of which was terribly ground-bre aking four years ago! The user interface is a very poor point-and-click affair with a pull-down menu thing which takes up half the screen! But the voices. These have to be the worst voice-overs ever done. The you find nothing and you can t do that type statements are supplied by a drole American voice speaking in monotones and trying to crack jokes! Plus, an Irishman in the same league as Dick Van Dyke s Cockney in Mary Poppins. Bureau 13 doesn t break the boundaries of gaming technology, and worst of all, it s littered with annoying bugs. A shame really, because it definitely had potential. Gareth Ramsey Bureau 13 PILrice 39.99 (inc VAT) Contact Gametek 01753 553445 Platform MAC MPC CD-i 3DO bq^P^O^/ZNR-N-N-M R-VOVPZO^/^Ob ^O^/ZOV.R-N-N N-N-R-R.VND ZO ^Pbpb bp^O^/Z.R-N-N-M -N-N-R.Zo^pbObPfpf bO^.ZNV.R-N-N N-N-R-Z.N bpfqfpfpf bp^/^.Z.R-N-N V-ZNbOI b/^.Z.R-N-N -R.N-R-VNZO^/b/M b/^.^.V.N.N V-ZN^O^/^/fqR ^.V-N-N N-N-R-V.^N^.^.bPb bO^.^.V.R-N V.Z.^O^/^.bpb ^.V-N-N N-N-R-Z- ^.V.R-R -N-N-R-Z-^N^.^.bpb ^.R-R-= !JRc9 ^..b/bqf fpbPbqb bpjqf ^.VN5i -N-R-V -^.^.^ fp^.b.bN1I R-N-R-Z. -R-N-R-^.b.^ bOb.1( R-N-V.^.^.^ R-Z.b.b b.bpj bqV/V.VN N-VnZo$ N-R-Z.^.^ R-V.^.b.^ N-V.b.b N-Z.b.^ ^.fpn R-Z.b.^ R-Z.b.^ R.^.b.^ R-^.b V.^.b 0BQJQFQB19 V.b.b /RqRqN V.^.b BQJqN RJsFRbon b.b.^ V.^.b b.jor 0JpFp9 ^.b.^ ZN^O^OZOZNn ^.b.^ ^.b.^ Fw>4= job.^ b.b.^ FrBoBO= BQ>/> fpfobN^-Z-V B1FwO Bv>5F bobpbobN^NZ-Z-Z -b-^-Z b-bNb-bNfnfnfo fn#jmfNfnfnbNfNjoj jojpfofNb-^ fnfNfnbMb-^,^ .b/b.n Z-^M^M^NboN TBUB6N NsBs9 V-Z-bNbO| >SB1R BsFs>29 Fm>+>2V BuBuBtJ -b-fNQ BrFr[ BRBRBsR ROZ/M 'fG^(E -^-^-M -^-b.Z-fNb-Z boV.A -^-Z-I fM^-I Z,b,Q FnFK: NbN^-U ^-^-^MfMA /VpZpA pBLBJ: >+R fMb-Q Z-Z-^-=h nBoFpW FlFlBJ: 9 b.fNQ VMZN5h ,b-^-I V-Z-Z-1H NZ.b.bMbN1 b-b-M nfnfnjn^M1 >2>1BQFwBWJ RoR.R Z.bMfnQ fmfmbM9 TBuBvF N1N.R b.bNfMQ w>V>8>XJ F0BV:5: >W>8BuN >4>3J Fu>3>4>39 T>3>4N TBTBu5 -^.b.b.Z BusBt1J XBX>3BUB6J FsBTB3BtF Bt>S:15 VnVpV tBT>R: BuBvF ZmZMj vBu>T: BvBVJ Z-R-ZM^n^o^ B5BUN ZmVmo B2FQ> FtBuU ^-bNbNfoj VNR.VNVNVMN tFyBx BU>5F VmVMo ,^-Z-R boZNQ R.R-R-VMRN VmR-j b-bMZ-bMbnbo^oj nmf,f FxB5> VmR-f B3BTJ vKn*n >UFt> >1JQZ-b.Y FxB5> FwB2>55 vmrLr+n r)r m BU>4Bv>U1 vmrlrKr* n r r)r q *v*r)r m nvmrLr+r*r*r)r v+v*r r m tVOfoj FuBT1 n n m >T:2FsN BUBU: Fu:3%L Bu>2Fs>.^ uBUBvBuBUBUFvFt1 V-^nZob 3BvBuBuBU> Bv>11 wBxBW= R.Zob >w:6>UBPB,FL: F*v vmvLr*r m uBuBuBUB5>4)J R.VO^ VBXc} Bq:+Q v+r*r*vLv+r v e Bu>3>41 B5>4= R-R-R.VNZnZoZ v*n a R.sZnZnZp^ bmbMb-b,^ w>V[= 2BW>V1 t>5:5- FX>4>R1 >TNua FoFm> > BMBT>5- >5BTR >*: : -> : , B,>3%m >SN+Q% Bw>6BO9 4J0NsF FPBR> >3>/- v v q * r v v Fv>26 BSB,F VBvFv BV:1I >U>WJ v 2v q FuFt9 v v u >S>TBTBtB Fv>3>SBV1 FoJ+> v v q r+RS: BM: $ r r)r*n >5>2F BtB/FL>*A r v v n r Y *v v m JvBN1G *r)r*r NvprOQ' *r*r*r 0r*q >0BSJ >U>VFxN FTJq9% 3B.=$ Around Arrows Arsenal Arsenio Extermination External Extinct Extinction Extolling Extols Extort Extra Extra-gory Extra-life Extra-terrestrials Extract Extracted Extracts Extraordinaire Extraordinary Extraplanetary Extras Extremely Pull-down Pulled Pulling Pulls Pulped Pulsating Pulse Pulverise Pumbaa Pumped Pumping Punch Punchdrunk Punched Punches Ypils Puposes Puppet Purchase Purely Purge Purist's Purists Puritan Purliue Purple Purports Purpose Purposes Boundaries Bounding Boundless Bounds Bounty Bouts Bovary Bowel-loosening Bowersfeld Gareth Garidian Garish Garnished Garnishing Garrett Garrotte-watch Garth Garvey Gasped Gasps Gassy Gates Gateway Gateways Gather Gathered Gathering Gathers Gatling Gauche Gaudi Gaudy Gauge Gauges Gaunt-faced Gauntlet Gawdsakes Gaynor issue, you d be forgiven for thinking Burn:Cycle is a mindless shoot- em-up or a frustration-relieving road race. In fact, it s an intriguing adventure game/movie for the CD-i (due on PC CD-ROM in early 1995), and is fiendishly complex to boot. In Burn:Cycle you play Sol Cutter, a cyberspace chancer who picks up a computer virus while up to no good in a software corporation. Only two hours remain before the bug takes a hold of Sol s grey matter and gives him a semtex lobotomy. Sound familiar? Well, that s because it is. Anyone who s read William Gibson s Neuromancer or seen our Arnie in Total Recall will get the idea. And those who ve watched Blade Runner (is there anyone who hasn t?) will instantly feel at home as the lifter flies round the neon-lit cityscape. Burn:Cycle is a base case title and so doesn t require a digital video cartridge, but it does make use of several digitised actors all of which have a transatlantic accent (though their mouths don t always sync with the words). There are around 100 live action video scene s, and whenever Sol is killed by a gunman s bullet in my case about every five minutes blood splatters all over the wall and floor and the cyberspace actor falls to his death. Sorry, mate. This was enough t o give Burn: Cycle a 15 rating by the BBFC, though to be honest, with the exception of the shooting, I ve watched more violent Disney movies. The sound is good quality stereo (but not Dolby Surround), and const antly changes from scene to scene as the player shifts round the various 3-D environments. And what a journey it is. Anyone who likes to check their brain in at reception before picking up a games console shou ld forget Burn:Cycle. It s not for the stupid. Each of the scenes contains several visual clues as well as items that must be picked up and added to the inventory miss them and you could find yourself six fee t under or retracing your steps later on in the game. Several scenes also contain puzzles which must be completed before any progression can be made. These generally make The Krypton Factor seem like a multipl e-choice test. Gordon Burns would be particularly proud of the one where you have to make a hexagonal shape out of six flying pieces. Others, such as Psychic Roulette, where shapes from which you have to make a triangle come flying out of the screen, are much easier. The arcade action, by contrast, is strictly no-brainer, cursor-as-gunsight, point-and-shoot material. Think Mad Dog McCree or Ground Zero Texas and you ll know the score: without a gun this bit quickly becomes repetitive and tedious, though it s always nice to see a bit of gratuitous blood guts. Philips reckons that the average playing time for this game is over 30 hours, and I can vouch for that. After several evenings of not getting very far I began to feel that it was my brain, rather than Sol Cutter s, which was being dissolved by a software program. Deriv ative it may be, but then so is your typical Quentin Tarrantino movie. And like a Tarantino movie, Burn: Cycle is a compelling cocktail of blood-spattered violence and dense, sinewy plotting with the added bonu s of exciting and addictive gameplay. A winning combination. Chris Price Burn:cycle Price 44.99 (Limited edition includes free audio CD) Contact Philips 0171 911 3000 Platform MAC MPC CD-i 3DO 44.99G Philips Media 0171 911 3000H CD-iI GamesJ 4.5R Under 50[ Under r+r+r*n r+vLr +vLr+v,vLvMvmz +vLv+v+v LvLzlz znznzmzmzlvLv v+v+r r+ v+vLvlD zmvmz zmzLvKv+v znzmzmvLvLv+v+v v+v+r znvmznvLvLv+v+F r+r+n v+v,vMvnvNv,v+v v+r+v+v+r v+vLvLvMvLv+vMvLvMvMv,H v+v,v+v v+vLvmznzMvMvLzmvLvMvL v+vLv+v+q r+r,n r,vMvLv+vLzmvnznz znzmzmvLv,J vLv,v ,vLv+v+m v,vLvlz vL.vmvLr+vLzmvLv+vLvMznz znvMv, v,vLv,q r,r,v,v,m zmzmvm vL+v,z vnvLvmz znzmvMv,vL v,v,q v+vLz vLvLvMz znvmvmzm r+v+vLzmz zmvLvLzmz znr,vMz zmvmzm v+v,r v+vLz vlv+v,vLznvMr znzmvLzmznzn zmvKvLvMvLvm vLv+vLznvMvMz vmvMvL vLzlzlv+vLvLvMvNv,r,v,r+e vmv,r,vMvM vMvMv+r vMvMr vLzmz r,r,vMv,vM v+vmvmr,r,vLm +v+zmvLvK v+vLzlvLv+v+m vmzlv+v+q r+vLr+r Kzlzki v*v v)] vkvKn )n)j zlvKr)r i vKv*v r zkv*v KvlzlzlvJr v*vJr e $b$b0 *zlzmzlvJr r*r*e Kzln*U zmv*r i zmv+q r zlvKv+v v+zKzlvKv+r zMvLr +zlr*n m *v*r i B A(A, B$B0c$ $b B$B0b$ (b B$b0 $B$B,c b(aQh $A,B, $B,b$d (b$bM& A4b8 b$b(b( b b$c( NsNsJR NsNsNR NsNsJR NsNsJR NsNsNR b(c c b$b(c0 A0a8b8 b b(c( b b$b$b(b, b$b$b, !(c,b@b$b A(B8bLb !8BLbTbPb<b$B(BLbX AHb<bLbHbPbTbPbPcPbPbHb !Hb@bLbTcTbT PbTbPbPbHb !PbDbLbDbDbHbDbLbLbLcLc !8b@b8b0bHbPbT TbTbLc "Ld@B B(B$B4b @bDbLb "PdTb8b B(bLbTbPbLbTbTbTc "PcPbPcHb B BTbXb !(CXcPb<bDb(b@bTcP TbPbT !,cXc@b(b0b(BL PbPc$B !0B(B$b B,bTcTcTbTbT !0B4b PbTbT ,B0b b ! B4b b PcPbT PbPcPc B0b B0BHcLbPbPcLcPb@b B8b<b@bLcLcDbLb (b$B0b,b0b<b@bHb<c B$B@b 4bDb C " B<bLbPcLb8b8b4b "(B<b@bDbDb<b8b DbDb0b B0b@b<b( B4b8b<b B,bDb,b !4b8b4b4b(b $B8b4b,b$B B B B$B B$b b$B B(B c B0B0c c b8b0c Shoot-'em Gibson's Gibson-esque Gideon Gifted Gigantic Giger Giggles Giggling Gilliam Gilliam's Gilman Gimmickry Gimmicks Gimmicky Ginger Gingerbread Giraffe Giraffe-necked Giraffes Giridan Girl's Girl-laden Girlfriend Girlfriend's Girlfriends Girls Shifts Shimmer Shimmering Shimmies Shine Shines Shing Shining Shiny Ship's Shipload Shipping Ships Shipside Shipwreck Shipwrecked Shirley Shirt Shlock Shocked Shocker Shocking Shockingly Shocks Shocktroops Shockwave Shodan Much-fancied Much-needed Much-vaunted Mucus Mud-slinging Muddy Muffled Mugging Mullen Multi Multi-ball Multi-choice Multi-dimensional Multi-level Multi-levelled Multi-lingual Multi-player Multi-purpose Multi-racial Multi-screen Multi-segment Multi-volume Multicom Caesar s World of Boxing If you think that Frank Bruno s a bit of a baby, and Lennox Lewis is a loser, then maybe, tough guy, you should try taking a few hard knocks yourself Caesar s World Of Boxing, the first decent beat-em-up for C D-i, is a bruising experience. Not because of its punishing fighting sequences, incorporating special killer death blows that s only part of the fun. Caesar s is also an intelligent mix of arcade action and e ntertaining FMV sequences, which will keep you bleary-eyed in front of the telly until the early hours with joypad in bandaged hand. The meat of Caesar s World Of Boxing is in the boxing bouts, which are always fought against a computer-controlled opponent (unfortunately there s no two-player option). The range of moves doesn t come close to Sugar Ray Leonard s repertoire, totalling just four shots punch up and pun ch down with either hand that wouldn t trouble Frank Bruno. With this limitation, you might think that Caesar s is going to have the lifespan of a clumsy lemming; but the mixture of digitised boxers with ultr a-fluid, lifelike movements, the incredible sound effects, and the pure drama of unleashing a flurry of punches that actually cuts your opponent, make this one of the most exciting, if ideologically dodgy, titl es in the CD-i catalogue. Even the rather annoying fact that the bottom third of the fighting screen is taken up with an energy bar doesn t spoil your enjoyment once the bell has gone. As with any video-based e ntertainment title, action is only half the story. Caesar s requires a DV cartridge, and is thus packed with video footage. Your trainer, manager, promoter, journalists and tongue-in-cheek groupies are all real actors (surprisingly good ones), and their stereotypical dodgy characters are at worst quirky, and at best hilarious. The idea of the game is that you choose a fighter to take through the ranks from amateur to pro and ultimately up the rankings to world champ. The object is not just to win, but to make as much money as possible along the way; you can carry on fighting into your 40s if the lure of cash proves irresis tible to you, but by this stage your powers weaken and you run the risk of contracting Parkinson s disease (tasteful touch, that). It sounds easy enough, but as you become successful, hordes of hangers-on will try to lead you astray. Journalists hound you before each fight, promoters pop up to tempt to you to their stable with lucrative contracts, and if you win the title floozies drop at your feet trying to lure you to bed (this is a Philips game so there had to be some cleavage in there somewhere). Philips is now packaging Caesar s for free with its 210 player with DV cart a sensible move, as once you ve played it you ll be hooked on DV for life. Andy Clerkson Caesar's World Of Boxing Requires Digital Video cartridge Price 49.99 Contact Philips Interactive Media 0171 911 3000 Platform MAC MPC CD-i 3DO 24.99G Philips Media 0171 911 3000H CD-iI GamesJ c(b4A0 ~O~oq b8bH!d PB@!4 ,c,B, bDALBX PBHAHbX ! c8B@!DA@A< 0B B0BDBHADA8 8 ~Nz.]i 8bD@H!HB@b<b0b B B$b,b0b< N~N~-u b8bHAPbPBPAD@<b4a,B(c !(c]I o~O~n~N~N~o~Oy 8BDbLBh PbDb<b4b4a,b ~oz-m c c c c$C(b( (b(c$c$c$c c !,b@AP!` LAHaDb@A<A0B ~p~p~ ~p~.~/e (b(b$A A B,c<BDbLBPADb4c A(cD!H!HAPaPBHB@a0b ~p~O~O~ A b$c B c$ zqvQ9 b@dTDH @aPbT TATA@b A0b@AHaTbPAL 8 ~O~.~O~ B(bDBDBDAHBT A,b@A@ DAT F<A@@PaPaPAD eE 4bDBLAT Pb@A$ B cI( 4@@ADbLBPBPbPbLA8b b,A< LAPAPA<a 0d0C(c$b b b,b<B@bHbPbPAXa\bPA@a0 <AD!D! ~p~pu (B0d<d4B,b( ,b<ADbLbLA` TCHBi ~p~.u b$a b 4b8bDBHAPB\ XdLBDAu 8Zq1' ~p~.~.~.a A$B8b@bHbLbLbHA@A@A@ H B$c(c$ ,A@bDbHaD`8 c$c c b b 0d4D,C c c Nbrs7 $c(c4 (b$b$ ,c$B @ 8c4d0 (c$a$ hz-~p~ ~p~.i c c C NPRp^ <b@"@"Dd4 HDP#Hc$ 4c0C0B0!(" DB@dD @d@#H %I)k)J))-I= aIY'P !()j)J (!))J >N>NB :.>OBq6.:N>oBp2 -6-:-6 6-6,1 >NBp6 cJq!( 2-*,! 2,.,) 6M.,2L% 2,2L6L* 6m* ! 2,2,% ,6n6m*+ 6l6n2, :n2L. 6.6.) :N2,B <d<D< b&b&b&^ b'^'^'b'^ ^&^'^ d!d#lel \$`EX"hdt `B`BX b~G~gebac `#\#l TBXcTBh PA\Cp \Adcl XBXCTCX XBheh \bXCXc\dXB\bTah XAhcx 8c\DdcdchdhbdcdddddddddddddDX X"X#X"P$X P#X#T#X#T T#T"`DdCX"\#dDddh$hDdchbhcdddddDdDdddDh >o6.%j 2N2-! 6m6m% I!H:p1 J-kJr>OR >p:PBpN n>m>oBO5 !)W5Bp B)gcT )IcV )k_6- >p6O>q6P >p>p>pS %kJs9 O_2)h :O>o>oN +!*BQ +:n2M! Bp>q>p>p>pF Fp:.:NJ :N>.F Bo>PBpJ >q>pF 6N>p>p>pB BpBpW FqBr:P>pB >p>pB >q:O>qF >PFqN >q:P> :N>pB >p>p>P:OF :N>oF Bp:nBoJ >q:O2.:p>P:P:O>o>p:N1 O:N>o:o6O2-- .,2L:M2 6-6-6N% :/6O2 >OBp>O:N>o>o6N2 :o:.:O:o6O2 2,6-6-2 +6m.K! M6n2L) Bn:O6O- +FpBq% >N:O:1 :P2.! >p:/) n>O:O>Q1 :-:-1 >p>q) /BQ>O>O%h O:O:.6 2.6.%i -iFOBp2 NBp:Q> O:N:. :P6/:P: /:q60 O>P!i g:N2N* 4R Under 30[ Under Cannon Fodder The original 'comical' war game comes to the 3DO platform s with some irony that the 3DO Multiplayer state-of-the-art console now plays host to a game which is available at a budget price on most ot Ulysseus Umbrellas Umlauf Un-dress Un-narrated Unable Unabridged Unacceptable Unacceptably Unaccountably Unaided Unappetising Unashamedly Unasked-for Unassuming Unattractive Unattributed Unavailable Unavoidable Unbeatable Unbelievable Unbelievably Unbiased Unboiled Unbowed Unbridled Unbroadcast Uncannily Uncanny Uncaptioned Thutmose Thwaaack Thwack Ticket Ticking Tickle Tickled Tidied Tidings Tie-in Tierra Tiger's Tiger-like Tigers Tight Tightly Tights Tiles Parkinson's Parks Parlour Parochial Parochialism Parody Part-financed Partial Partially Participants Participate Participation Particular Particularly Parties Partly Partner Partners Parts Party Passable her platforms, having been around for well over a year. That s progress for you. Still, if a software company is to convert an old game, then Cannon Fodder is no bad choice and it s pretty cheap. Universally ac claimed by games players and the press alike, the only people who didn t seem to like it was the Royal British Legion, who objected to the use of poppies in the artwork, and no doubt, the trivialising of war. or those that haven t seen Cannon Fodder and I can t believe there are many of you d better fill in some gaps. You control a squad of miniature soldiers ( lemmings with guns , according to the Reviewers Clich Handbook), which you move around the scrolling terrain by pointing and clicking. Levels are cleared by destroying everything in sight basically, although shooting the wildlife and watching it wiggle in b lood is optional. Control is surprisingly good with a 3DO gamepad. Less surprising is that this version offers improvements over previous incarnations. The 100 or so levels (spread over various terrains) remain the same, but the graphics are noticeably sharper and the sound has been beefed up. There s also an excellent five-minute cartoon intro and a slighlty pretentious video of Sensible Software larking about to th e original theme, War has never been so much fun . More irony really, because for 3DO owners war has been more fun. It s called Return Fire. Warren Chrismas Cannon Fodder Price 34.99 (inc VAT) Contact VirgiI7n Interactive 0181 960 2255 Platform MAC MPC CD-i 3DO 34.99G Virgin 0181 960 2255I Games .t*S*R6 S.t&S" )N)kT 2t*S: 6t*R& "0*r: FUB4Z *1*2: *S"2&2&2*T. *S.S*S&1 *R*S" .s*R&2! .t*2" *W*s*S*s. R*2*3 .s&2" .S.SG t*t J &1"0*r&r .S.t6 "2"1" &3*S2 &1.t6 &0&0> *S.t: .t*S2 *S&2. *2*R: .S.S2 F#Nd9 1*R&16 S"1*R: *3&22 .T*3.SK S"1 k *2&2K &1&22 &2&S6 *&.)O3 6t.RB *R*t*t *2*26 &1&12 *t.t2 3.T.u6 .t.s6 )>Hko *2"1.s> *S*t*t *S&2. Bs:s& 632u2v> iF(%" .s&1&26 *S.u&3 .s.SC .S.S> FON-Z JPNog FOF,A qJp)H ,^m9e >p6.) BRFR> /RQJP9 oN-1f JmNmRnVNI OF,RoA kNI5a *S&2&22sF *2.R! 6t:t% s&RG9 &3.S> 2T*V. *2*S&S"2"2 s*1.T.u &s"2"1*R6 2.t.u.t*T*S*S" .s.t> *R&2&2.S2 R*NLN 2u.t2 t.SK: .R.r2 .t.t&2&22 .R222SK r2sK; 4R Under 40[ Under 3A'Carreras, Domingo, Pavarotti in Concert What has six legs, appears every four years, weighs the best part of 50 stones and warbles? The three tenors, of course. Before you get too excited, this isn t a lightning-quick VideoCD pressing of Messrs Pava Comical Comics Coming Comm-bat Command Commander mmanders Commandment Commandments Commands Commences Commendable Comment Commentaries Commentary Commentator Commentator's Comments Stated Stately Statement Statements States Static Stating Stationary Stations Statistical Statistically Statistics Stats Statto Statue Statues Stature Status Statutory Stayed Staying Stays Steadicam Steadily Steal Ption Plato's Poetry Poets Point Point-and-click Point-and-shoot Gamepad Gamepads Gameplay Gameplay-wise Gameplaying Gamers Games rotti, Carreras and Domingo s concert last month. In keeping with the topicality of VideoCD releases, this is the concert recorded in the run-up to Italia 90. That said, it s pretty impressive stuff: two orche stras, a clutch of rabble-rousing arias (including two renditions of Nessun Dorma), high-voltage conducting from Mehta, and the stunningly-lit backdrop of Rome s ancient Terme di Caracalla. And then, of course, there are the three tenors themselves. Smiling like synchronised swimmers, each tries to trump the other with vocal pyrotechnics and vein-straining facial grimaces. Although musical purists will argue that an hour and a half of male tenors showboating is slightly de trop, never mind that. This isn t classical music. This is showbusiness. And with VideoCD you can always nip straight to your favourite bits, be it ole Mio, Tonight or yawn Nessun Dorma. The video encoding quality is for the most part fine, although there is some blocking in evidenceduring the cuts to the audience as usual. Sound quality is absolut ely stunning as one would expect from a Digital-Digital-Digital (DDD) recording supervised by the experts at Decca. Overall, a package which plays to VideoCD s strengths and the format delivers in spades. Mat Toor Carreras Domingo Pavarotti in concert Requires DV cart for CD-i; MPEG card for MPC or Mac Price 15.99 Contact Philips 0171 911 3000 Platform VideoCD Encoding Good Track List Il lamento di Federico; paradis; Recondita armonia; Dein is mein ganzes Herz; Rondine al nido; Core ngrato; I vespri siciliani; Torna a Surriento; Granada; No puede ser; L improvviso; El lucevan le stelle; Nessun dorma; Finale (Mari a; Tonight; O paese d o sole; Cielito lindo; Memory; Ochi tchorniye; Caminito; La Vie en rose Mattinata; Wien,Wien,nur du allein; Amapola; O sole mio); Encore ( O sole mio); Encore (Nessun dorma). 17.99 Philips Media 0171 911 3000H VideoCDI MusicJ 4R Under 20[ Under 4A!Chadwick And The Sneaky Egg Thief An interactive colour-in storybook to keep kids egg-cited There are many commendable elements to Chadwick and the Sneaky Egg Thief a colour-it-in story book for kids from three to eight. The story is fun and cF2g: /NQg: JRNt! BRpsx cRtNR cJ/Np ZqVPVQE VrRQVsJ rZrZrVrVrJ1^ ZrZrZ RRRrf ZqVqZrN0f N0Vr^ N0Vrf BNQsz VrVqJ PVrJ0-J R0RQ9 J/NPc ^.Z-V.5 OV.Z/M V.Z/=H VqVpI bq^PAh VpVQ5k QZs1J /VRsY /J/-J bRQo7 RrNPF BJPRq JMNooY RqJ/% /RONO J0NR9 NPJ0A NPNPNQVrN1E 0RRVsRrV 0Rr1j JPNrNqJQNqJqJrJqJqNrNrJQJQJqNqJqNrJqNq Jq JQ^ FPJRJr NqNqJQJQJq NqJrJRNqJQR NsNsJQNrJqJq JQJqNrJQ Nq/JQJQJRJrJRNrJQJqJQR JQJrJQJQJrJqJRJQJqJqJQJqJQNrJqJqJQJQJrJRJrJQJqJQJrZ NQJQJQNQNrJ NrJQJRNqJQJrNrJQNqNqJQJqJQZ NrB01 RqNPB NRJQ> JOF/= 1JtNuZ br1aJ frRSV Domingo Don't Dorma Dracula Drago's Dragon Dreams Dreamweb Drive Driving Dundee Dvorak's Dylan Earth Earthsiege Easier Eclipse Ecstatica Elvis Emanuelle Encarta Encore Encounter Encyclopaedia Encyclopedia English Explorapedia Explorer Eyewitness Faith Family Fantasies Fascination Fatal What's The-art Theater Theatre Theatre-ticket Theatrical Their Carried Carrier Carries Carrying Cartland Cartoon Cartoon-book Cartoons Cartoony Cartridge Cartridge-based Carwash Cases Casey Cash-in Cash-ins Casino egory Showing Showing-off Shown Shows ignpost Signs Silhouette Silliness Silly Silver Silver-haired Similar Simon Simple Simpler Simpleton Simply Simulation Simulator Ex-robot Exacerbated Exact Exactly Examine Examining Example Examples Exams Excellence Excellent Excellently Except Exception Exceptional Exceptionally Excerpts Excess Excessively Exchange Excitable Excited Digitally Digitalvideo Digitisable Digitisation Eemmas Dimension Dimensional Diminish Diminutive Dinos Dinosaur Dinosaur-related Dinosaurs Diplomacy Direct Directed Direction Directions Directly Director Director's Directors Dirty Disabled Disappear Disappearing Disappointed Disappointing Disappointment Disaster Disasters Domingo Domingo's Don't Niece Nieces Nielsen Nielsen's Nifty Nigel Nigerians Niggle Niggles Niggly Nigh-on Encounter Encountered Encounters Encourage Encouraged Encouragement Encourages Encouraging Encroaching Encrypted Encyclo-paedia Encyclopaedia Energetic Energy Engage Engaged Engages Engine England English Englishman Engrossed Enhance Enhanced 29.95G Guildsoft 01752 895100H Young ChildrenJ 4R Under 30[ Under Changing Times The Times, they are a-changin . They are going electronic, for a start Hindsight can make us contemptuous of our past. How could Neville Chamberlain have been so na ve? Why was the British Government so blind there is plenty to do with each page: from colouring to seeking out hidden surprises. The story can also be stepped through word by word to help with reading, but best of all there are no performance problems C when running the animation. It is, however, fairly obvious where the compromises have been made: the screen only runs in low-resolution mode (which is reasonably appropriate for a crayon kids book) and there ar e only 20 pages to the story. The program works in a straightforward fashion. You open a storybook, the program reads out the text while Chadwick the cute, high-voiced dinosaur enacts a story about his mother best egg being stolen by the Sneakosaur. The program pauses in the middle of each page to let you colour in Chadwick, his friends and the backgrounds from a palette of marker-pens and patterns. Click on the Sa y icon and the crayon becomes a figure which will name objects in the picture or read out individual words in the text. If the Say icon is unchecked, the pointer makes all sorts of fun surprises appear from behG ind the objects in the scene. Once you have finished doodling around the scene, accompanied by squidgy synthesiser versions of the popular classics, you can click the right arrow to watch the final piece of ani mation on that page, before the program opens a new, uncoloured page. Once all of the pages have been coloured in, clicking on the movie theatre icon plays the whole story through, with your colourings used thrI oughout. If you ve used patterns as part of your colouring-in then the program actually adjusts the patterns to fit the way things move another thoroughly decent feature. You can save individual pictures out of the story or export them for use as Windows wallpaper. A slight criticism is that the menu bars governing these choices are a little too complicated for children and that the icons are less than clear. Most K will bring calls of Mum, help me do this . Surely it would have been better to have one big button which automatically saves the picture rather than hide it away under Advanced options with file format choic The good humour of Chadwick is infectious and for once a CD-ROM with educational pretensions does actually seem to deliver something in the way of teaching reading skills. Having said that, the vocabularly wM ould stretch even a gifted three-year-old and they are more likely to want to play with the colouring section rather than painstakingly work through the words. The only disappointing thing about Chadwick and th e Sneaky Egg Thief is that there is only one story and that it is so short. Kids tend to have favourite stories which they will want to hear over and over again. If Chadwick is one of these it s worth the moneyO , but if it s finished with at the first sitting, then maybe not. Jim Smith Chadwick and the Sneaky Egg Thief Price 29.95 (inc VAT) Contact Guildsoft 01752 895100 Category Reference/Education Platform MAC MP PC CD-i 3DO !V5Z6Q ^w^VZVV ZVZVR VVV6VV{ !^w^XV Z6V6V bxZ6U ZwZw^xs; !ZVZ6 L$m( 6$L l, $m lM ^wbxbxb bx.Z6V $m$l LVw ^xZ6Q ZwZw=Q gZFwc mR6ZW50 (m$l(m $m$l$LI ^wZ6Q ZW^WZWV $m$l$l (m$l(m( Z6bxbxZ6V ^wZ6Q $m$m( xbxbxV6V6V W^W^WI 6V6V6V (m(m( $ , d (m L( 6^wAR Z6bxj (m$l=r (m$m( $L$m, VWZwM ZhZHR R R ,B, E $m$lb !Nt9r 6VV9Q $m$oZgZG$p, , 4A\ ZxZWf $m$mR6k; $l(m, @a@`D Ha4@d $l(m( 4`<`D 8aD`<`8a$ $L$l( ZWbxE (m$l(m( A K(m$m &O&o" G(m(m bx^wZ6Z6AR bxbxZWV bxV6V ^W^WZ6 ;"c"c (m$L$l L( ZwR6V6s\ 6ZW91 Zw^wM ZWVW0 "n>-M V^xs\ a a$ a a$ 0G0G8 R.N/R.N.* N-N.. 4G %0g dbz!Wi ^WZ6V vVv5q ^wZ6V v5vvz bx^WR bxZ6I wR65M vVvwvVr $0G(FDjd ^WZ79o N/R/R/N.2 ^X^X9o &M&M* Ha0a8aD`0A8@E dj@n`$ n`j`f@r na2n`b ( 2n`n`r `j@j@n`M FmFo:V:5:5:U:U%n n`n`f@A` n`n`z r`n`j` j@)n`r n`j`n`r &6.w&W*V2w.V*V. n`n`v j`n`f@f@j` b &f@1 `n@n`v `n@n@n`n` r`n`r j@n`^ f f n@z Egg-cited Egg-timer Eggheads Egoist Egregious Egypt Egyptian Ehrlich Eidelman's Eiffel Eight Eight-bit Eight-channel Eight-directional Eight-level Eight-man Eight-player Eight-track Eight-year-old Electric Electrical Electronic While Whilst Whimsical Whine Whinging Whining Whip-smart Whipped Whirls Whirlwind Whirring Whirrs Whisk Whisked Whiskers Whisking ewash Whizz Whizzes Whizzkid Pointer Pointers Pointing Pointless Points Pointy Poison Poisoner Pokery Poking Polack Polanski Polar Polaroid Poleaxed Polecats Poles Police Policemen Policy Polish Polished Stories Storing Storm Stormed Stormtrooper Stormtroopers Stormy Story 146.88F network use)G News Multimedia 0171 782 3982H HistoryJ Over Over Chaos Control It's French, it's weird, but like its heroine, Chaos Control is gorgeous - so who cares? I quite literally lost the plot of Chaos Control. I can just about recall that it was like a dodgy episode of Battlestar towards Gandhi? How could it have taken so long for women to get the vote? Presented as history, the events of the last 200 years are merely episodes in a completed story. But with Changing Times, a selection C of newspaper reports from The Times between 1785 and 1985, our historical perspective is replaced by fresh, contemporary views on events when they were still news. To read now about Chamberlain s Peace In Our T ime initiative as one of the bravest gestures ever made by a head of government is the nearest most of us can get to an appreciation of what those pre-war years were actually like. And in this excellent disc E there is plenty more where that came from. In all, Changing Times contains over 15,000 original newspaper reports and more than 1,000 photographs, giving instant access to news reporting untainted by hindsight. Themed articles on the French Revolution, the British Empire, the Rise of America, Women s Rights, and the First and Second World Wars, are supplemented by 1,000 Makers of the 20th Century. The On This Day feaG ture allows you to trace all the reported events that happened on a particular date, while a timeline of history lets you choose reports from a chronological outline of world events. And for more intensive stud y, a database search facility will enable you to seek out specific words in any of the reports. But beyond the admittedly excellent accessibility of the information, user-friendliness is virtually ignored. UnatI tractive screens of text make no concession to visual stimulation: this disc is about pure information. There are also virtually no keyboard shortcuts, and there is no way to change the font in which text appea rs on the screen. All stories can be exported as text files but all files include hard returns at the end of each line, so Mac users will have to go through it taking out the paragraph breaks. In addition, yoK u have to export the whole story there s no way to save just the paragraph or two you re interested in and this can run to thousand of words. The photographs are all 4-bit (16 shade) greyscale, giving them a somewhat unreal, posterised feel an unnecessary compromise in the days of QuickTime photo compression. And while MS-DOS users can save the pictures as PCX documents, Mac users have to do a screen dump of tM he whole screen and then edit out the bit they want with a painting program. This is a fascinating information product, let down by an ugly interface. Steve Caplin Changing Times Price 146.88 Contact News Mu NNltimedia 0171 782 3982 Category Reference/Education Platform MAC MPC CD-i 3DO 1F1NsJRNsJRF1= 1JRJsN sJ1NsF1JRV F1JRR NsJRB JRNsJR-k F1F1B F1JRJR5 RNsNs JRJRF1JR9 sNsNrkY NsJRJR^ NsNsB JRNs= 1NsF1= JRNsJR)J 1JrNsJRF1B NsNs= NsNsR NsJRF1R JRNss JRNsNsR JRJRc NsNs5 JRF1Z JRNs9 1F1JRNsR F1NtR JRF1%) NsNsR 1F1JRNsR RB1Ns! NsNsR JRNsV F1F1JRJRR 1JRF1)J JRNsR F1JRNsJR RJRJRNsR NsNs5 JRJRR JRNsc F1NsR F1JRNsNsR 1JRNsNs= RF1)J NtNs-k H NsZ F1F1B F1JRJRNs JRF19 1F1F1NsJRNsJRNsNsV F1 -k 1JRNsRd JRNsR JRJRR NsF1JRJRNsJRR F1 -k 1NsNsV NsJRJRNsF1B F1JRNsV JsJR! F1F1B 1F1NsF1F1R F1F1B NsNsn JRF1NskZ NsNsB F1JRR JsJRN NsF1JRNs^ JRF1%) F1F1t RF1F1= RF1F1B JRF1JR= JRF1R JRNsR F1Ns-k NsNR%) JRJRF1B F1F1JRZ F1NsF1F1B 1NsF1NsB F1JRNrNrB 1F1kZ RJRF1F1JR= RsNsJRNsNrNsNsJRRsF1JRB NsJRNsV 1F1F1NsJRB F1F1B F1F1B F1F1= NsNs^ F1F1B NsF1B F1F1= 1NsNsJRR F1F1! F1JRV F1NsNsF1NsR F1F15 JRNsV F1F1B 1F1F1B RJRJRR NsNs^ 1F1F1B 1F1NsF1R NsJR^ NsJRNsZ F1<-k NsF1F1NskZ JRJRB NsNs9 JRF1F0 Ns)JRNsR NsNsV JRJRF1F1Z F1F1B F1JRB F1F1JRNsR NsJR= F1NsB F1JRNsJRNsNsJRNs F1NsF1F1B JRJRNsF1NsJRJRNsF1B JRF1Ns= sNsJRNsNsV NsNsF1 1F1Nsg9 NsNsJR F1JRNsNsF1NsF1JR NsJRNsJRNsB JRNsR RF1JRNsR JRJRNsF1JRJRF1R JRNsV JRJRB 1NsJRJR= F1JRB F1JRF1F1R 1JRNR^ JRJRNsNsJRNsF1NsNsF1= F1F19 JRF1JRV NsNsR NsNsJRJRB F1JRR F1NsJRJRNsF1F1 F1NsR NsNsR NsF19 F1NsR NsNsR JRJRR NsJR^ JRF15 F1JR1 JRJRB F1JRB NsF1= JRJRF1-k F1JRB JRJRF1JRB JRJRZ F1F1= 1F1F1B F1F1B F1JRF1JRJRF1JR9 NsF1B 1F1-J F1F1= F1NsNsR NsF1B JRF1JRR F1JRF1F1B F1F1B JRNsNsR NsNsJRJR JRF11 sF2NsB JRF1B 1NsNsR F1JR= F1NsV NsNsJRNsJR= JRNsNsJRNsNsR F1NsV NsF1B RNsNsV JRNsR RNs)J NsF1V JRNsR NsJRJR JRJRR JRF1F1JR F1JRZ NsF1JRF1B JRNsNsJRZ F1F1V 1NsF1V NsNsV NsJS)J NsNs5 1F1JRJRNsNsg JRJRNsJRZ JRNsNsR F1JRNsNsg9 NsF1JRR 1JR-k JRNsNs NsF1NsZ F1F1Z sF1)J NsJRB NsF1R NsJRV NsNsJRNs-k F1F1)J F1F1B NsNsV F1F1= NsJRNsNsR F1NsF1JRNs= JRJRR F1F11 JRF1V RJR%) F1F1! JRF1JRF19 RJRJRkZ F1JRNsB JRF1V cF1NsNsJRJRV JRF1Z NsF1JRF1F1V NsJR= RNsJRoZ F1F1JRV NsJRF1JRR F1F1Z F1F1JRF1JRB NsF1B JrF15 RJRF1B JRJR1 JRNsZ JRNsF1F1V NsJR= NsNsJRB JRJRNsR RF1F19 NsNsJRF1F1NsNs5 NsJRNs F1F1-k NsF1-k F1NsNsV JRF1%) JRNsV JRJRZ NsF1F1B JRNsg9 F1Ns-k JRNsc 1JRNs F1JRNsR 1JRNsNsR RF1)J JRNs^ RF1F1B JRF1-k JRF1JRNsR RNsF1B NsF1B JRF19 NsJR= JRF1V NsNsR JRNsNsR NsNs-k 1F1Ns)J F1NsV F1JRNsNs NsF1JRNsR F1Ns= JRNsJRF1= F1"JRNsJRJRF1JRNsNsJRNsJRR F1JRNsNsF1B JRNsNsF1JR JRF1NsR NsJR^ 1JRNsNsF1= NsNs= RJRNsB NsJRF1JR F1JRNsNs F1JRF1= BF1F19 JRJRNsJR= JRF19 F1Ns-k JRNsJR9 NsNsF1R NsJR9 F1JRJRNsF1B JRJR1 BF1kz NsJRNsJRNsNsB F1F1B JRF1B JRNsNsR F1JRJRF1F1= JRNsJR RF1NsNsF1F1 Make-believe Make-up Makeover Maker Makers Makes Making Blind Those Thought Letter Letter-box Letterbox Letterboxed Lettering Letters Lettice Letting Level Beyond Bianchi Bible Biblical Bibliography Bicker Big's Big-screen Bigger Biggest Bigraphical Biker Bikes Biking Bikini-clad Bikinis Billed Billion Billionaire Billowing Bills Billy Binary Ignored Ignoring Iii's Ill-chosen Illegal Illicits Illinois Illuminate Illuminated Illuminates Illuminations Illusion Illustrate Illustrated Illustrates Illustration Ignored@ Illustration Images Imagine Immercenary@ Imperial Important Impressed@ Impressively@ Improve@ Improvement@ In-game@ In-the-middle-but-un@ Incidentally Includes Infotainment@ Inhabitants@ Inoffensive@ Inordinately@ Insides@ Insights@ Inspire Instantaneous@ Instruction@ Insured Inter-relationships@ Dumped Dumpware Duncan Dungeon Dungeons Dunkin Duo's Duped Dupre Durability Duration During Dustin Dusts Dusty Dutch Dutton Duvall 002000 01279 01332 01438 01444 014444 01462 01604 01625 01626 49.99D CD-i price onlyG0Philips Media 0171 911 3000 Virgin 0181 960 2255H CD-iI GamesJ 7/12M 90/81N 4.5/1R Under 50[ Under 7A*Chris Tarrant s Crazy World of Home Movies There was a time when there seemed to be no escaping Chris Tarrant on television. Now, as if that weren t bad enough, it s impossible to ignore him in the VideoCD world, with the release of Chris Tarrant s Craz Galactica, except with better special fx and no Lorne Greene (he s dead Ed). So it s the usual futuristic gumf about aliens discovering the Voyager space probe, looking at the famous plaque and deciding we hC omo sapiens look good enough to eat. Following the handy directions provided, they reach our solar system, kick the stuffing out of our Martian colonies and then head towards Earth. Only you a female rocket j ockette called Jessica Darkhill stand between Earth and alien domination. And, er, that s it. Chaos Control is a typically French game, in that it s more than a little weird. The cut scenes, for instance, miE x the usual Softimage-rendered visuals with the ropiest animation I ve seen since Captain Pugwash. The Manga-styled characters look the part but are hopelessly out of synch as if they re chewing on some indus trial-strength Hubba Bubba. Thankfully, the action is free of such gaffes. It s a wham-bang-thank-you-ma am blaster where your task is to mow down everything that moves. The action is set against the concrete cG anyons of a war-ravaged New York, the virtual inner space of a computer, an orbiting space station and finally a Star Wars-style labyrinth of trenches in which you come face to face with the alien mothership. Two things strike you immediately. The first is that moths tend to fly into your mouth when your jaw has hit the floor a side-effect of the awesome graphics on show. The second is that this is yet another CI D-ROM game that runs along the programmers pre-rendered tramlines so it s basically one long strip of MPEG encoding backdrops and aliens ships included. The only real time sprites are the laser bolts, ener gy bars and, crucially, the explosions. Why crucially? Well, the enemies are part of the encoded footage, so the only way to show they have been destroyed is to mask them with an explosion which continues buzziK ng around for another five seconds or so. The nature of the game also means that there is no real control over the path your spaceship takes. It swoops, it swerves, it loops the bloody loop, and all the while m swigging a can of Tennent s Super while scratching my arse. Now as a professional games reviewer, I should say that all this rendered tomfoolery is bollocks because, to borrow Trip Hawkins mantra, only reM al-time games are real games. But being far too honest, I ll admit that I found it mondo enjoyable. The graphics are abso-bloody-lutely stunning. And the programmers have kept plenty of visual aces up their sl eeves for the later levels. The stereo soundtrack deserves credit, too, for its accomplished blend of spot fx, vocal interjections and music score (shame it wasn t Dolby Surround). Last, and probably least, isO the gameplay. Yes, it s just an into-the-screen blaster, with precious little in the way of power-ups and bonuses, and heresy s not real time. But as a piece of short-term visual and visceral gratificat ion it s hard to beat. Mat Toor (issue 7 review) Chaos Control Requires DV Cart for CD-i Price 49.99 (CD-i)/ 39.99(MPC) Contact Philips Media 0171 911 3000; Virgin 0181 960 2255 Platform MAC MPC CD-i 3DO game which looks better on CD-i than PC? Too weird! In our February issue we reviewed the CD-i version of Chaos Control, and with the lack of decent shoot- em-ups available for the platform, we felt comfortab le in recommending it. However, the PC version was never likely to get the same mark even if it were converted verbatim, simply because on the PC there are better games in the genre and a much wider choice. it is, PC owners get a second-rate version anyway, and I have no hesitation in declaring that Chaos Control on PC CD-ROM is rubbish. The graphics, which were stunning on the CD-i, are vastly inferior here. What s more, the enemies are still spooled off the disc as part of the backgrounds, and so rather than disappearing when destroyed, they re covered up by smoke. A truly terrible piece of programming. For the uninitU iated I should explain that the gameplay consists of, well, shooting things. You re sent down a pre-determined path, and are never bothered with such complex matters as, say, deciding which way to go. Essential ly there s zero gameplay and while the introduction, cut sequences and music in Chaos Control are very good, who really cares when there s no gameplay to enhance it all? Five times zero equals zero. Regular reaW ders will know that we dislike games such as Novastorm and StarBlade, and on the opposite page you ll see that we ve dismissed Loadstar. Basically we feel that shoot- em-ups need a twist and that little bit of flair to be enjoyable. Rebel Assault from LucasArts and Cyberia from Interplay are just two games on the PC which have that flair, Chaos Control doesn t. It s that simple. Warren Chrismas (issue 12 review) aos Control Special Requirements PC 33MHz 486DX; CD-i DV Cart Price 39.99 (inc VAT) Contact Philips Media 0171 911 3000 Platform MAC MPC CD-i 3DO bcZEk v,vn{ :P60_} 21>sc} T>2Fr:/X PBr>0BQJ Bp>.- BN>MBo1 FoFp1 >O>ON Fq>PB :N:N>NBpF p>O>O:->OBqF 6->N:.BoFj OBo>M>N:-N Bp>pF Bt>R:1J >O>NF 2BQ>.: >OBpBpF :.:.Bp>O>NBO9 .>.:.Bp>O>O>.: .BOBpBp>P:.5 o>O>/1 PFpBOBpJ p:-:->NBo>M6 O>OBpF :-:-- >NBpBpB >N>O:->O>O: BO>O6-:.6 >O:/>P>OBpBOF >O:.:O>OJ >N>NBo>.>NBp_9 >O:/6 >oBoF qFpBO>OF Bp:.2 pFrBr:P:pF >o>n:N6->oN Bq>O: ,>N:N:.:/F :NBo>O:N:.W VIZgo >-:-:.F ->N>NV :OBpBO1 ->NBNN -BO>/:.: >->.:-BO >->-5 6->N9 :-Bo{ >OFpw UBRFPZ +Fn>-: B.>.:.o J.JNBM: "f"&% ORlF&! >p:N: "e*f:J> >P>.FoF 2K.h&F* :+>-1 I&H.j2,- Q>OFpJ :M&(2 6.6.6 >/:/6 "g*jB :P6/6.F 6/:P6 6->pF :P:/6/1 >p6.>P:.1 *h"g2 2I6*1 &"'6l6 >.>NBo>-1 qFr_9 :.2+*I tRSkZ 6.Bp:.- >O6->o>N>OB >OBp> FRB15 Jt>01 FnBNJ 1JRJQ> Bp:NF JqJrJsNsR :-6,2 >OBp:.6 ,FPFrJsN +NJN 9g .>O:.5 .:/cX F2FSN ZobMZ)9 0JrB15 B2JsR JRB05 JsB19 NsFRB19 1JtB2B1> ZoZp^ VOVp^ VOZpZpf J+VMo5 RpVp^ J/N/V N-NNRp^ JSF1F1FRFQB09 ROVpZ J-RpR VOVN^ N.ROZ qRpVo^ FSF2FRJrN QNsJRR ROROZ N.RPb R.Vof R-VN^ N.Vq^ ZqZqb ^pVNZp^ /J/ROV JRB1B1FQN .RORp= 0FQFQB0B ZoVo^ RORPV N/VqV RNZpf N-VoJ VOVoJ RPR/^ VoRNJ-RoV HJsB1FQFQN RQZpV,Ae RPN.VpN.Vp^ /J/NPRPV ROVPRpVq^ RpVp^ uTRpJ/F RpNOJ ZrZqE .R/VRs{ N0RPJ ZqVPJ PRqRq= J.RpF F/NqNqV JOJ.RpZ RpJ.RpV .J/NP= 0JsFR9 NONOZ NONORPRpRpR RrRrNQJPJ/NP F.NPR RqNpNqR NpJOFOF/F/A QJQJQB F0F0B F/RrNQF/E F/F0JQNQV JQNqNrN ZqN0R FRFRJsJsF1= F2F2> QJrFQ9 6R6r> 6q2q6 :s6s: 2q2r6 NsB09 2s2r2r6 6r2Q2Q6s: 6r2r2r6 .r.r.q2q6 6r2q.q2q6 2R2R2r2s6 .q.q6 .qh.r2 .q2q2p2q6 2q2q2 2q2q2r6 .r.r6 "s&S.Q!j 6p.q2 n 2s2s6 .q.r2 *P*0.Q2q .q*q.r*Q.P.q. 2s2t6 "Q2Q) JsFrF0= u9.r.q2 .r.r*Q*P*Q2r6 .q.q2r2r*q*Q*P*P.q.r.s*r. &q.p% "q"q& &p&q"q"r"r* J*J)F F)F)J)F JIJHNhN >&JGV iZhVhJ'NHRiVhRhF NGJ&V RhRiB&JHNiNiJG9 HRFVFJ%R JIJIJJB(:'BJBkF :JBmF FmBm:KBnBmB F+B*BKNnF A~A~Az ~@~ ./.Q.R 2r2r.q2q) f" fBjBjBfBfbj N!RBV BbFcF 2d.D6e2e6e&$2e2 &E&f*f&e"D*f& "e"f& &n&o* Fr>05 Reached Reaches Reaching React Reaction Reactions Reactor Reactors Ready-made Reagan Reagan/bush Reagan/thatcher Real-life Real-time Warbles Warbling Wardrobe Warehouse Wares Warfare Warheads Warlock Warlock's Warmer Warming Warmly Warmth Warned Warner Warner's Warning Warns Wasted Wastelands Wasting Watch Watchable Watched Watching Water Waters Nicely Nicest Nicked Nickelodeon Nickelodeon's Nicknames Motif Motifs Motion Motion-video Motionless Motions Motivated Motivation Motivations Motive Motives Motley Motor Motorbike Motorbikes Motorcar Motorcar-based Motorcars Motorcycle Motoring Motormouth Motors Motorway Motson Motta Motto Motty Mould Mould-breaking Mount Mountain Bombs Bonanza Bondage Bonding Bone's Boneless Bones Bongo-beating Bonjour Bonk-fest Bonking Bontempi Bonus Bonuses Booby-traps Boogie H-at-the Boris Borrow Bosnia Bothered Bottle Bottom Bottomless Bought Boulevards Bounce Boundaries@ Bowie@ Brahms@ Braque@ Breaking Breakout Breaks Breed@ Brief Brilliant Britannica@ Broad@ Broderbund@ Brown@ Bubble@ Buddy@ Buddy-buddy Buildings Bungee Bunker Business Buying@ Bwian@ Cd-based Cd-rom Center@ Certain Seconds Seconds-worth Secret Secretary Secretive Secrets Section See/hear Seeds Seedy Seeing Seeking Heresy Heretic Hereward Heritage Herman Hermann Hermaphrodites Recommending Recommends Reconciled Reconciliation Recondita Reconsider Reconstruct Reconstruction Reconstructions Record Record-breaker Recorded rences Reflexes Refreshingly Refrigerator Refuge Refuse Regain Regained Regaining Regard Regardless Regina Regional Regular Regularly Reigns Consists Console Console-based Console-style Consoles Consolidates Consonant Conspiciously Conspiracy Conspirators Conspire Constable Constable's Enhancements Enhances Enigmatic Enjoy Enjoyability Enjoyable Enjoyed Enjoying Enjoyment Enjoyment-free Enlarged Enlighten Enlightened Enlightening Enlightens Enlist Enlists Ennio Ennis 12.99G CD Vision 0181 503 0589H VideoCDI Digital MoviesJ 0.5R Under 20[ Under Chronology Of World History Created by three eminent historians this mighty four-volume reference book has now been updated and put onto disc The Chronology of World History, compiled by historians Neville Williams, H.E.L. Mellersh and R y World of Home Movies. The unthinking man s Denis Norden takes us through the usual stale archive of Jeremy Beadle-style You ve Been Framed clips and, I have to say, I was not particularly amused. Perhaps it wC as the water rates bill I received that morning. Or maybe it was the fact that I wasn t tanked up on six pints of lager and a quarter bottle of vodka. Even the shot of an unwitting moustachioed male straining to deliver the goods on the loo failed to tickle my late night lavatorial sense of humour. You will be glad to know that all adult expletives are, of course, deleted to ensure this programme is done in the bestE possible taste. As you would expect, the film quality of home video material from around the world is often extremely poor. And although this is a weakness in all candid camcorder efforts, it is exacerbated by an MPEG encoding process which can suffer severe indigestion when compressing and decompressing all the on-screen muck. Of course, high-quality video footage is not the point of such programmes. But I have tG o ask, just what is the point of this programme anyway? We can see equally throwaway stuff each week on ITV, or pick up a VHS copy for 2.99 in a Woolworths bargain bin. No, this disk is a stinker. Chris you used to be much better sending yourself up on Tiswas on Saturday mornings, rather than being cruelly smug about other people making idiots out of themselves. I assume you were paid well for this effort. I only I hope I will be as generously paid for having to sit through it. (That s enough humour Ed.) Michael Kavanagh Chris Tarrant s Crazy World of Home Movies Requires DV Cart for CD-i; MPEG card for MPC/Mac Price JF 12.99 Contact CD Vision 0181 503 0589 Platform VideoCD Encoding Fair JsB19 FSNt> JPJpFPNrZ 1BRNt9 tF0-I g$f$g B0BO>O>o>/FP5 NqJQJQ= B0B0F1NsFP5 JQFQBQ>Q>QFsN JsF0N FRJrR NsB1- JsFRB v2w2v! +:)Bl :R6P% :.6): +^+9& d>U%M -BM2.- VOR.M iZ%b$bDb Bk>+u kVK%G Ft>2Ft5 >S62. 0JQNrF0 % % & &(c-H %0E%H RRN2A RRrJPJ/JPNqA F0F0B PF0J1F1F0F0B F0F0B RJ1F0JQF0F0F/F/ NRJQF1F0 /Jp)I J0J0F0F0 J.J,)& N0Vs9 0* h$ f$+(L,L(+$+(l(+,*(I$j,L0J,*$+$I I4 E$L$L(L(L$L(l(L$J(J0l4 ,J(+(+,K(J0 E,L(L(L,l $L0L4 (m(+,+0l0 NQRqRPJ ZrVRJ0 x~N0)( NRVs9 0J/N0N1VsRrA JPF.-H RrN1J 0L,L$+,L,L(+(+, (+$L(J4 $J$J,l(l,L(l,+(L$K,*,l(L,L,l QRrNQJP9 /R/R/V0N f,,$L$ (L(L(+(K (+(+$+,+8 (k(K,,,L(L,L(m(L$+$+,+0K(L,L(l t~F0%( J1NQB R1R11I i$h, h h h 0JPJP= RRR1J 1R2R21J J1RsJ k,j(k(K(K(k(k$k(k$k(K$j$k,k(l( $j$j$k(l,l(k(k Dennis Denon Denotes Dental Dentist Denver Denzil Department Depending Depends Depress Depressing Depressive Depth Depths Deranged Derby Derceto Derivative Derived Descend Descent Descent's Describe Described Describes Describing Description Desert Deserve Deservedly Deserves Design Designated Designed Tanker Tanks Tantalising Taoism Tap's Tapes Tapping Tarantino Tarantulas Target Target-to-fighter Tchorniye Teach Teachers Teaches Teaching Teacup Teams Teaparty Technical Technically Technique Techniques Techno On-screen Bioforge Bioforge's Biog-for-biog Biographers Biographical Biographies Biography Biogs Biological Biology Biome Biomes Biomotion Biosphere Bipeds Biplanes Blackpool Blacks Blade Blank Blaring Blast Blaster Blasters Blasting Blasts Bleary-eyed Blend Blender Blind Stinker Stinks Stir-fry Stirred Stirring Stitches Stock Stockcar Stockcars Stocking Stocking-filler Stocks Stoke Stoker's Stolen Stomach Stomach-churning Stomp Stood Stools Stopped Stopping Stops Storage Store Stored Stores Storey Stories Helicon 01865 204204H History Over Over Chuck Jones Peter And The Wolf Prokofiev's classic orchestral tale for children gets a multimedia treatment "A spectacular interactive celebration of animation and music, clamours the cunning 3D packaging, promising a bonus audio CD of the .L. Storey, was published in four volumes between 1966 and 1976. This mighty undertaking listed over 50,000 events occurring between 10,000 BC and AD 1966 and ran to some 2,800 pages. It became a valuable referC ence both for working historians and students. The Chronology has been out of print for many years but has finally been rescued by publishers Helicon who commissioned Oxford historian Philip Waller to update th e modern history volume. Helicon has now republished the Chronology both as four substantial printed volumes and a CD-ROM. In common with various dictionaries from OUP and Chambers, and McGraw-Hill s Science NE avigator encyclopaedia, the CD-ROM Chronology employs AND software s CompLex system. Much of the structure of the printed books has been retained in this electronic version. In particular, the full time span fr om 10,000 BC to 1992 is still split into four books. The Ancient World stretches from the beginning of the food-gathering Middle Stone Age circa 10,000 BC to AD 799, around which time the Book of Kells was beiG ng produced in the monastery of Iona. The Medieval World leads from the crowning of Charlemagne as Emperor of the Holy Roman Empire in 800 to 1491 when Perkin Warbeck was persuaded to impersonate a son of Edwar d IV. The Expanding World begins in 1492 with Columbus sailing to America, and Da Vinci drawing a flying machine. The volume ends in 1762 with Rousseau publishing The Social Contract and Mozart beginning concerI t tours, aged six. The final volume, The Modern World, starts in 1763 with the Peace of Paris between Britain, France and Spain which ended the Seven Years War. In that same year there was a rising of Red Indi ans near Detroit. It ends in December 1992 with the announced separation of the Prince and Princess of Wales and a High Court ruling that the British government s decision to close 31 pits was illegal. Within eK ach volume, events are laid out in pages, each page relating to one or several consecutive years. Two strands run in parallel. Pages with usually gory, military and political events are interleaved with positiv e themes of cultural development: the Arts, Science and Technology, Economics and Religion, as well as notable births and deaths. Each page has a heading with the appropriate date(s) together with the most promM inent events. It is possible to browse, reading one page after the other in chronological order. There s a fascination in following a sequence of related events, as there is of discovering sets of unrelated but contemporary happenings across the world. Full text search for words or phrases across all four volumes is possible, with the option to restrict your search to a range of dates. As well as page headings and fuO ll text indexes, you can search just for military and political events or through one of the themes, such as Economics or Music. Special hierarchical topic indexes are also available. Clicking on Transport in the Modern World topic index reveals eleven subtopics: aircraft, Channel Tunnel, motor buses in London, motor bicycle and clicking on the subtopic Channel Tunnel reveals nine events from first proposed in 18Q 82 to two halves meet in 1990. Invaluable as these indexes are, it s still surprising that you can t simply type in a year and go straight to its events, but instead, need to go through quite a complicated r igmarole involving the headings index of the appropriate volume. Whenever a search results in more than one hit, you re presented with a list, and clicking on one of the items takes you to the page in question.S A full text search on Shakespeare yields a list whose first item is 1564 Themes: The term Puritan is used - The Tuileries begun . You have to go to the page in question to discover that Shakespeare was born i n that year. The problem is that all events are organised within pages, yet page headings more often than not make no reference to the event of interest. If the underlying data was based on individual events tU he list of hits would have constituted a valuable specialised chronology in its own right, which you could have saved or printed out. The CompLex system provides publishers with a relatively easy and fast way o f porting their reference material to CD-ROM. However, they re then forced to work within its limitations. In this particular case potentially valuable uses of the Chronology s raw material have been sacrificedW Generally, each entry is a single sentence long, although when an event clearly interests the chronology s compiler a description can take up a whole paragraph. Overall, the chronology provides a comprehensiv e, text-only skeleton of world history. Those who prefer a little flesh on their bones may prefer to wait until the autumn when Helicon is publishing the Hutchinson History Library CD-ROM, which will include pY ictures and maps, a compact version of the Chronology, the contents of several historical dictionaries, and the shorter edition of J.M. Robert s acclaimed History of the World. Frank Kriwaczek Chronology of W Zvorld History Price 150 (inc VAT) Contact Helicon 01865 204204 Category Reference/Education Platform MAC MPC CD-i 3DO F1JRNs cF1)J !JR)J cJRNs F1F15 4c0c4c0c0b0b0c0c4 0c0b4b0b0c4c0c4c4 0b0c4 0b4c4 0c4b4 0b0b4 0c,c4 ,c,B0c,c0b0c,c ,c0c0c,b0c0c,b$B 1r0mj Qn0rQrrm /r1mj vQvQi 0rsrRi 0r0iI rQ'ij /n1ik n0$ij v0r0n 0r0rqvsrQn0vRr1j n0rQiJ rvsn0nQr1m v0v0r/i Qn1n1m rQvQn /n0ak rrrrv RrRrRrQrre 0r1rPvQr 0vQmx vsrrvrvri r1r1rQe nRnRn1r Qvrn1a r0r0r1e rsn1n0e n0nRn 0nRrQi n1nRrRm rQvQvQj rvrvrrrrRe rrRrRi 1nRvQrQrRi /rrrsvQn QnQrrr1m svRvsvs rvqrrr0r rRvRr1e r0r0r vtrsr vsrRrSr SrRvrn rQvsr 1r1zsrRm *jmnmfKjLjLnLj+f+fJf *fLjLb +fLfLf ^N^-bN^-Y "VBVAI V#V!V"Z#^b^cf ^CbdV ZB^b^B^B^"VAZ"ZCV V"V"V ^c^D^CbDbeZBZ"^BZ (R'ViZIQ ZCZBZ#Z#bC d[fd^ Z"RI9 Z"V!R ^j^gE ^#VBZC^Db bdZd9 VmNNZ ZlVlb Zm^lA VlZkf BV"Z"^CZC^"bd^dZ#bd^D5B NN,-! ^pZnA jZJVlV N*VKk V)V(A ZBZCZ#ZBZC^DbdbdZ"f VJV)^ V,VJR V"ZC^#V!^Cbe^b^dbebdbdf RKVL^ LZmA` V"Z"U !ZBZbbd^cZC^C^D^ ZbZAI &N&5B ZB^cZCZC^CZCZB^CbcN #^d^cb ^dZBM !^#ZC^c^D^D^B^D^dbc^Cb "Z#R ^BZC^cZCM A^DZ"V"Z $N%5B V!^BV"ZCV"U C^DZc= V"ZcZ VBV"Z#^C^CQ ^#^dZ ^d^dE Z#Z"E ZB^eZB^C^CVAV"^C^C^"E $N'1B C^CZBM "ZB^CbcV"U "VA=c ^DZCV"Z#V "Z#ZD1# Z#R!U dZCZC=b "^E^ER ZCZCR!V"I ER%Ze^&M $bfZ$V V%ZEQ ZBV"R VB^EQ V%N$Z$V$R %fgZ%I ^B^dR Z$Z#ZDZ%ZEZDV ZD^gN ^DZ%V V"V%Z$N VDV%V Z$^$Z&R ZF^&Q Ebd^CQ Dfffff ^#Z$M DZE^EbE^E^FZ$^%^fZ%Q RDR!E eVDREV RFJ$VfNENDV VfR%RfRGREZfZ ZFN%5 f^gRGE *k"*& *k*l* l*k&j k.l"K&K"(&j *l&l"). (&J*l&K"J ("J"J&k "j*l& "(*L.L*+: 6m6N>o:O:.* (&k&j" :N" .M** n2m&K"*6 6n&+: .N"*.l) K&**M ).L&K "J&k*l>. +&)2m M" *m*+*+! &,.,! +"*.m *&+"* H"J"j '"J"K>&J )"J"k J*k&l"l. j"k"j &k&l* *k&l* *S*U&T V*S&S*4&T"4 6U.T" 5.t"u 52U*S2u*V 2v.v.u2u2v "x"U* &3*S&3&T*T 6w*T&U *T"t: :u6u6 V"v"v&w "t&w*v* S2463 .1"T* .u"v&v& "2&T2 U.2:TB 4&4.T.T: 3"u"5*v sF1Ns= NsNs-k Helicon Helicopter Helicopters Heliport Hell's Hellfire Hellman Helmet Helmet's Helper Helpers Helpful Helping Helpless Update Updates Updating Upgrade Upgraded Upgrades Uphill Uplifting Uploaded Upper Upper-class Uppercuts Upright Upset Upsets Upside Upstate Upsurge Upwards Ur-ur Urged Urging Ursula Uruguay Uruguayan Francis Franciscan Francisco Franco Francois Frank Frank's Frankenslime Frankenstein's Frankie Frankly Frantic Franticly Fraternal Fraught Freak Freaking Freaks Freckly Fred's Freddi Friendly Friends Friendship Frightening Frisbee Suburbs Subversive Subway Succeed Succeeded Succeeds Succesfully Success Successful Successfully Nine-level Nine-year-olds Nines Nineties Ninety Ninja Nintendo Nintendo-style Ninth Nipper Nipples Nippon Nippy No-brainer No-nonsense No-one Noire Noise Noises Noisy Nomads Nominate Non-computer Non-existent Non-games Non-gaming Non-linear Limitations Limited Limiting Limitless Limits Linking Links Lip-synched Listed Listen Listening Listing Lists Literalism Literally Literary Literature Litter Littered Little Whole Wholeheartedly Wholesome Wholly Whoop Whoopee Whoopi Whoops Whopping Whose Whutwhutwhutwhutwhut Wilder Wildest Wildlife 44.99G Softline 0181 401 1234H Music ReferenceJ 2.5R Under 50[ Under CIA - The Secret Files The not-so-secret files of the world s largest club of spooks points to incompetence on a grand scale The files on the CIA s overthrow of the president of New Guinea on the orders of J. F. Kennedy are stil full orchestral work and a bonus arcade-style game along with all the multimedia. With animations from Chuck Jones the man behind such cartoon classics as Bugs Bunny, Daffy Duck and Roadrunner the program C promises plenty. Unfortunately, it doesn t quite deliver, partly because what s really needed is full-screen, full motion video. The animations are certainly clever and attractive, employing a cartoon-book fram ing approach, but they aren t interactive. You can use an index facility to dip into the tale at any one of 30 points, or control the pace at which the story unfolds, but otherwise all you do is sit back and waE tch. Much of the point to Peter and the Wolf is to introduce children to orchestral music and the way that instruments can be used by composers to convey mood and character. This version allows children to e xplore the orchestra from a screen that shows a plan view of the musicians accompanied by icons representing each of the main characters in the tale. Click on a character, and you are shown the instrument(s) thG at represent them in the music. You can go on to see/hear the character s theme while watching the score light up as it is played. There are biographies of Prokofiev and Jones, but cruddy text scrolling obscur es the details, and the video titles that set out Jones life s work are so small as to be unreadable. Yup, there is an arcade-style game - but in the style that wowed folks almost ten years ago. Children wilI l get more fun from a video or good audio version of Peter and the Wolf accompanied by study notes Graeme Kidd Chuck Jones Peter and the Wolf Price 44.99 (inc VAT) Contact Softline 0181 401 1234 CategoryJ2 Entertainment/Education Platform MAC MPC CD-i 3DO JtJtV B2Ft: "1"1&R "BS_: Jt>2B2J FSB2= JuBR>1FuN B2JtFSB JtB2> B2FsFTN >2B2J FSBRJ B2FtN B1BSN NtNTNTNtNuRuRuRt RtRuJ4F3J3JSJTJ3NTJSF3JSJ3JS JSJTJS JTJSJSF3F2F2B F2J3JSF3F2 J3JSFRF3JSFSJSJTJSJSJTJSF3F3JSJSJTNTNtNTB tNTJTJS JT1JtJtNtJSJSF3J3JSJSNtNtJuB JSNtJSNuJTJTNtJtJ3FSF3F3FSFSNtJSF3F3JSJSF3FSFSJSFSJ3JSF3J3J3FSJSJSFSFSJSJ3 NtNuJTJtJt JSJtJtJTFSJTJS JTJTNtJSJ TJSJSJTJuJtNu9 FsB29 B2FsBRFs: SFtBSR 1>2>2: A(`Ie VRV1[ F2NpV !>1[9 ZlRJRMV JtBRBs5 JtJRJSJRJSJSJsJsFRJsN FRNsJRJsF2JsJsFR " aI$ B1JOR Fs>R5 ANq_9 JsNsR bB1[9 JsJtN JtJsJsN B aI# JtJrN JsQNtJ Js>S>2NsR R/NsN JsNsZ cBRJqV 1:2>SJ BtBt:0>sF :R>s:2W: JsJtN JsJsNsR B>Q[9 JtFsV R:R:R% s>R>2>tJ JsNtR !BS_\ JsJSW BBRW: Bs[{ JrJRR AJN_{ cBs[: R-N 5" BB2[[ >2[{ cJt_: 2Bs:1R :2FuF >T>s5 BB2FsW9 cFRFs 1FsWZ S>R[9 >R>S:1>2> B$aE# BBtW| BrBRF >SBu>RBsBR>RFtBS>RJ Ft>R_; dBRJqZ b>R[| 1Bs_: 0Vr_9 JsJsN S>1[: FPNqR JtJsJR5 B0FRNsN aVI-$ OJ.F0NrW >RB2W JrNqV RrRrW9 !Jn[{ V/R/J @:1[| >s:SF d>2S9 BsBQW7 s>0BuJ FsFsBRc| VsJs: *12R- >t6t- <b@b<B8A@BH TbHB@AH c b@bE) @b8A=H 4bDb4 8bLbLb@B8 j6')I bHb@cH B4a)' ^LfMfMbMR .26s:Q: >qRIVIB 23.S% Bu23632 s62:sF 2S:sO 2R2sO :S6S6t6tJ Shows Shrapnel Shreds Shrewd Shrimp Shrink Shrinks Shrug Shrugs Shrunk Shuddering Siciliani Sickness Side-burned Side-effect Sidecar Sidekick Sideline Sides Sidestepping Sideways Siding Sierra Sifting Sight Sighting Sights Sigma's Signal Significance Significant 39.99D Mac/MPC priceG CD Vision 0181 503 0589H Reference 2R Under 40[ Under Cinemania 95 You don t have to wear naff jumpers and make hand gestures like a Thunderbirds puppet to be a film buff Cinemania 95 is a celluloid cornucopia Cinemania has won awards as one of the best reference CD-ROMs a l secret after 30 years. Such documents that the CIA have released under the Freedom of Information Act have, not suprisingly, been heavily censored. The CIA has released its own programs in the past, usually C shareware demographic data. CIA The Secret Files is a more substantial offering from a private company and it claims to show some real dirt, the mean streets of the dark underbelly of diplomacy. But does it d eliver? Well, you can buy it, and assuming Kaddafi or Saddam Hussein possess a credit card and can use a phone, they can get it too. So the short answer is these files can t be that secret. Sure, there is a hisE tory of the CIA and a selection of files detailing its operations, but they don t contain anything you couldn t learn from the press. Some files have audio or video clips but when I say files , don t get car ried away. The amount of information in each would fit on a cigarette card. The clips are shown in a mock-up cinema with a family crowd weird when you are watching a film on Savak torture techniques. It is soG metimes difficult to understand the link between intelligence, as a human attribute, and intelligence in the context of CIA operatives. Forecasting political events in other countries is the most difficult par t of intelligence and it s sometimes done well, but more often then not it s not. It s unfortunate. So says Turner, a retired spook. Lucky old American taxpayers, forking out for this kind of insight The CIA I come across as unable to bribe even a postman: the CIA sees Khommeni as being in distributing his messages on cassettes, there was nothing we could intercept really . Occasionally the agency scores. When the Iranian revolutionaries overran the CIA listening post at Kapkan, a USAF officer, Schaefer, was sent to ransom the hostages. He carried millions of dollars in Iranian currency and such was his bargaining sK kill, he brought half of it back! If you want a potted history of US post-war foreign policy, this no worse than some encylopaedia collections. There is some cross-referencing, but not enough for a serious wo rk, and while the interface tries to be friendly, it ends up as flakey as the content. Mark Burgess The Secret Files Price 39.99 Mac/MPC, 49.99 MPEG (inc VAT) Contact CD Vision 0181 503 0589 Category M#Education Platform MAC MPC CD-i 3DO pNpNONONpNO-h NwJwJWB6>5JUkW JUJvJwJvFVF5B4: FUFVFVJvFVF5B bPfrbqZpF B5FvFVJwFUB4B5: RoF-NOV ^Nbofpjpf B5FvJVFvFVFUB5: eFVk{ N^nfnf 4FVFvFvFVBU>49 e65[: B6BUB5>4: F5JVFvFUBU>55 .bMfof B5FvFvBUFUB55 4BVFVJVFUB55 -bnfoZ,V 4BUFVFVF5B66 4BUFVFUFUB5: B4FUFVBUBU: 5BUFUF6BU: 5F5FVq FUF5> rbo^mI B4FUBUB5>5B4g7 :3B4FUF6B5>5FSkV 4F4B5B5> 3B4B5B5> B4F5B5> /NPJ.B JOF/V :5B4> >5>5> NqJOb pF.F.RpR /JOJOZ /F.F.F JOJPg4 F/RpJOJONoZ NPF.V JNJ.JPV NqF.B F-J.R JNNpZ .JOJOB pJ/kU ONPJOR -NoJPNp9 JNF-= 5JUoW 3FVBVB5: NpNpV F/J.9 pNoJOR BUB5> BTF4F5F5FUBU FUbB5: ONp%) JPF/k7 B4fB5F5FUFVFvFVFVJvFUBUB5> B4B5FTF5FUJVFvJv Jw2FvJVFvFVB5F5> UF4FTB5BUFVJvJvNvJ FVFVF5>U>5JVou UJVFvJVJvJwJ JwFVFVF5B5> B4>4B4F4FUJvJwN JvNvNwJ NwJwJ JvFVFVB5> >4F5FUBUBVFvFvJvJwN JwFwJVFVBUBU> JPJOR JOJOR NpNPV JPJOF.V FUbFvFvJvJ JvFvFVFUF5> B5B5F5FUFVJVFvFvNvJ JvJwJvFvBUBU: NpNo^ FUJuJvJvJwJwJ JwFvFVFVB5> pJN)I RpRq^ B4B4BTFUFUJvJvJ JvFVFvFV>5> B4F4BUF5FUFUNvJVJvJ NwJvJVFVFUB5> F.F.g6 .F/F/9 B5BTFVF5JVJvJvJw JwFvFVFUB B4B4FUFV JwJwFVFUB5: >TF5FUF6FvJ JwJvNwJ qJvFvFVFVF6> B4F4BUFUFVFVJvJ JwJwN JvfJwFVFUB4: 4B5F5F4FUFUFvFVJvJvJwJwJ JvJvN FVFVBUF5>5JTov PJPJO)H >4B4B4B5F5FUJvFVFvJvJwJ BVFVFV>5> >4>5F5B5F5JUFUJVJvFvJWJwJ B4Jv= B>3B3 FVFVFUB5> B5BUFUBUFUFVJvFU= 3JwJwJ wFvF5B4F5>5FukW 5BUB5Jv-m FVJwNwJ JwJwN wBvBU>5B5> B4B4B5FU% wJvJvJwJwN JwJVFUBUB5> B4JVJvFWFvJwJ uJvF3Jv%) FVFVBVF5: NqRpg5 J.NPs vFVJvFvJwB VJwJvBVBUBU> 4FvFU)K JvJVFUFUB5> FTBUFv= JwNwJVFVFU>6: NpNpg4 .NpNpV NoJP^ >4>4F4BTJVFVFVJVJvB49 JwJwFvFVF5B5> B4B4>4B5BUFUFUJvJwJvJwJvJvJ JwJvFVFUFUB5> JPF.R >4B4B4B5FTFUJUJwJwFVJ JwJWJVFV>UB4: B5!>4B59 UF5% JvJwJwJVFVB5BU> JwJwJ JVBVB5>4: NwNvJ FvJVFUFUB JwFvJVFUB5B /No%( 4JwJvJvFv JwrFwFvFVFUF5B F5BUFVJVFVFVJVFvFvJVFVJvJvFVFVBUB5B59 F5wFUFVJvJvFVFvF vFUF5B5B4> NqRqk6 F5BUFVFvFVFVBUFUBUB5>49 JOF/ B4BTF5B5FUBU JPNOR F/J/^ F.F/= qNpk6 -F/F.ow PNpJP^ F.F.s RqRqR oNpNpR RqNoNPNpNPNPNONPNPNoNpNpNoNPNPNpNONPNoNPNQNpNP RqRqNpRo RqNqRqR OJ/NPRrNpJOJONPNQJO J/J/JNJ/J/JOJPJNJOJ.J/JO N0JOJONP NPJOJPNpNQR F.F/NOVqVrV RqRqNOF.B F.F/F F.F.F/F/F.F/NOV F0F.F VrVqVqZpVpZpZp /NrNQF0J0F VqRPVONON0 NOR0N/NONONPRPRPA TFTB3> sF1NqV R.R.V.R/V/N ROJQI -R.R.R R-R.V RPN/VpZ wFVF5B5B5FUJvFW J0F0F/F 0F1NPRPZ xFV-J Z/VoZpZ B5FUR JRJsN F6FWFx9 NuJuJtJSJs> F/F/_ VOZqZ F4FW-m 1RQN/J JxF31H R.R.g B6B5B65 FXJxFxJxJxB3B BWFV= JRF1A NvJwBWFV NRNRg9 2JxFWF BWJw)n 2RSVSRSRSRtB FVFWFW9 RuRtNSJ JVFWFV9 JxFWJx9 JtJsFSB1> U>5), WFWFX)o vFWFX9 WFWFV9 2F2JW% WFWBW JxFWFW)n FSJv> B6F6%, WJx)n *ZsV1A NxBW!, R2N1N VsRrZ .ZNZOZOZNZN^N^OZNZo^p^oZoR ZsZRM tFW-n F5JUB NsJ1RRZs^ ZsLVsRRA V.^/ZNVN^NZOZNZOZNZOZNZOZ -^OZNZn^OZo^pZ V.Z-Z.VNZNV.I V.VNZOVNZnZpZoZ F2NtV RtNSN F1JRRtV NuJSF F1J0J1F0J V-6VNZNVNZOVMVOVpZoVoZqRNN-RqVr VtRsRRRSN1N F2JtN NuNtNtNsJSJSJRJRJ1B0F Years Yelling Yellow Yeltsin's Yendor Yesterday Yesteryear You're You've Insights Insipid Insist Insisted Insists Inspect Inspecting Inspection Inspector Inspectors Inspiration Inspire Install Installation Installations Installed Installing Installs Instance Instances Instant Instantly Instead Instinct Instinctively Institutions Distribution Distributor District Districts Disturbed Disturbing Disturbingly Disused Dithering Ditties Ditty Divil Divine Divisions Dizzy Dizzying Milton Mimicking Mimicry Miminalist Miming Mindless Mindscape Miniature Miniaturised Minimalist Minimum Minor Minute Minutes Minutiae Misdeeds Miserly Missed Missing Mission Missions Missus Mistake Mister Mitzvah Mixed Mixture Mock-up Mocked Mocking Model Model's Models 45D and under Microsoft 0345 002000 MacI ReferenceJ 5R Under 50[ Under Class Auto A French car magazine on disc that s bon The French have the same kind of glorious love affair with the motor car as do the English, and just about every wealthy nation on Earth. Throughout Europe there a round, and Cinemania 95 builds on this reputation, updating the content, cleaning up the interface and adding a suggestions options a new but not particularly spectacular feature. The disc is, quite simplyC , the most definitive CD-ROM-based film reference guide around. Microsoft really scores over its competitors because of its source material. Rather than using just one reference work, the company has gone out a nd bought rights to a range of major titles including Roger Ebert s Video Companion, Leonard Maltin s Movie and Video Guide, and Pauline Kael s 5001 Nights At The Movies. This adds up to more than 22,000 revieE ws, sometimes giving you three different views on the same film great if you get the impression that, say, Ebert had eaten some dicky popcorn when he wrote his piece. As well as the reviews there is also a hu ge glossary created from books like The Encyclopedia of Film and How To Read A Film. Oh, and the Academy Awards (Oscars to you) are included, all the way from 1927. So what about the multimedia side? Well, how G about more than 2,000 photographs of actors, directors and other industry figures, 139 clips of music and songs, 168 snippets of dialogue and video clips from more than 20 of the best movies of all time (it s ays here)? The movie clips have been well digitised, and were very smooth on playback (at least, on our test 486 PC). All the text is hot-linked, so clicking on a film title in an actor s biography, for exampleI , will take you straight to reviews of that film. One slight criticism here is that there are no full credit lists included, so some contributors notably composers often don t appear in a film s details. On the other hand, the individual biographies and filmographies (more than 4,000 of them) are exceptionally detailed. The user interface retains the same basic appearance in Cinemania 95 as in its predecessor, aK lthough it has been tidied up slightly; there are far fewer glitches and hiccups, and the whole thing seems to work rather faster in this new version. There is also a new section to the disc: a suggestions tion. You pick the type of film that you want to watch (comedy, action movie or whatever) and the program will produce a list of suggested movies for you to try. It s a nice idea, but it s been implemented in aM rather rudimentary way, and if this is the sort of thing appeals to you then you d be much better off checking out Movie Select (see right). All in all, Cinemania 95 is an excellent product, and well worth th e price for anyone interested in cinema. Whether you should buy the new version if you already have Cinemania 94 depends on whether you want the most up-to-date information available s rather like asking O yourself whether you need to buy the Variety 1994 Movie Guide if you already have the 1993 edition. Oh, and for any Mac users out there, the Macintosh version of this new edition is due soon. Ian Wrigley Peemania Price under Contact Microsoft 0345 002000 Category Reference Platform MAC MPC CD-i 3DO T>2)K 3FTBTBSJ TFtFTN >2FuBT9 FTB3JvB21 F1B15 FRF1F1= F1J1V JRF1F1B sJRF1Ns= F0JR9 JQJRJR5 RF1-l JRNsNRF F2JRF1F1= JRF1= RPF0= Ns8JRJRNsJRNsJRJRNsNsR Ns F19 F1F19 JRJR1 sJR)J F1F1-k F0JQ^ NrF1oY NsNsN JRNsR JSNsNsNSJRNsR JRJsJSJRR JRJ2JRNSR NtNsV JSJRJ2J2JRJRF2NRR NsNsR NsNsNtJ1 JRJ2NrR JRRt^ JR RtV NtNtV JRJRNsJRJRF2F2F1NsR FTFuFu>2R BTBSB39 SBSB3BS> B3B3> F0F0F J1F0F0 F1F0F1JQJ1 F1F1F0F0J1F1 F0JQF1F0J1F1F0F Fu%Ft>2J B2JvJ FTFuR NsRsNs NsNsRsRsNs NsNsV JRJRNs9 BSFTB3BSFTFu> >2BTF >2BTJ 3FuFu5 F1F1NsNssz F/FR%) RF1F1JR1 JRJRNs9 /bOfpV .jOnpnp rNsF1JRV fqfQjqn fOb.Q fqfPnpn jOb.Q bPjPn rpnpr fqfqn j.n.vpv Pf/9i fqfpjpn jp^/-I bQfrn fpjqjqr fOnp{ ^pVQ^ fpb.I ^0bQj jqjpjpn b.b.n b/fN^ NtRsj ^P^0^QbPnqfPjpbOM !JskZ ^/^/bPfPbOfPjqQ JRNrF1g8 fqZ/^P^/^/fPb/jpr fPjqM ^P^/bPbOfqr jOfp^/V ^/b/b/bOn bPfqbPn npb.M jOnpv ^P^0j /npjpv jOnOj/r V0fqn jpZ/Q n/j/f.U JQFR5 rF1g8 npnpfOY npfOU jPf/U VQjqr nqfPZ jpf.Y bOb/^ pbNf.U FQF1-k JRJR= sF1JR= 1JRF1B F0F01 F1JRNsR F1NsF1JRNs= /bOfOn b.f.U PbPfOjPnpn jpb.^OwX b.f/fPj .jPjPn .b/f/fOsX JRJRNsNsJR F1JR= 1NsJR= 1JRJRF F1NsR 2F1%) bLb+( F1F1B F1JRF1 F1NsB JRF1B NsF1JR= sNsF1NsNsF1V NsJRF1= JRNs9 sNs)J RJRNsJRJR F1F1! JRF1= 1NsJRV JRNsJRJRF19 JRF1= NsF1F1JRF1R F1F1JR5 RF1JRF1F1B JRF1JRF19 NsJRJRB RNsNsB F1F1B RNsF1V NsJR9 NsJRNsF1F1R cJQoz F1F1JR F1F1B JQJRF1kY NrNss{ sJRNsR sF1JRR cJQkY F1Ns= NsNsR RsNrg JRNsF JQJRJRV NRJR9 JQF1F1b JQRsNrc JRNs1 NRNsR F1JR^ rNsNrB NsF0= F1JRNRkY F1JRJR9 NsNrJR= RsRsg8 NRJQF1NsB JRNrc F0RsNrR NrF1^ F1NsJRV NrF1NrJrJRZ RsJQV NrJ1b JQNRb j4Lf3j j4n3nTj3j4nTj3jSn4nTjTnUnujTnTnTn4n Retell Retentive }etire Retired Retirement Retouched Retrace Retracing Retreated Retreats Retribution Retrieval Retrieve Retrieved Retrieves Retrieving Retro Retrospect Retrospective Return Returned Returning Returns Reunite Revamp Reveal Revealed Revealing Slightly Slightly-below-avera Slighty Slime Slimy Slinky Slipped Slippery Slipping Slips Slipstream Slither Slithered Slithering Sliver Slo-mo Slobbering TBAG'Class Auto Magazine 00 3 31 42 33 36 82H MPCI ReferenceJ Classic Cartoons Chestnut s odds and sods collection is called Cartoon Classics. Er, Classics ? Not quite. There is a Woody Woodpecker cartoon on this disc, though no Woody you d identify in front of a jury. There s also a Mig re groups of men discussing, in reverent tones, such mysteries as ABS braking and alloy wheels. The French, however, can call on the latest technology in their quest to become champion European car bores. Now C my French doesn t stretch very far but luckily you don t need much to get into this disc as large sections of it are made up of universally-understood pictures and diagrams. In the car reviews section you can l ook at a model s colour range and paint the car with a click of a button. This section also lets you add up the cost of all those optional extras by letting you click on a list to automatically tot up the damagE There is an interesting news section and the shopping page lets you browse through a selection of manly consumer goods such as portable CD players, surround sound TVs and digital organisers. The disc conclud es with a look at legal issues. The QuickTime quality is poor, highly compressed and grainy, but then there is a lot of it. And some of the video clips and dialogues are a bit reluctant to get off the screen evG en when you have moved to a new section. Nevertheless while not exactly a Porsche, this disc is a nice little runner that hopefully will provide UK CD-ROM publishers with the fuel to start similar ventures up o ver here. Your Pony CD, anyone? Jim Smith Class Auto Special Requirements MPC2 - 486, 4Mb RAM Price TBA (inc VAT) Contact Class Auto Magazine 00 3 31 42 33 36 82 Category Reference/Entertainment PlatformI MAC MPC CD-i 3DO TnUnTnTnUnunurunUjTr4nTrTnUrTnTjTjTnunTnTnUnTjTnUnUntn4nTj4nUn4nUrujTnurunTnTjTnTjTjTnTnUntnUn4nTnTn4n4nT nU0nTntj4n4n4j4jTnTn4jUrTnTjTn4j nTnTn j4j3j j4j3j3n nTn3i j3j4j j4jTj4j4jTj j4)n3j4n4n4j4f j3j4n5nUnUjTnUnunTnunUj4jTj4j jTnUnUnTn4nTjtnTjUn4jTnTnTj4jTnujTnTnt jTj4nTn4nur nTj4jTjT nT>nUnTjtnTnTjTj4j4j3j3j4nTnUnunTjTjUnUnunujTn4j nUjTnTn5j3j4j4n4jTfTj j4nTi j3j4j4j3j j4nTj4jTj4nTj4j4j j4nTnuj4n4jTjTn4j4j4jTnUnTn4nU nT.nujTnTn4n4nTnUnTjTnTnUnTnTjTn4nTnUnunUnUnununtnTnununUnTnTnUnTj4n runUnunUnunTjTjTnTnununUjT j4j4jTnTn Un4j4ntnT nU$nTjTn3j4n4nTjTnTn4j4jTnTj jTj4jTj4j4nTjTj4j3j3jTj4j3j n4nTj4j j3j3j nTf3j4j4n4jTG jUjTjtjTj j4j4nTjtjTnTjTnTnTj4j4jTnTnujTnUnUnunUnTnTnun4jTnUnTntnujTnUnunUnTnUn4nUnTntrtj4jTnvnunU nu&jtnununTnunUnurununurunUn4j4jTnurununUntnTnUn5nTjTjTnTjTjTnUnunUn4nTjujTj4nUjT 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urvnuv nvrvv rTnvk9 nunU^3I fTjuf4f4Q b4fTz Sf4ruv Truruv tFSJtFSF1FR>1>1> rvruv ft^3Z2jvn 4nuruv ju^3v ^3jUI b3jtM NFLgX Z3fun fSZ2fuQ jTjtv J>l:L>k>kJ :J>k> JjNLJkJlJkJ BK>*J*N,w ^3^3jv^3U BLJlBl>JZ +> >KJ NqFQFPF0= rUrTm b3^39L runuv nvfUbTv ruruv KF+J+RKVkRjg fufu^3Am Brurur F1FQJqNrNqNqRoJ+Z vpvpu 4Z3nujuv JQJQJqJPJPJ0J0F NORnRMNkNJJ)J RsRts rQr/m vpvPq F/NqZ RtRts v-vOvqz zqzpj F0JRNRN NSJ1F0 -vNv/vOvOzpvovpvqvoz ju^3I funvn J0F0B RsNrJRJRF1F1A vOvpvPvpv pvqvOvpvpz vpvPvpzovPv/zNj nu^3Q J0JPF/B.: Trvnuv zovOvNq JPNPJPFOB v-v-q ftjujub4U JQNQNQJPFPB/A ,vMv-q JNNQNqJQJPJPFO> NrNqJqJPFO> rJqNQNrNqNqNPNPJPB/9 NPJPNPJOF.9 b4jvjvn ^2nun .NqJqFPJPJPJOF/JOJ/J/FOFOF.> TfUfur NsNrNrRqNq NqNrNrNRNqJrJRNQNPJRNRNrNRNsRtR RsRrR RsNsRsNskY ruruv vvvu{ /F/J0JQJP J1J0JPJPJQJRNQNQJPNQNQ NsNsNrNs RrRsR RsNsRrNsNsNrNrNqNs JQF1c8 1F1JQNQNRJQJRNQNQJQJQNQNQNrNqJr NqNrNsNrNRNRNr JRNrNsNrNrNRNQ J1J1F1F rvjUr J1JQJQJRJRNRNQNRNRNqNRNRNrNRNrNqNrNsNrNrNRNsNr JRJQJ1F J0F0F0F ^3fuz J0JQJQNQNrNrNR 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nunTjSnTf4 runUrusZ rurvv nvnunur nunur rvrTnTb4f3Q JK> B+J+gW rvrUrUnUj3a rvrurunuruv unurT +B+NL- k6)>k:HcU rvrvr UnUnt ,>,6 >+) *. 6)* rUn4f3] 4nTnTv J:k:kJ rvnuf vrununTrUruf3( urVjTn4n4n 3nUn4r k2)6)J runUf4a n4rvnun nTrujT9+ 3rUn4n4j Uj3nuw +B*: > J+:*Bk>mB vvrUnUf3a unururvrvnUrTrUn4a Tn4nTw[ 6 BL>n[ nvj4b 4jTnTs: KB+:)) nUj4a 4j4j4w rvnuf4] Fw>vB55 rvrvv ruj5b3] BV>45 rvrvv runur vvnTf3b j4n5nTnTn4nTn4n4nur rvnuj4f BV:45 j3n4nTruntjTnTnuv rUnTf *NKNKV BU>51 j4n4nUnUnunTn4nTj3b $d0dH RkF 9 RkJJB 9 *NJRkV VkJ*A NkJ*= NKF 9 Legal Legally Legend Legendary Legends Legion Legions Leisure Leisurely Leiter's Lektor Lemming Lemmings Lemon Lends Length Lengthen Less-than-salubrious Lesser Lesson Lessons Lester Let's 821666 822822 851533 859444 873555 884146 888873 895100 11.75G CD Express 0181 518 4151H Digital MoviesJ 1R Under 20[ Under Classic Library If you buy classic paperbacks at 1 a time from the bookshop at the railway station, this disc should be right up your siding What constitutes Great Literature? Works by Aristotle, Tolstoy, and Conan Doyle. hty Mouse, if you re into that sort of cartoon. The other four slots are filled by The Three Bears, A Coach For Cinderella, Little Lulu, Old MacDonald s farm and the spectacularly winsome Raggedy Ann. In short,C these are the kind of cartoons that Tony Robinson would introduce on Cartoon Time with an apologetic look and the excuse that he was showing them because the second colourist had later become famous. In other words these are the dregs. Woody Woodpecker talks like him, laughs like him, and that surely is his theme tune. But it doesn t look like him. So early is the cartoon, that Woody s appearance like his cartooE n betters such as Mickey Mouse had not been finalised. Here he looks like a fat blue bird rather than the slinky, strangely-ruffed creature of his most popular era. The overall digitisation is actually quite good, with Woody being a poor example. Unfortunately, the cleanest video belongs to the worst cartoon: Raggedy Ann, about a lost rag doll and the joy she brings her new owner. Pass the sick bag. Classic CartooGXns Price 11.75 Contact CD Express 0181 518 4151 Platform Mac MPC CD-i 3DO Encoding Good NMNn^ oV--& ZMZ-5 Znbn^n= NNVN^ RM^nZMAh b b(c, VM^,^L^-M V+bMV,^-bn^,U OVmVNZM^MRNZMf R-R,R,VnZpf VoRKVL^ RLRnA OVnNnZ,V,Z.ZM^ bnZN^N^n^n^ VmJKRkE fOR+5$ RoRNZ,Z,^-Z,bmf Zmb-j-f-^nbnVN RMNKNKZ mRMNMRoRMZ,Z, ^M&^L^nf Vm^Mb-^-fon VLVLZ,Z,f RLZNVNR,ZmVLZ,Z,b ^njNfNf bZORN fq^NVLZ,ZL^Lb OVOVMR,VM^MVLb ^mVLVMVLZ,Z, VmRoZMVLVL^-Z,b,ZLZMf nfnfnfNf LZLVMVLVLVMVLVLVMRlR ZmVMZmR ZpZm^ NNNV-VMVL^MVLb-VLbL^pbq^nI MbnjNfNf MZNZmZLZmZ ZmR*VNVNN +V,^MZMb-^NbNf N^nbN^NZNbnfnfOfqf V+R+A RoZn-' Mbn^n^ bobPfoVOI +Zm^M^M^,b-b-bNbp^o^pZpbOj0jof ^obpbobp^oR-I +VL^mZ,bLb-b-bObpZOVO^pjPfOfoj ZmVM^ bo^MVMZM1' ^n^nZ ZMN+VMn bofpbof MZmZmN ^MRLE ZmVlZm^obpbobqb ^ofof NLNN$ lVLN,E VMR+Z,b bnZMZNR bpbOb +VL^M^,ZLRoRNg fofpj ^nZp^ *RlRmZ bN^MVLZL^MZMZNV ^O^Of bpfpj ^nbPbP^ ZlV,VMZ +VLVO9G ZnZob mVLRmVMZMZmZnVmZLZn^ Zn^n^nZ ZmVMV,VMV,^ R,^pbpf fn^njof mZmVLVLVmVmZnZ M^nbnZnR+E ^N^nZ ZnV,ZMZpZpZ KRMoW VLVMA VpN,JoZ-+^MZM^nZ fofNfof VmZMZnVN^o^n^n^ fofNbob ^oVKVLJMFLVNZLNKFLF-R,VlZ ZoZp^n^nbn^ ^n^M^Mj p^obMbmZ R,N,b ^m^,^Mf ,Vm^MbNb ^m^Nfnj NkZm^m^nb ^nbnj ZL^lZ,) bnbnf ^M^mf LVLZ,Zm^ fM^nZ Z,Z,b ZmVLR+A RKR+V+Z,^nbNf RKN+VLE bnfof Zm^mb ZmVmZnZ VLZL^nE VnN*N J M^MZ,^MbnAh VnVM5G mZmR+N ZmZlZmZlZmZm^ ^-bn^n=i VMVLZn^ Lfn^n^ M^-Z,b bm^MZMbMf Z+VMj ^m^M^Mb ZmR-N+5 nVmZmVMV bF3_~ *ZmZm^M^ VMVLb VNZNf NK^m= ROVNc bnjof NOJ.9 bMbmj JpFNB JoRM^ JOFN> LVmZLNl)' e$E$e$ +VLVM^ ,VmZm^ :p>p.m6 ,VMVM^mF o*m&.- NLVn^ e:3c| !:2FT +V*9g BV:5>uW: *l2n" dB1g[ .n6p2 .V65[\ 6l*m*o% MN*)& 276wg| 6O6o2 NL^+1& NlZ+9f >P>q!) 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'.*>*JKV,^ObofnfnbnZ ZM:+Bl2MFn>l:+J FlNlZm^ MfMbnbnfob ^n^nZrb ^LbMZLbM^mV fn<bNfn^nbM^Nbnbn^nbM^M^Mbm^nfoRn>*> Bk>kBJ>jBkVMVn^M^-bMjNfn^mR+N M N+^,VL9 jnfnZmZ bnbMbnf bnfn^ b-f/b-b b,b-b.^ ^m^M^MZl^M^M^,^M^L^-b b.^mZL^ ^Njo^ fnfn^nbn^nfNbn fnbnbm^MZM ^M0bNbnZnN bn^MZ,b-jNbnV,I +ZmZnVLI bnnNb bobpj ZMbMb,b ^L^,^-^,^.Z,^-^ ^-jnr fn^nbn^nb bn^N^ NbM^MbMbnfn^n^ Vmfn^M^,^L^,f-bMJ VMV,A jono^ ^nZ,Q 6bmbNbn^Nb-f-bnb bNbn^nfn^nbMZMZM^M^MbM^Mb,f bmFj1 fNfNfo^mV -b,f-f-b,f,b,^ ^MZL^MfMb-b,Q fnfnbnbNb-bMbn^nbn^nbNfnfn^M^-^-Z-Z,ZMZ,U FkFKV fnjNjNZ,M ^.f-^ b,b,b-b-b b,b+b-^ b,b+b+ b-f-b,b-b, f-jOQ .f-b-fMU -jojojnfNf-fNbN^-^M^ ZnbMbm^Mb-ZMZ b-fMI NjNjnjNbMZ,^LZ ^-bMZ mbn^nbnM bMZmbMf <f-jofnV bNbLZ -^MbMZLM f/f-Y b-jNU ,bnbMQ bmfMjof MnoEF b-f-Y ^L^nQ NbpZOf-Z+= b-b,U RKNLR NpN-^NY B,VnB `$` @$ Soft-focus Softie Softimage-rendered Softline Software Software's Soggy Soilent Sol's Solar Sold-out Soldiers Solely Solene Soles Solid Soloist Solux Solve Solved Solving Digitisation Digitised Digitized Dignitaries Dignity Dilapidated Diminutive Dinner Dinofly Dinos Dinosaur Dinosaur-dominated Dinosaur-related Dinosaur/dragon Dinosaurs Diplodocus Diplomacy 529595 547811 549442 553445 579399 672555 684959 34.99G Andromeda 01235 529595H Reference LiteratureJ 3R Under 40[ Under ?A Club Dead Is MTV plumbing the depths, or tapping into a rich vein with its first interactive foray? This CD-ROM is MTV s first foray into the world of interactive entertainment, and from the moment the game begins you But not, it seems, Wordsworth, Flaubert, Alexander Pope or Salman Rushdie. The Classic Library is a collection of 2,000 digitised texts from all ages and cultures , or so it claims. It includes poetry, drama,C novels, philosophical, political and economic tracts ranging from the Wealth of Nations, through Plato, to Kipling s Kim, Jane Eyre and the Universal Declaration of Human Rights. Not to mention works from Fran k L Baum, Sir Arthur Conan Doyle and Charlotte Perkins Stetson Gilman (whoever she is). As with all such compilations, the temptation is to quibble with the choices of the compiler: The Pot of Basil, with its E immortal last line Oh Cruelty/To steal my basil-pot away from me t something that I would normally have included in my seminal 2,000 texts. And the paucity of texts from the 20th century suggests that co pyright fees (or lack of them) played as significant a part as aesthetic judgement in the choice of the works included. However, this is probably inevitable in an anthology of this breadth. And publishing liteG rature on disc does have its advantages. The disc is undeniably more compact than the paper versions of these works. It is also cheaper. And, most importantly, it allows you to cross-reference and navigate arou nd texts easily. The software is fairly efficient at all these tasks. It comes with a clear Windows-based interface that provides a Bookshelf (albeit one that oddly indexes titles without authors), a separate I Authors index, a Bookmark, and search and word processing facilities. The texts are unabridged, and access times are reasonably quick on a decent 486 under 30 seconds for the Critique of Pure Reason and less than 10 seconds for the Ode on Melancholy. Within the texts, clicking on any word brings up a list of other texts containing that word, making searching across texts phenomenally quick. Searching across texts iK s also possible via the Field, Author, or Word tools. However, you can only search by single words related by the logical operators AND, OR and NOT, rather than by phrase. A search which included the words Darl ing Buds of May, for example, threw up 20 works containing the individual words rather than the obvious one we were looking for. The word processing tools are also a little alarming. Using the search and replacM e feature, you can help the Ancient Mariner out of a jam by swapping the notorious albatross for a pussy cat. But it is difficult to see what this feature could be used for except for passing off great works of poetry and literature as your own. Seducers and plagiarists take note. Classic Library suffers from a perennial problem; that of convincing lovers of literature to read books on a computer screen, rather thaO n on paper not least because it is so wearing on the eyes. And the absence of heavyweight analytical tools undermines the use of the disc as a professional research tool. You could not, for example, use the d isc to search the works of Shakespeare for the author s favourite scatological adjectives, and arrange them in ascending order of preference. Even if you wanted to. But so long as one avoids the temptation to rQ egard Classic Library as an attempt to collect the cannon of literature, it is an interesting and enjoyable CD-ROM. And where else could you get 2,000 novels for under Caroline Bassett Classic Library Price 34.99 Contact Andromeda 01235 529595 Category Reference/Entertainment/ Education Platform MAC MPC CD-i 3DO F1F1Rt6- F"G*i*i> "G"H&h*i "G"G&h"G*i *i"G&H F"G&h "G&h. &h&h. "g"g2 J2J2= 1F1-k NsF1NsZ %"h"h "G*i&h 6'2&2&2'2&2'.F.G.&2F% .GZ.g*&$ g.g.g2 .g22h6 .g.g5 .g.g2 '2h.G.F.F.G.g.h2 .g*g2' F.F.G2h.G*&*&* 2&2'2(2(2 N&J&VGb V'@bgZGM jh^iIe ^FjgbH^ Pa-LaL Db<b<b@ @b@b8 Conceived Concentrate Concentrated Concentrates Concentrating Concentration ncession Concise Concludes Conclusion Concoction Concordance Concrete Conditions Conduct Conducting Confidential Confrontations Confronted Confuse Conklin Connected Conor Consciousness Consecutive Consequently Consider Considerably Consideration Considering Consist Consistent Consistently Normally Norman Norman's Normandy Norms Norris North North-east Northamber Norway Noses Nosferatu Nostalgia Nostalgic Nostrils Separate Separating pia-toned September Sequel Sequelitis Sequence Sequences Sequencing Serial Series Serious Seriously Servant Serve CIC Interactive 0181 563 4013H GamesJ Cluedo Join a troup of stalwart British actors to discover who has murdered Mr Boddy Interactive multimedia, a new dawn in consumer entertainment. Somehow the buzz-words fade away when you start playing the CD-i ver re not allowed to forget its pedigree. Club Dead is loud, brash and impossible to ignore just like the network itself. Star of the game is Sam Frost, a cyberplumber working at the Hotel Alexandria a 17-stoC rey monstrosity offering its rich and famous clients an unparallelled experience in virtual reality. , as it s known, is rife in the future and everyone does it even our hero, who wakes up on the floor of his hotel at the beginning of the game in the throes of a flashback. From this moment on you realise you don t have a clue what s going on. It s a feeling that stays with you throughout. Even discovering that SE am is working undercover doesn t help much. The first thing to do then, naturally, is explore. In the beginning you have only restricted access so most of the hotel s floors remain elusively out of reach. Howev er, as you progress and talk to people you ll find this access widened, allowing you to explore further afield. Movement between floors is via a lift and each area you visit is presented by means of some beautiG fully rendered graphics. Every time you step out of the lift and enter one of these rooms a video clip will play and a scene unfolds, advancing the plot. A clock at the top of the screen keeps game time and cli ps can take up anything from five minutes if you re at a dead end, to several hours if something important is happening. Sam has several secret missions to complete in order to stay alive, but they are so secreI t he doesn t know what they are. In fact, his brain s so fried he doesn t know much, fullstop. Fortunately, you begin the game with several tools to help you get to grips with what s happening. These include an on-line visual ansafone and an invaluable guide to the hotel, its facilities, guests and staff. You also have a Personal Data Assistant or PDA which allows you to record and review your daily activities. AfterK going to a room, the PDA will take a visual snapshot of the event which you can download and study at your convenience. Along the way you ll also pick up or be given items of interest. These are stored in a in ventory, but you can only use one at a time so it s vital to carry the right one. The graphics in Club Dead are all superb, from the rendered rooms, through the video clips which cut and flash in true MTV shoM rt-span style to the various animations that run throughout. Where the game really scores points, though, is in its sound. The effects are never less than stunning, the voice-overs brilliant and the music bli stering. Nine Inch Nails producer Martin Atkins is the man behind the score and from the funky options screen music to the subliminal lift musak, it s faultless. Club Dead may not be the best game ever it canO get ridiculously difficult and the gameplay really isn t all that involving but the plot is excellent and whole thing fits together so well that, just for once, it really doesn t matter all that much. David P` Williams Club Dead Price Contact CIC Interactive 0181 563 4013 Platform MAC MPC CD-i 3DO b$c c <E,D4d0D,c0dDE0D B8dDD0$0C8D0d4DHD b8d<c$c(c<dHe@D A3 CHE B@d0d bHd0C B@D<d B8dHE@E(d B,C0c A4d8d$b0D(c@E4e b C0D<D C(c b(c4E$C b,D8D b4C b4D@d,C C4DHe@D8D,c8D@d B@E B B0e(d C8E<d(c8D<e B0D8E4d(c8E8 C@d<D$C8d8D C0c@E4D8 dDd c BHe$C c$c$c b b<DDE4D4e(c a$cHE "$cHE<d8d0E C<c0c<d,D #@D4D0E0C "(D<C8dDd<D B0c<d b b4D4dHe@d$ b b4d( C4dDdHe4C #(C4e4D@E B$C(C B@D8d0d<d C C8cDdHd<D cHd$C,C4c b$c4d ! C$C CDd@e c,D,c(c C,c8c4c B(d<EDD4D BDd C 8d0D(C B(C4c B4d@d4D<E4D b8d@D(C<dDd A$$LD,d,C8E0D B<d<E0D@D,C 0DHdDD,c c,D(c A c<d0D< A4D@E c,E<E@e,D B cDd$C C,D@D b@d@EHe4c B@d$C CPdDdDd0d A b$c b C@dHe8D b4DPdDD a c(D$D a0D0D (C0D0d 8d$c4 B4d0D " C(D b,d<D C a,D<d B(D$C B(CHd0c8d<D c(cDe8D@d4 B,CHdHE A CDE8D c,c c "$$8D,c b8D4c ! cHe B DDE !$C@E,c(C<D<d C A,c8D,c8D C$c,C B,c0c B8d(C A0D,D B8d0D #<D0d c >DE D !4dPd<D C A$B<E,cHe C B0d,c c( ! C8E B C@d B(cDD$C c<E<d "0D@d B<DDdDd8 (C8E8D8 #4D$C C d(c4d a<d0D b8d@e<d B$D@E b<D@d@e B<d4D a CDd c B0C@dDdDD(c B<d4c b0D(D B,D@e A,c@d C4D@d b,c$c c8D(C A3$cHe( "<D,C b<d,d8c$c B,D0c a@E4d B4D@E b<D@d ADe<E c@d4$ B,cDe b0c@d bHe$D b<dDDDE>(c cHe(D B4d8d CTEHd `>C!c b(c8d(C B,D C b<d(D C@e4d,d8d(C B$E<e4E4E0d ",d8d8e8E8D B$C@d8d0DHE A4cPd B8D8E B>DE0D b4D(D "8d4c B<d8d A(DHeDD(d<d(c B$e B0D c$d c "(c d b<d D B4D0E0D,c C,C C "$DDD@dHd<D B<D4c CDeDe(c<d8d B(C C b,D$E$c(C8d C$c$D C8D,D@dHe B8D8d @e@e4D<D4d B CDE b,c d B #,C$C "8E<d C,D<d8c@c B0D,D B4d c0c # C$$ C c<%@D@d4c b8dDE@D@d$C b,c0d0c(c B0D<E@d "<D4C<d8D B,D4d $c c8D4d B,c<d CDe4D " C@D0D Dd(D$DDD,C b0c@d@D4c B0c8dLe,D C<D(c !$b@d ! BDe BHd,C B,c<e bDe$" B@d@d B8DDd@d@d !8D,D b<c@EHD0c B b$C b0D(c a$c8d C<d,cDd bDd0c ",D@e ! CDE0dDe # a<d,D C<d(b A,CDD(C(cHE(D a C,C #8D<d8D B<dHd0C B$d$d A0D(d0d$C B8d4C B0D@d B,D$C A0c4D CDd,c b$C<D>( bHd D CDE@d<d8 "@dLe4c A0D(c B c@D A(DHD,c !0d4e ",D8c b<D8c 4d@e<D b B@d<D B,c C b<e D ! C<e c A4e4d b8D,d$c@E C0C<d c,c$e B,c$C !0dHe A0d4d b@eHd(C A,c0d CHE<d C C8CD$ $ B$c D A c,e B<d$d "@E,d a4d$D !(c,c cHe C a<d(C DHe D CDe8D8D$c<eDE@d A4c4E A C<d !(D4d4D@D4E a(c b `$CLd C ! CDd "$D@D(# A0C@D b B4c(D b4d(d B<c(e A(cDE<d B$d@e7 ",D,c B@d,c B8d,D bLeDd A C(C b0d(C A(C@D D C@e B4d8d c@d(c A$CDe<d@d@e B$c$d B,e,c A(C<d bHE4c A8cDD BLd C B8EDd KB J*) A<D(c a,C(e e&4*P JRJ2RsN3N2FRJ SNrRsN2JRJSF0FrFSR FsN2NQJTJ4J N5ZvR FQB3B N6R3V NQFRR FSJ2= A$c<d A<d,C A(C8d b4c,D b@D,c A(C0d B$cDd B,cLd B<D8d B@E$c A(c0D A0c<d0d<D B(d$c8C A$cLe c c$d c B4D,C<E$C BDd,c4D@d B<D(B A8D4d8d0C8D B0d d8c BLD@d C D b B<d8E<d B$b<D B4D(C8C b(C8d "0DLd "0C8D<D$C b<d<DDd b,cHd(C CHE4d CDdHe$c cDdHdDc A<dLd fWf1ws 8dLD,c b4d@d(C c8c8d0c B@D@d =2[F1f D0D8E0d B$c@d<d C A,C@D "$d8d8D B$"1k A C8e C(c@E B,d<E4d A D@d 8d@dAF \64Vu{ :M& T .YRtox " c4D b8D(D >2X_| u*4 w |BzK~ (e,g< *+.N6 "$c8D(c A,c@d B8D(D8d "$c4D B0d8d B$D8d b<dLe$D0d<d A,d8d a4d$D B<E(c b b,C B4d4D B@d C 8d8D0d@E D B,d4c,d@d A8d8D$b<D B4D(c8D A$$(D B0c,C ^NZE0 D(gAr 4dPfi B0D(c B$c$C B,c8D B,D(# Lf@e8 A<c(D A,C,C A@D C B b@c ",c0c !,c,D B4d,d !$C0c A8d C JHFg9 A<d C FH:)AH VvFVBUJ VB4B3B B C,C c b b$c,c B$D C b(c,c4$ !0D$C B(C c b4D$C,C A,c$c A0c<c A(C4$ C c(c B0D4C c4D,c }r{%r A C$C A,D C B$c c A B0$ dPem/ B C(C C,C d !$C0C b0d(C$c$ B$c(D(D R1JoV FnFNJ JoFlBnJ FqBqJ BtJvBrFs:SF FpFpFqFrF FnFoFqF JoJoN ZRZTR FnJoFPJoJ FqBOZ Vp^QZOZ FqJPF5 B0d C FRV1 !B0Am >iBI- E*s?~ &4*- Cluedo Coach Collection Collector's Coltrane Comedy Comic Coming Command Commander Compendium Complete Comprehensive Compton's Computers Computing Creature Creatures Crime Criterion Critical Crocodile Cyberboogie Cyberia Cyberwar Cycle Cyclemania Daedalus Dandy Dangerous Daring David Dazzeloids Into-the-screen Intoxicating Intractable Intrepid Intricacies Intricate Intricately Intrigued Intrigues Intriguing Intriguingly Intro Introduce Introduced Introduces Introduction Invaded Invaders Arena Arguably Argue Argument Arguments Arias Arise Aristotle Armageddon Armaments Armani-clad Armchair Armed Armfuls Armies Armonia Armored Armoured Arnie Arnovitz Around 39.99G Philips Media 0171 911 3000H CD-iI GamesJ 4R Under 40[ Under CNN Time Capsule 1993 Feel like becoming a walking reference work on last year? Then take a look at the year that was with CNN s interactive news digest This was the year of Woody and Mia, Bobbitt s digit, religious fervour in Waco sion of Cluedo. In their place drift dim and distant memories of playing Cluedo as a nipper: orange note pads, blunt pencils, lead piping and that tatty black envelope at the centre of the playing board. The plC ot of Cluedo on CD-i recreates that of the board game. Set in a posh country manor, the master of the estate the unpleasant Mr Boddy has been done over. Your job is to work out who done it, where the deed w as done and what implement the doing over was done with. All the old suspects (Miss Scarlett, Colonel Mustard et al) are in attendance, and the weapons still include the revolver, rope and lead piping. AlthoughE sadly the orange paper pads and pencils have given way to wipe-clean cards and colour co-ordinated felt pens. When you load the game, one of three possible scenarios is randomly selected. Each plotline is intr oduced with a full motion video sequence featuring the Butler, and its own web of motives and alibis for the murder. The programmers have cleverly managed to create a shared set of criminal resources which meG ans that even if you ve already played the scenario before, the murderer is not necessarily the same person. To begin, each player selects a character and the game then shifts to a representation of the Cluedo board. You move your playing piece in and out of the various rooms on the board by rolling the on-screen dice. This moves you into a photorealistic environment where you can hunt for clues by using your on-screI en magnifying glass. Is that stain on the carpet important? What about that empty cupboard? And what are those kinky red gloves doing in the punch bowl? But clues alone won t reveal the murderer. You also need to grill the suspects by taking their statements and uncovering their alibis. And find out each suspect s motive for topping Mr Boddy. If you re completely stumped you can ask the butler for a clue which willK cost you one of your three chances to make an accusation. To prevent the other players eavesdropping on your clue you must push one of the two action buttons to elicit a truthful or false statement from the Bu tler. So if he says the murder weapon was one of three pictured on screen only you know whether to believe him. Finally there are the digital video flashbacks that accompany each room. These flesh out the ploM t and characterisations and also carry important information. The films are supremely well acted (by a cast of British stalwarts led by Joan Sims, Susan Wooldridge and John Standing) and are enjoyable to watch in their own right at least for the first couple of times. The big challenge for the developers of Cluedo was to find a way of reinventing an established board-game into a piece of enjoyable multimedia. ThankO fully they have fashioned a fun and compared to most of the other interactive movies on the market refreshingly original piece of software. The sensation of quality is reinforced not only by the sky-high production values of the video footage (well Sky TV standard, at least), but also the cleverness of the interactive code. Screen changes are relatively fast, the controls are responsive and the interface logicaQ l. And, at last, we have a game with a comprehensive on-screen manual the only thing it lacks are hypertext links between the topics. The gameplay may not be to everyone s taste. Inevitably there is a certain amount of repetition as different players conduct similar enquiries and, as you would expect, the pace is leisurely. But the process of tracking down, and finally nailing, the killer through a combination of eS limination, deduction and sheer guesswork can be immensely enthralling. Like the boardgame, Cluedo on CD-i is not something you ll want to play every night (and with only four different outcomes to each scenari s probably just as well). But, under the right conditions, with a group of mates or your family, Cluedo is a great way to waste an evening. Mat Toor Cluedo Requires Digital Video Cartridge Price 39.99 UG(inc VAT) Contact Philips Media 0171 911 3000 Platform MAC MPC CD-i 3DO B1BRFRB1> JqFQJrNrR F0F0FPF/JPJPB F1F0JQF0F09 /JPF/9 BRBR>1> QFQFQJrN JqJrFrBQ FR;B1FQ> /JQF0FrJ B/JqJPB JPJqFPJqR B0B/B B1>1B1E BQ>19 qFQJrFQNrN NoRNZ JqFqJrFQBQFRBQB1B1BQ> /JQJQF RFQB0B/B/JqV FqFqB/B/B F0JqJr> JrFr5 >1>1B1>1BR>1>Q 1FsBR: FQFrFRJ NpJqJq BQ;B1B1B0: F/JQFQFQB0FQBPB/JqJ BQ>0FQFqFPB0B F0NrF01 JrFQFR >0>0: >R>Q>RBQ c+FsFrJsN 1>1BQ R)Br>1> FqFrFrJ JqFqFqFQFQ BQ*B0B09 /JqFQFQBQFrFrB0JrFQJqFqBPFQFQFRJrB0F0Jq5 >1>1B1>1 :0>1Br>RBRBR>15 JqFrFrJ JqFqFQFrBQBQFQBQBPBPB09 JqFPFQB1JrJrB0JrFQFqJrB1FrFrFRJrB0FQFQ5 >1>1B1>1 FrFrF NoJpR NrJrFrFRBQBR BQ#B0B0: JqBQFRB0JrFrB0M JrBQFrFrB1JrFQFQJsB1FRF19 B0BQJrBP5 FrFrFsFsJ JPF.c JqJrFrFRFRBRBRBQBQB1>0B0: JrFR>0JrBQJrJrB1FrFQFRJrB0FRB05 >0BQFrB19 JpB.Z JqFqFrFrFRBRBRBQBQ JQFQFQBQFrFQ>0JrFQJrFrBQJrFQFqFrB1FRB09 Jr>0BQFr>Q 0>0>1>0>1>1>Q aVFsF pJqFrF FrJsN JQB/B/%H JqFrFrFRFr BQ"BRFQ9 JQFrFRBQJrFQB0JsBQFrFrBQJrFQFrJrBQJr> BQFr: FrFrF JqFrFsFrFrJsFrJrN FRBQBQ BR"BQFR9 /JQFQFRBRJsFr>0JrB1JrJrB1JsFRFRJrBPJr>05 0>0>0 FsFs>1 JqFrFsF rFQJrJrFrFrFRFrBQBQ BQBQFQ9 /JrFRFrBRJsFrB1JrB1JsJrB1JrFRFrFrB1Fr> FrMFsF pJqFrF FsFrFrBRFsJ qFqFr FrBQBRBRBQ BR!FR5 /JqJrFRFRJ FsB1JsB1JrFrB1JsFRJrJrB0Jr> JqB0: >0BQ:0) qJrFrFsFsFrBrFrFsJ FRFRFsBRFR BQBRBRBQ5 /JqJrFrBRJ FrB0JsB1FrJrB1Js >0Jr> JQB/: >0>05 BRFsFs9 rFRFsBR>1BRBRFR BR0BQ9 /JqJrFRFRJsFRBQJsB1JsFr>0FqBQFRFQB0FR> 1>0BQ5 FsFsFrFsFsJsJ FrFsBQ: rFQFRFR /JqJrBQBQJrBQBQFrB1JsFRB JrB1FrFR>0FQ9 qFPFP9 JsJsJ FR=BRBQBQ: 0JQFQFRFRJsBQB1FrB1FRBQ> FrB0FQFR>0FR9 PFOFPFP)j NqFqF PB/B/>/B0B/B0FQF0FQ> RB1FR BQBQ> FRBQB1J >1B1B1> FRB0B1B0> BrBRFrFrF >0FrJ JqFrF QB0B0>/B0B0FQFQB0B/B PFrBRBR FRJrBQ: B0FRFRFr Fs>1>1>0> JqFrFs5 B0BP> rBQBRFRBRBQBQBR JrFRJr JrJrFQFQFRc FQJr9 1B0B0Jr> FOJpFQFrFrF qFQFr6 QB1FRFRBRBQBQBRBRBQBQ5 JrFQJrFQFrBQFRJrBQFQF1F1Fr 1>0B1Jr> JoFpFq FrNFsBR! >0>0> FrFsJ qFQFs: /JrFrFQ>0BQB0B0JrB0FRFQ> FrB0FQB1>0Fr9 Q>0B0J FPFQFqFrFs!I >/B/> >0>0> 0FrFrFsFr- 0FrBQFs>0)j rB1BQ BQ%BRBQ9 /FQJr FQBQBQB1B1JsB1JrFQB JRB1FQB1>0FQ9 B1Js9 FNFPFqBQJ >0B0BP>0> RBRBRJ BOB/1 FsFsF FrFrF QB0BQBRBR BRBR5 /JQFQ >0>0JsB1B1B0> JsB0B1>0: R>0B0FR> FNFOBPBQFr1 QBQBRF >/FqBPB0FrJ JrFrFsJsJ QBQBQBsBRBs BsFsBrFsBQ%I BQ!B1B15 /JQJRB1> B1FS> B0>0>0JrB1B1FQB0%I MNoB.BP>P>1Fr5 BsBR>QBRJ FsBRBs BrBsBRBRFs- BR%>1BQ>1B1B11 FQFQFRB1BQFQJrJrFQFRFrJrJsJsFRFr>0!( >0;BQ: 0B1B1BRFsFsF FsFtFtJ >1>Q>Q>1: .NpF. 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Beat em. From pre-school right through to graduation. We have to start beating our kids again. From child rearing tips to picking up chicks , Time Warner s Comedy Central series of CD-ROMs , baby Jessica, Palestinian self-rule, the Apple Newton, the end of apartheid in South Africa, Michael Jackson s media trial, the Maastricht Treaty, and the start of the Clinton administration. The flavour of C the year from an American viewpoint, of course is captured on this CD-ROM, narrated by Don Harrison, CNN Headline News anchorman, with 100 news reports from Cable News Network, each with an accompanying vid eo and written summary. And that s basically it, although the CD-ROM does have a few tricks up its sleeve. If, for instance, you think that the problem with interactive CD-ROMs is that you can t just press a buE tton and watch a whole disc of information, then the CNN Time Capsule is the disc for you playing the full 90 minutes of video footage from the CNN archives at the click of a button. The disc is interactive a s well, and can be searched for more immediate access to information you want, although this isn t the easiest thing to do. A palette of buttons is always present at the bottom of the screen for you to access vG ideo reports on national (American), international (less important bits outside the US), sports, business and living (general interest areas which don t fall into the other section headings). But navigating a round the disc can be difficult because there is no actual listing of the clips, so you need to keep the manual permanently on hand. And although each clip is numbered, it is impossible to go straight to a newsI item simply by using the reference number. However, there is a slider bar at the bottom of the screen which you can use to move through all the videos in the section you have selected, but this is unresponsive and limited. You could, of course, use the Favorites button, which allows you to mark your fave clips, but if you mark more than one, it plays them through in order and so it s back to the slider to get to thK e one you want. But aside from the quibbles about the interface, there is a lot to enjoy in this disc. The good thing about these kinds of retrospective works is that they remind you of incidents forgotten, an d using this disc suddenly turns you into a walking reference work on 1993, as well as giving you a feeling of superiority over the people in the news. There s a good shot of John Sculley, ex-Apple CEO, for insM tance, claiming back in July 1993 that the Personal Digital Assistant would change our lives. And look where he is now. CNN is a major news service and the breadth of its coverage and quality of reporting come over well. And the information here is of high quality and encapsulates well most of the key events of 1993. Stuart Price CNN Time Capsule Price Contact High Street Stores Category Entertainment/EducatiO Platform MAC MPC CD-i 3DO VVnR4= N5N6= ^F^D^ Z+j(z xRW9r rDvdz vV$9a rbrB^ Z+ jCrdv N6R6I RWN6N nDrCz xN6RWI VxNWJ JMR)Z vDvDvdv zDzDr#n vCv#n nDnD^EM fd^c^#s ONMRm9 ^dfcr cF1o{ cF2o{ 2JRF0) J^J=g fL^+AH Z(^kZ*M RrNQNQF ^I^Jbnn fKbJZ *bLMh ^*^)jmjmf +jmflU bk^JV I JV s2 ^j^iZIQ bLfnZ ^I^H^(V fMbLU ^j^jU bj^I^)U ^)bJbJQ JblV 9e bkZ*^*Y flZ,^,Y Z,Z,Q +^,^-^,bnboZLM M^N=H ^H^(^(U ^H^(Y ^K^,f mN.ROA bhbhU ^KbMr N1V0ZRZQZRZsV1E fmbkV /Z0Z/Z/Z0ZRN1A bLb,U ^M^Kflj ZK^lU bmbm^Lbmbo^M^M^nf bm^nf bnfofmb ^M^Mb ZkZn= J2NsVsZQV0I 0VQVQR1VQVQZPV Z/V0V1Z0V VQZ0VQVQZQV0M b(fHv bi^IQ Z/Z0Z0V/M 0Z0Z0V0Z1V/I ^0R0Q ^HbiZ)A VrZNA bmZLj BZlbkM ZRV2J cR+w3 N2J3J3J2J ZKN+= V,^l^KV,I ^mR*^MZLE R*V,ZLJ fJfJr V)VKVLI JvFT!* J^jZkR+N fKb+] *fj^IQ )V)N E ^IZ)^ bk^KZ*ZJb bl^KV bkV E bkZ(M bL^JY bj^j^HM ^IZ*=e ^Ibj^JM ^JbiV(^HV A KbIbln 0JrJQ5J ZK^K^l^IV A )fkbh^Gbhbj^*M V+^LV)V(M ^hbiZ(Z ^IZ)U ^H^)bjZ F2F3N Z(V(Z(ZHZl^JU ^KblZ(Y bN+w1 bKbkbjZ ZI^H^(^JbmM 0NqB1-K rB0JR)H F0B0N JrFQFRFR JQJrJrFQJsV Jr,Jq)I rJrJr1 rJrF1)I FsBRR JSJ2B2W B3FvBTN NrBs>RR >0BRW Dded#~ DNs%* F1JRJQF1 cJRJR1l JSNT5 sNsF2= JRNSB JRF11 dDrRvsvs` JRNs1 F1NsR 1JRJRNsB >0rQd"q Rjqsy FR>26 JuBU5 Zk^gV#f VlVKZ ("PdEj Ld8DP ron,nNr dLC=) FiF(F% CLcA* orLa rNn,i CLC=) IV -" LeR1< svqvrvqvqv aJ+Fro| Z/Z0V/V V0V0V NtNtR NtNtR JSF2NtNtR Video Video's Video-based Video-clip Video-clips Video-punk Video-stream Video-streams Video-watching Videocd deotape Vienna Vietnam Serving Session Sessions Set-back Set-pieces Set-up Setting Settings Settle Settled Setup Seven Several Severe Severely Sextant Sexual Seymour Shacked Shacks $49.99G Time Warner 001 818 955 9999H Digital Movies ComedyJ Comic Book Confidential Comic Book Confidential (based around the film of the same name) traces the history of comics from their inception in 1933 right up to the near present. This CD-ROM not only contains the whole film in rather pi offers you the unsanitised lowdown on family life, in neatly categorised bite-sized chunks. An invaluable archive for budding comedians and fans of American humour, the two latest discs s All Relative and C Dating & Mating contain over two hours of stand-up comedy routines, digitised from footage of the America s cult stand-up comedy TV channel, Comedy Central. Okay, the video is crap, but the gags are well orga nised, easy to access and, unusually for this type of product, genuinely funny. If you need a joke for a wedding, birthday or bar mitzvah, or to piss off your politically correct friends, then either of these dE iscs is likely to fit the bill. The only drawback is that, unlike American humour, American CD-ROMs don t seem to travel well; these discs are not available from Time Warner UK and have to be ordered direct fro F}m the US. Comedy Central Price $49.99 Contact Time Warner 001 818 955 9999 Category Entertainment Platform MAC MPC CD-i 3DO knlrlrlY ,bk9g ,b*=H NlRLb bJ^J5( jJvl~ jjnkz fKjk~ F1B0> $c c( 2B2B3F NlJKNKJl= ZmNKJ *ZKZKVK^kVKVkJ-B B1JRR N+J*M R*N+RKR+R+N NlJmN NlJlNKA +Z)^KZ)RKVjJ-A RjJ+N mJLFLJLJMN NQN,N,E ,V)Z*Z VKV+F +N+N+R+NMVK-E R+NLN,VKI N.VL= RKN+VKA VJRJR+VjVKVLN N*NJNKRkNJM +N+N+NKN +VJVK9 Z+VjR+VkVmRlE F1Js>R R+R*NKR)VlM N,R*I NsR-E KZIN,VKRJ^jRLA J1Ns>R R*N+I jljlfkf jljlnlj +VKRJRLE JR+R,B RPR+A R,N,NMB.F1JSN N*R*M ,V+V*R*V*V+ZKN RKZ*R,JnFQF2RsR VKZkN R+ZjVJ /JQJ/R-J-N NsNtV R*R,N,N+ZjN+J ^L^+z lblV,V,j R,N,B FRNsR +N+RJR,N+V*NLN J+NLN,J VkR+I JRJrR +JKR+RKN+RJN+J+M N*NJNKRkRkR*N+N NLJ,J J0JsNtR R+RkR R+RLN,N*NLN+NJRLR*R)J,J N.N+RKRLN,NNJ0JqJr +RIN*N+JKNKRkRKNKRKR*NJM N.RoNPR N*R*N+JmJJRlV+N F+R,N+N KN+J+M LNmJpFRJRNtV N+N+J QJRJQFQJQNpNNRlJ ZKJ-F F1JrNs>R *N+NLN*N J0FNRNRMJ,J ZJZ+V)E RJVKR,E +NKNJZJVKNKRlM R,R+M ,^KZ,ZLZ ,^,VLN 0F0N0JQJNJ JR>NsR *N+NKNLNKRKRJRJN BRNqR KNKJLNKRIN, 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J3JTF1E 2FSF3F1F3F2FS>1= c c b F1F1B0= B0F1B1B d c, B0B1F $d$d$ B1B1B 1F1F1B1B B1F1A B1B0F B1B1F F1F1B0B F1F1A B1F1B1B1F B1B0B1B F0B1B1B0A F1B1F c duL V+^LR RsN2il FQF1e F0gz> NS.Q ' c dm+ ZMZL-h 1ZQEJ fuftq @b@b@b@b@B@BLbLB@B@b@b@b@b@b@b@b@b@b@b@A@B Rearing Rearrange Rearranging Rears Rearview Reason Reasonable Reasonably Reasoning Reasons Reassemble Reassure Reassured Reassures Reassuring Reassuringly Rebel Rebellious Recharged Recipe Recipes Tirade Tired Tireless Tiresome Tissue Tiswas Tit-and-bum Titillates Title Title's Titled Titles Buddy Buddy-buddy udget Budgets Buetel Buffaloes Buffet Buffs Bug-free Bugbear Bugbears Bugged Bugger Buggy Build Build-up Builder Building Buildings Crapness Crappy Crash Crashed Crawling Crayon Crayons Craze Crazed Crazy Creaks Cream Create Created Creating Creation Creations Creative Creativity Creator Creators Creature Creatures Crecy 39.99G Astrion 0181 202 0011H 4R Under 40[ Under Coming to America Eddie Murphy, the Box Office King Of Comedy (it says here), regained some of his early Eighties lustre with this romantic romp following heroically on the heels of the dire Beverly Hills Cop II. Director Johnv) xelated QuickTime movie form, but also a whole lot of other goodies, including reproductions of seminal comics, and biographies of key artists. Other nice touches include an interview with the film s creator, RC on Mann, and background information on the cultural phenomenon of comics, including a reproduction of The Comics Code, a draconian set of rules which attempted to govern what could and couldn t be put into comi cs. Established in 1954, this industry code of practice shows how worried the US government had become at the influence of the medium. In every instance good shall triumph over evil and the criminal shall be pE unished for his misdeeds, was one of the more wishful points in the code and one to which the obsession with superheroes, which puts many people off comics, must surely have been a response. However, it rd to see how the command that Policemen, judges, government officials and respected institutions shall never be represented in such a way as to create disrespect of established authority, has been obeyed in G counter-culture favourites like the Furry Freak Brothers. Although Comic Book Confidential is based around a somewhat clunky HyperCard interface, it has been well thought out and is easy to use and navigate but it does require a quickish Mac to play the movie successfully. Paul Nesbitt Comic Book Confidential Price 39.99 Contact Astrion 0181 202 0011 Category Entertainment/Education Platform Mac MPC CD-i 3DO x@b@b@b@b@A@A( @A@b@b@b@b@b@b@b@b@b@b@A@B x@b@b@b@bDB A9 A<B@b@b@b@b@b@b@b@b@b@A@B @b@b@b@b@" 8B@b@b@b@b@b@b@b@b@A@B x@b@b@b@b@" !4B@b@b<A@A@b@b@b @b@A@B x@b@b@b@b@" 4B@bDA(b B<!@b@b@b@A@B X@b@b@b@b@" !8B@b@!, <!@b@b@A@B z@b@b@b@b@A !8B@b@!0 ` !Db@b@A@B @b@b@b@bDB 4A@b@A, 4A@b@b@A@B 1l)))(1J y@b@b@bDb8 <B@BR <!<A<B@B@b@b@A@B ()IF1 R)J%( y@b@b@bDb( Be"qcE 0B<B@b@b@b@b@b@b@A@B NPRQVrVqVrA ZrRqVqVqVqVpVqRQ)& 1hRQVq VrJ0NQRqRpVqVqN05 RPRqNQ= RpRQ= J0ZqRPRPRqRqVqVq5 RRJ1N1RQVqVrRpRQb @b@b@bDb(! 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@b@b@b@b@b@b@b@b@b@b@b@b@b@b@b@b@b@b@b@A@B @b@b@b@b@b@b@b@b@b@b@b@b@b@b@bDb@b@a@b@A@B X))1l BJRg9Z x@b@b@b@b@a@@@ADADADADBDADB @A< 8 @A@b@A@b y@b@b@b@b@!8 B(B0 $B Eh(cDA@a@B y@b@b@bDb4!) $B8B@a@B 6-I1j1 5k1j5k1 1k1J1j1j-j1j1j1j5 1j1kf 1j1k1 1k1j1j @b@b@b@b Ag9&~ rLvm1 A0B@A@B JPJ0RrZ 6@b@b@b8B !0B<b@A@b @b@b@b<B b !8B@b@A@B @b@b@b<B B !(B<b@b@A@B )JNsR x@b@b@b<B,B B0B<b@b@A@B 1950s Good-looking Good-natured Good-time Goodbye Goodies Goodness Goodnight Goods Goodwill Goofy Goons Goood Goosebumps Government's Grabbing Grace Graced Grade Gradually Graduated Graduates Graduation Graeme Grainy Granada Grand Grandeur Grandfather's Grandiloquence Grandiose Grandma Instruction Instructional Instructions Instructor Instrument Instrumental Instruments Insufficient Insult Insulted Insured ce-free Intelligences Intelligent Intelligently Intend Intended Intending Intense Intensely Intensive Intent Intention Intentionally Intents Hypertext Hypochondriac Hypochrondriac Hysteria Hysterical Hysterically 17.99G Philips Media 0171 911 3000H VideoCDI Digital Movies ComedyJ 3R Under 20[ Under Commander Blood Bob Morlock is a sprightly 800,000 years old. He s a cryogenic stiff and he s dying to see the Big Bang. Your mission, should you decide to take it Every now and then, you come across a game that defies descr Landis runs a tight script, keeping a deft handle on Murphy s usual tendencies to drift into comic excess and, in the process, uncovering a supreme talent for mimicry and impeccable timing. Akeem (Murphy) is C a molly-coddled African prince who rebels against his lineage and longs to sample life in the real world. By real world he means New York s mean streets, where he believes he can find a woman who loves him fo r himself and not his worldly riches. With his disgruntled servant (Arsenio Hall) in tow, Akeem shacks up in a less-than-salubrious tenement block in Queens and hardly before the boys have had time to shed theE ir royal clobber, Akeem has fixed them up with a job sweeping floors in the local hamburger joint. And guess what? In this lowly life environment, he stumbles across the lovely Lisa (Headley). The rest i s utterly predictable, but still fun. Doubters of VideoCD s potential should take a long, detailed gander at this disc. The picture stays sharp, crisp and stable throughout, delivering on the promise of better-G than-VHS quality. There is noticeable blocking in one scene where Akeem samples his first basketball game, but shots of crowded stadiums (they re usually light, bright, intricately detailed and awash with movem ent) are fast becoming the most serious of MPEG-busters. But that s a minor grumble concerning a two minute scene in a two hour movie. On the current VideoCD quality scale, Coming To America ranks alongside thI e excellent Indecent Proposal and Ghost. The surround sound encoding is firmly on the nail, and anyone with a stereo or surround TV setup will be rewarded with pinpoint placement of sound effects and music. Philips maintains this level of encoding, VideoCD quality debates will be left solely in the hands of those who still lament the demise of Betamax tape. Andy Clerkson Coming To America Requires DV cart for CK D-i; MPEG card for MPC or Mac Price 17.99 Contact Philips 0171 911 3000 Platform John Landis Starring Eddie Murphy, Arsenio Hall, Shari Headley, James Earl Jones Platform VideoCD Encoding Excellent ^rbsbs^B VrVrRrVrRrRQR1VQRQRQJQN1RRRrJ1N1RQJPNQNPN0R0R0N0J N0J0J J0J1B F0N0J J0N0J OZOZpsT 1zQ]K TzU~wr 5.ukz C(d #(c(C$C D,d0 0d<e@ De@d,#,# PfL%HE@D,#$# XfTfHFLfHEHE<$<e$# 4fDfLfLeL @E<D8#8$@EL @E8D$ 4$0$ 0#<D4#8D8e($ $#,C(" <g0G0g,h0h8 ($4e4 h,h4g8g8g,F (g F,gA 8$LEu ,#@d<D< %(fA DeTf} Pd8#4#@CLdPd@#H |f|g|fp g,F$Gm \E\eT%PDPDL#D#@C@dD P$|g| (g$G8 he\eH \fLgT $g4fDFT%hfdDh$h h$h$X dEX$P#@ ("0ce 8G8FD (%4$8j DD@$D ,#$C(dU :5>5BtZ DF<F<f0e %0EH <C8#8"0 5>5Rvk9 $&,Fm D'Hg4&4f,F %(fEJ $f$f8 <E<D<DHdT 8#4#( (&0&4%4 4%0E,E0f(F F Dg<E8$8DHfDE@D8C,"$" $(e$e p S^UZwf ,#8D<#<#$ ,E4fT f$E$f $E$$@EH$\EhDP gDF,% NB-kU ,h(G$F(g $Bzm{R n2rTI1 LF|Hl <(|(| X+|)| D(|(| j 4A$B P"8G= 4"8#$ $b(#,#LD8# 0G,g( $g,g$&( 6x&8* 86X>XA 2X*8. Direct Directed Directing Direction Directional Directionless Directions Directly Disabled Disadvantage Disagree Disappear Disappearing Disappears Disappoint Disappointed Disappointing Disappointingly Disappointment Mind-altering Mind-bending Mind-boggling Mind-changing Mind-expanding Mind-numbingly Minded Mindless Mindmaze Minds Mindscape Mindscape's Mindscapes Mine's Mine-field Mined Miner uests Mini-road Shade Shaded Shades Shading Shadings Shadow Shadowed Shadows Shady Shafts Shagged Shah-vision Shake Shaken Shakespare's Shakespeare Shakespeare's Shakespearean Shall Shallow Shame Shameless Shamelessly Shamino Shanty Shape Shaped Shapely-looking Tennent's Tennessee Tenniel Tennis Tenors Tense Tenses Tension entacle Tenuous Terence Teresa Terme Terminal Terminals Terminate Terminator Terms Terraced Terrain Terrains Terran Terri Terrible Terribly Terrific Terrified Territories Territory Terror Swept Swerve Swerves Swift Swiftly Swigging Swilling Swimbladder Swimmers Swimmin Swimming Swims Swine Swing Swing-meter Swinging Swings Swirling Swishes Switch Switched Switcher Switches Switching Synch Synching Synchronised Syndicate Syndrome Synonym Synonymous Lovely Lovepump Lover Lovers Loves Loving Lovingly Lovingly-lit Low-budget Low-cut Low-down Low-end Low-flying Low-forehead Loyalty Lucasarts Lucevan Luckily Lucky Lucrative Ludicrous Ludicrously Lukefish Lulls Lumberjack Luminaries Luminous Lumps Doubts Douglas Dovecote Dowdy reams Dreamt Proposed Proposition Proprietary Props Proscenium Prose Prose-poetry Prosecution Prospect Prospectuses Prospering Prosperity Prostitute Prostitutes Protagonist Protagonists Psychic Psychological Psychologist Psychology Psychotronic Psygnosis Pubert Public Publications Publish Published Publishers Publishing Puede Pugsley Pugwash 44.99G Mindscape 01444 246333H GamesJ 2.5R Under 50[ Under FA'Compton s Interactive Encyclopedia 1995 Crammed with information and packed with innovative features this latest edition promises to give other encyclopaedias a run for their money Now this is what I call multimedia. Humongous armfuls of assets iption. Commander Blood is so abstract and bizarre that I d like to think up a new category to describe it if only I could. The best I can do is to sneakily appropriate a word from the world of celluloid, whicC h describes a wide range of cult, exploitation, and downright unusual movies: it s a psychotronic game. ll keep the plot description brief since it makes my head spin. The game begins with your starship, the Ark, floating in deep space following a trip through a nearby black hole. You are carrying the cryogenically frozen form of Bob Morlock, the oldest man in the Universe. Bob is over 800,000 years old, and has buE t one desire to travel back through time and witness the Big Bang before he finally kicks it. Your mission is to uncover a path through the time-space continium to the dawn of creation, while discovering the secret of the meaning of existence along the way (cough). What this all boils down to is a weird and occasionally wonderful journey through the galaxy, with the emphasis on interacting with a cast of perplexingG and improbable aliens. There aren t really any problems to deal with (aside from the meaning of life), there s no combat, no time limit, and no sense of realism. What you do get, however, is a large helping of extremely slick FMV sequences and lashes of imaginative design and animation. Make no mistake about it, this game looks very nice indeed. Most of the time you ll be moving around from console to console in thI e Ark cockpit, making use of the beautifully animated 3D virtual (controlled by the mouse), which you use to select various features. Sometimes you ll have the opportunity to enter into cyberspace which surprise, surprise represented by an ethereal void populated by brightly-coloured chunks of data. Again, these sections look fantastic, featuring by far the most convincing cybernetic manta rays I ve eveK r seen. It s rather like playing the CD-ROM equivalent of an Orb video. The aliens themselves are even better, taking the form of either (a) smooth, rendered computer animations, or (b) unemployed French actors in unconvincing rubber suits, the likes of which haven t been seen since Godzilla vs Mothra As far as I m concerned, these rubber suits simply add to the game s appeal: the people behind all this are quiteM clearly disturbed, and that can only be a very good thing. But there s a huge void at the heart of Commander Blood there isn t much of a game there. If you find it entertaining, it ll be due to its sumptuous feel and inherent oddness, rather than a burning desire to see the challenge through to the bitter end. Much as I appreciated its flair and originality, it didn t grab me in any way. And that s a shame. CharO lton Brooker Commander Blood Requires 33MHz 486DX, 6Mb hard disk space Price 44.99 (inc VAT) Contact Mindscape 01444 246333 Platform MAC MPC CD-i 3DO k k l RuNTc TRU1n uRuRUA fNTRU j RVRVZ J3JSg9 iNTJS j$ k 2b2b2^4Z ^wVwI nTnvjwV r2rRrSnun nujuZxV bwbwo n3nufvbw^ jvn4n4j n2jTjufwj `$`$d$\DT nTn1n2n3n2nuj ddde\ Rj3jt] (zezdv v"v"q Zwj5Yl ^0rr] fv%a` frfr^RV vEvEq vevFq vfv'] vfv$m EvDvevFr v%vEv#q #v%r#m izfvevFq 3fufSfSjrnqn vEvIz v%vFq b0bT^5I bU^UU V5Zwb VvV5^4fuU ^vZV^3U D\$\DT$D n2jvf v"v"q `#`#` ddPe< jwbwj jVbvj vsn3e fTjvjwnvf ^Vbwb Dzezfr#i vun4j zfvEver"i j1n2nt=* fsfsnRvRQm dddddd"` nvjvn bs^4, vEvfv vRvrY n1f1f3n jufSr Z0V3fWv dddDdD`$ nunvnvvtvSvtv 4nununtEH vEvFv LB\D` vsvSrRI) i#jofNQ vsvtvsnTf nvnurRQj vEvfv'i X$`e8 vQvrvrrQ] 2nufwn rjrpj f4nTi Tb@b0 j4n2UH vEvfv%e r0vRvQv1vSvsv Ojprom dddDd$ \"TBP Hb@a@a4cQ vSrRi vEvEvDm SrSvSv rknlf,M br^.fKf*z \"Tb\"h TbTBLbTC\D` 2n3n3] 0c8B<b<b<c4 vEvEvCm vkb+M cMjOr MrGv$i X#dEd d$\"TbTb\"h \"XB\"TB\ci `eXDXDX zgvEvEv#m vfvdzfvfzez nobNZ ^0jo] `#X"T $Dd`#d#d#` vFvEvFvEv#q XdXE$ b+f*b+b+v vhvFvF zgj*U `ddEdDddmK vtrRr1nTn jurUrTn vSrTnSnTnUnun jvjVr vE'v#q rRrQrsvSr1n1r vRvRvQr v1r1rRrRvRrTrRn trunvn2rSm nunSntj1r ^U^V^wb ^xZVbtb5a 3btjrj vuvsv vsv0v0r0rQr1r1vRvRvsvtvsvSr vsvSvtvtv vtvsvRvsvQzqvRrQi vEvEvevDq v&zg~ ,rKrKvK rtnSr1n r1vSvSvt vtv1v1v vtvSvtv vsvQr r0EvQr1rRi vfvevev#m fSbUjufujun vHn*] s-f,Aj fpbMjKvjvknkU nsn2n2n1r1r1rRr1vsvt vtvsv vtvRvSvSvrrQn1rQq 1r0r/r1vSrQrQe vgvfvever vGrIfLU Jn'n*n*v nunSn1n1n2n2n1n2nSrtvt vsrRvRvSvsrRrQrRvtvRrRr1r/ rQ<r0r 1rQrQn1n vivEvdvDver Pnonpv vhn)^ vtvsvsrtnSn2n n3nsrqntnunvrtvsrtvtvtrRrPr/r1rRrQrQrRr1rQrQrPr0r0rQr1rQrQn nRnrrtr vFvDv#ver"m QjRj1n vtr0vtv rtvsa Z-^,b+b+Z rsvsrununtrsr nurur vtrsnunTnSrSrSrRr1nQn r1r1n r0rQrQr n1nsnTrTrur vfvDv#r vqvPzqq j+n*f b+fLb-b+b+^ rTrvrvr Jnon2jRr vrvRvPvQvqvQvqvPvOvov-n j,f,U Lb+rJj zpfQU +b+b+ h;f*r vDr"v"m Lj0nRnR rQvOrPrPr/rOrNr vOvPvPvQvQvPvNvNvQvsvsvQvQvrvsvq vPvOvqvQn1r fLnLz bwfwfvbvfujpjKz v$r"v"m QnTjTnRr rSrRr0v.r vQvRvQ vQvqvqvQvOvpvOe b+f,f, btbTZ bTb0b+z vGvCr"v"m )rnrqr rsrsrRvPvRv0r r0r-r qvrvrvsvrvQvPvOvNvNvOvOvNvNvPvrvrvQvrzrv0e fs^RV2V rPvOv v.v/v/r vPvovmvKr v0zrvrvtvsvQvQvPvOvPvO vrvrvqzrzqr/Q( ^3Z3bSj ^RV3^3^RZ .r.vOvP vrvqvqzoq rQvRvQvqvqvR vPvQvQvOvPvqzrz vrv0m +f+b+^ bUR4^VftV2V FTfSzPzpvqvPvQvqvrvRr0q n1r0v0vp vqvsvsvRvQvPvPvpz S^VfVnvn ftf3jTj R6ZUV2Q Y>wjs~PzPzPvPvQvsvsrRvRr0vQvsv1vO n+n+j+ rQrQrSa Z>wjs&rs~ zqvQvPv vqzrvsz vRv2q ,nKvkf vsvtv1r0r1vRr1j fRb1jRj0jnfpjSntntn1nSrsr rtn1Y X6X67)P ded"d"ddmI j+nKnKrKrK] vuvsv vtvtvSvSrsrRr2j dd`"` f-j+n+j+nLU Ln+nKn+n+ n+nKnKn+n+nK jtbSj fub1U {"z"8 `"`"d"d"d#d"dddCdChdd#Pc@ Ob+f+b,fLQ f,f,f+ jwjwj jub3^ (c c c 4b4b@ HbLbTbTb\!AL V`Cd" d# dCdC`"dCd +f,f,b+f,f,b, f,f,b+ DBHBHBDBP#X T#XDXDX#X XbTb\B\BT `"!`Cd b+b+^ d#d$d f4jTfUbUZ3Z Tf\%d dddededEdEdehehe` XB\"\"d vOrrY b+b+b `$`$` dDdedD ;`$d$` fvfSY hddEd#d#dDdD` d#`#dCdD`#PBLBPbP"\ d"d"`"d /vpzsb b+f,b+b+f,b,b+b, ddCd#d ^uZ2U dDdDdCd#dDdDdf2y7 f,fLf,f,fLjL $F$H,j0 &Y&z* "z"z* I.67? &Y&YC> G26;? E26;? F.5G_ "z&z"z"z Sneakily Sneaking Sneakosaur Sneaky Sneer Sneesby Sniff Sniffiness Sniffle Sniggering Snipes Snipets Snippet Snippets Snobbish Snobs Pathetic Pathogen Paths Pathways Patience Patient atrick Patriot Patriotic Patrol Patrolled Patrolling Patrols Patron Patronising Patrons Pattern Patterns Patti Paucity Simply Simpson Simtown Simualtion Simulate Simulated Simulation Simulations Simulator Simulators Simultaneously Price Prices Pricey Pricier Prickly Priest Priestess Priests Primarily Primary Prime Primitive Prince 69.99G Active 0181 838 1280H MPCI ReferenceJ Over Over Corpse Killer The undead have risen. Again. A megalomaniac scientist goes on the rampage. Again. It s an old-fash root- em-up with a dash of voodoo A zombie lurches out of the undergrowth. You can tell it s a zombie becau ictures, music, sound, movies and text all crammed onto a single disc with a control system that allows you to access it in half a dozen radically different ways. From the main interface screen, which ComptonC s calls The Tableau, there are six basic routes into the data Contents, Idea Search, InfoPilot, Topic Tree, Atlas, and Timeline. The really innovative feature though, is the Editing Room which allows you to repackage the information you uncover and come up with your own mini-multimedia presentation. As you surf the megabytes of data held in Compton s, you simply mark an item for future use by clicking a bookmarkE button. Once you have completed your trawl, you can then pop into the Editing Room and assemble your bookmarked extracts into a linear, multimedia slideshow. Simple facilities for adding titles and timing the flow of material are on offer and, if you like, you can add your own sounds or voiceovers. This is true participation, and the educational application is clear: not only do you get an introduction to the conceG pts behind Audio Visual production, you can save your own projects to disk and play them back to friends or teachers. Another new feature in this edition is the Explore interface, that allows you to use one of four graphic environments as the front-end to the content. Via the preferences option, you can choose between an attic, a newsroom, a spaceship and a playroom as your environment. Click once on an active objeI ct on one of these screens and you will be treated to a simplistic animation; click twice and you gain access to the linked Compton s screen. Aimed at information grazers who don t like the feel of a computer interface, the Explore option is an interesting approach that will certainly appeal to younger ones, and while it lacks the polish and finesse of the other interface options in this programme, it will be interK esting to see how the producers develop this concept for the 96 edition. On the whole, the Compton team have done themselves proud with the interface redesign. In use, it proves to be intuitive, powerful and b est of all: fun. To get you going, there s a Guided Tour option, which is presented from the comfort of a video window by the ubiquitous Patrick Stewart, the former Star Trek: TNG captain who is rapidly becomiM ng multimedia s answer to Tony Slattery. This help link is carried into the main encyclopaedia so that if you ask for a bit of advice, there s every chance that Mr Stewart will deliver. For linear searches, the alphabetical Contents path or the hierarchical Topic Tree menu system take you quickly to the information you want to access. If you are less certain about what you want, you can use Idea Search or InfoPilot tO o cruise through the encyclopaedia. Idea Search allows you to select the data categories you are interested in (articles, pictures, movies, sounds and tables); you then input a phrase or question and the syste m comes up with a list of related items for you to browse through. InfoPilot, on the other hand, attempts to brainstorm around your query; delivering first a shortlist of related articles, then putting up a sQ creenful of articles and buttons to give you access to more entries in the encyclopaedia. Finally, the Atlas and Timeline paths order the contents in geographical and historical perspective. With the Atlas oper ational, you can wander around the globe, zooming in and out to the appropriate level of detail or entering place names to drive the map to the correct location. The Timeline interface organises events into such as Renaissance Europe or The Iron Age at its highest level; zooming in to the detailed level brings up panels that summarise significant events; clicking on these panels calls up the relevant entry in the encyclopaedia; and all the while, there are permanently active hotlinks that allow you to click on any word in a text window to call up its dictionary definition. Competition is hotting up in the multimediaU encyclopaedia market, with the major players working hard on their presentation and interfaces, lowering prices and even offering upgrades on each other s discs. With this new edition, Compton s remains a se rious contender. Graeme Kidd Compton s Interactive Encyclopedia Price 69.99 (inc VAT) Contact Active 0181 838 1280 Category Reference/Education Platform MAC MPC CD-i 3DO hNxkZ F1F1R NsB1F1F1-q JvJWJWNwNwNxNw9 xJVJVB NxJ7JVR hNWg9 NsJRg9 RsF0= sJRJrB0F0R @ @(b `( (a(@( FQJQF1B NtF1JRF1FRJU%, JQJRFRR F4JTF3F4g< RPN/M 4B4bZ Ju:u. PV0Ai 6x6w2U. .U.U%K N,J-VpfOM bpjNY R/ROROVqVqZ JRJRc NsNskZ RQROVpZ N/NOROVqZ RPRPVqZ N.ROZq^ NsNsR NsNsJRc F1NsNs^ N.VOVqb f+f+E% JRNsJRV N.RO^ brbQ8 ZPZ0j JRJRNsR FQNsR ZM^of ] (`,@I& VNf.IG SJUJT= nHvfY NuNuF4)M RNTJ3-o djdjCjCe b0bPbLQ NsNsV NsF1F nDrdn NsNtJRB0NsV NsJRw JRJRNsJRZ NsJSF1Nsc JRJR^ JRF1^ JrJRR NsJR9 FQFQF1JR_ JRNsR sNsJR= FQJRN JRNsNsR F1NsJRJRkZ NVNvNvNwNvNV NwNvNwNv NvNwNvNwNw NwNwNvNwNvNv 23232K6l2k6l6l: 6-6,A VmVmVLV NKNKRKNJNJJ.^ >p>OB RPN0RPV N/N0V /RON.N.RpV TJ4JTJTNTJTJ3JSJS F3FSJtNTJTJS JUJTJTJS FS9FTFTFSFTJSJSNu^ g D=+ 5F5)Q RxJ6). NsF1JRZ JRNsR FnBO5 JRNsR F1NrJR)M F1NsV NsNsg9 NsF1V NsF1c 1Nsg9 NsF1V F1F1V bmZ+fej 2'2'6F% M:,:J6*B sJRkZ NsJRw NsF1Z F1F1V jdjdbgQ ZkR)A FXFXFWF6N :i:I[4 FUFvJX> JRJRV F1NsJRR F1NsR F1F1kZ JRNsNsZ NsNsF1V NsNsw :K6(% FUFU!N W>k:JN j6(>k1 NrNs), J4JTZ NZOV.V.ZNZ.V-Z.V-V-^ob ^PZ.Z.ZNZNZ-Z.ZNZNZMj ZPV/R VnRNRMRnRmRm9 R.R.M N,RLVmRm RwRwNwNwRwRwNvR RvRvNvNvN NvRvNv NvRwRvN NwNwNvNvRvRv NvNvNwNwRwNvRwNwNvRvNv RwRvRvNvNwNvNvNw NwJU)N NwNvNvNwNvNvRvRwRw RvNvR RvNvNwRwRwNwR NvNwNvN NvRvNvNvRvN vNvRw RwRwRvNvNvRvRwNvR RvRwNvNwNwNvNvRwRw9 b*^ g JTJSN Miniature Miniaturisation Miniaturised Minimal Minimalist Minimise Minimised Minimum Mining Ministers Ministry Minneapolis Minogue Minutiae Miracle Miras Mirror Mirrors Miscellaneous Misdeeds Miserly Misjudge Misleading Mispronounces Missed Misses Missile Missiles Miniature Minor@ Minus Minutes Misguided@ Missiles Misty Mixed Mixer Modern@ Molten-rock Moms@ Monkey@ Months More@ Mosely@ Mosquito@ Mostly@ Motif@ Mountaineers@ Mouse Movement Moves Nessun Nido@ Night@ Nitrogen Non-musicians@ Non-player@ Nonetheless Slideshow Slideshows Slidin Sliding Slighlty Slight Slightest Slightly Slideshow Slightly{ Slogan@ Slugs@ Small Smith Smooth Songs@ Sorry@ Sourced@ Specialist@ Speed@ Spinning@ Squares@ Staff@ Star@ Starting@ Stated@ Steal Sting@ Stinging@ Stinker@ Storiest Story's@ StraightD Stripy@ Stuart@ Sub-section@ Suburbs@ Supergrass@ SureR Suture@ Swept@ Synopses@ Taken Tanker@ Targeted@ Certain Certaine Certainly Chamberlain's Chambers Champ Champing Champion Championship Chance Chancer Chances Change Changed Changes Changing Channel Chant Chants Chaos Chapter Comes Comet Comets Comfort Comfortable Comfortably Comic Comical Screenful Screening Screenplay Screens Screensavers Screenshots Xribblings Scrimshaw Script Scripted Scripting Scripts Scriptwriter Scroll Scrollable Scrolled Scroller Scrolling Scrolls Scrooged Historical Histories History Hit-man Hitch Hitchcock Hitching Hither Hitler's Holiday Historical Holbrook@ Holing@ Hollywood-style@ Homework Hookah@ Horny@ Horoscope Horrifyingly@ Hotlinks@ Hounds Hours House/hq@ Huang's Human Humiliation Humorous Hundred@ Hurtle@ Hypertext@ Hypodermic@ Ideal Ideas Identify@ Idiot@ Ignite@ Highest Highlands Highlight Highlighted Highlighting Highlights Highly Hijack Hilarious Hilda Hills Acclaim 0171 344 5000H GamesJ Count Basie-Swinging The Blues Liking jazz is one of those things, like whisky and knowing what a MIRAS form is, that says you have truly grown up. Jazz is difficult stuff, goes the reasoning, with all those complex harmonies and intricate c se the face is a twisted, rotting, maggot-sanctuary. The real giveaway, of course, is the drunken knee trembling shuffle that passes for a walk. The zombie has spotted lunch this being a US Special Forces paC ratrooper whose chute has caught in a tree and left him a helpless, dangling bundle of protein. The zombie s grabbing the trooper s legs, trying to get his decaying choppers into a nice piece of well-toned cal f when suddenly a jeep pulls up. A Rastafarian jumps out and spin-throws a large machete. WhutWhutWhutWhutWhut thunk! aaarghhhhhh (subsides into standard undead death rattle) . The Rasta retrieves his weaponE from the dead (?) zombie s chest, rushes up to the camera s a first-person perspective shot from the trooper s eyes and shouts: Welcome to HELL, mon! Yes, it s interactive movie time, though Corpse Ki ller, the new game from Night Trap developer Digital Pictures, has far higher production values than most. For a start, it s the first game I ve seen that is filmed on a real Caribbean location (as opposed to uG sing blue screen chroma-key to drop in a computer-generated background). The use of professional actors (including Vincent Schiavelli, the wired subway spook in Ghost) also lifts the production to half-decen B-movie levels. The video quality using Digital Pictures proprietary DigiChrome system is superb, with even my LC475 churning out two-thirds screen, high frame-rate images. The plot concerns a shady PI entagon plan to resurrect dead prisoners and create a zombie army. Unfortunately, the nefarious necrobiologist Dr Elgin R Hellman has spun out of control and used the undead shocktroops to seize control of the Caribbean island of Cay Noir. Your job, as an elite US Special Forces strike team, is to chute in and terminate Hellman and Co. with extreme prejudice The gameplay will be instantly familiar to anyone who layed Operation Wolf or Terminator 2 in the arcades. As the screen scrolls slowly from left to right, you control an on-screen crosshair to shoot every zombie in sight. And, er, that s it. Well, not quite. A m odicum of variety is provided by the introduction of magical voodoo accessories to add potency to your bullets while offering protection against some of the higher level zombies special attacks. You have to apM plaud Digital Pictures for doing its utmost to squeeze some extra drops of gameplay from an arid old formula, but the end result is still disappointing. Using your mouse to move the gunsight castrates the gunsl ingin machismo of this type of game. The Sega CD version is compatible with all lightguns, sadly no such options are available for Mac or so far 3DO users. Corpse Killer falls into the familiar trap of beiO ng more game-video than video game. The filmed sequences make an excellent entr but no amount of trimmings can conceal the fact that the main course is an unappetising stew of stale leftovers. Mat Toor Porpse Killer Requires 8Mb RAM, LCIII or better Price TBC Contact Acclaim 0171 344 5000 Platform MAC MPC CD-i 3DO ,c b(b 0B4B4b N0Vq) N2Vs9 RR1VPE V0ZqE b+b,^ b,b,b ^OZNE Z-Z-^-^ 0^-9F bMb-f-b,bMb,b,bMb,^, ^-^NZ ^N^p5h V-VNV.V.V-V.V-V-Q tbt5k Mfnjojpf bPfPf bpZN9H ,bMfojof -^N^OZ.^MM b,f,b bnbOZ-^NbNZ 0ZP9j bMbMfNfOfOb-b.Z V.Z/R b,b,Y fofof-bN^,^ ^.b.^ fO^O^OZ.Y ,^,b,fOj Ob.^.^NZ-V p^P9j oZOV.9I ,f,f,b,b,f,b ^OZ.V V.bpA V.ZN1G ^p^pb ^pbpb ZPZOV ^o^pf ZP^qf ^pV.V.V R-ZOZPZOZOR ^q^PZPVOVP^ o^pZN V.ZOV.ZO^qbqZ.R ^p^oZON V.V/I N.R.R.N p^O^pb R-ZNV.J ^p^oV.R R-ZOZOR.R VNZoZp^pV.R .^oZOM V-V-5H ZOZOVNZPR.N ZNV.I NZOV.I R/V.I F1F2B JRF1F1 NtJsJRFRFRF2B B1B1> 1B1B1Jt{ 1RrJ1%J JSJSF2B2= NtJsF25 JtB2JtR 2B1B2FRJsNtR JtFRB1B B2FRJS9 NtJSJs> ,C(#1 B2Nt- QFSJSN FSFRB1= 2F2JsN B1FRNtV JsFRB BF2JSN JsF21 ZQJtJSJSFSF2B1- hFuF19 JsFRB1 B1Js%J 1FRJsR F2B1B 2JtJt 8B@#,A dFSB1^ F2F2FRFSBSBSFS FR.FSF2FRF2FS-l 2FRJs- ,BHcDb B1 B2B2F 2JS%J B1B1B2B1I 1B2B1B1F21 NtFS= B1>2I 2B1B29 $T%H$ JsB15 r/rPr.mF B2JSg: !,D<E0# FRJtB1F SF2FRFRB2V B1B2B1FS%* FRBSU JSJt1 B2F2B1B2> JSB1B2B2B1 JSJs9 FRNt5 JtJSJS)J F2F2FRV rqn1d FRNs5 4B0B 4B0B4! !FS%) '$!$!0A tB1)K !FR%) .rOrOr sJRNsR 1VQbsn SB3%o TB1%J <b4b4 FtBS)l $B$B0A tF2B2_ NtF2{ FSFRB JtB1= tF2B1B tFRJtg[ B1B2FRF2Z FRJRJRV 2FRg[ FRB29 B1B1B B1!B29 B2"F2B Forebears Foreboding Forecast Forecasting Forefinger Foregone Foreground Forehead Foreheads Foreign Foreigners Foremost Forerunners Forest Forests Forever Forfeits Forgave Forge Forged Forget Forgetful Forgettable Forgetting Forgivable Forgive Found Trooper's Troopers Troops Tropical Trots Trouble Troubled Troubles Troubleshooter Troubleshooting Troubling Trounces Troup Trousers Trout Truck Truckload Trust Truth Truthful Trying Trying-to-break-a-do Tub-thumpingly Tubes Tubing Tucked Tuileries Spinning Spinoff Spins Spiral Spiralling Spires Spirit Spirited Spirits Spiritual Spiritualist's Spite Spiteful Spitfire Spits Spitting Splash Splashed Splashes Splashing Splatters Splendid Splendidly Splendour Split Split-screen Splits Spokes Aaarghhhhhh Abandoned Abandonment Abbey Abbreviated Abbreviations Abducted Abductees Aberdeen Aberrations Abiding Abilities Ability Ablac Perspective Perspectives Persuade Persuaded Persuading Persuasion Persuasive Pertinent Pertwee Peruse Peruvian Pervades Pervasive Pervers Perverse Perversely Pesci Pesky Pesticides Pests Peter Peter-like Peterson Petipa Petrol Petrol-driven Petticoat Petulant Pfeiffer losophy Phoenix Halftime Halfway Halfwitted Halitosis Hallelujah Hallowe'en Hallowed Halloween Halls Hallsworth Hallucinating Halting Halts Halves Ham-handed Hamburger Hamburgers Hamill Hamming Hammond Hampers 14.99G CD Vision 0181 503 0589H VideoCDI MusicJ 4R Under 20[ Under Counting On Frank Frank and his dog go jellybean-counting in this bright and cheerful maths adventure Counting on Frank is a bright and accessible maths game pitched at youngsters between 8 and 12 years old and works like an adA ross-rhythms, so you have to be some kind of goddamn sophisticate to appreciate the stuff in the first place. Whoever formulated that sweeping generalisation had never heard of Count Basie, because while other C jazz musicians like Ornette Coleman or Cecil Taylor might be genuinely difficult, Basi s stuff is more your heads-down, no-nonsense, good-time boogie. Or, to be precise, good-time swing. Basie s music was calle d swing because it made you dance that was its whole purpose. Count Basie Swinging The Blues falls neatly into one particular Jazz documentary genre: the old codger film. The majority of the hour-long MPEG E movie is taken up with ex-members of the Count Basie band, including the pungently named Sweets Edison and Illinois Jacquet, sitting round a table drinking wine and reminiscing about the great days of the 1930s when swing ruled, before the bastard hybrid bebop took over. The interviews are punctuated with classic black and white footage of the Count and his band doing what they do best. It s an incredibly unimaginatiG ve format, but it works very well. For the undemanding this offers a neat history of Count Basie, swing and its (and his) origins in Kansas City. What it doesn t explain is why Kansas City was such an important city for American jazz (it was the first stop up from the South as black migrant workers moved towards the industrial North). But hey, learned analysis isn t really in the Count Basie tradition. Jim Smith ount Basie Swinging the Blues Special Requirements DV cart for CD-i; MPEG card for MPC Price 14.99 (inc VAT) Contact CD-Vision 0181 503 0589 Platform VideoCD Encoding Good 1F1F1B 2NSo| SNtNsB 2NsNsB JSF1o{ SNsF1JRR J2F1B F2F2= sJR-K QF0JRJSF25 F1F1B RNtJ2A F1JQJQB0= F1F1= F1JQJQ^ F1F1NsF05 F0F1F1V F1F1> JsFRFQF0B0JQJRJrJrR FQF1cZ 0FQF1B RsNsR NrJR_ FQF1F1= 1F1F1B JRB1= NrNsN NsNsF15 F0F1= 0JRJRJrJRJrN NsF2= 1F1F1= F1JRNsJrJRN JRF1B F1NsJRJRR 0JrJsR sF1)J F1B0F1JRR JRNsNsB J2J21l 2JRNsR sNs%) 0NrJRB JRJSNsJRB JRFR9 F1F1B RNsJR9 JRNsNsJRB 2NsNRA s!RtJR9 1JR-k NsJRF1B RtJ2B RtJRF1= Ns&RtR 1JsF1B JR#NtV NsNsNRF F1JR9 JRNSNsR sF2)K B1JRNsV F1F1F2JSJSF2 F1JSNtR NsNsR NsRtR F2NsR NsJRFRNsR sNsF1NrF1B J2JRNsV NsJrNsV JRNRF F1F0JRR JQFQR J1JRB F1F0> JRNsF1F JRJR= J1NsV JsFR9 RNsF1= B0JrV F1JrN RNsJS= 2F1F29 JQJQ= SNtJR9 NtJS5 1NsNsR F1F1F 0JRNsF1= 1JRJrNsR F1F1B0F1F19 FQF19 F1F1B0B RJ2F1JQFQJsR JrFQ> F0F1JrJrJs FRF1B F1F1F0JRNr= F1B0= NsF1JQ JRJRF1F1JrNsFQJRNsF1= NsJRNsV 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F1JRJrFQ5 NsJrJsR JrJrJRF1JR9 JQF15 JR NsF0-k NsNsJr9 NsJQF1F1JRJRB JRF19 QF1F1B First First-class First-person First-rate First-time Firstly Five-disc Five-minute Fixation Fixed Fixtures Flair Flakey Flaky Flame-throwing Flames Flaming Flash Flashback Flashbacks Flashdance Flashing Flashy Flatmates Flaubert Flavour Flawed Flawless Flaws Flees Boogie okshelf Bookshop Boolean Boomers Booms Boost Booster Boosts Booted Booth Bootleg Boots Borderbund Borders Bored Boredom Bores Boring Italia Italian Italian-american Italy Origins Orleans Ornaments Ornate heo's Orson Ortega Orwell Orwellian Osaka Oscar Oscar-winning Oscars Oswald Other Other's Others Otherwise Ottavio Ought Ouija Workers Working Workings Workmanlike Workout Worksheets Workshop Workshop's World 146.88 15-minute 15.99 15000 150mph 15inch 15th-century 16-bit 16-page 16-year-olds 16th-century 16x16 17-storey 34.99G Electronic Arts 01753 549442H Young ChildrenJ 4.5R Under 40[ Under Creature Shock It might have an uninspiring story line, but Creature Shock is a compelling and atmospheric 3D adventure shoot-'em-up that'll have you panting for more Like many other CD action games around at the moment, Cre venture game and a living book. The plot is far from convoluted: Frank s aim is to guess the number of jellybeans in a jar in Mrs Sherman s General Store, and he s got his calculator and notepad to help him. PlC us, of course, his sunglasses-wearing dog Henry and quasi-girlfriend Ginger. During the game, when you see the cursor turn to a jellybean, you access one of the mathematical problems. Solve the problem correctl y and Frank gains a clue which will help him guess the number of jellybeans in the jar. When the cursor turns into a dice, you re about to access one of the four mini-games tucked away behind the main adventureE . All this action takes place over eight screens: the store where it all begins; the park between the store and Frank s home; four rooms in Frank s house; the garden (or Front Yard) and a treehouse. There s lot s of fun to be had in each location clicking around on the bright cartoon graphics reveal jokey surprises. hidden games in themselves represent good value, although only two of them have anything to doG with sums. Concentration, as its name implies, is essentially a number recognition and memory game, while Geometron encourages thinking about shapes. In this, the two contestants take it in turns to place a li ne on a grid, and when that line completes the outline of one of the cells, a point is won. Then there s Math Machine, in which you sit at a console and assemble the components of an equation that will produce I the required answer, and Magic Numbers, a kind of mathematical noughts and crosses. At the lowest level exploring the play area and enjoying the multi-level mini-games that are hidden away Counting on Frank should provide worthwhile entertainment. There s plenty of fun and challenge to be had and a couple of the games have a two-player mode so parents or friends can join in. The main adventure, that jellybean-couK nting quest, can be enjoyed at three levels of difficulty. The units of measurement can be set to metric, although, strangely, all the shopping deals still have to be done in dollars! All the elements that prov ide the infrastructure of a good adventure game are here, including a save and restore game facility and a hint option that can advise on the way to go about solving the mathematical problems to earn a clue. AtM any time, Frank s handy notepad and calculator can be called up by clicking on his pocket, the notepad being used to store clues and other text notes you may wish to make. The only slightly annoying element is the North American emphasis. The game was developed in conjunction with the University of British Columbia in Vancouver and is firmly in tune with the curriculum requirements on the other side of the Atlantic.O Counting on Frank seeks to improve calculator skills by setting mathematical problems in a real world environment. The only way you can get to a right answer is by working out the sums on Frank s calculator keyboard a bonus option for doing the working out in your head and entering the answer directly would have made this programme a real humdinger. Graeme Kidd Counting on Frank Price 34.99 (inc. VAT) ContactQJ Electronic Arts 01753 549442 Category Education Platform MAC MPC CD-i 3DO HZ bKjHr vfrGn'j&] Anarc &fFjFrFr&n$Ud ^Dzbr f(jij 6':h>I>i2 ijinhngjG] "Z"1$ j'jFjknhj F0VKN NOJORK: (j&nGe NoZ(V Bs:3?> V#^%n F/:w6V> @bDbQ J.>u:v> q|PbL 0B0B4 KnKjKs VHFeV VhbLn 'BHBiBH> b,b2$2D@ V-ZN^Mbn^nI :(FHBk1 ZlVJRLV NlFk5 (JKRLRmb jkjljlfJJ Db@b$ VnZl^mk vJbprmvKnLn C j$b$U VIfHv n'jHnGjHrFjJs rmfM~ 0b4bD &jFn$nka If&j%j'r"wR fnVQ~kj,N rjj%{3 fmfkj vejM? 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You re a cop up against some nasty baddies The Mad Dod McCree format of shooting baddies lends itself to different scenarios, and Crim ature Shock has a distinctly unoriginal and spectacularly silly story-line. In the distant future, Earth is over-populated so the US sends the SS Amazon off into space to find a new world for Earth s inhabitantC s. On its way, the space ship collides with a giant alien asteroid (nice rip-off from Empire Strikes Back, eh?) and its only crew member is hurtled into space. Your task is to find her. From the opening scenes of the highly impressive animated introduction, right through to the later stages of the game, Creature Shock oozes polish and class. Well, most of it anyway. The first section is a real put-off. This is a simpE le shoot- em-up, but the graphics are so bad it s difficult to tell what exactly you should be shooting at. There s a guardian at the end of this level to dispose of but this simply involves shooting at him any where you like (the guns home in on his weak point automatically) and sitting there for absolutely ages waiting for him to blow up. When you finally make your way to the asteroid, you find an alien ship inside G it which, surprisingly enough, is home to a large number of aliens. The graphics for this, the major part of the game, are superb. All the characters and backgrounds were created using 3D Studio and the smoothn ess of the animation has to be seen to be believed. You view the environment through the eyes of your hero and move him around using the mouse. The interface is a dream to use and you ll soon be navigating aroI und the game area with confidence and ease. The general idea is to find your way through the twisting caverns and shoot everything you come across. The larger creatures have different weak spots and you have to figure out what they are and then, er, blast the hell out of them. This is not as easy as it sounds. Finding the weak spots is not in itself very difficult, but some of the monsters move so fast you ll need a K large amount of luck as well as quick reflexes. Creature Shock is a compelling and atmospheric 3D adventure game unlike anything you ve ever seen before. It has its problems, though. The music could have been better, and the lack of an automap facility in the tunnel levels is slightly annoying. The weakest parts of the game, though, are the shoot- em-up sections between the main levels. These are very poor, and ultiM mately spoil an otherwise excellent game. Chris Anderson Creature Shock Price 49.99 (inc VAT) Contact Virgin 0181 960 2255 Platform MAC MPC CD-i 3DO /J0w3 F1JRJRB F1JRJRF1 fm^n{3 M^mZnE F1F1= v*v+zm~ F1F1JRF15 1JRF15 F1JRF15 F1F1B 1F1F1JRF1B JR F1= JR F11 1JRF1F1JRJRB JRF1= RJRF1 F1F19 F1JR5 NsJR9 F1JR5 1JRF1 F1F1B JRJR5 F1F1= 1F1F1= RJRF1JR5 F1F0! 1F1F1= RJRJR RJRJR JRF1= JRF1= JRJR5 JRJRF19 F1JRJRF11 F1F11 F1JR5 F1JR5 JRF1F1JR JRF15 Inhabitants Inhabited Inhabiting Inhaled Inherent Inherently Inheritance Inherits Inhibitions Initial Initially Initiated Initiative Inject Injected Injunctions Injured Injury Injustice Innards Inner Innocent Innocently Innova Innovations Innovative Right Right-angled Right-hand Right-wing Rightful Rightly Rights Rigmarole Rigorous Rigueur Riker Rincewind Risking Rival Rivals River Roadrunner Roadside Robert Robert's Robin Robinson Robot Robots Rock'n'roll Rock-eating Rocker Rocket Rodney Roger Rogue Simple Simple-looking Simpler Simplest Simpleton Simplicity Simplify Simplifying Simplistic Simply Beeping Beered Beethoven Beethoven's Beetle Befits Before Andes Andie Andres Andress Andrew Androgynous Androgynous-sounding Android Andromeda Andromeda's Andropath Anecdotes Angel Angeldom Angeles Angelo Angels Anger Angle Angles Anglesey Anglia Anglicise Anglicised Anglo-australian Angry Angst Activision American Andromeda Arnovitz Astrion Attica Beach Catalogue Channel Churchill Class Collins Comptons Computer Creative Cyberdreams Cybernetics Design Discovery Discworth Disney 3DO only A#TCR Computer Exchange 0171 636 2666 GamesJ 3R Under 30[ Under Criterion Goes To The Movies From the prolific Voyager Company comes Criterion Goes To The Movies, a self-proclaimed guide to the greatest movies of all time based on the Criterion Collection s library of classic movies available on lase e Patrol is the latest in an evergrowing series. Here, rather than taking part in a Western shoot-out, you re an American cop who shoots first, asks questions later. The locations are exactly what you would expC department store, warehouse, airport runway, nightclub, bank and so on. If you ve played any of the Mad Dog McCree games, the gameplay will be exactly as you expect too. There really is no difference, asi de from the video footage. The problem is that while the naff acting and storyline in Mad Dog could be forgiven, it s becoming harder to forgive American Laser Game. Your partners come out with such rubbish s kick some butt You bozzo Later dude and so on that before long you ll want to shoot them rather than the baddies. Probably the major set-back (for 3DO owners at least) is that control is so blood y difficult. Using the B and C buttons you can speed up the crosshair movement to twice or four times the normal speed, but to do really well you ll need to anticipate the locations of the bad guys position-iG ng the gun to the right position before they appear and not a split second after. This undoubtedly takes the fun out of it. The answer is to use a GameGun (lightgun), but these aren t widely available in the UK for the 3DO and aren t due to be launched at all for the PC until the summer. If you have a GameGun and you ve had your gutful of Mad Dog McCree, then Crime Patrol is worth a look. Warren Chrismas Crime PatI|rol Requires GameGun recommended Price 30 (3DO only) Contact TCR Computer Exchange 0171 636 2666 Platform MAC MPC CD-i 3DO sNr%' .F.B/F/B/B F/B/F/B/ B.B.FO5 B/B/= FOJOFOB.B/B /B.B. 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MFMNoFM nFMNo%% NFNJN!% EZFZAn Z`Zf9@ FMJmF-! -FMJnB- OFMJo> $Z$f`f`b aZ ^$E` FLJmN JNJNNo!& Positioning Positions Positive Positively Positvely Posse Possess Possession Possessions Possibilities Possibility Possible Potentially Potions Potted Pouting Poverty Powder Power Undoubtedly 23.50G Softline 0181 401 1234H Reference 4R Under 30[ Under Critical Path A video-based multimedia adventure in a post-holocaust world where one wrong decision is the difference between life and death. Critical Path combines video, sound and awesome graphics to a create a science rdisc in the States. This CD-ROM is essentially a multimedia catalogue of the collection including QuickTime movie clips, critical essays on the films, cast and credit lists and synopses of the 150 movies featuC red. There are also photographs of the major cast members of almost all the films featured. (The selection of films can be slightly suspect at times, though The Adventures of Baron Munchausen as one of the gr eatest movies ever is an interesting concept.) The interface is generally easy to use, and a good deal of thought has gone into making navigation through the information as easy and intuitive as possible. The bE rowsing application is written in HyperCard, and for the most part works well, playing back the numerous QuickTime excerpts smoothly, with few glitches as long as enough RAM is allocated to the application; t he default 3.5Mb had to be increased to avoid jerky playback. Nevertheless, this is an interesting and informative offering, and one that any film fan should check out. Criterion Goes To The Movies Reviewed OnG] Mac Price 23.50 Contact Softline 0181 401 1234 Category Reference Platform Mac MPC CD-i 3DO 9y(u'yj y'u'y yju'uI~ yju(t Pp zQ rp zP Qp ~0tAu ujpat Qpbu(z t`pAt (pAp! tbpauk pApbzr pApbz0 NsNsNsNsNsNsNsNsNsNsNsNsJRJRJRJRJRJRJRJRJRJRFRF2F2F2F2F1F1 F1F1F1F1F1F1B F1F1B NsNsNsNsNsNsNRNsJSJSJSJSJRJRJRJRJRJRJRJRJRJRJRF1F1JRF1JRB sNRg9 NsNsNsNsNsNsNsNsNsNsJsJSJRJRJSJSJSJRJRJRJRJRJRF1JRJQF2F1F1F1F1F1F1F1B NsNsNsNsNsNsNsNsNsNsJSJSJRJSJRJRJRJRJRJRJRJRJRJRJQJRF1F1F1F1F1F1F1F1F1B NsNsNsNsNsNsNsNsNsNsNsJSJrJRJRJSJRJRJSJRJRJRJRF1JRF1F2F1F1F1F1F1F1F1F1B NsNsNsNsNsNsNsNsNsNsJsNsJSJSJRJSJSJSJRJRJRs JRJRJRJRJRJRJRF1F1F1F1F1F1F1F1F1F1F1B NsNsNsNsNsNsNsNsJsNsNSJSJRJRJRJSJRJRJRJRJRJRJRJQF1F1JQF1F1F1F1F1F1F1F1F1F1F1B NsNsNsNsNsNsNsNsNsNsNsJsJrJSJRJRJRJRJRJRJRJRJRJRJRJQF1JQFRF1F1F1F1F1F1F1F1F1F1F1F1B NsNsNsNsNsNsJRJsJsJRJSJSJSJrJRJRJRJRF1JRJRJRF1F1F1F1F1F1F1F1F1F1F1B JRFRJRJRJRJRFQJRJRJRJ1J1J1JRJ1F1F1 F1FRF1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1F1B F1F1F1F1B F1F1F1F1F1B F1B0B iIU'H >/>.= PeLC<"4 !XbT"m Lb@A<!LdTdLB4 $!,c9 !(BPA\ b.Z.b RrF/> J<AD!H FpFPR K:1)I F/N/U N0BQJ , fOJo H( (b (b(A9 NsNsJR $!=' !!HJ, NsNsR NsNsNsNsNsJR NsNsN NsNsNsNsJR {kZg9o{ NsNsNsNsNsNsJR b0a4 NsNsNsNsNsNsNsNsJR NsNsNsNsNsNsNsNsNsNsJR NsNsR NsNsNsNs NsNsJR NsNsNsNsNsNsNsJsJR fLfL^ 4c@B4A4B8B( NsNsNsNsNsNsNsNsJsJSJR !,!4!8!<!@B@A@A4A= NsNsNsNsNsNsJsJsJSJRJR "$B0B8!4CA NsNsNsNsNsJSJSJSJRJSJR "$A4B,A8b8B(e NsNsJs NsJSJRJSJSJSJSJR ! b8b<B4BH 8b4A0 B)J)J1k NsNsNsJRJRJSJRJRJSJRF2 JmNmF+ ! 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Hmmm The story is set in the post-apocalyptic confusion which reigns after a little local nuclear difficulty. Ninety per cent C of the world s population have met with untimely deaths, and the majority of the survivors have turned into asthmatic mutants of the Darth Vader variety; a nice enough place to visit but you wouldn t want to li ve there. Most of these unfortunates seem to have migrated to a small tropical island, where as luck (and the demands of narrative) would have it, your helicopter develops a fault and you are forced to land. AsE well as the understandably irate mutants, you have your first encounter with the evil and deranged General Minh, whose hobbies include laying booby-traps, torturing people and saying Excellent! in Bill and T ed-like appreciation of his grungy handiwork. Things get worse by degrees. You are injured and your only hope of not being turned into stir-fry lies with Kat, the chopper-flying heroine. You are holed up in a cG ontrol room and have to guide Kat through General Minh s secret lair, by means of a rudimentary communications device. You can also see a signal from a video camera mounted on her head and hear her voice. Stree twise games players will soon get the hang of using the aforementioned booby-traps to waste a few mutants and help Kat on her way. The action is a mixture of animation and video, and is the game s strong point.I When you run the game with a 16-bit colour video card at 640 x 480 resolution, it looks impressively realistic and really draws you in to the scenario. Aside from the opulent graphics, however, the gameplay i s sparse. This is doubtless a consequence of the interactive movie format which forces you to watch what is happening on the screen until you reach a decision point and then make a decision based on informatiK on gleaned from General Minh s insane scribblings. The puzzles are not desperately taxing either, especially for more experienced players, which means that the game shouldn t take more than a few hours to compl ete. This is a shame as some trickier puzzles would have worked well with the inspired and often extremely violent video to enhance the value of the game 50 is fairly expensive for just a few hours of gameplM Interactive multimedia games are still in their infancy, but this offering shows the enormous potential that is there. If you want to show your DOS-bound friends the stunning graphics that Windows machines are capable of this is one way to do it, but if the adrenalin rush of a shoot-em-up is what you crave, you may have to wait a little longer until designers work out a way to make interactive movies more involviO Jim Morgan Special requirements PC: 386/33MHz, 256-colour, SVGA display Price Under Contact Gem Distribution 01279 412441 Platform Mac MPC CD-i 3DO )11)) RJB1)1)!9cZRBBZkcJ 1RRJ99RcZB ckckk B91)! )B991)BJJ1 19BBJ 911JB!9cZJBcZcZ )119BB B91!!1) 1RJB9ZRZR )9911J B1)9)!9ZZJBcZ{Z )11))11 91)!)! 1RJB9ZRkR )9911JBR9 B9)!))BcZJBcZ{J !)9RRB9ZRkB !)9911JBJ) JBB9119JcZRBcc{J 9RRJ9ZRkB )1B991BBJ) JcZRBcc{ 9BRJB9ZRk9 1))119 RBRZZ RcZJBcc{J!! BJRB9JRJ RJB9ZRk9 1Zs!k !ZZ9!!1JZJBJJ RBcc{J!) 1J9J9 Z!)11 )BR99 ZRJ9ZRk9!! BBZcc !9B1)199B9BB91JBJ) !ZJ)ccR1ZB9J ZkcZBcc{J)) 1R1B1)Z1) JB!ZcB)R919B RBZZkB)! ZB!Z1k 91!ZZ9!9))19 JBJ)! !cB9 {9ZB9BJRRZccRBkc{J1) s1J919B ZRJBcZkB)! csccR k)9))19 JBB1JBJ)! 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Mick s girlfriend, ace reporter Sue Charlton (again played by Linda Kozlowski, who doesn t actually seem to report anything), becomes embroiled in a Colombian cocaine baron s dreams of respectability, when ex-husband Bob takes incriminating photos of drug-thug Rico and then mails the film to Sue. Rico kidnaps Sue, Mick rescues her, the DEA can t properly protect them, so Mick whiE sks Sue off to the Outback knowing Rico will follow the gladiatorial arena he knows so well. Crocodile Dundee II is slightly more knowing than its pre-decessor, so the humour is not as biting. But for all t hat, it s a good romp and the Aussie scenery is used effectively as a stark contrast to the city. No complaints about the encoding either, there are few visible artefacts even in the numerous fast-action scenesG Barbara Smith Crocodile Dundee II Special Requirements DV cart for CD-i Price 17.99 (inc VAT) Contact Philips Media 0171 911 3000 Director John Cornell Starring Paul Hogan, Linda Kozlowski, Charles DuttonH& Platform VideoCD Encoding Very Good 0JrFO-h .J0N0R R0R0ZRVQR bt^Tf PJ/R0VRVsZ JONPVSVtZ 0VtVtVvZ R3N2^ QRsVtVuV ZuR3RTZ VsVsZuZvZ VuVTZ RtVuV .BP)j VvZwZ VuZw^wb 4VUVuJ25 RsVtZT^v^wb /FrJtFUF RURUE VsVSZTZU^ ZtZTVTZtZt^ VtVSRRVR^ ,JoFNB-FN5 ZTVS9 RVsVsZtVSVRZ pJoFOF0FR5 V4V3ZTV39l QRsVtVtVSRRN ZTJbvM uZvVTR2A V4Z4ZU^UQ RtVtZu^uZTR3R2Zu^ Z4buf VwR5R5VVR RwRVR6R6N R6RVZ RWN5N5RWN6N5I RwRwR RwNWA fwb5= jub35 jwfUY ^uZ3Z3VTZ TfTEl N1NRRtR V5^VV jujur 2^s^sb ^rZQZQZRV1N J1J2RuV RxNWA b4fuv jujTnTntrurunTf RZR^s ZvVURTR4RtV nujUr nvjUj3nTnTnSn QR0Vs^ ZtZt^ ZxVWRTJ3J2J nTj3ruv nvnuj4n3n2j 0NQRRZtV2V2bub ZxZxN4A 1vsvtn r4vvz jSj1e FnFo> 1r1r1n rUvvn BNBO)I n1n3vuz n2rTv JpBO: vVr6n5n fUfuZ3R FpBP>05 r4rUv UjVnVvVr6 r5JrVrwrVjUjVb5Z5R3Z jvjVjUnUv n2rTv vwvvv n4n4f b5^6ZUf nwn5n5n3j 1nSn2n n2rSn3i n2rTz vvrvnTj bW^wf vtrsa SntnRn1n2r3rTr4n vvvvv rvnTj sjtj1n1r2vSr4n2 xn3vvv runSj2j sf2j1rSvTr2j nsnSj 1jSntrSi rtrSrTrSn uVuNTB Qnsn2i vusrtv vsr2a 2R3N4NUR vtvtrSrRrrrRj f5jVnvnVj5f 3RURwV nQvsrSrSn2e QztzvrTY nSnS^ b5f5b j5n5f vtrSrSrt] f6f6a vun3U vurt] RZ2=n /j1nSrtv rtnSY rsnRf 0nRrsrsrRn2j n1nRnQn1j uf2Mj 4nvf4] RSVtE UZT5L j0n1j0j V4Z5^4b n0n0j0j1b 6^V^3b n0n1j1f1a 4bTf1j1n1j1j UftjSj rtfTQ nRj1a 4jubS= VwRuJ j0j0Y VUN3I w^VZU( ^uR3I n0n1n ^6Z6V 4^5^5Y n1n0i b5^6Z nU nTntntrtrTn3n2n2j rS$r1n Z3Z3M 2j4nUnUrunT nTntrTrT nT'n3r3vSrSr2n bv^TQ rS8nTn3n3n2n2n 6N49l n3rTruvTvT rS4r3rRr1n r2vtz n3rUrv rururTrSrRrRrSrRn1n 2^t=l n1rRz rTrUrurunTnS j1nrv n2nTrTnTn3n2 tR21J f0jSr nUrvz 3n3n3r2r2r1r1 rQ*r0n f0jRntv n2r2r2rRrRr1n1n0n0rQnQn f0jQr r1>n1n n1rRr1n 0r1r1 .r1r2 rRr0m nQnSruz r3vSvSr2r /jRnTruv rwnvZ 0j2nSruv n2nTr jRnsr 0jSrtv 1jSrtv jRntrtntr 4^UZ4M f2f2jSnur R3R3N jVfVfvI B4B4B F4J4J5J5F JTJtJtB NTRuR Also-ran Alter Alter-egos Alterations Altered Altering Alternate Alternately Alternates Alternative Alternatively Alternatives Alters Although Amaya Amazing Kozlowski Kraken Krays Krellans Krisalis Krispies Kristin Kriwaczek Kroll Kruger Krynn Krypton Kudos Kung-fu Kurosawa Kursk Kurtz Ky-aaaa Kylie L'elisir L'improvviso Lacking Lacklustre Lacks $49.95G#Ehrlich Multimedia 001 201 307 8866H Young ChildrenJ Cyberia The adventure sections seem more like 'walky-round bits', but dismiss this game at your peril On the surface, Interplay s Cyberia looks like just another CD-ROM-based action game with gorgeous 3D pre-rendered er had. Sharon, Lois and Bram are the US equivalent of Rod, Jane and Freddy out of Rainbow. Much jazzier than our dungareed equivalents, the US trio smile, dance and sing their way through life in a way that wiC ll cause most grown ups to lose their lunch. Unfortunately, kids love them. Aimed at three- to six-year-olds, CyberBoogie lets kids create musicals from a pre-defined set of characters, sets, songs and props. T hough it may teach your child a few mouse skills and creative assemblage, there isn t much educational worth in this CD. It s played strictly for fun. And with this simple aim in mind, Cyberboogie is well-suiteE d to its target audience. The screens are visually interesting, the buttons large and colourful, the songs are lively (read nauseating if you are over five years of age) and kids love it. Once you ve found the instructions for installation (in a readme file on the CD rather than in the manual), CyberBoogie leaps to a cartoon stage with a remarkably rhymic elephant dancing to Sharon, Lois and Bram s Skinnamarink songG The cheery trio act as guides through the main menu area telling kids what to click on and how to do things. With another dancing elephant, a very bad joke and a live audience Sharon, Lois and Bram then in troduce themselves, their songs and the concept of musicals to kids. The trio also take part in an excellent Learn How to Make Shows area where the mouse pointer moves around the screen and helps kids find thI eir way around. From thereon, kids can either create their own shows or play and edit one of the ten shows bundled on the CD. The main creative area of CyberBoogie looks like a traditional stage with the curta in lowered. Four toolbars surround the stage on all sides and provide single-click access to backgrounds (15 of them from a bathroom to a train station), 10 songs, 20 Wacky Things and five characters. Wacky ThiK ngs include everything from a dancing toilet, a toothpaste tube with a snake inside to a dancing cactus, while the characters, or Animates as they re known, include Rosa the giraffe and Agnes the cow. To put o n a show, all the producer has to do is combine the elements, choreograph the characters and then record the show to the hard disc using standard VCR-type controls. s not all plain sailing with Cyberboogie.M The package is power hungry and it s probably not a good idea to run it on a PC with less than 8Mb of RAM. And while Sharon, Lois and Bram help kids along the way, the help menu itself leaves a lot to be desir ed. Hidden away on a two-sided toolbar, with an awful colour combination and 10 point text, the help is designed for adults and kids don t stand a chance. CyberBoogie is one of those programs that needs to be sO een to be believed. It s full of fun, colour, music and interesting noises. A mere review and a few pictures don t do it justice. It is virtually guaranteed to challenge and entertain your children, but like b uying them a tin drum for Christmas, it may also take its toll on your sanity. Don t say you haven t been warned. Avril Williams CyberBoogie Requires 486SX 8M RAM Price $49.95 Contact Ehrlich Multimedia 001QH 201 307 8866 Category Entertainment/Education Platform MAC MPC CD-i 3DO bsbss9 sfsfsbsfsjs rsnsY RbRbsf snsnsrrnsnsfsbs bsjr] 0btbsb SbsfsfsbD sfrEN jsnsjrfRb2Y sbsbS bsbRIn vsvrz bSbSbs fs jsjRb sfsfs b2fsfsbs fsfsj bsnsfRQ vQvrnsT vsvsf vsvsvrv RnR=- bsn0Q sbsfsfsbSfsnQf2n nsfR^ bsbsfsbsfs rQrqv bsnrMM RbsfsfsbsjsIN jsfsnQm bsnsU Rfsfsbsbsjs= bsbSbsbs nrrRf2e sbsbsfsbsfR=/ sfsfsf bsfsbRbRfsnsnsvPv nRjrbRU bsbsb b2bsfs snsns^ QfRbsbsb r0rpi 2^2bs bsbsfRM RbsbSfsfR9 jNj-b fs2bR:65 RfREM sfsbsfsj19 UNVNVNUNvR -noQ)R fs3bR^T:XO 2^R^Rfrj19 frZU:XF >X:7:T W:X>X:X>X>X:7: j1jrf brbsbS^SbRf frRU67>WN :7:W: jrjRfRn1v0fRY (%(%< F,F8fL bSFVB :W:W: :W6767_0 U0'(E(%A z>6,F(%8fT >X>X:X:X>X>x1 sbsfsbsfsAM R3N4R3^/$ (%(%A ,F(%8fT jrJw>y:7 sbsfsbsnsEn ,F(%8f ^2bsfsbsbSjsFV67 sbsfsbsjsIn 4N4N4NU^ 0G(%(%A ,F(%8fX tbsfsbsfsIn 67>xO (%(%A ,F(%8fT 67:7k. 0jsb2f^ j2nRFW:7 fsfsbsfsIn (%(%A ,F(%4fT v:767V bsfsbsjsIn :7:7_ (%(%A ,F(%8fT >7:767F bSbt:7 BX>X:W S^RbR^RnsIn 4Vwg; (%(%A ,F(%8fT bSbt:7 Bx:7>W>W:7:7>W>W :W:W>X: 6h&lF.A (%(%A ,F(%<g\ bSbt:7 :W+:7F BXBx>X:W:W>X6 f2rsE, (%(%A ,F(%< n-vrq bSbt:7 :W%:7BXV 7:W>X: vPN30 (%(%A ,F(%< bSbt:7 :7:W>X: ,.g6Km (%(%=o bSbt:7 :7$>X>WBxJ :7:W>X: sbsfsbsjR< ,f,f,F(%< r.rPq >W67BwoL bSbt:7 :W,:7BxV Bx67F BX>X>WJ :7:W>X: sbsfsbsjQ8 *iJ'2I j.i>$ vQn.n (%,F,E(%,E,F(E< /r/v/r.r bSbt:7 :W,:7Fx_ Bx:7>W:W>X5 sbsfsbsjQ8 c.F:H6 .vpvqr bSbt:7 :W,:7BXR >W:W:W>X5 sbsfsbsjQ8 nm,F,E >C6kQP cBLaM bSbt:7 >W%>XBXF :7:W>X1 fsbsjQ8 67:7>W>X>W>W>XFxBxF Bx>W:W:W:X5 sbsfsbsnQ8 rpvMv :K6l:NA sbsfsbsnQel r.vOvqr nMrOv/m sfsfsftr0m' r/r/rqr qr/vqnMrOr r/vPrqr r.vrn ,F7(%< nsj0T bsfsjs Sfsfsbsfsjs :7>xS bsbt] ,F (%< Sfsfsbsfsjs fsft] sfsfsbsfsjs :7>WN fsfta LEH$P sfsfsbsfsjs :7BWN >W:WN fsfs] n*Lg(% sfsfsbsfsjs :7>WFW>7:7F >W>X1r fsfsR11 sfsfsbsfsjs JX>W:7B x:7>X1r fsfsN15 LELePdT sfsbrbrfrn >WFWBW:7B :7:W>X1r fsfsB sZ3V3V3Z3Z4:6 >WBW:7>XS :7:W:W>X1r fsfsB WRWNWV WF6:7 :7>WO fs^R9 fsVR9 fsN05 ZwVwVwJ7:6 VwRW> g0f4g4F0F@f VvNVFV FW BWBVBW>W>WN :7:W:W VwVWZxZ R6fRnsrr rrnRzrvQY nsrsnsntjtntjtftftVuV4Z3ZUVvZvR VwVxA 2^2bRfsfrfrfsfs vrvRe rvQeH VvN6J bsnQI- bsbSbSbsfsfsY bSbRbSF bsjQI- bsbsnsM vPvQe) VxR4bR bsb1Im bsfsEN (i0h@ VwN6E bsfRM bsjsIN 0i4h@ I,h@ bsfRQ bsfsAN I0h8 E2)I' <e@ETDT RWVwZ ZxZwR bsfRMo bsfsI i4j(i G$h0i,h$I4 0h,h8 ,h(i$I,i,hL d*iM& ZwVx^ bsnsA- 4h0h4h(HU) d.IM' VxVxf bsjrIM (k4K< 0g(iL d*HMj d*IAH bsfrEM Mr/eI c*hM& 2VvZxVx^ ^1fsfsEM 0h0hD c.IMi ZwZwZ VR^1jsIM ,h0h@ 4h )e c:)]J ZwVxf sfsfsbsA d2)]k ZxZxf ^1fsIn sfsfs^R9 0h,hL ZwVVb sfsfsVQ9 (i,hH ,h((Mm E*'=H ^S^R^S^R=- nRM9i rPrQrQr jqfr^ ^R^RbR^rb WZxZxn ZR^rr D"G"F BN/ROb 0h,h0h< vPv/q F/VsM 4f4f0 bsb1^1bSM fsBfRbRbRM QNPVSb RrJ/j $g4h< ZuN49 4JD(=q n-nps VRJ0Vsf PRQs; 4R4VuZ >oJpZ SN09k VsVsZt-) 5NUJ58 8G4jH c6Kg9 RqVss <k<lI @e8gH J0Zsb N0Rr_ 3DE8hH ZSVSZtb 4H0i@ RRJ/N VSVSN R5VwRUN R3R2j UVxRUR V4R3RSk RRR2o 8g8f< 4VVVVVwR4$ BQRrw 8m0LL SVSR2I VVVWVxZ @i8jH <h8i4I` O>/B.= 5VVVVV4R ^rZRV0M ZsVRR0R0E 0R0N2V @i4j4i< VsVsRQR0I R0RRV ,I4g4g@ 1V11) ZsVSVsVsRrVrR1I VQZsZ B2>3>UA ZsV1M R0R0R1RRZs 1RRRQb Vs/ZSZRR V2V1^Q^sb 4G<fT NsVsZ ZtV3ZTZ2^ 3bSbsfsbsfs j4g<f` RRVrb Rs(N1N $K$+E/ $)4i4hP <iDh\ VsN1N 0k@k8 bsbsb 8h,J,K4 RsRsNRNRR1R V1VRV2Zsb 4$l(+4 bs(^S< <EDDHDP fsbs9 RRNRJ V1ZSZ2^tf bRbSbs^sbSbRbSbsbs^sbRb VsVRVQVRVQR R1Z1^sb bsbSbsbs^t VsVRV ZSbtf bs$=P bS$bsbSbsf ZsR1Q ZRVS^ bs.fsf VsVsRS RQR1N RSVtV bsbsbS bs fsf VtV3V ^tV2Q VSNRZ VsR1R N2VSV VsVSV N1N1N N2N2V ^rZ1M ^sZsVRR2E ZsZs^ ZtRSJ "g.j&g&H% .j&g" 2mB51 V V Q V V Q JjIjifIf)f)jIf)Mi .R-fIw+ b'^'ff=i ZJfi^k Z+Z+ZK^kf ^j^Iv bj^'- MR-R-RM R- N-) RMR-R.R-RNRM R.R-R-1J N-N-R- R-N-N-R- Targeted Targets Tarmac Tarot Tarrant Tarrant's Tarrantino Tarted Tarty Taxpayers Taylor Tchorniye Teach Teacher Teachers Teaches Teaching Teacup Teams Teaparty Technical Technically Technique Techniques Techno Techno-weasel Thang Thank Thankfully Thanks Do-it-yourself Do-not-try-this-sort Doasys Docking Dockside Doctor Doctor's Doctored Documentaries Documentary Documentation Documents Doddle Dodge Dodges Dodging Dodgy Sinister Sirens Sirtis Sister Sisters Sistine Sitcom Sites Sitting Slapstick Slattery Slaughter Slaves Slayer Sleeping Sleeve Sleeves Slice Slick Slicks Slide Slider Slides Producer Producer's Producers Produces Producing Product Progenitor Program Program/learning Programme Programmers Programmes Programming Colour Colour-coded Colour-in Colour-it-in Coloured Colourful uring Colouring-in Colourings Colourist Colours Coltrane Coltrane's Columbia Columbo Columbus Column Columnist Comanche Combat Combat-free Combat/strategy 90-second 90mhz 93/94 49.99G Interplay 01235 821666H GamesJ 4R Under 50[ Under Cyberwar Has SCI learned its lessons from the Lawnmower Man fiasco? Is the Pope an Internet surfer? If computer games really are the rock roll of the 90s, then the collection of games which constitute Cyberwar are t graphics and precious little gameplay. But to dismiss it as such would be doing the game a grave injustice. Admittedly, our first impressions weren t good. The adventure sections, or walky-round bits, look C superb but are so simplistic in terms of gameplay they will insult the intelligence of anyone with even a smidgeon of grey matter. There s just so much tedious walking around, don t these guys realise that we w ant action? The puzzles in this section fall into two categories: those which require a modicum of thought a typical puzzle requires you to work out a colour code sequence before the time runs out and arcadE e sections which require plain old keyboard or joystick dexterity. Many of these latter sections boil down to the relatively simple task of shooting rooms full of enemies, although for some reason they usually have to be shot in some sort of order. Much better, though, are the bits where you have to jump through a spiked fan. Let s just say this is not for the squeamish. Well, not if you don t succeed in getting throG ugh, anyway. Although the puzzles do vary throughout the game and become undeniably harder as you progress on their own these sections are little better, although definitely some improvement, on those found in SCI s Cyberwar (reviewed on page 83). Cyberia, however, has an ace up its sleeve, and it s enough to turn a strictly average game into a rather good one. For the second type of sub-game in Cyberia sees our I hero take to the skies and fly around in a spaceship shooting things Rebel Assault-style. These action sections look absolutely amazing with stunning pre-rendered landscapes and enemies. Granted, you don t so m uch fly the ship around as sit in it and move the crosshair onto what you want to kill (yes, this is one of those games that is on the rails ), but it s been done so brilliantly that it s easy to forgive the iK nherent flaws in this type of game. The atmosphere created by the gorgeous graphics (including some great cut-sequences), mixed with good sound effects and an excellent soundtrack from Thomas Dolby, make it so exciting you just won t give a hoot whether or not it s truly interactive . In short, if you liked Rebel Assault, you ll love the battles in Cyberia. Besides, you can always pretend you re Luke Skywalker. CybeM ria is a strange mixture of styles, and we have a feeling that few will initially like all of the sections. However, as a whole it definitely grows on you there s enough variation to keep it interesting over long periods and the excellent arcade sections more than make up for all the walking around you have to do. Not the greatest game in the world then, but certainly one of the best of its type, and definitely preO ferable to that game on page 83. Chris Anderson Cyberia Requires 486 DX recommended Price 49.99 (inc VAT) Contact Interplay 01235 821666 Platform MAC MPC CD-i 3DO JWJ7F *z&6.y" *Y*8O .y*y*X*X*8&7*y: 2Y.Y" F>79r .y*y*Y*y*X*y6 .Y&X.y2y.Y*y. 6z&82 *8*y.Y*Y&8! .y*x6 *X&X*z*W "6.y. &8&X*y&8&Y Y.z*Y*X*y*Y*Y *8.y2 *Y*X*y*y" *Y*y2 Y*8.y *Y*x* *X*W*V*V .P&2&3*Q.O*1&W*U.P.r&/&3 &4&T*T&4 3*V*W* *V*6*V" H6y&6S; &8*X&7 &8&V! *X&8&7 V*X&7&X*V&5&5 "8&8"8! &X*x" 7*7&7&7" *x"7" *8&8&X *8&8" *72y&X&7&8 +.L&,% P.Q.q6 *W*X*X *W.x! 5*W&7 .12u> 467:xF .P2o6 :n6O2M**% !:-_z D64_< .72W* 2W.72W272W2W.7) *52W2W.W2X2W2W2X2X2U2V) FMJp1 2W2W.V2W2W2X2W2W2V*3& .V6X.5*3.U2x2W*5* FXBx>XN 272X.6% 6x2V* 2K6l:l%f .5.W2W2W* 2826*3% 2+2p> .62W2W.5* +2l2M6o6 /&-*.*.*/*RK k272W2W& W2W.U! X.U*4& B8>8: 676827. A>+!& 0:0>P:K% 2.R.s f:v[{ J7J6!( B2Isz KJS-m Suchlike Sucked Suddenly Suede Suffer Suffered Sufferer Suffers Suffice Sufficiently Sugar Suggest Suggested Suggestions Suggests Suicide Suitable Suitably Suits Sullivan Sultan's Sumerians Summarise Summary Summer Summertime Summon Sumptuous Sun-cream Sunday Sunglasses-wearing Weren't Werewolf Werner Wernher Werther Wesley Wesson Western Westwood Wet-nosed Wetland Whacks Whale Whale's Whales Wham-bang-thank-you 59.95G 0171 585 3308H GamesJ Over Over Cyclemania Beat your opponents, avoid the cars, trucks, animals and oil slicks and speed your way into racing s hall of fame Poor old Accolade. When we first saw this game some eight months ago, there was nothing else li he equivalent of the tunes which weren t quite good enough for the 1973 Eurovision Song Contest. Only less entertaining. After completely screwing-up the computer-game licence of The Lawnmower Man, SCI has takeC n another stab with a sequel. Sadly, it appears the company hasn t learnt a great deal in the past year. The graphics are much improved and the soundtrack is very good, but where s the gameplay? Cyberwar consis ts of a number of small games spread over three discs. The order in which you complete the games on each level is largely left up to the user, which does at least provide some variation. The problem is that virE tually all the games are duds: shoot the baddies as they appear behind one of three doors; make your way between two platforms by working out a colour and shape sequence (ripped straight out of The Adventure Ga me); move the joystick occasionally as you fly through a pre-rendered cavern; select an exit from a maze within 10 seconds; kill your opponent by selecting an angle and strength of shot.... you get the point. CG yberwar looks state-of-the-art, but beneath the glossy exterior it s obvious that this game could have been written 10 years ago. SCI has tried to disguise the inadequacies by throwing it into an in-yer-face lu minous orange box. You also get a long-sleeve T-shirt and an audio CD of music from the game. But none of this makes Cyberwar worth the 60 asking price. s tempting to say that this is one of those games to I show off to your friends, but it isn t. Take it from me, no matter how computer-ignorant your chums may be, they ll be more impressed with a great-looking game that plays as well as it looks. Warren Chrismas Cyberwar Price 59.95 (inc VAT) Contact Sales Curve Interactive 0171 585 3308 Platform MAC MPC CD-i 3DO 4bH"L H"<A4b, 0c4b4b@A8b0c, 4b4b, 4b4b, 4b4b0 4b4b0c 8B8b<B<A8b8b4b<B <B<A@A<AL 4b4b<AH 8b4b, 4b4b<A4b 0c4b, 8b8b<A<B@A<A<B8b<B 4b8b@!D @A<B4b4b( 0c0c4b( 4c4b, 4b0c0 0c4b, 0c0c( 0c4b0 <A<A@!<B <A@A<AT 4b8b8b 4bP0c4 8b0"4 0c0b0c0c4b4b0c, 0c0c4b4b, 4b8b, 4b0c0 0c0c, 4b0c( 4b4b, 4b0c4b0 0b0c( 4b4b0c 4b0c4b, 4b4b0B<bL ,c4b, 0c0c4b, 4b4b, 4b0c4b0 4b4b0 0c0c0 0c0c4b4b0 0c4b0c4b4b0c 4b 8b8b4b4b8b4c<B<B4b<A <A@!T 4b%0b4BDbY 0b4b4b, 4b4b, 0c0c4b0c0 0b0c4b0 4b 4c<A4b4b<B8b<A@!8B<A 4b)@c\ 0c0c4b4b, 0c4b0 4b4b0c0 4b4b, 4b0c0c4b4b0c4b0c 4b 8b4b8b@A8b8b8B8b<B<A 4b%,c< 8b8B<B4b4b<A<B4b@A8b4b4b@!8b<A<B<A@A4b 8B<A@A@A<A<A<B<A @!@!L LCX$` 4b&0bL ! BmC 8b4b4b8b8b4b8b4b8b4b8b<A8B8B <A<B@A8b<A <B@A8B4c<A@A<A8b4b<B@A<B<A8B P$P#d @DT$d *4b4b0b< 4b 4c<A<A8b8B4b4b<A8b4b <A8B<A<A8b8B 8b<BL 8b<A@A@A<B8B4b<B@A@A8B8b @$@#d H#\%X H"L#d +4b4b4 8b8B<A4b8b8b8B4b 4b8b<B8b <A8B<B8b<A8B<A 8b@!<A8b4b<A @A8b0b@! "(BL#d 44b4b c0c4b4b8b8b<A<A@A@A8b <A<A8B@A@A8b<B@!@A4b4b8b4b8b<A@A8b8b<B <A@A@A<B<A<A<B@! -<b$b 8B<A8b@A<B <B<B<A<A@A8b<B<B@A@A<A @!@AD!@! <B4b<A<A8B<A@A8b@A<A <A@A<B<B D!@!D!<A@!D!@!D!@!D 8b<A<A8b<B <B@A<B <B@A@A<B<B @!@!@A @A@A<A<A <A@A<A D!D!H `n@=D @!@!D"H j =# @!D!<A @!@A<A@!H <AD!@!@! @!D!D!D B@B@!@A@! D!D!@! @!<A@! @A @!D @!D!@A@!@!D @!D!@A@A@!D!@!D!@A<A@!@!H c<B@!@A@! @A@A@!D!@!D @!@AD! @A@A@!@! @A@!@!@AD @AD!@A@!@!@A@! c8BD!@!@!@AD!D @A@!<A @!@!@AD @A@A@!@!D!@!@A<A D!<A@A<AD D!D!H @!@!D!@! @!D!H D!@!D!D @!@!@A@!D!D @!D!D D!@A@!D @!D!@!@AD D!@!D!@!D D!@!D @!D!D ",C("$"(",#H$d L$4#0#< \#DC A #<C\ X$@#, PBP#HCHaP @cP"4 vJiI HDL$X (zHv)q "(CD"@#4c8BL HaLB\ LBHbL ("4#(! 8C,C0c, H"D#` *PBDb< <b0cX b,cH# cX 8CL#d 4bDaT#d $"4C0bP H#0D c @C(B c P$L#T nZ--) Nv.vNvNv.v Ov.v.r.q +r-r-j /vOrOvPvPr.i vovNv N~-ai ~F~gzhq zNz.z-z+z,v-z z+~l~km E~$~$~h~G~F~G~g~ zjv'~ ~h~G~ Some-thing Somebody Somebody's Somehow Someone Disguise Disguised Disgust Disheartening Dishes Dishing Disillusioned Disintegrate Disinterest Disjointed ispersal Display Displayed Displaying Displays Disposal Dispose Disputed Disrespect Disrupt Impressed Impresses Impression Impressionism Impressions Impressive Impressive-looking 40D and underG Accolade 001 408 985 1700H GamesJ 4R Under 40[ Under Daedalus Encounter Whoop, whoop, whoop, interactive movie alert. But it's got Tia Carrere in - coorghhh! s 2135 (that s the year 2135, not twenty-five to ten), and you, Casey O Bannon, are a gunner in a space fighter. There y ke it. A fast-paced motorbike racing game with realistic graphics? Wow this was going to be good. Since then, however, the world has seen the launch of the 3DO version of Road Rash from Electronic Arts turnC back a few pages if you haven t. Sadly, Road Rash beats Cyclemania hands down in virtually every department, except one: the former is on the 3DO a machine which few people currently have, whereas Cyclemania is for the mass-market multimedia PC which is a platform starved of decent CD-ROM racing games. In Cyclemania, each of the five race tracks has been digitised. The graphics are streamed off the CD as you raceE (the frame rate adjusts to give a strong feeling of acceleration and deceleration) with the sprites of the bikes and various other objects overlaid. The backgrounds look great static screenshots don t do the m justice, but the rest of the graphics are a bit of a let down. The bikes, for example, have a digitised feel, but they don t fit in perfectly with the feel of the scenery graphics, and the text is overwrittenG in an appalling typeface. There are three modes of play a quick game which throws you straight in at the deep end, a single race game and a full-blown championship. In each of these you get to choose the bik e, the distance of the race, and whether the bike has automatic or manual gears. In the championship, you race each of the five circuits, gaining points and money depending on your final positions. The cash canI be spent in the shop on shocks, tyres, exhaust or engine. Each lap is timed, and a points tally collated. This can be increased by knocking off any of the five opposing riders. Don t expect any Road Rash-style fighting here, though, you can only bump them (if you re careful). You do, however, have an array of obstacles to avoid, including a variety of cars and trucks which travel in both directions, some animals andK the obligatory oil on the track. There are even helicopters and planes which fly overhead in an attempt to put you off. Hit any of the hazards and you ll crash, losing precious energy. Although you do get some health restored as you complete each lap, it can be heavy going staying alive so maintaining your health is an essential part of the game. Still, the opponents also have their health to worry about too, so donM t be surprised to see them drop out of the race. As I have said, this game can t match Road Rash on the 3DO. The presentation isn t nearly as good for a start, despite some nicely rendered scenes and some exce llent sound effects. But gameplay-wise (and let s face it, this is what really counts) it isn t really that far behind. The bike control and animation are excellent, with just a few minor letdowns, and despite O less emphasis being placed on violence, Cyclemania is still capable of generating a fair bit of excitement. As a result, it s a lot of fun to play. Warren Chrismas Cyclemania Price 40 and under Contact AccolP.ade 001 408 985 1700 Platform MAC MPC CD-i 3DO JLJP> J1F2> @J`NA9 F1F1JRNsNRB N@J@J$F F5B5B F1F1JsNsJRB J@J"J@J@J@5 N@J@JAF1F7F5V F1F1JQJ0J0F0F R`J@J@J@J@N`J@J@J@A F7JVNUb F1FQNPJ NONOJ/J/F/ N`J@J@J@J@J@J@J R`J@J@J@J@J@N`9 Z*^J^JbKg bJ^*^*^+Z,Z R+R,Z,Z ZKfJfkV J@J@N`J@J@J@J@1d =g=g=g^ .jlflfl^LZ,R,I V ^*^*b*b)f fj^*Z ^*^*f)f J@J@A F J@J@J@N`9 R,Z-V-V,R, Z Z fjr N`J`%$5 N`J@N`J@N`F! V,bmn fL^L% V Z Z*Z Z V V V Z b*jJnjv N`F 1b F1JR= Z*bJbJfJjknknlfJb*b*b*b*f*nkr nkjKfKfKj jkjkfJfJfJjkjkn nkjkn N`J`-C{ -blZnZ-N V,blj V V V Z Z bJbJjKnknkr .bLZLR,V ^MbKfJfJfjbK)' )Z*Z fJfKfJjjr -nkflflbl^KZ+Z ^*^*bKbKfKj JRNQV Z*^*fkfkjkn R R V V*R)Z*bKbKfkj NRNt^ rdbGVKb ^*Z*Z*V+N Z*^J^*^*^KbKflf blVL^Lbl^Lblj bL^mf F-J-c R+V,R+V+V+Z*^KblZLV,V,V,VLN,J R,ZlVlZlR,RL^ ^lVMVMVMVMVMZm^m^m^ RoNMRLR, N,N,R,RLRLVLVLVLVLVLVLVMVMVMVMVM^l^ s0s0{P{P{Q{Q{Q N+R,R,R,V,VLVLZLVLZLZLZL^L^L^L^LbLblf fmfmj jKfKjln b(rdz fIbJ^*Z bKfJfJfkbJZ E V*V*V V*Z*^*Z*V Z*bJ^*fKbLZ+^+Z+^+bKfkbKflfKfkn flflj fljkn N`J@J@= J@J@N`N`J@N`N`R V V *V V Kb+^+fKjkfkfkbJbJ bK^+^+bK JfjjjfkfkjJjkj VtNSNRV J@J@J@N`J@J@F@F!B J"F"A V Z Z Z V U bKb*^ bJbKbKjkjjf J@J@J@J@J@F@J@bG cF1J19 b)b)fIfI^) bJbIjIjJjjjjjjr jjjknkn @J@J@J@J@NBnh~ ^)^*Z*^)f)bI^)fIjJjjjjbIbJjIririnjjIjJjJfIfifIfIfIfIbI jinijijIfIjIjJrirjr !J@J@J@F"j Z ^)^*fJfJfjfJjIjiniv nkfJbI^(U Z Z)b)b(b)jIjIniz rIririr njriviviz R@N@F& b(b(b)b f)f(b( f)f(nIj)f j)vivinInIv rinIr Td\@f R`J@JA%M NsNrZ b(f(f(jHnHrirIririv F J@F b(f)fIjir J!F F J@J# f)f)fHjIjIniv riririnijInIn)rIriv vivi~ nininiriv N@F J`J J cNsJs> f(b(b(f(^ (f(jIjIjIb(Z vijIf(f)jIf(^ b(f)f)f(j(=g N F@J@J@N`N`B SRuNuF12 5jZNN.NORPRQRrJsNsRtNt5G b(b(Z b(jHnijiz N"J@J@J@N@N` NsF2B4!o JsJsJsJRJRJRJQF ^(b(jHZ- ririviz lJ#F@F@B C)JF1-k jDb)a rinInInInIviz rivirHZ+ ^onIZrfJv nInIriviz rininInHn nijIjIjI ririnIjIj(V R.^NZOf)Zrb*nH^ N.j(b)^ ^)RrE f)jIninHnHnHb(b f)f)b)b)^ b)b)f(V R.ZNVOb)Vr^ j(^ N.b(^ nHnhrirjn jkbKfl^ RsF1J0NONPNQNR J0J1F Ns)*) 1NsNsNsNsNsR ]j\c` ladbT N.VMVOb j'^pR.b(^)Z Z N,N-N % J1F NRNs= NsNsNsNsNsNsNs% MGU&Y !EIAJ N.V.NOR*NQN 1J1JRJRNs)J F1F1J1B F1NsJR -&-&-&-&-&1&1&1%= V Z Z JRNsR JRJSNsNsNs -&-&-& VRV1N ZRZRE Accompanied Accompanies Accompaniment Accompany Accompanying Accomplices Accomplished Accord According Accordingly Accountancy Accountant Accounted Accounts Acculturated Accumulated Accumulating Backgrounds Backing Backs Backspin Backstage Backstep Backtrack Backup Backward Backwards People People's Peoples Peppered Peppers Perception Perchance Percussion Perennial Perfect Perfectly Perform Massed Massenet Masses Massive Massively Mastaba Master Masterson Mastroianni Match Matched Matches Matching Material Materialise Materials Mates Mathematical Maths Matilda Mating Matriarchy Matrix Matter Bumper Bumph Bumps Bumpy Bunch Bundle Bundled Bungee Burford Burger Burgers Burgess Buried Burning Burns Burnt-out Burst Bursting Buses Bush's Business Buster Busytown Obvious Obviously Occasion Occasional Occasionally urring Ocean Ocean's Oceania Oceanographic Oceans October Oddball Oddbins Neatly Nebula Necessarily Necessary Needed Needing Needless Needs Nefarious Negative Neglected Negotiating Neighbour Neilsen Neither Nelson Neolithic Neon-lit Nephew Nero's Nerve-jangling Nerve-racking Nerves Nervous Nesbitt Nessun Excitement Exciting Exclamation Excluding Exclusive Exclusively Execute Executed Execution Executive Exemplary Exercise Exercise/weight Exercises Exercising Exhaust Exhausted Exhibit Exhibiting Exhibition Exhibits Exhilarating Exile Exiles Exist 204204 211456 232200 23431 240050 44.99G Virgin 0181 960 2255H Games 3R Under 50[ Under Dandy Dinosaurs The only similarity between this disc and the others reviewed here is that it features dinosaurs. Dandy Dinosaurs is a Max The Dragon interactive CD storybook and is aimed squarely at children aged three to nin ou are, cruising through space with your chums Ari (who s played by Tia Carrere, the babe interest from Wayne s World) and Zack (who isn t). You re entertaining them with sophisticated low-gravity jokes involC ving bodily fluids, when suddenly, before you have the chance to tuck everything away, you re attacked by enemy ships. What with one thing and another, your marksmanship isn t what it might be. The Vakkars hit your ship and you re all forced to eject unfortunately, you eject straight into the path of a chunk of flying spaceship When you regain consciousness, your health seems to have taken a turn for the worse. YoE u don t seem to have any legs. Or arms. Or, for that matter, any ears, nostrils, nipples, eyes or skin. In fact, all that s left of you is a brain. In a box. Still, look on the bright side. At least you don ave a headache. The war s over. Ari (who, interestingly, is played by Tia Carrere from Wayne s World) and Zack (who isn t) have stolen you from the lab where you were being held, in the belief that you will be G better off joining them in their new career as intergalactic salvage merchants. You don t seem to mind, but you have little say in the matter mainly because you don t have any lips. What you do have is the a forementioned brain-in-a-barrel arrangement, along with a over which you have remote control, and which you re supposed to utilise to solve the problems that will appear during the game. Off you all go, aI nyway, in your new-found careers. Unfortunately, no sooner do you set underway (with a brief training mission to get you accustomed to the controls), when your ship crashes into, and becomes hopelessly entangle d with, a huge organic ship. This ship is heading straight for a binary star s corona. The only way to save yourselves is to board the ship and alter its course. You don t know what s on the ship, but there fairly good chance it won t be friendly. By now the game s well and truly under way. It s just a matter of recognising the fact. Because this, unfortunately, is one of those much despised, new-fangled intera ctive movies . To most people, interactive movie is already synonymous with crap game , and it has to be said rightly so. And I have to say right now that this is probably the most interactive movie ve seen for some time. What does it mean to be on the receiving end of an interactive movie? In this case, it means sitting in front of the monitor for several minutes at a time, watching a QuickTime movie, wit h nothing whatsoever to do. You have control of your pod: if you watch the movie in reduced view, you have a range of commands to click on; watch it in full view and you have keyboard shortcuts, but no on-scrO een indication of what you ve done. But neither keyboard press nor icon-click work unless the game situation demands it, and in fact you can t actually do anything until you re told to. The pod flies about of i ts own accord, framing the action and appearing in the background. You can t even shoot anything when you re bored, because your laser is deactivated until the moment you need it. So there you sit, watching twoQ actors (one of whom, interestingly, is played by Tia Carrere from Wayne s World) pretending to interact with computer effects, wasting precious, hours of your life which you could more profitably have spent, w ell, sleeping or something. Occasionally you re presented with a single-screen, spatial reasoning problem to solve, or something to shoot with your laser. What I found annoying was the abstract nature of the puS zzles: they re like puzzles looking for a game. Admittedly, they are tied in to a certain extent; upon completion, they open doors into the next section of acting, and so on. But they re not an end in themselve s, as in, say, Myst, or Return to Zork. They re more like the ones in The 7th Guest, sitting uncomfortably on top of the action. A typical puzzle entails completing an electrical circuit, linking four slots on U the outside of a board measuring nine connectors across by seven down. Almost all of the connectors are right-angled, and they only revolve clockwise. Another involves rearranging a set of hexagons to open a do or. Others, like the one where you have to search through about 60 pods in a huge room to shoot an alien and find an orb, are simply trials of patience. This game makes three assumptions: one is that you ll soW mehow know what you should do in any given (blank, unspecified) situation the second is that when you realise how little there actually is to do, you ll want to persevere. An awful lot of time, money and talen t has been spent on this game as we re repeatedly told in the promo video, it s basically one long special effects film. Graphically, it s outstanding, which is why it s got the score it has. And it has to beY said that overall, even the script and the acting are bearable. If they d used the same material to make something like one of the LucasArts adventures, with puzzles a little more in keeping with the game, the d be on to a winner. Instead, the acting stops every now and then and a few logic puzzles appear in front of you. And bear in mind that even to run it effectively, you ll need a Pentium or PowerMac. The basi[ c spec for a Mac is a 68040 processor, but we couldn t run the game on a Quadra 840AV without considerable break-up on the dialogue. As for the basic PC and Mac requirements, take a look for yourself. Certainly , the performance of the 3DO version, due later this month from Panasonic, could be very interesting. Anyway, have I mentioned that Tia Carrere, the woman from Wayne s World, is in it? Good, because that s the ] third assumption the game makes: that people will buy it just because she s in it. Which probably makes it the gaming equivalent of one of those awful puzzle magazines with a picture of a bikini-clad sexy chic on the front. Daedalus Encounter is a technical achievement. But as a game, it well, an interactive movie Patrick McCarthy Daedalus Encounter Special Requirements 33MHz 486 PC or 25MHz 68040 Mac, 8Mb_ RAM, Recommended: Pentium PC or PowerMac with 25Mb hard disk space, tri- or quad-speed CD-ROM drive Price 44.99 (inc VAT) Contact Virgin Interactive 0181 960 2255 Platform MAC MPC CD-i 3DO F1J25 V3ZSRsJRZ Z5fwU fV^wo} J2J31n rvnwb bVbvM nvj5bV^6U ZVb6^6n ^5bWU J5RxRwRXN6^ VUR4M bUbWbVb4j ZWR7VW=Q VTN2b >2JS%) RwNT^ FTNUI 1N2RS5L v FtZ RSRtRTVuV S^uNS%) 3JSNtN2N2RSNSJ2N3J2N2 NTRSRSRtV RtVSZSRSRSNS J3JSJS JSJSNSJSJSNuR RvRuR RVNu), VtR3N2J3J2 F3F2F3J3JTJTRuR NSJSJ2B F4NTJ4JTZ VtNSJ2F2B J4NuJTJTNuV k&>x5 NTN3JSJ3 J3JSN4VUV NTNuR RuVvZ 2RuN4RU^ VTVtNTJ3J3RuZ RVJ3NSV ^V^uw[ tZuZu TRvVVj uV6% WbwVWZV RTVUk U^V^v% QvMv+v JWNW>y Bb2~ovLvLv+v*v N5N5V NWF7= zl zkv*v*q F7NXZ zqv,vl zKv*q znvMzlzlzLzlzlvKv*v+q vMvMzm zKv)v vLzLz vKv q SNv9q u+VwZ *vKv v vKzlvKr B hIp J2NS zlzmzlzmzLv*q v zLu Z7V6V6k vLvKvKvLvKv+v q Z6^Wf fUN2$ zmvKv*v q zLv*v*v u xZxs; N4F21 V6ZWw} BtB1! zLv*v q PzLv*v TRS5L Zw^WJ VT^v{ RuZvU 4R5k; VN5=r UBvNv= TVU1N FRNS= 3N45n 3NSF2B2NUVuV J2NSNtNtNTNtRtRuR RtNSN2 c:3RxRxJ 2J3RTVSRSV ruvsvQv NtNtR F3J2NTRuNuNTf znzmvLv+q zKvKv+v*v v zmvMv,v tRsV2o znvmvLv*q vL1v+v q vLv*v)v q znvLv zLv*v vKv v z,z*v* r/v+v z,z zlzkvKu z*v)v*v)v)v( RwF5= zkvKv+v+u Mj-=I ZuZu% zlzKvJv u v v v*v* cFSF1 vLv*q v)v*v*vK zmzNe vKv q v+zmznzmv+v+vKvKv*v v*vJv)v v(v(v -vKvLu zlzmz zlvJvKvLvM vm zmz zmzmzlzlzL vKv*v v* v)vIv*v*v)v(v(v zmznz zlzlz zmzmz zLzkzlzkzlzlzmz zmzlvL v)v*v)v)v*v)v(v)v v WB7JyJx1/ QbQrr~ znznzmz znzmz zmzmzlvJvJvKvJv* v*vKv*v)v)vJvKvKzKzKzJvJzKzlzKvK 7FWJyZ vlv+q znznz zmznzmzkzkzLvLvKv)v)vJv u v)v*v v v v v)v)v*vJvJvKzKvKvKv*v v zkzJv q zKvJv u sB1BS^ zkv*v v v(v*v*zmz zkzKvJvIv)v TFsNTM zkzKv)v)v v)zKzKzmz zlzKzkzlvlvkzkzk zlzkzkvKvkzlzkzlzmzlzKvKv)v)v v VwV6n zkvJzJv)v(v v)vKvKvLvLv v(v)v *vJv+vKzJvJv)v)v v v)v)v*v*v v v :5F6= vJv)v(v)v)v )v*v u uFtRv^6 xZww| N4JTJsV VV5N4V xRvg[ N6J3J2RVo !R3w\ tJ3)+ TRTN3J N4V3V NSRtNtNSV4JSI N2NsNSNTRuV N3NT$ NSJ3F2RsV JSF2 NTF2J2VtZ ,vB5BVJ6N5J R4V4Zt%) bW^Wj 7JWF7Z ZV^6o 7F7F79 6R7N5F2FtJ xVUNRF1= 5VVVVJ Belief Believe Believed Believer Believes Believing Bella Belle Bellies Bellissimo Bells Belongs Below Belting Belts Bemusing Ben's Beneath Beneficial Benefit Benefits Benin Benny Bento Berkoff Berlitz Berry Bertrand Underway Underwear Underworld Undeveloped Undies Undiscovered Undisputed Synopses Synopsis Synth-disco Synthesised Synthesiser Synthetic Syringe Syrupy Sysop System T-bird T-rex T-shirt T-shirts Tabbies Tabby Table Tableau Tables Uncomfortably Uncomic Uncompelling Uncompromising Unconnected Unconsciousness Unconventional Unconvincing Uncover Uncovered Uncovering Uncovers Undead Undefined Undemanding Undeniable Undeniably Under Under-designed Underarm 41.11G Kamco 0171 916 5301H Young ChildrenJ 2.5R Under 50[ Under Dangerous Creatures If you re the sort of person who becomes squeamish a the sight of a money spider, don t leave your undies lying around in the Amazon Rain Forest Arachnophobes watch out. Microsoft s Dangerous Creatures chronic 33mhz 34.95 34.99 34000 346333 35.19 35.99 3500-odd 35000 350000 350555 351.33 356th 360-degree 33mhz 39.99 4351@ 486dx2@ 486dx2/pentium@ 49.99 52.82 54.99 549442D 58.70@ Activities Additional Adequately Admirable@ Adventure@ After@ Agonisingly@ Airport@ Alfa@ Allows Alongside@ Ambushed@ American's@ Among@ Andes@ e. The package comes as a dual-format CD MPC and Mac and includes a bright green baby dinosaur/dragon soft toy. Multicom has attempted to use the CD medium to produce a fully interactive package for young cC hildren that, according to the back of the box, is sure to spark your child s imagination with plenty of games and easy to make projects for children and parents to do together. Herein lies a major criticism: does interacting with an animated film on-screen, rather than a parent, really spark a child s imagination? Although there are 11 appealing Blue Peter-like projects or crafts to choose from, all with easy-to-fE ollow instructions, you could easily have bought a book of similar projects for a lot less than 41.11. A child would no doubt enjoy watching Max The Dragon and his friends come to life in the story, but though the cartoon illustrations are skillfully composed, the animation is limited to say the least. Okay, so there are also four games to play, but again, with a book and a little imagination you could engage a chilG s attention just as well. If this package had a more realistic price tag, perhaps it could be recommended for those with young kids, but as it is, it looks like it has simply been repurposed from the Max The Dragon books to no great effect. Dandy Dinosaurs Reviewed on MPC and MAC Price 41.11 Contact Kamco 01895 271919 Category Entertainment Platform MAC MPC CD-i 3DO VN^of fQf2f bqf2f3e fOjRe bpbNjMn fpjnn f.f2b1f bo^NZ VN^N^OZ.Z.Z-Z,Z VP^qZrZrb Zo^q^ ^oZNZM^n^ ZJZ*j NrJQZ RPRpRqVqR.N-I JQJQJPFQ JQoNqJPNQJQF bnbmbob bofnb JQNpNrJQJQNrNsNqNqNrNrJRJRJ/f ^GbhR V'ZH= i^h^GR hbh^hj ^Hfiv NrJQNqJRJQNsN NrNrJPJRR JRN0f f.j.jOj,jNjnj jnn.j/f NrNrR NrJRN NsNrNsNsJsN0g jqjpf ZqRpNOn NpNrNrNsR ^NsNrJ/g N.N/RqRrR NqNrN RsNsJ/f R+J/RqV NrNsV NsN0f HbhZHM ibiZ'j Z'bhj -^HbiR ZHbhn ^hZHbhr V'bhV'{ RMNqRrV NrNsNsR VnJQNrR ^iV'5D 'V'^H$ RMNsR jnbPk NqNrR b/f.f/bPbObPf (V'ZGZ(z f0jsf fpf/f jPjOjMj.] nOj/jQjqj npjRn jsj1j jpb.^ j.nQn j/jPj0j0n nQjQj jpfO^ jNj.jPj j/jOjOnNa nononnjmj jNnnjMi fiRNV jqjoj.j fqVRV0o| fGVNV .jonobRs: fHR/V n-nOnOn0n/ n0nrnQj ,nOnpb fjR-Z fonpj npnqnpn/nqn nrjPj/j ROVj^kj Z(V'R nQj0j0nQnQe NrN,N+^ n1n/j j0j1j0e JrJRc ^hV(R hZHZH Z'^HV'R jRj2n f)fIfKfLf ^Gbh{ jQj0j0j/jOnqnqn0j/j/j JRF1g9 fJf)f*f+ flfk] fPjqjqjpi j.nOn nonPnPn NsJRs (f(f*f'jJj*j)f*e j.j0nPn npnPnQn/n H^H5E jMj0j0jOj nOnOj/nQn0e RF1JRc JRJR^ RJsF1]J 0b1bQf F1F1^ ^)bK^*^*b+bjf 1B0YK blV(v j0b0b/i Nj.j-e ^QbPfpb jtVR^ JrbLi BwFTn 0rr{z bhbhw bi^Ir fOr0q onrjrb0aJ >y6x. kn.ej iV(V(R 6y6x2w9 6y6x* :y6y) 2W.69M JRFS. n0jR` &C&c2 >2JsFS% r0rQrrm .52U% 6w6w>2f/n r.rrj Nr6V2V6x25! 25:WF Bx:w6V65= 1n0nPi 0b2JwB >x2W. 6V6x>xF :y65) 5:V>v:V:V242 >x6V% rrnRf ,v.j.NwB >x6v% O2*6T27% Bx>x:v24 2btn0m :y:x>v646T1 26:4>2NSV nQr0q /nRw9 Bx6X- rrOmh P6'K .+.)* >y:8) >x67) HZH{, >X27% 2f6H2H&H2lB >y67% :gJpo: BO>lBmFO= V(bibiM rJ-:hO Bl>kBk>i> &d.-:Y) JKNmV BL:).g6 2H6K6*R Z(V(E ZHV(f ^-bpj .G2I>NFPR y6X6X6767. >-Nsb 6X6X286727- &&B.j 2727* ^*^LbLbob +^M^,^Mbpb Z*R E TeTeX ZL^of Z*V V ZMV-Z ZHZH= V(biE *).i6 V(^iw **6j: .d*$"#&C* B&b&c* .b*C! &$*C&c"c "c"B% &c&c&C F)^jr .b&"! .b&B% .a&A% 2b*"! if vkv 6&J(^ j)r*rJvJi n1j2j j1j1n j1j0j f0j1j1e fPf1f.f1f/j0f/f1b/b b0b-f fPfNf0fPj1jNfNj0jPj.f-f/f j0j/j (bi^i^iZH^I^HI bibin ZI^j^i^IZIn ^IZI^Ibj ZJ^JR ^IfjZH^hbiV)^JV(^JZIV)ZJV)V(fjZI^IZH^j Z)G^JZ(ZHb Z(bjZHZHZI^IbiV(ZH^J^JR ^j^IZIZIZ ^H^IZ)V'fiZ)^IZIV V(^I^)Z)V(Z(R'bj^)Z R'^i^)Z(^H^)^)ZHZIbIZ(V Z)Z(^IZ)ZIV(^IbIV V( ^I^IZ(n fhbhf bhbhj Ascending Ascension Ashes Ashley Aside Asides Asimov Asimov's Asked Asking Aspect Aspects Aspire Ass-kicking Assailant Assassin Assassinate Assassination Assault Assault-style Assaulted Assaults Assemblage Assemble Assembly Assets Repurposed Reputation Requests Require Required Requirement Requirements Resembles Reservations Reserved Reserves Resident Resilience Resistt or lessG Microsoft 0345 002000H Sciences ReferenceJ 4R Under 50[ Under Daring To Fly For the casual observer this may be ideal but for the serious student of aviation it s full of holes People dreamed of flying for thousands of years before the Wright brothers got their first triplane off the les the rise of the killer bee, the eating habits of marching ants, and the venom of the Brazilian wandering spider. Even more horrific, the cockroach (up to six inches long) is ubiquitous on every continent exC cept the Arctic, where the polar bears will get you anyway. Based on a whole series of children s reference books from Dorling Kindersley, this is a peepshow of the nastiest creatures on Earth. Informative and pleasantly gory, with some great puns, it s ideal child-infotainment if you can t shunt them off to some South American wetland of a Sunday afternoon at least you can sit them down in front of the CD-ROM. the heart of the disc are around 250 articles and pictures of the wildest animals on earth. Each entry includes basic facts about the animal, its habitat and what makes it potentially dangerous. There are furth er clickable hot spots with extra information, and punning titles (dental daggers, check the fridge), explaining how the stinging sacs keep on pumping when a stinging bee dies, for example, or how sharks replaG ce their teeth, and how and why leopards have spots (so they can t be seen among similarly spotted youths at suburban raves is not the right answer). There are other helpful hints ranging from reassuring statis tics there are more people eating sharks than sharks eating people at any one time to advice along the lines of What To Do When Confronted by a Standing Grizzly . (Panic, for a start.) This CD retains an aI dmirable attitude of respect for the environment and for the creatures themselves. The record is put straight for maligned animals like the much misunderstood wolf, while the entry for man describes us, probabl y quite accurately, as being the most dangerous creature of all. Overall, the text is fine, if inevitably superficial, the images are interesting and well drawn, and audio is excellently used to provide linksK between entries. The disappointment is the quality of the video. This isn t because of the originals video credits include the BBC, National Geographic, Oxford, Bayer and Anglia s just that Windows mult imedia really isn t good enough to make much of a blurred attempt by one blurry insect to kill another. The most direct approach to entries is via a Habitats and Weapons listing, but there s also an Atlas, an M A-Z, and a series of helpful Guides. All these entries are options on the opening contents page and remain accessible via a panel running along the bottom of every entry. Weapons approaches creatures at their m ost lethal point, looking at how they sting, charge, squash, or bite their victims. The Habitats button divides entries neatly into the main environments to be found on Earth: forest, ocean, Arctic, grassland, O wetland and desert. Opening screens for each of these areas explain why these are valuable resources, before giving users the options of cycling through different terrains where these creatures live. There so an atlas so it s possible to find groups of animals living in one location clicking at any point on the atlas brings up the nearest country. If you know what you want, the Index is a simple A-Z with pictuQ res, which takes you straight to the desired beastie. If you prefer guided tours, Microsoft has provided 12 named guides, with tours covering Amazonian, Australian, North American and African creatures. But the re are some more unusual options including Dreamtime, About Australia, Native American Stories and Dumb Things People Do, as well as the straightforward tours. The guides are personable, with tips, hints and adS vice. Fergus, for example, will tell you cool facts as he leads you around the jungle: his favourite food is chocolate covered ants and he likes the Alfa Alfa flavour of gnu food. Guides warn you if you are str aying from their tour, but it is possible to wander off on your own at any point. Other options include a screen saver, so dangerous creatures can break out into your PC. There s also a picture gallery from whiU ch to choose desktop wallpaper, and you can turn off the sounds if they get too wearing. According to Dangerous Creatures, the range of the Brazilian killer bee extends inexorably every year. In much the same w ay, Microsoft expands its CD-ROM catalogue, and this is a jolly fine addition to the collection, not to mention the fact that a portion of the profits go to the World Wildlife Fund. Watch out, there s a BraziliW an wandering spider behind you. Caroline Bassett Dangerous Creatures Price under Contact Microsoft 0345 002000 Category Education Platform MAC MPC CD-i 3DO RN/ZQVQJ0J1>/J1V J0F0J0B J1R1F RrVqRPb RpNRb JRJ1V JRNQF RRF1Ns^ RqRPbrVsF1NQVrZ VOVrg k9Rsg9kZg9o{c bqJ0A NRRrA J1RsJ NQVsN0^ ^qNQA NRJs^ F1RrV RQVQJ2F bqRQA VrNQZ 1NrRq^ J1NQF RsJ1b 1kRR1k VM1iVQ= -jJ0V F0F1F0F FSJ0Vqg ^qJQF bqN/B JPRsRQj RNsJ1RrB NQNQJ0RrRrVQF QJRNRB RRRrb VQRQV j-I5k J1J1NQV NQJ0V NPNPRrF RN1R0J0J0RqF RrNQJ1Ns^ VQF0N1A J0RrF0J/Z ^rbrRRJ0^ J1RRf F0Vr9 NqNQV RRNSE NQRq^ ZqRQ= JRJ/VpF RsNPJ NPN/J0V NQRqRqRQJRRtJQ RNRRrNRV NrF1F1A J1JQ9 F0VRF RrNRNQB NsNrVqR1VrB rZpR0^pVORsRsB VsVqV RsJ1NQNQNQNsRsJ0RrJRNsF19 NsJ2= RoV0N0= RrRQRPNPA NORsNrNRN0V QNQJ. %KN.rjn k-J%)-j j! %)%)%)))%)%)h )I)I-j %()j-j-j)i-j-j-j-j- n6j6 >j6 cV IGMhMhIiMhU .J.N6n &*>r6m) -VN^nE .I&(Fp^ NMZpN, zVsVT-K VO^on N-RNV Znbojoa vPv,w4 V-V+ZMVoZMr -vOv.n- V+^oZMfH ! 63[ ^)blVOf Z+V.ZOfn V*bnVoVN^ cnHn' Z+ZLbn^oV+V,^O^M V)^Kbl^MZnZ,U ^m^KbkbMj ^)b)nIn jJj'v n(n(v F%G%h .jkbmj b(jjr bKZ*U w49i= jkbLf (*).() .(*H- ^k^*U *(.(* rhb(M ZL^LV 2L.). ) :n.(!& *H.(* ZL^mQ .(.'* ZMbmV*V,n Q6+.(. ,R,VMR VoVNR s)i!f ZNZoR-bnn RNVoV,^Ns VpVoZMv VOVpZOr fj^)U N.NOZ /VpZqb VqZp^po6 R.ZqZOw N.VO^ow5 VqZor VPZps N/VPn r-nNj-e N/R/j Eiror/vPn,j,e J/ROb nOnNn,rNv.nNf r-n,j b+j,j Igz.a N/Zqwx j-n-j,j j-n,n RPZqw8 n-r.r-n f-n.r.n-r.n-n R/ZqoW vOvOQ v-r.vOvOrOrNj.f.f f,j-n-r.r.r-r-r vOvqvOvQrPn.n.f r-r/zPvPi N/VOo8 IhzOj v/v/v.v0vPvOr.j,j,j,n r-vrv n/j-e v/v.v r.nNj-n-n vqj-n zrrPi v/vNvPvPn-r.v.vOv-vPr v.vOz v.r-n-r vPv/zPz zOvOvQvOr.r-r r.n-r,v/zPv.vRvqv vPvPzPz v-n.r v.zOz vqvQvQv v.vOv/v.v vOvPzni vqvqvOv.v/vQm vOvqvOv vNr,vNm ^PvNr '2&2& rJvOs9 &>G:G:G:F:F6 :F>F:&:F:G6F6G2&2 %6%6F6&6&6&2 %:F>G6%2 r rqr F:&>F: >%BF>E>F:F:& &:E6%6 :$6%6% 4vLsZ :%6%BG6 5vOs9 >&:F:& zhvGz BIZo-G RNR*RnV BHBhN RsRrRrVs5 RpRnN 6 B)FI> BNF+B(> C>I_lNj )FnNlB F/RQj RRRrF NkFj6 (F2{| NkF+F V0J0A NlNkR VRZrRtV -j-J-J-I-J -JJ2^ RrR-I :NR1j B0JR^ {FQJRJ1 rRSR1NR^ J0Nr^ J1NrNR J1J1F09 NRNqk9 N.N/b kRr1k VOV.RO^ R0RRf ^oZob J0VqE N.Rqf YRsoY VrRsNOJ RsNQV 0NPJ1J0Z J0J0Z wRqVp ZPbkb%R. NPViA Nf6E5 >yByVsb FNRRJo> N0VrZ 6wEhjh bhVJQ RNVNU bHF1J 6I6 ) N0J0NQZ iJ/J0Z bnbLRsN2F 8ZPV-ROZ-a RsNPI VrNoZ F-B(B 6(>h:F6(1 pJ/Rr RrVqZ Q^oR.F F,JNZr^mb VrF+RpV RpRO^ ZoRO^ ^lVMZ %)F1-kR.bqbN JPRroY 1jRsRrV 0F0F0 J1NQ9 g8FQRs Chronological Chronologically Chronology Chronology's Chubby Chubby-cheeked Chuck Chuckle Chums Chunder Chunderingly hurchill Churlish Churning Chute Cia's Cielito Cigarette Cilla Cinderella Cinema Cinemania Cinemas Cinematic Cinematography Circa Circle Circuit Cockroach Cocktail Cocktails Cocky Code-words Coded Codemasters Codes Codger Coding Codpiece Coffee Coffee-table Coffin Coffins Cogent Cognitive Coherent Cohort Cohorts Pleased Pleasing Pleasingly Plodders Plot-strand Plotline Plots Plotting Pluck Plucky Plumbing Plumbs Plurals Pocket Poetry Poets Poignant Point Stinging Stingy Stinkabod Sting Sting's Cynic Cynical Cynically Cynthia Cyprus Czechoslovakian D'amore D'etre D-day Dabbled Daddy Daedalus Daelon Daffy Dancing Dandy Danger Dangerous Dangerously Dangers Dangling Daniela Daniels Danish Dante Daredevil Daring Australian Austria Auteur Authentic Authenticity Author Author's Authoring Authoritative Authorities Authority Automatons Automobile Autopilot Autoscroll Autumn Available Avatar Avatars Avengers Average Alfred Algorithm Alibis Alice Alice's Alien Alien-bashing Alienate Fact-centred Fact-free Fact-packed Factor Factories Factors Factory Facts Factually Faded Fader-heads Fades Fag-packet-sized Failed Failings Fails Failure Faint Fairer Fairground Fairgrounds Price Public Retail Single Suggested Three-title Under Version Without Network Schools Sciences Young $59.95G!Arnovitz Studios 001 415 332 5555H MPCI ReferenceJ Dark Forces Everything you wanted to know about the most eagerly awaited PC game ever with no Star Wars clich s, and no mentions of Doom guaranteed (maybe) Doom. There, I ve said it. Sorry, but there s no way that compariv) ground. Daring to Fly chronicles those dreams, myths and many of the early experiments in aviation, taking the viewer all the way up to the death of the Red Baron von Richthofen and the end of the chivalrouC s age of air warfare. The title is arranged like a museum. You can take a tour of the exhibits, following one thread within the history of flying, or you can watch a story, each of which is like a narrated slid eshow. The difference between the two is that on a tour you can stop the narration and explore the other exhibits in each category before continuing, while in a story you are more or less limited to sitting pasE sively in front of the machine. You can also make your own way through the exhibits item-by-item or simply jump to specialist areas such as the Kids Corner this offers a cutdown set of tours and scientific e xperiments or the Airplane Gallery, where you can admire early biplanes and triplanes. If you opt to explore on your own, you are faced with an initially confusing selection of icons, and rather too many pictG ures with too little information attached to them. This is because they are usually explained in one of the tours or stories. You can hotlink from pictures to related items, but not necessarily into the tour or story. There are nuggets of video hidden about the program and technically these are very good. The program installs QuickTime for Windows on your machine, which works without a hitch. And there is a consideraI ble depth to the information on this disc, but it is invariably of the bitty, contextless variety that the CD-ROM format encourages. Some exhibits are accompanied by original magazine articles, or even poetry w ritten by early fliers, but there is very little sense of connection with the main thread of the disc. Many of the video clips seem disconnected, such as the 90-second movie of a man explaining his love of glidK ing, or how to restore an old aeroplane. And even their technical excellence is let down by folksy narration and cloying Discovery-channel music. The overall effect is of a cornucopia of obscure and bizarre fac ts. Did you know for example, that Hermann Goering took over von Richthofen s squadron the original Flying Circus after the Red Baron was shot down? (Goering painted his plane white.) Or that King Lear becaM me king after his father, King Bladad, leapt from the top of the Temple of Apollo in London, convinced that the healing waters of Bath had given him the power of flight. And there s plenty more weird stuff wher e that came from. It would be hard to research a school project on flight from this disc: the information is too partial, and it has been selected for impact over historical worthiness. It is a pleasant enough O experience wandering between the exhibits, though. Like a good encyclopaedia it engages you enough to make you want to cross-reference from one item to another, a task which is greatly aided by the fact that ev ery exhibit is linked to related subjects a few mouse-clicks away throughout the CD-ROM. For someone with a casual interest in flying and a very disorderly, easily distracted mind, it would be ideal I enjoyedQ it, after all. But the apparent target audience, young teens, would probably be better off with a pot of glue and a packet of balsawood. Jim Smith Daring To Fly Price $59.95 (inc VAT) Contact Arnovitz StudioR@s 001 415 332 5555 Category Reference Platform MAC MPC CD-i 3DO 2y.X- &8.z. 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Doom and its sequel are the PC games, and every title in the genre ultimately has to be judged against them. In the 15 months that have passed since the release C of the original Doom, a huge number of imitations (read, rip-offs ) have appeared. Problem is, almost without exception, the designers have completely missed the point. Most PC owners don t want more of the sa me, what we want is Doom and then some. What we need is a game which is to Doom what Doom was to Wolfenstein 3D and any other action game which came before. Fifteen minutes of playing enough time to complete E the tiny first level and it s obvious that Dark Forces isn t the game which offers that technological leap. Sure, the game engine enables the user to look up and down but that s also a feature in Id Software s Heretic, and, yes, you can even crouch or jump, but these functions, initially at least, appear totally superfluous. Give it an hour or so, though, and you d better call the office and tell them you won t be G in for a few days. Make no mistake, Dark Forces will grab you by the throat and refuse to let go. Dark Forces is the latest in a long line of Star Wars-inspired games from LucasArts. You play Commander Kyle Kat arn, a mercenary employed by the Rebel Alliance s covert intelligence team, who embarks on a series of solo missions. The first (which you ll find in the demo on this month s cover disc) is immediately recognisI able steal the Death Star plans and get out as soon as you can. But thereafter you re working towards one specific goal find and destroy the Dark Troopers, a new breed of super Stormtrooper, which are heavi ly armed, heavily armoured and equipped with jetpacks. Completing each mission gives the Rebel Alliance more clues on the capabilities and whereabouts of the Dark Troopers. You may, for example, have to find thK e remains of a Dark Trooper weapon, return to your ship, set some explosives and get out sharpish, or find a particular person to winkle out information from. But, things aren t as simple as they sound. On the way to completing each mission you might also need to fire at panels, find coloured keys or code letters, or set off a sequence of events to unlock doors to vital passages. And that s just for starters. Off on M a slight tangent here, you begin each mission having just exited your starfighter. Not in an animation as you might expect, but actually in the main environment. In other words, you can run around whether the p olygon-generated craft is taking off, landing or waiting for you. Not impressed? You have to see it to appreciate it I guess. (The TIE Fighters have to be seen to be believed.) Revealing too much of the plot wiO ll ruin it for potential buyers suffice it to say that after battling through various terrains and beating off the prototype Dark Troopers, you ll end up on a spacecraft called the Arc Hammer in the last of t he 14 missions, where you finally get the chance to wipe out the Dark Troopers. The strong storyline is a major difference from the blast-everything-in-sight monsterfest of Doom, and the inclusion of superb aniQ mated cut sequences between each mission keeps the story ticking along nicely. As with all previous Star Wars games, everything ties in perfectly with the original stories, so don t expect the chance to kill Lu ke Skywalker. In fact, none of the main film characters feature, aside from Darth Vader who pops up regularly in the cut scenes, and Jabba the Hutt who appears in a video sequence. What you do get are hundreds S of Stormtroopers to blast and a variety of bit-players including Imperial Commanders, Gamorrean Guards, Star Destroyer Commanders, Imperial Torture Droids, those boggle-eyed swamp creature thingies , and, er look I don t know all their names, okay? Possibly the biggest improvement over Doom is the way the levels are constructed. Although multi-levelled buildings were a feature in Doom, the game engine did not alloU w for rooms built on top of other rooms. It sounds a minor limitation, but Dark Forces, which doesn t suffer from the same problem, shows the major handicap it was. Here, not only are most of the levels a lot l arger than those in Doom, the architecture is vastly more complex. Buildings are often several stories high, caverns many levels deep. There are floating walkways, huge lifts, giant moving structures, and much W more besides, making the whole environment seem much more, dare I say it, interactive. When you find yourself in a complex area you ll learn to use the look up and down facilities before you leap, as you lose e nergy (thus risking a life) if you fall too far. At times you re forced to crouch to get through small gaps, and running jumps across platforms are often essential, so it becomes clear that those extra moves weY t included for show. In fact, at times Dark Forces feels like a 3D platform game or even a 3D adventure, as much as a 3D shoot- em-up. What I particularly like is the variation in the settings for each miss ll find yourself in swamplands, mining territories, icy wastelands, spaceships and more. You ll also come across specific features which aren t repeated from gas chambers to giant rotating mining dr[ ills, right down to simple graphic details. And the variety keeps it all fresh and exciting. Talking of things exciting (nice Radio 2-style link there, eh?), the weapons certainly don t disappoint, although don t expect a Light Sabre re not a Jedi Knight, you know. You start the game with a simple pistol, but it s not long before you ll be able to grab a Stormtrooper rifle, and then Thermal Detonators (grenades] ) which are pretty much essential for making holes in walls to find secret rooms. These basic weapons aren t very accurate, but later you ll find more advanced weaponry including mines, repeater and concussion rifles, a mortar gun, and the highly powerful cannons used by the Dark Troopers. Many have dual functionality: press the standard fire button to release a grenade, for instance (the longer you depress the butto_ n the further it goes), and it ll explode on impact, but hit the alternative fire button and it bounces around for three seconds (literally) before exploding. As you would expect, LusasArts has the weapon noise s down to a fine art, but the special effects on some levels such as howling winds, rushing water and moving machinery are excellent, too. As in fact is the context-sensitive soundtrack, but unless you havea a MIDI-compatible sound card, you re definitely not going to hear the music at its best. A really neat touch is the narrative and the (pre-determined) radio conversations between yourself and base there shou ld have been more of both. Conversely, the shouts from the Imperial forces There he is! Stop, Rebel scum! Surrender immediately re in violation of Imperial law t fail to impress, but aftec r you ve heard them for the thousandth time Blimey, I m finding negative points now, aren t I? Well, yes, brilliant though Dark Forces is, it s not perfect. One of the biggest faults is that there s no way of knowing how much of a level you ve seen. Like Doom, the maps only show areas which have been explored. This is no bad thing. The problem is that you re not given a completion or secrets revealed score when the e objective is fulfilled you could have missed something and you ll never know. Also, the variation in mission objectives, rather than the usual find the exit scenario is a great feature, but when you find a person as asked, you would at least expect them to move, wouldn t you? Here, they re not remotely animated, and sadly the missions end there and then. It would have been cool if you had to escort them back tog your starfighter. The enemy characters especially the Dark Troopers are very well drawn, and the animation is spot on, too. Particularly good is the way Stormtroopers and the like fall back when hit, and f ly in the air when blown up. Shame, then, that the enemy seems devoid of any sort of intelligence. It s sometimes possible to open doors directly behind Stormtroopers and they still won t turn around until you i fire at them. Doh! And all too rarely do they follow you through doors. The most intelligent enemy would have been human, but sadly LucasArts has denied you the chance to take on a friend over a network or via modem Dark Forces is one-player only. Still, I m not convinced that the game as it stands would be suitable for multi-player games the levels are too complex, and as I said before, this is as much of an adk venture as a blast. t let the minor negative points and lack of multi-player options put you off, however. Doom and Doom II remain the best games of their type if you want to play against friends, but for t he soloist this game beats them both hands down. Dark Forces is more than just a blast which sets it apart from its rivals. As a result, it s not just the Star Wars fan s Doom, it s the thinking man s Doom. Warren Chrismas Dark Forces Special Requirements 8Mb RAM, 33MHz 486 recommended Price 49.99 (inc VAT) Contact Virgin 0181 960 2255 Platform MAC MPC CD-i 3DO :8>y:X2 :8ByF 7:X:X67% :X:X68) 67ByByF >X:X:Y) 67:X6767:X) :X682 >X:X6 7By%r >y:X2 By681 6868c~ 6828. 7>yBy>y2 :4:4: 64636364 4:4:4>U5 4:5:U >5:4- U:U:V:V 4>V:7- >yBzJ :4:5:U 4>V>w>w :V:V:U6 4:V>w:U- 4>v:V:V:U :U>w>w1 :5:v:V:V >V641 5>v>w:V1 :U>w>w6 :U>w>w:U- U:4:5:V:V>V- :4 :5>V1 :464) :464- :46464- 64646 :564: 64641 464:3: 6464:4- 464:4: :464: :464) 46464 64 :4:46 76867 :7:868! 676868) 2868- 67676 Judgement Judges Judging Judicious Juggling Jukebox Julia Julie Juliet Julius Jumbled Jumbled-up-tiles-tha Jump-pads Jupiter Jurassic Jurgen Steal Stealing Stealth Steam Steamhammer Steaming Steamroller Steamy Steel Steely Steep Steepish Steer Steering Steers Steinberg Stellar Stelle Stems Stiffly Still Stills Stimulation Jetpacks Jetson Jetson's Jetting Jettisoned Jetty Jew's Buying Imperial Imperialism Impersonate Impersonated Implant Implanted Implausible Implement Implementation Implementations Implemented Implicates Implicit Implied Implies Import Importance Important Importer Imposed Imposing Impossible Impotence Impresario Impress Improvement Improvements Improves Improving Dual-carriageway Dual-fire Dual-format Dual-speed Dubbed Dubbing Dubious Dubious-looking Duchess Duck-shoot Ducks Duckworths Duffer Dukakis Dullest-looking Dumbo Dummy Grenades Gretchen Greyscale Gridders Gridlocked Grids Grierson Griffin Griffith Grigorovich Grill Grimaces Grimacing Grimalkin Grind Grins Gripe Gripes Gripped Gripping Grips Grisham Grisly Gristle Gritted Gritty Grizzly Grobo Grobos Grenades@ Grocer's@ Growing@ Growl Grunge@ Guests Guideline@ Guides Gun-toting@ Gutful@ Hailing Halftime@ Hamilton@ Hard-pushed@ Harmless Harold@ Harvey Having Head-butt Health Heath@ Heirarchy@ Helicon@ Helplessness@ Helps HenryHip@ 23.50 232200 23431 24-bit 24-inch 24-stone 24.95 24.98 24.99 240050 246333 26000 260903 271919 29-volume 29.37 29.38 29.95 29.99 35.99G US Gold 0121 625 3388H GamesJ 3.5R Under 40[ Under YA Dark Seed A dark and macabre graphic adventure inspired by the Alien worlds of H R Giger. Dark Seed is a cinematic game that seems filled with promise. Anyone who has ever seen the film Alien will recognise the designer stics and two mystical orbs. You own one orb and your enemy owns the other. To become all powerful you need both of them as does he and so the two of you have mustered armies to battle against each other the idea being to beat your rival and grab his orb, while stopping him from doing the same to you. Building up your army is no simple matter. A total of 16 different beasts are available and these range from pu ny orcs to all powerful conjurers. Each recruit costs a number of credits and the more powerful the monster, the more expensive the cost so you have to decide which will serve you best. Your credit limit is setE before a game and the higher it is, the more you can afford and thus the longer the battle should last. Once you ve spent your cash and built up a suitably impressive war machine you then have to nominate one character as the orb carrier. Regardless of whether you choose your most powerful monster, or a lesser individual once he s killed it s over. The strategy part takes place on an isometric grid or, if you preferG to see a little more of the action, on an overhead map. Each side takes it in turns to move its army forward and each piece moves a varying amount of squares at a time. As things progress either one of your ch aracters will attack an enemy opponent or be attacked. This causes the screen to change to the combat arena. Both antagonists appear in the centre and battle from a top down perspective, with the view zooming iI n as the contenders near each other and zooming out as they get further apart la Star Control. Although everything is beautifully presented, the game does sadly have some annoying failings particularly th e isometric grid, which doesn t really show enough of the screen at any one time. The CD version offers no enhancements over the floppy edition except for the fact that it can be run straight from disc. Still,K the game does offer you the chance to battle against another player, either by taking turns on a single PC or by modem or serial link, and the sheer playabilty of a head-to-head monster-bashing challenge does go some way to making up for its shortcomings elsewhere. David Williams Dark Legions Price 35.99 Contact US Gold 0121 625 3388 Platform MAC MPC CD-i 3DO fN,o- NHRK-N HN&sl mRl%& NZQVn ^o^p5 )zkbo5 )F ! gZgVe= J/Rp)K zhvFv&q MvKvLm bNR.5 zIz)^o!) ^Mfl! vGvgv *vIme v m$ vJ=' zkzkv -) v*vKzkY v v IF v v u v z*i *z ~)z v vKr q zlzlvKu zJz)y v v*vKv v q v ~z)v v)v*v vJz *v ~lv*v vKq KvKv*v*v v zJv)v z y v)v v*z*z z*z*r i v v)v v m Jz*v v*v*z*j $ *z)z*zKv*z)v v*v*v v ] v*v v v*u *z)v z)v*z*a )zJv*vkz ~Jv*zJv*vlvKv)~J=G vKv v)zJv*f v*JvJq Jv*vJzJY ~J~Jv*1( *z v*v)q k~JzlvJzl~ v*vvJv*v vKzJj vJzJa )z*z*~ +r*zmzJvJi v)v z*z*~lvKEi JzkzKQ zJvJv*vJzKi J~kzJr 9 K~K~JI zKzJn *vkvKvKzkvJvK zl1~lY *vJvKzkvKIG lv+~kr*Y ~lzkzk~ ,v ~l~ v*v n* BJOF/-I NQJRb F1NqF/)J F1JR1 NrNQRr-k BNrg8 1F1)J JRJR1 F/NP= PF.o$ JRNs-k RDjl9k x~J0RqJPJPZ *Vg{` z~F/JQZ J0Nq9 QF1JQZ F0NQ= .RORq1 F/F/Z qRrJQV /JQ-l rL~K1 .F/5l NrF0= JRNs= qF0%) NqF01 u/F0B QNqF/B pNqF0= RrF0JP= PNPF0V NqNq5 JQJQB RqNrNr5 RJRNrB J1F/NPB J0B0UH F/F1J0RqR F1JQF1RrZ F0NRNP^ JQJQNqJ1R F/F1Nq= 0NrNrV JQNqNPF0V qF0NPJQZ F0NQZ RpRrk5 RqNrR NRNQR qNqJ0NqNrB JPF0F0A RrNqV PNPNqNqk4 F0RpNrA F0JPB NPF0= 0F0F01 F0R.=( F1J0^ FQF1g NqJ0J/B JPNpJPF0B RqJ0NQNPJPB NqJP= JPJQ%* B0FQB F1NrZ JQJQB F/JPb NrJ/R .J/RpZ NpJNb RrF1JPNqg NPJQNPZ On-board On-going On-ism On-line On-screen Squares Squash Squashed Squat Squeaking Squeaky Squeamish Squeeze Squeezed Squeezing Squelching Squidgy Squidygate Squiggle Squiggle's Squillion Squillions Squire's Squirt Squish Squished Ssfiit Ssi's Stabbing Stable Stabs Stack Stacked Stadium Stadium-sized Stadiums 44.99G Cyberdreams 0181 343 4818H GamesJ 3R Under 50[ Under ZA David Bowie The Video Collection The Bowie VideoCD provides a stark contrast to Tina Turner s. He can t dance so that makes for much moodier and more static pop vids which put less of a strain on the encoding than Tina Turner s jiggery pokery. monsters and nightmare mindscapes in Dark Seed, because both are the work of H R Giger, the designer who provided the inspiration for Ridley Scott s seminal sci-fi work. If you liked Alien, you will probably lC ove Dark Seed. The parallels with the film turn out to be more than just graphically based. Dark Seed is one of a growing number of computer games that borrow heavily from traditional Hollywood techniques. It h as an opening credits sequence, a musical score (albeit a long and tedious one) and a cinematic progression of scenes and actors. To make the actors move as realistically as possible, the Cyberdreams developmenE t team has used digitised movies of real people. But despite the use of such techniques, the results are just about okay, and it seems we are still some way off truly realistic movement in games. More impressiv e is the 3D aspect of the playing environment, which is enhanced by the use of translucent overlays, highlights and shadows. Cyberdreams has paid significant attention to detail here. The game is divided into tG hree days in the life of the hero, Mike Dawson. Your job is to guide Mike through the maze of life-threatening environments, picking up clues and tools along the way. The game opens with Mike waking up in his new house complaining of a headache after a terrible nightmare. Unfortunately for him, the nightmare turns out to be real. An embryonic alien really has been implanted in his forehead, and it will burst out in I three days time, causing mayhem and further headaches unless he manages to locate and placate the infant s elders in that time. Your job is to help him find the secret gateway to the parallel universe of night mares so he and the world can be saved. You soon discover that this involves a lot of walking about collecting various objects, with very little help and even fewer clues. It is only once you are in the underwoK rld that your troubles really begin. Life turns really weird and hideous surprises lurk around every corner. In these sequences, Giger has succeeded in giving Dark Seed a very real sense of foreboding. Dark See d is incredibly difficult to crack. You are given only the briefest of instructions, telling you how to actually manoeuvre Mike via the mouse. After that you are on your own. It s a good idea to constantly saveM your game so that you don t have to keep starting all over again. Dark Seed undoubtedly advances the art of the computer game on CD-ROM, and will especially appeal to experienced game players. The imagery and graphics are excellent, and are certainly up to the highest video game standards. Cyberdreams provides a UK based dial up help line for this game. You re going to need it. 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B!9ccJ )B1)ZcRBZ Shock Shockwave Shodown Shrinks Simply Simtown Sing-a-long Slayer Slipstream Sliver Smalltown Sneaky Soccer Songs Sound Sources Space Spaceage Spaceship Starblade Station Stevie Sting Stones Story Stowaway Stranger Strauss Street Strike Success Summoner's Designer Designer's Designers Designing Designs Designwise Desirable Desire Desired Desires In-action In-between In-car In-depth In-fighting In-flight Incarnations Inception Inches Incident Incidentally Incidents Include Included Includes Off-world Offal-free Offence Offends Offer Significant Significantly Signing Signpost Signs Silence Silent Silhouette Silhouettes Silly Silver Silver-haired Simcity Similar Similarities Similarity Similarly Simon Simple 19.99D (suggested retail price)G Philips Media 0171 911 3000H VideoCDI MusicJ 4.5R Under 20[ Under Dazzeloids Bright, bouncy and irritating...it's the Dazzeloids New York artist Rodney Alan Greenblat brings his creative talents to Dazzeloids strange, colourful creatures who inhabit a very surreal world. Will this gr The Video Collection keeps true to its title and delivers 25 videos featuring of some of the best Bowie tunes, spanning 1972 with Space Oddity to 1990 and the re-vamped Fame 90. Some classic Ziggy Stardust gC ender-bending and corruscating guitar on Jean Genie begin a delightful trip down memory lane which takes you through the smacked-up, gaunt-faced Bowie of the excellent Heroes to the clean-cut and Armani-clad sm oothie of China Girl. Sound, as per usual on these VideoCD discs, is exemplary, and picture quality was fine on the less energetic videos. Digital blocking is noticeable in places but overall the disc can be E recommended over a VHS copy (it ll sound better and won t degrade as you play your fave tracks over and over). Like all the current PMI releases, there is no interaction on the disc, bar the bog-standard skip, search and slo-mo functions. But there is nothing wrong with that; for twenty quid you get 94 minutes of digital Bowie, which is excellent value whatever way you look at it. If and when VideoCD replaces magnetiG c tape as the dominant medium for pre-recorded material, this disc will be remembered as one of the pioneers which got the ball rolling. Andy Clerkson David Bowie The Video Collection Requires DV cart for CD- i; MPEG card for MPC/Mac Price 19.99 (suggested retail price) Contact PMI 0171 911 3000 Platform VideoCD Encoding Good Track List Space Oddity; John I m Only Dancing; The Jean Genie; Life On Mars?; Be My Wife;I Heroes; Boys Keep Swinging; Look back In Anger; DJ; Ashes To Ashes; Fashion; Wild Is The Wind; Let s Dance; China Girl; Modern Love; Blue Jean; Loving The Alien; Dancing In The Street; Absolute Beginners; Unde J^rground; As The World Falls Down; Day In Day Out; Time Will Crawl; Never Let Me Down; Fame ZnVmRLVLVLR+R+RKVLVMVmVmZnZ VnVMRLRLVLVLVMVmZ JPRrR OJO)( VmVMRLRLR+N*R+RLRL VL5RMVNZoZ ZoVMN,R,VMZmZnZnZ pJ.N.J J/RqR JPNp! 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JMJ-NMNM RORoRO NNNoNnRoNoJNNNNO NPNONpNPNP NpNPNOJOJNJ.J.JN F/J.J.F.F/ J/JOJPNpNpJPJP NONNNNNO RoNNNONONoNO NPNONONP NPNPNOJO J.J.J/J.F.J.J/J. F.J.JOJ/F.J.J. F/JONOJPJO N.N.JNJN JONORoNONO NNNONoNONPRpNP NPNPNONONpNp JOJOJ/J.F.J/JOJOJ/J.J. J/J/F.J.J/J/J. J/JOJP J.NNJNNNJN NONOJO NO JNNNNNNONONNNNNONoNO NOJOJONOJONONONp NPNpNOJOJ/JONONPNOJ/F.J. J.JOJOJ.F.F.F-B J.F.F.J/J/JOJ.J/F.F.J/F.F.J/J/F.F. F.J/JO J-F-J-J.J-J.J.J-J.J. JNNNJNNONOJONONPNONoNONOJNNONo NONOJOJOJ/JONO NPNPJ/J.JOJOJ.J.JNJOJ.J.J/J.F J.J.F.J.F.J/ J-J-J J.J.JNJN NONOJONO NONOJNJNNOJO JOJ/J/ NOJOJ/J.J/ JNJONO J/J.F.J.JN F.F.J/F.F F-F-F J.JOJNJN JNJ.NO NOJOJ/J/JOJ/J.J.JOJ.JOJOJ/JO JOJONONO NOJOF.J.J.J/ F.J/JOJ/J/F.F/J/J/J.JONPJO N/NOJ/NON/NON. F-J-J.J.J/J.JNJOJ/J/JONOJOJ. JNJ.JNF-J.JNJ.J.JOJOJ. J/J.J/JOJOJ/J/JO F/F.F.F F.JOJOF.F.F F.J.F J.J.J- J. J/J/J.J.J/JOJ/J/J.F. F.J.F-J.JN JOJ/J.J/J/F/ JOJ/JO JOJOJ.J.F F/F/F. F.F.B F.F-J .J/J/J.F.J.J.F J.F/F.F F.J/J.J/J/J.F F.J/J.J. J-J.J-F F.F-F.B F.F.F F.F/F Ziggy Zillionth Zimmer Zimmerman Zip-line Zirkus Zodiac Zombie Zombie's Zombies Zone's Zones Zoological Zoologist Zoomable Zoomed Zooming Zooms Zoot-suited Zucker Jean-claude Jean-luc Jeans Jeeps Jeeves Jefferson Jekyll Jelly Jellybean Jellybean-counting Jellybeans Jellyfish Jennifer Jensen Jeremiah Jeremy Jerkily Jerkiness Jerking Jerkless Jerky Jerry Jersey Jessica Jetes Jethro 34.99G Softline 0181 401 1234H Young ChildrenJ 2R Under 40[ Under \A%Delicate Sound of Thunder, Pink Floyd Context is everything. And there is a vast difference between attending a Pink Floyd pompathon in a Moscow arena and watching it on the 24-inch TV in the corner of your front room. Whatever your view of the groA ab the attention of kids? Initially, yes. The brightly-painted, imaginatively-drawn characters will certainly engage children, but the dumb storylines and lack of interesting interactivity will not drum up muchC repeat viewing. While there are a few songs and a number of very short books to read, there are no real puzzles or games. It s simply a case of clicking on the various characters to see the story unfold. You h ave two stories to watch but you can also get a history and outline of each character s good and bad points. The goodies include Stinkabod Lam , daredevil, prankster, and fan of nude gymnastics, and Yendor TalbE neerg, technology whizzkid and occasional depressive. On the baddies side is Mediogre, head of Blando Corporation, aided by his techno-weasel sidekick, Pin Bleeper. Their plan is to wreak a wave of boredom on the Habitroids, leaving the kids to watch TV and play video games. Pointed satire indeed. A Child is Bored , you have to decide which Dazzeloid will save little Jeremy Gerbilman from becoming a square-eyed G zombie. In Banker, Spare that Pet Shop , the Dazzeloids have to rescue the smelly but lovable Probe and Poke Pet Shop from the void of the Mediogre s Transglumifier. You have to help Anne Dilly Whim construct a special ray gun that can bring back the shop and the captured Dazzeloids. Unfortunately, it doesn t seem to matter how you put it together, the contraption still works regardless. Not much of a puzzle there. Dazzeloids makes extensive use of QuickTime movies, but the lack of any substance means this disc isn t going to entertain kids for very long. Malcolm Smith Dazzeloids Special Requirements PC, 486SX-25, 8Mb Jk RAM Price 34.99 (inc VAT) Contact Astrion 0181 401 1234 Category Entertainment Platform MAC MPC CD-i 3DO ~~0@l \a8`H`d H`8`` ~~4Al ~~4Ad HOR1n RrneT D'XaYA ~~4Ah L,P,r#] L,P,r ~~4Ap 8 <)a )8 <HY 4 <H] 8 9Q wZ(AP PbPbPCP ,E,&$ $'(H( $h(&( (&('$ (e(F$ (&,&$%(&(&M $'(&$'( $G$h( $&('( $&$&$ $h$&$ ,F,%$ (&$H$ ,%,e$ (&(G( (E(% $&$G$ $G$&$ ($(E $%$%$ $&$g$ $&$&$ $&$%$%$ "$0&4 beV$s DZD5B fDb$j fDb$j jdb$fDj b$fDj b$fDj fDb$j fDb$j fDb$j jdb$fDj b$fDj b$fDj fDb$j fDb$j fDb$j jdb$fDj b$fDj b$fDj fDb$jdj bDfdfd^Dj ;jdb$j fDb$j fDb$j jdb$fDj b$fDj b$fDj fDb$j fDb$j fDb$j jdb$fDj b$fDj b$fDj fDb$j fDb$j fDb$j jdb$fDj b$fDj b$fDn `b`b` `b`B`B `b`b` `b`b` `b`B`b `b`B`b` `B`bdbU] adbmb `R`R@Z R@N k !vAvaz dbdBma !dbmB dBdbd "dbdbd dbd"dbmB DbPc8B dbdbq DbLbPcHb(A dbdbd dbdbm" BdbdBq dbdbdBmB LbQLcLc4B vavAv!r! 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(%(&(&$ ('(&( ('(&ED h(&('( ,'0j4%L Repeat Repeated Repeatedly Repeater Repeating Repeats Repertoire Repertory Repetition Repetitions Repetitive Repetivitive Replace Replaced play/record Replaying Replenish Replenishes Replicate Replies Reply Replying Report Reported Reportedly Reporter Reporting Prayer Praying Pre-dates Pre-decessor Pre-defined Pre-determined Pre-judge Pre-nuptial Pre-packaged Pre-production Pre-recorded Pre-rendered Pre-requisite Pre-school Precious Precise Precisely Precision Precursor Predecessor Predecessors Predict Predictable Predictably Predicted Predicting Predicts Wave-like Wavering Waves Waving Astrion Astrological Astrology Astronaut Astronauts ronomy Astute Asylum 19.99G Philips Media 0171 911 3000H CD-iI MusicJ 2R Under 20[ Under Demolition Man Sly Stallone hits the small screen, but is this long awaited 3DO game set to make an impact? Games based on movies are nothing new, but none previous to Demolition Man has tied in so closely. Here, both the pl s aesthetic sensibilities, the live experience is at least an experience. What takes place in the shade of your domestic yucca is not the same thing. Unless, of course, you re the sort of person for whom reaC ding is believing. The Floyd have never been good in close-up. And though the grandiloquence of the show itself, and the artfulness of the vision-mixing, do contrive to suggest that something marvellous is goin g on behind the foliage of the medium, the sense never leaves you that this thunder is clapping at a distance, and that it s moving away fast. Many of the classics are there, including Shine On You Crazy DiamonE d, One Of These Days, Time, On The Run, The Great Gig In The Sky and Wish You Were Here. The image-quality is sharp s at least up to the precision and tonal subtlety of broadcast video and the sound is c lean. However, you d need to hook your telly up to a hi-fi to get anything like the best out of this format s claimed sonic capabilities, and even then you d have to put up with the fact that in this particularG case the original was mixed with audience delirium included. Audience noise is always sublimated to a degree in the concert hall, partly by the sheer presence of the music. At domestic volume levels, however, the audience intrudes like canned laughter on random release. In place of actual experience, CD-i ought at least to counterfeit an illusion of power: power to control the way information reaches you; power to mI anipulate that information once it s arrived. And, in truth, The Delicate Sound Of Thunder does offer you a basic set of tools. You can do all kinds of stuff, like fast-forward, rewind, stop, pause, slo-mo; exc iting stuff you ll have recently mastered on your VCR. It even goes one step further: you can search, programme and loop individual tracks, mimicking the most enlightened operation of your audio CD player (and K to facilitate which feature, the makers have thoughtfully included some abrupt blackout edits between tracks, which enhance verit no end). Nick Coleman Pink Floyd Delicate Sound Of Thunder Requires DV cart for CD-i; MPEG card for MPC Price 19.99 Contact Philips 0171 911 3000 Platform MAC MPC CD-i 3DO Encoding Fair Track list Shine On You; Crazy Diamond; Signs Of Life; Learning To Fly; Sorrow; The Dogs Of War; OM n The Turning Away; One Of These Days; Time; On The Run; The Great Gig In The Sky; Wish You Were Here; Us And Them; Comfortably Numb; One Slip; Run Like Hell; Pink Floyd discography ! !(!(!,! ! !$! $ 4!D P`T ,A@a $A,a, A A$A @ , 8!8!@ T A A$A A !$A0a$@0`L (a(a8 ! !$A(A$@ A 0 D!H P YB <!H!H@P 8`<`8` A !,!@!D L`T A$A$A$@(@,@8@@@@`(@ ! 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A ~c~C~ @ `$`$`$ NPNqR .RqNQR.I Thunder Times Tng-a Tommy Tornado Tortoise Total Track Traffic Trains Triad Trivia Turbo Turkish Turner Twilight Twisted Ultima Ultimate Uncle Under Understanding Undiscovered Union United Unity 007's 01142 Claiming Claims Clairvoyant Clamber Clammy Clamour Clamours Clampett Clancy Clancy's Clang Clanking Clapped Clapping Clapton Clapton's Clarify Clarifying Clarinet Clarity Clarke Clarke's Clash Clashed Clashing Classics Classier Classification Classified Classmate Classrooms Claiming@ Class@ Classroom Claumny@ Clerk@ Cleverness@ ClickingT Clinics@ Clips@ Closeted@ Clotted@ Co-ordination@ Coca@ Cockroach@ Coil@ Collapsed@ Collector's@ Colour Colourful Combat/strategy Combined Comes Comicalr Commander Commercial@ Common Companies Compared Blackout Blackpool Blacks Bladad Bladder Blade Bladerunner-esque Blades Blair Blake Blame Blames Blanche Bland Blando Blank Blaring Blast Blast-everything-in Blasted Blaster Blasters Blasting Blasts Blend Blender Blending Blighting Blighty Blimey Blind 44.99G Virgin 0181 960 2255H GamesJ 2R Under 50[ Under Descent In some ways it s like that other game that starts with D, but Descent is tougher, control is harder, and the beasties are more intelligent. Nuff said Energy crackles all around as you materialise in the mine ot and the action in the game accurately follow the original using clips from the film combined with specially recorded sequences of Sly Stallone and Wesley Snipes. The full motion video is as good as you ll geC t in any game, and the sound is great too they ve even wisely omitted the title song by Sting. The problem is the bits which come in between, usually referred to as the gameplay. There are 16 sections in all, nine of which are shooting galleries, similar to the Operation Wolf games of old. Whilst these aren t bad, they hardly push back the barriers of gaming. Of the other levels, four are Sly versus Wesley fightingE sections. Digitised footage of the actors has been used and as a result the available moves are very limited. In short, this is no Street Fighter II clone. There are two Doom-like 3D maze sections where the ob ject is to shoot the baddies and find a way out, and these have been done very well the fast movement is particularly commendable, but there s little variation in scenery and the novelty soon wanes. The finalG type is the car chase. The less said about this the better, except to say that the road is perfectly straight. Virgin s first foray in the 3DO market is a major disappointment. While the presentation is first class, Demolition Man is essentially a collection of strictly average and wholly unoriginal sub-games. A wasted opportunity. Warren Chrismas Demolition Man Price 44.99 (inc VAT) Contact Virgin 0181 960 225I Platform MAC MPC CD-i 3DO 6w2W266W: 6x6W2W2W25) .6.66y2x2x6xD 6x6W6y6 6y2X6X6x2X2W27.72W.W.W.727 .7.7.6.6 .7 .6*5*5* .y*7* *6.W2x2x2 6y6X6y6y- 2z.y*W*7.7.7 2X2y.y.X2z2y6 .z2z2y.y.z.X*6*6.7*7* .X.W.x. .x.y.z2y2y6 .y.z.z. .x*X*X.Y*W* .W.W.X2Y2y2 Y2y2y2 *6.W26% 2z2z. *X*Y*7*6* .72W) 6z2z2z2 *z.z.z2y2y*y*7*W.X*W* 6.X*8* 2W.526. .y.z. .z2y2y*y*X*W*X.X*6% *6*6* *6*6* *6*W.x2x.X2x6y6 .z.y.y. y*W*X*X*W* 6*6*7*6.7.X.x.X2X2X2y6 *x*W*X&6*7*7) *6*7*7 .X.X2y.y.x2y6 .z.y.y2y2y*x*W*7& .W.7% *X2X2x.X.X2y2 2y.y*x*W*7* 6.x*6% .W2X.W.X2y2Y2 '6z6z: *x*W*7* .X.y2 6z.X.X2X.8.72X6y6y6 *y.y.y2 *Y*W*X*X* *W%.W2W.X.W*W.y.y. .X2y6 *y.y.y2y*Y*W*W*X* 62W.6% *7*X*W& *7.W.W*6" *X*Y*Y*X.y2z2y2y6z6 *y*X*Y*Y *6*6& .Y.x* .z*y*X*W*W 2W.7K= 6*X&X*X.x.X% *6&6* *W .x2x.6 *y*Y*X*W*X*W*X*8*7* 6.W.7*7.8 *W'*X2y.X. *y*X*W*X*X*W*W*7* 7*X*W*W*X*X*W*X*Y2y& *y&8&7.X.X*W&6& *7.7* *X*X.6! .y*8*7.x*7*W*7*7*8.X&6% *6*6*7*7&7 *X,*W*X.X.6 2y.y*X*W.X*7*7*W*X*X*7.7* *7.7* *X *6! 2y2y.Y&X*W*8l *7.7* W*Y*X*W.x2x) >1BTFUJ .y*X*W*6*6.7 &7*W&W.x2x% .z.X*6* *W.W.7& 7*X.x* .z.z*y*7* 7.W.6* *X*W*W.X*7% 7.y.W *x*X*7* *6*W*7* .Y*X*W*X*X*6* B1B2> *X.W* *6&6& .X*W*W*X.X*6& .y*7*W.7* *6*7*7.y.y*X*8*6* .y*W*W.X*7% .7*X*W.y2 .y*8* >y>z>y> .y*X*W *Y*W&7*X.y*X&W.y2 .727!n >y-:y> .X.y.y*X*W*X*X*W.y2 *X"6&X*y2 >z>z:y >y:y: 6W*7*X*y*X*7*W*X*W. .y"7&7*X*X.7* *W&6*X*X *W*y2 .x&6*W*X*W*6*6* :X>y>y> *W.y.z*W& *8.X*W*6* *6.8* 7.X.W*6* *7.W.W.6*6) >y#:YB .W.X.W* *W*W.X*8& :Y:y>y>y:y>z .X*x2 .7*6*6.W*6% :y:y>y>z:z6y>z> *W&6.X2y*W% *7.Y.X* 7.X.W*6* :y:X>y>y> *8.7% *W.W.6% .6.7% :y>y>z>y> 2X.W& 62x&6% :y>y> 72y.x" .X*6% >y:y:y>z> *8.y*W& :z:z> 6*X2Y.8& >y:y> 6y6y:y: *7.y.z*7! >5BwS 6y6y6 7.W*W.x2W% Fv>TB4FvR :y:y> 2y2y6y6y6 7.X*W*W.y.X! >y>z: 6z6z6y6y2y2y.Y .z.y.Y*y.z.y 7.X*X*X*y2z* 6y6y2y.y.y*X.y.z*y*y*X*X*Y*y.y.Y.y.y2y2y*7 8.X*Y&8*72y2y 6y2z.X*X.w*W.X2x .X*X.Y.x.x2X* .X*W&6 .y*X*W *X*X*W*W.W*W*X.W2x.X! K#:y* .W.X*X .X*8*6*6*W*X*X*W&6.W. 6x2W2x2Y.X.W2x2x2X.W.W *7*7.X* B#:y* 2X2X2W.X*7*6*7.x.X*7*6*W&6& 276x2x2Y2x2x.X*8.X.6* 266W2W.X.W *7*6* .6*6*6& >3>29 SBTFTBTJ 3FuJuJuB4FUR FTFUN Fu>4J JuFuN FUJuR #2W26:x>w- BQFsR #2526B tFtJvZ $2U:x> /6V:x:V1 Jv>3: -6V6665- >2FT>21 .6U6U- 2FTB3B2> :U64) B2BS> JuFUJ B4BUB4>39 2B3B3>4>2>TR BUFvJ 4FUBuJ uFU)L 6V25% 6V.5) 25.56V) 6y6V!m 6X272Y6z> 6y272627286y> 6y6X6W6W266W:z> 2JtJu5 2X2W6W6W6X> 2X2W6W6X:zF .82X> .66WJ 68276W6x> :y:z> 2726.6G >y>z> :y6yB :y676W> 6X:x% 28:yJ 6z6X6X> 6Y:z: 27>y- 6x.66y: 7:y6WF X2725!o 6x6xG 27:xB wBxc} 2W2XF 2X6yB :x6W2627B .Y.8:yB 6:x6W2626:yK 2625% 66x672 262W> 26252 26266 JsNsRQA 6X.6) 2768> X27266X> :x:X:y> 526.5% >z:y:y:x26- >y6X2726. 6X:y: :W6W276X> :y6x: 6x6x% :z6y: :X6726- 7:X6X2X> 6W2725. :66X:x> 6x.5. .76X6W 2Y2X6X6x2V2 6y.8.W.6 :W:x2 6X2W2X:y6W 6w2W266W. :x:x6W) 2X.62X. :y6X6y2W% 6X6W6W2 :x:x:z:z> :z:y:y:z:y:x:y6X252 :V66. :y6x.W.W2W! W:x6X% X6y2W2W27! 6X:zF 6X266W25) 276x: 6Xe:x:W2 .66X) 6X:z> .66W25- 2V6V67661 :y2W% y:y6X 6666252 Bx:U- 52565- 2X:z: 56W65) :Y6W256 6x27) 6X6xB 6X6x> V25!n Recorded Recorder Recording Recordings Records Recount Recounting Recounts Recover Recoverer Recovering Recovery Recreate Recreated Recreates Recreating Recreation Recreational Recurring Recycled Recycling Recorded Recreational Reduce References@ Reflect@ Reflexes Regards@ Regulations@ Reigns Reinventing@ RelativelyL Releases Relics@ Religious RemainsI Remember Remembered Remote@ Repeat Replaced Reports@ Repurposed Requirements Requires Resist RespectB Rubbishy-looking@ Rushed Sacred@ Salisbury@ Satellites Galleries Gallery Gallows Galore Gambol 39.99G Interplay 01235 821666H GamesJ 4.5R Under 40[ Under Desert Strike Another MegaDrive classic gets ported over to the PC, and it s still a good blast. Forget the nuclear sites bomb Saddam s software factory instead Desert Strike was probably the first of many games to shamel . The dual struts of the cockpit are before you, lasers are fully charged, there are missiles on board and you re ready to go to work. Slowly, you move the ship forward. There s a drop beneath you but you re weC ightless in this place, so it doesn t matter; you point the ship s nose at the floor and accelerate forward, hitting the ground with a slight crash. You turn and take a moment to re-orient yourself re loo king down a corridor on its side. The ship turns over and you re upright; you move forward again slightly, rounding one corner. Suddenly there s an electronic hum, the distinctive sound of a robot coming alive E s there, out of nowhere, darting down from above you panic, try to accelerate away, readjust your view but it s not working, and now you re being shot at from all sides. The last thing you see before the ship explodes is the ceiling This is Descent, a first-person perspective 3D game with a difference there are no limits on where you go. Descent is similar to a lot of space flight games except this time it s inside a mine, a claustrophobic environment of twisting tunnels, vertical shafts and dark corners. You play the role of an employee of the Post Terran Mining Corporation, a troubleshooter sent into the mines to rid them of a new batch of malevolent robots. They ve gone AWOL, and now they re holding the mines, along with a few miners for good measure. Your mission is to enter each mine in turn, destroy all the robotI s you can find, rescue the miners, blow the reactor and get the hell out. Sounds simple, eh? Like the plot to a million and one games. Well, you re right partially. It is a hackneyed plot, but by no means is it easy. Descent has a lot in common with a certain other game beginning with D. It s hard not to make comparisons, but they are sufficiently different to be great games in their own right. In a lot of ways, DeK scent is much tougher than that other game . To begin with, the control method is much harder to master. While in Doom you only had to worry about seven keys, for moving forward, back, strafing and so on, in D escent you are looking at a minimum of six keys just to move your ship, with up to 12 if you want to fully use the ship s manoeuverability. I don t have to tell you that you ll need to grow extra fingers if youM want to play with the keyboard. I found using a mouse was the best compromise; however when initially playing, you ll probably find yourself both hopelessly lost, and also staring at the ceiling or looking int o rooms on your side for a while. It takes time, but the controls can be mastered, and when they are you begin to appreciate how different Descent is from other games not least in how it s played. These are mO ines, after all, so don t expect every mission to be a single-level, move from room to room killing bad guys affair. Far from it Descent s mines are structured in three dimensions, and you won t forget it. Yo ll soon find you re checking the roof for tunnels, avoiding holes in the floor as they might lead down to hordes of robots, swooping down twisting passageways and generally living up the 3D experience. If youQ suffered motion sickness playing Doom, then you ll probably be reaching for the sick bag before too long. Despite turning green at the aerobatics you re performing, though, you ll be pleased to know that the m ines themselves are completely texture-mapped and shaded, with moody lighting, steaming lava pits, generators, secret rooms and plenty more besides. Apart from a fully 3D playing area, Descent scores over otherS games in offering real intelligence in the bad guys. No more creeping right up behind them and letting them have it they know you re there and will react accordingly. It doesn t take too long for them to fig ure out how you fight, either; they dodge your missiles as soon as you fire them, hide around corners and wait for you, attack in groups even back off in tunnels and wait for you to come closer. I swear, you U can hear them giggling as they wait for you. There s lot of variety in the metal beasties, too different degrees of intelligence, weaponry and abilities means you re always on your toes. Descent was originall y released as shareware, so you might be wondering what you get in addition in this full release version. Well, to begin with, despite coming on a CD, this is just a convenient way of shipping the game as it inW stalls completely to your hard drive (needing 24Mb to install, and preferably 15Mb of free space to use as virtual memory), and has no extra features. However, we are promised a CD-enhanced version this summer, with extra levels, more robots and power-ups, animated cut-scenes and all the usual stuff. If you re slavering at the mouth to buy Descent, there is one more thing to mention as is de rigueur these days, DesY cent has a full network option. Supporting up to eight players, and allowing for network, serial and modem play, this is the icing on the cake. If your Doom death matches are getting boring, try an eight-player Descent game after a few minutes of frantic chases through the tunnels and shafts, you ll be wondering why you ever bothered with that other game Stephen Reid Descent Special Requirements 486DX with 8Mb[r RAM, 24Mb hard disk space minimum Price 39.99 (inc VAT) Contact Interplay 01235 821666 Platform MAC MPC CD-i 3DO JsB1-m 1JsJsN JSFRJsJs5 sFSJsFRB F2FR= 1JsFSF2B1B1B F2FSF SFRB1B B1FRJSJSFSB15 1FRJSFRJSJS9 FRFRFSF1FRJSB JsJtJsB1B1F1B19 FRNtN FRB1B1B F0JPJ.Vn^ =JsB1B1B JsB1JsB Rk^+=' JsJsN NtB1-m m:iZ*B B(b V)M J.JOF0B1: JtFR= ^J^J^*^kr JLJtR JsB1- rgrgv F0FO: R,ZKI LR*ZJVLA JiZ+%F RoF.J.JOJO^ NtB19 2J.)*I2j )2I2i2 0FS)l (*(.I6 .I*(% *(.I.i OFr%k 6-:l1 *H. F .i.i! .J.I.i: :.:MF2B11 2i2I.I% FR6L5 KHc"(: BSFu>2N \C@C&I> *iL"Q 6L:-5 >3>pS *iHC\ *I*(*(. 1Bo>1= FqJsFRBp: B6B3Bt .i.i% m>o)k .I.iC L#* 6 FS>PR j.I.I. Jk`#hBL .i.I& .I2i6 Lc&i6 >0>P1 FsBRFsJ Y*).i* >oB1R BQBQFsFtJ *IP#Y% 1Fr>0:LF BqJtF >0B1%) 2K>N:N1 JSJSFR1 *IHbVJC FSJSN FT:PN .I.I6 QF2%K BTFuFvFuFu .Bq%l NtNtFRB1B1= F1F1B FtBS! 1F1B1 FtFu)k B1B1= SFtJu1 BRFrBR1 FuBQFsFu1 BRFS%J 1F1Jr= FVFVZ F2NtN QFt>2!J uFSBS!) JsFt: BTFuJ F1B1JRN 1BR>1)l 1JtB3> FuFuFVJ B1B1JSN JsB19 VFv>21 TBTFSs FuBS5 JsFR= 2>2!* JsB1= FQNrB1F 1JsB1> 2FRB1JSJsB1= 1JsJSJsR BNF15 NtB1> +:->p6 JsB15 B1B1FQBRBRFR FRFRBRBRBQ FRFsBR FQBQ>1 JSNtN JsFR5 1F2JSN B2FRFSFSJsB15 )V)1h v%v%r%q FXJx%K JsFR- RNt>05 B1BQ>11 0BRB1= JsB15 1BRB19 JsB15 c<c8c4c$c@B4c4c c<B@b JsFrV mZkJ%1 JXJX> WNyFXFX FXFXNyJx1 QbsRs-k SZ2Z1Z15k RhJC= Descent Desert Diaries Dictionary Diego Digital Dinosaur Dinosaurs Discoverers Discworld Distant Divil Divine Stuart Stuck udio-style Studios Studious Study Studying Stuff Stuffed Stuffed-type Stuffing Stumble Stumbled Stumbles Stumped Stunning Stunningly Stunningly-lit Stupid Stuttering Style Styles Stylist Sub-categories Sub-chapters Sub-game Sub-games Sub-heading Rounding Rounds Rousseau Route Routes Routine Routines Rover Roving Rowan Rowdiness Rowing Royal Rt/10 Rubbed-down Rubber Rubberband Rubberneck Rubbery Rubbish Limits Limos Limping Lincoln Linda Lindesfarne Lindo Line-by-line Line-number Line-up Lineage Linear Linearly Lined Lineker's Liners Lines Listed Listen Listenable Growing Growl Grown Grown-up's Grown-ups Grows Growth Gruesome Grumble Grunge Grungy Grunting Grunts Guaranteed Guard Guarded Guardian Guards Gubba Guess Guessed Guesswork Guest Guests Guffawing Guidance Guide Guided How-to Howard However Howling Hsin-chien Huang Huang's Human Bagged Baguette Baguettes Bailey Baked Baker Bakery Baking Bakker Balance Balanced Balancing Balconies Balcony Baldie Baldwin Balfour Balletic Balloon Balloons Balls Balsawood Bamboozled Banal Banality Band's Bandaged Bandit Bands Banging Generous Generously Genes Genetic Geneva Genghis Genie Genies Genitals Genius Genre Genres Genteel Geographical Geography Geological Geometrical Geometron Geometry George Gerald Gerbilman Geriatric German Germany Geronimo 34.99D inc VAT Gremlin 0114 275 3423 GamesJ 3.5R Under 40[ Under Digital Bar Stage your own cocktail hour with this digital recipe book As an enthusiastic user of bars and CD-ROMs, I was excited about the prospect of reviewing this disc. Especially since it is one of the first non-ga essly cash in on the Gulf War, casting you as a marauding chopper pilot in a familiarly sandy Middle Eastern country. The game involves flying at a fixed height around an isometric landscape and shooting the heC ll out of anything you don t like the look of (people with funny taches and funnier looking hats). Unlike the real thing, however, there s a strong tactical element. Your helicopter is the cat s pyjamas when i t comes to wreaking airborne devastation, but its armaments and supplies aren t limitless. So the desert is littered with things to aid you: cratefuls of weapons, big piles of fuel drums and huge tubes of high-E factor sun-cream. To balance this, the landscape is equally crowded with excitable foreigners with heavy weaponry, SCUD launchers, anti-aircraft missiles and Deirdre Barlow wigs. The tactical part involves ensu ring that you pick (or blast) your way through the bad guys, complete your missions, and balance your fuel and ammo. This sounds like a doddle until you realise that the stuff has to last you an entire campaignG comprising of several missions. There are set objectives to each mission, all listed on the on-board computer. You ll be called on to provoke male-bonding scenes by rescuing a comrade behind the lines, outbrea ks of projectile vomiting by blowing up chemical weapons plants, and the growth of extra heads on infants for miles around by blowing up nuclear reactors. (Apparently the desert irrigation and tree-planting misI sion was too bugged to release). The helicopter behaves as you d expect: the nose points up and down when you fly forward and backward, and off to the side when you crash into a camel. The shooting, however, is left to your intelligent co-pilot. You point the chopper vaguely in the right direction and he (or she) fine-tunes the aim. Thanks to the beauty of isometricity, this can sometimes lead to what in a sitcom wK ould be called an hilarious mix-up. You might have fancied blowing up the rather dangerous anti-aircraft missile launcher, only to see him use your last Hellfire on the chip shop next door. Later in the game, y ll locate and save an ace co-pilot, and things will get a little less hit and miss. The difficulty level rose quickly in the console game, and this version seems a little harder, largely because the enemy rate of fire is quicker. This CD-ROM version has an extra level which is harder still. At least you won t finish it in a hurry. It s fast, tricky, action-packed and politically incorrect. And it s probably you r only chance to fire-bomb a camel and get away with it. Patrick McCarthy Desert Strike Price 34.99 (inc VAT) Contact Gremlin 0114 275 3423 Platform MAC MPC CD-i 3DO R(R(R ^kZ(M V)^Jf ^jZ)V'M ZMVPNR9 ^jV(Q Z(ZMVrB SF1-j J2R+M FRVoM NtVoM sF2)( RRR1^ 1VR=I NsVs5( NsRs5( NsRS5( NsVs5( NsRR5( JRVs5) ,ZRV2A V(V'ZIZI^jZIZJN V'V'V(R V(ZHZIV(ZI j&ZiZkZIN'I V'ZHZjZIZIZHZI^j^k^ bHfH^Ibjbib ^j?ZIZj^ 1V0R M ^j^jZi^j^ `r m! ^sZsJ1B1A ^sZsZR] )ZIR)- Vk> % RI%f s^R{{ s^R{{ k> !& ,bs^R{{ s^R{{ R*VNR )RI-E VJ> % RkF*- JJ(%f Cat's Cat-like Cat-o'-nine Cat-on-a-hot-tin-roo Cat-race Cataclysmic Catalogue Cataloguing Catalyst Catapult Catapulted Catastrophe Cataudella Catch Catch-all Catcher Catcher's Catching Catchphrases Catchy Categories Categorised Categorises Category Missiles Missing Mission Mission-based Missions Mississippi Misspell Missus Mistake Mistakes Mister Mistook Misty Mix-up Mixed Plants 5laque Plastic Plate Plates Platform $29.95G$Software Catalogue 001 916 939 1004H MPCI ReferenceJ 2R Under 30[ Under Dinosaur Safari s the perfect example of a multimedia product that has tried to combine education and entertainment but has not quite brought it off on either count. As a game, it is too difficult to get into and not quit` mes products to make use of full-motion video, courtesy of Sigma s RealMagic MPEG decoder. Any disc that promises to reproduce the authentic bar-room experience in the comfort of my own front room mini-bar is oC kay by me. Unfortunately, Digital Bar left me stone-cold sober, playing more like a digitised Oddbins catalogue than a perfect mix for learning, entertainment and Great parties! as the back of the package pro mised. The interface is underdeveloped. Even as a rudimentary guide to preparing and mixing cocktails, it is flawed by its sluggardly performance and miminalist presentation. Stocking Your Bar offers advice onE the basic ingredients the spirits (or liquors) and mixers you are likely to need, as well as de rigeur cocktail glasses and extras, and the tools of the trade, each accompanied by a how-to video. As with a ll of the clips on this disc, though, the only way we could play anything like full-motion video was to hack in through the back door and play the MPEG files via the Windows Media Player. All we got through theG program interface were the usual scratchy AVI files. Preparations takes you through the various stages of cooling glasses, salting and garnishing, and trade secrets . These consist of four admittedly useful tips on flaming, layering, shaking and straining. Recipes offers the lowdown on over a thousand exotic concoctions, running from A.J. to Zanzibar, while Popular Drinks offers video clips showing the more famouI s of these recipes being mixed by your resident hostess. Like most of the information on this disc, the recipes and mixing tips are comprehensive and genuinely useful. On the whole, though, the presentation is so weak, and the rate of accessing the disc so frustratingly slow, that you d probably be better off with a book. Guy Sneesby The Digital Bar Price $29.95 Contact Software Catalogue 001 916 939 1004 CategoryKl Reference/Education Platform MAC MPC CD-i 3DO Requires 486SX-25; S-VGA graphics; RealMagic card recommended +J6=C RJ2J2JR5 K ,9 RdNE$M= $l$L4 +$l4 + ,=j + L0 N%N&E J%(m4 , L$m4 + + L$MAk + +$L(l ,( $M kV + +(m, + + LZ H,o L^ $M , L L +$L(nR&s $L$k= K$M, , -$M0 + +$L(m0 :y:X6Y .7.8. N.Vmg :y6y6Y2Y2X2828.8 y:y6y6Y2X2X27.8.8. (l$L( y6y6X2Y2X27.8.8 V/ZRj R,ZMr z2X2Y28 z282Y28 !J6Rx-. z2X2Y2828.8.7* S6Y2X2Y2828.8 u2Y2X2X2 28.8. :w2Y2Y r*vLv 672Y2Y28.828.8* Fv292Y2X28.8* JRV-v 2Y928. .7>qV RKN+RKj 6Y66F 0 <bd 29.8) vc^)- rdnDndnCrBz VMR,o JQF1V n*)2+* 9 Ns J2I 3Jt!+ "`FL_ 6W 2W6w662W2W2626.62V2W2 276x2x2w JR90 2x2W2W6x26 0JR)J B62w6x2x2W 2x2x2y6xJ 6y2W9 JRNS90 NrF1%) 6y2y6y2 $m$l, VnN(F*g. NjNIR F)NkA N)Nk= KNJF)J (j$K K$ Old-fash Old-fashioned Old-school's Old-style Old-time Old-timers Older Oldest Oldfield Oldfield's Oddity Oddjob's Oddly Oddness Odious Odyssey Scratchy Scream Screams Screechy 55.56D approxG$Creative Multimedia 001 503 241 4351H SciencesJ Over Over bA&Dinosaurs! The Multimedia Encyclopedia As the name suggests, MDI s Dinosaurs! The Multimedia Encyclopedia is essentially a reference work. You ll find no 3D glasses, cartoon animations or snazzy sound effects here. And though it could have been very` e enough fun, and as an educational tool there aren t enough articles and the reference material is too difficult to access. You begin life as a rookie photographer armed with a camera. Your mission is to travC el through time, track down extinct reptiles and dinosaurs and capture them on film in their natural habitats. Data Crystals enable you to take photos (you begin with five) which you then sell to the National C hronographic society for energy points. As you progress through the ranks to junior photographer and so on, you receive additional tools like video cameras and radar devices to make your assignment easier. OncE e you ve taken a picture, you can view it to gain more information on each dinosaur, like height, weight, diet, time it lived and classification. This is a frustrating package, and the information is limited. T hough there are a number of animations, they are all more like cartoon images and the soundtrack is minimal. Multimedia should bring something new and innovative to software; this package doesn t deliver. DinoG saur Safari Reviewed on MAC Price 55.56 approx Contact Creative Multimedia 001 503 241 4351 Category Entertainment /Education Platform MAC MPC CD-i 3DO cNs)J V>W>W>7:6>WBW>WBwF FxBxFxBwBw 6767>XBy:5) >WBx>X:W:7:W>XBxB BU>V) BxBx>x>X:X>XBxBxF :W-:X>X) :W.:767676 6768- Bx>X:W:767 67:7:W:W:76767:X- :W.:Y67 V>x!k 67:7:767:767% Bx>x2 67:7% U>3>2c] 67,:7:W:W>x>y :5By>x :W+>XBxBxF Bx>X- By"!K >3BSBt_ >1JsR F3B3B3FS >3FS>3: FSB3B3F3: >3FS>3: FSF3: FS>3: FSF3: FS>3>4s bJ"%c NBVcZ NcJCRcJCB B#B$J#- cF"F#JC> VbVBE BRBRBN"9 JwFvJ JwFvJwJ FvFwJwJwFvJ JwFvJwJ FvJwJ FvFwJwJwFvJ JwFvJwJ FvJwJwFwFv JwFvJ JwFvJwJ FvFwJwJwFvJ FwJws B3FTFSB3FTFSB3FSFTB3BSFTFSB3FTFSB3FSFTB3FSFTB3BSFTFSB3FTFSB3FSFTB3FSFTBSB3FTFSB3FTFSB3FSFTB3BSFTFSB3FTFSBTs >2FSB3>2FSB3>2B3FS>3B3F3B3>3FSB3>2B3FS>2B3FS>3B3F3B3>3FSB3>3B3FS>2B3FS>3>2FSB3>3FSB3>3B3FS>2>3F SB3>2FSB3BTs B3FS:2B3FSBS>2FsBSB3B3FSBSFSFs>2>3FSBS>2FTFSB3B3FSBSFS tBS>2FSFS>2BSFTBSBSB3BSBSFtBS>2FSFT>2BSFTBSBSFTFtBSFSBSBSFSFS>2BSFSBS>RFtFtBSFSB3BSFSFt>2BSFsBs>RFS BS)JtBSFsFsBSBSFSBS>SFTB3>2BSFtB3BSFSBSBSFtB3>2FSFS>2BSFTBSBSFSFSBsFt>3>3s RF1)J Radically Radio Radioactive Radiologies Radiology Raffish Raffle Rafiki Raggedy Raging Raided Raiders Railroad Rails Railway Rainbow Rainbows Rainfall Rainforest Raining Rainy Raise Raised Raises Raising Raisonm 39.99G Gem Distribution 01279 822822H Reference SciencesJ 3R Under 40[ Under cA Discworld Join Eric Idle, Jon Pertwee, Tony Robinson and friends for what may be the best adventure game ever. And that's official! s been a long time coming, but the official Discworld point-and-click adventure is f` dry and boring, Media Design Interactive has obviously gone to great lengths to produce a package that is stuffed full of easily accessible information. This program is certainly less detailed than Microsoft DC inosaurs in terms of textual material, but it features much more background information. It s like attending a very good lecture with sophisticated presentation techniques like videos, slideshows and narrative, all backed up with a colourful card index. There are five sections in the program: Age Of The Dinosaur, Ask The Experts, Dinosaur Directory, Story Of The Fossils and Dinosaur Gallery. Within each of the Age aE nd Fossils sections are further chapters, which you can move in and out of by means of the dinosaur head at the top right of the screen. The Dinosaur Gallery and Ask The Experts sections are a series of illust rations and a question-and-answer session in video format. The Dinosaur Directory features an index of all entries, with icons displaying what type of information is available for each entry (still photo, map, G movie, museum listing); clicking on an entry pops up its associated card. All of this information is displayed within the space of a 13-inch screen, so the pictures and videos can often be difficult to make out , although you can choose to zoom in on still pictures. Information is simple to access, but moving about the fast index (selected by clicking the magnifying glass) takes some getting used to. When I did a searI ch for T-Rex it found no entries. This was because I was still in the Sauropod family, as I had previously been looking at Diplodocus. Check your parameters before searching! Dinosaurs! The Multimedia Encyclope dia is perfect for students at lower secondary school level and anybody with an inquisitive mind but if it s entertainment you re looking for, get Valley Of The Dinosaurs out on video. Dinosaurs! The MultimediKka Encyclopedia Price 39.99 Contact Gem 01279 822822 Category Reference/Education Platform MAC MPC CD-i 3DO $f$e$e$ $e $f$e$f$f$e$ $e( e$d$e D E$e d$e$e D d d$e D e$d d d e e d$d$e$f$e$ $f$d$e$d$d $d(e$f e$e d E e d e d$e$e $ e d d e e $f(f( e e$ F f e$f F E f$f $f e e$e( e G F f F E e F f$F f$f f F F$F f f,f(f$ ,f(f$f,f8 D E$e DY e d % E E$e E e$f $e(f$f( 4h4h,F0 $e$D$e0 J1VSA 8,g0g0 f$e9l E e( (f$f( E e f E NbPZ/R N,N*Nkf ZkJ J)VjVIZ RkJgJiJjR NNV+VoF,)F JRkNl^ NMNpb JjJkZ JlJLF-- F(NgR B'B&: J'VkR RoN,^ VnJ-NMZ JmJlFK>p L>+FMNN-h (B(:'5 (NIJKZ J)RI^I^ JiRnRLM NjNkb JlB*> FmJmJm>FKNJZkj ViRjR RlJJFK> ZLNJRMb oF-JONqV mF,JNN,NLJL= B*RlJK:*BK>+5 +B+>B+B)N)VJNGV kJH6 )e NjJKZ VJRKV F2>1B1BRNtNQJ,B >,5 FlNKE J(Rkb F(FIF)9 RkNlb NsJR5 ,FM6): FL>+1 J*NlNkJKJOJLB*= ,FN)G LJ+N.N N)J'J NKJKBI= BKJNNl: +F+F+FLN B+JLF-F NKJjJMNmJM> 1 J-R/NLZ NKJLVmZp-' ZiJGE VIZif RsJRJQF0= JJpFL9 B+>+> +FLF-RNJ/F*= nNmNlJMJJJKE NJO%( VmRlFJ= 1NRNRJrNRNqF/NRV RsF0A F+Nm5 F)FJJlNkF J.N/NMJ+1 LRnJ+E R,VnZ J,VmNKJJA J0F0B 0JPNqZ VsZsJ1F BmBM) NmJ,> NKNm> RkVlRKNMB*1 JQNrV RsZsVQF FMB,F.Znb NKNl5 ZKVhf RkNJN(B JJ> 9 JPRRVsZ ZqN0A /N+1g oVrVpRpB,> - +>+F,J.F-F VLVjV*E R+NJJHNkB*9 > : B): 1 RsJQJ1NR F1NQNsV ZRVQRQ= NnJ,A R-J.B RMV)w3 JkF*F+9 1JRNRNrRqNRVRNRNQZsZsR ZrNPNR^ RQJ0^ ZqZrB VmNLF*= 0NpNPNQVqV VrR0N1J0B/A ^*fnV jk^ln ^L^*I JNjNjF*JkE 1J0NQRQVs^s^ VqVQN JLRlV R/ZpROR/E /V0ZqZRZrVqN/F 0J0J/J0= ,JJRKNJRmRmF /JQNrVt^ JJJJJ,)g VP^qj NlNL= JqJQF F0JQJQF1NsRsJR= 1RrRrVRZrb ^sbsf KNmNmJ+5 VLVmJ+F +J)>+>9 VsRRJPJ1VrV RsNrNsNsJRJ1= 0NQNRZ MN*NJJ J)JLJJJJ>B NQJQ^ ZsRsVsR N0RPVPRQ^Rfsb V0NQN RMJOB J N-= VNR,J VsNRNRNQJQJQJ/= R0ZR^rb RkN/1 NRJQNrNRRsNRRPJ /NQ^sbsVtNPF F1NRN1RpRpRP-I .^qZqVqZ JRB19 0RPRQVQN0F0% NMN.f FLRnE N/RQV1N2VQV/R RNVNV-R.Q $b$c( rRrNrJPB J ZoRQJ/N0N1B J0N0J1F JNROF-= VQZrbr^ JP.NM= *B)ZnbQI JMB VnF*F-= rVpVpVo^ VoVnR-M J1RrZ NQNQRsZ RsNqA J1J1JQR B+NmR RKNLNnF,J*J $c c c 1Vr^rR0VrZ VrNQ9 PbqZPE KNmVnNMJ+RnNmJ+R,V NLRnR.Z QfrV1 NNVMVpR,g VQNsAi NRlNk9 bs^rE J+NJ1 ^qN-E sJ0ED ZQJ,J)5 +RMN-^nf N-Zp^ biji{R kb'jjbJb(^ b'b'^'^'Z fkV)Q -N.N- B/B/FPJqJqNrZ NoJOB /FOFN NpNPJONpJOJOB N,RpZ c(b(c c b(b c$b c JOJO_ NQNpJNJOJ.J.F.F-= V.^O= c$b$c$ JpF.N JOJOJ/F-= RPF0JQFQN0NrJPF/FNJOJOJNF nbp^-^nZ FhJf1 >/F/FOJqJOJ-A >0JpJoBNF0N NpNOF,9 NnN,9h 0BOJ1NpZ NsNo^ NpNNJ -R-Ro^o^ NqNONQJ.> A JORpFN>/J/F VPbrN/5H foZPV RjNh%D N/N0= RpVnF N.VrVq= N.NNB RoRpNpZNb V.fMj VoV.R V.F2 NnNoJ-J RnJMJNE oNONoRPRPF-FOA N,NOZ iZ+1& VpV-F IbJ^+ws Z'^+{ ^(^+{R bIVl= jofpfqn bNfoo fqjpn iN,R,J,J+= bPbNj Z-Z.bQbp^PVNN,1 l^'ED NhNHV /Z.Z.^NZ/V njvkjhA# *RI>)r bMbNfon vkfI= jvkvkz -r,UG vjrHQD vjvia bVPwX cNPRNV 'vHrhY -ZqZ0f ZPZpj Zq^pI fobnf Fj*Z(AD bMflj fnfnn Hj(bIE ZpZNk r'ni5h bLfmn Fj&vHr)f b/bO^obobqf foZLM IFK: ) b %fNn jmfNr ^,b-U Mj.w9 KFkNk)f rib'J*J f+fOfMj+U LnmjLf+fm] bLZMV :*BKBj- ZJVIJGc +jLjmjpfMjMn nofMf -^MblZLU J&FFJhb nonnr jmjmn nGr'b F&:&9 (b&n)m (ng^'j .b-^-^,M fnfmM ^KZ r ji^nZnR+I ,nLEf bM^-Q fvfuf fufuf fufuf fufuftfufuftfufuftbTftfTf4b3^4 bTnb4bTbT^Tbufvf bvbTbTZUbUbububvbubUbTb4bU^Ububuf bUbTbuf fu^vbu^vbUbvfvj fufvjtbuf bufub bUbUfubTfuj fub2^3^3bTfu^T^T^4^U^UbUbT^ub ^ubububUbu^UbububtbUb ^u^Ububu^UbubTbTbU^uf bTbT^UbT^T^T^S^T^ub !^Ufv fvbvbUbUfubUbubvfvbUbVbubvbvfvfvbvbvfvfvbubU bubvbU^5bTb5fUbU bUfUbUfUfufvfUfUfvfvbUfvf fvfvf bvfufvf bv,fvbvfubvbUfvf fvfvjvjvfvfwjvf fvfufvf !^Ujv fufvbvbvfufvfvbvfv bubvfvfvbv bVbVbUbvbubvfv bvbvfu bv@fubvbvfwfvfuf bvbUbUbubufVbUbvbUbUbvbVbvbubUbvfvfUfvf fvfwfvbvbvfvb fvfvf fvfvbvfufvf bufvf fvfvbufvfv fvfuf fvbubv fv6fubvfvfvfufubvfvjufvfuf fufvf fubvf fvfvf fvfvfufvfvbvf fvfvfwfufvfvbvbufvfvbufu bvfufvfvb fvbUbUfvbvfvfufubvbvfvfvbvfu fufubvbvfu fvbUbvbUbUbvfvf fv^vfvfvfu bv&fufvj fvbvfvbwbvbubvfvf fwfvfwf fvbvbvfvfvjvb fvfubufvf fufvfubvfvfvf fvfvjvfufvfvj fvfvf fvfufufvf !^Ufw bvfvfvbubvfvfvfufvfvb fvbvfvf fvfvbvfvbvbvf fvbvfufvbvfvbv fubvf bvfufv fwfvf fvbvj fvfvf bvbvfvfvf bvfvfvbvfvf fvfvf fvfvf fvbuf fvfvf bvbvbuj fvfwj fufvbvfvbvfubvfvbvbvfuf fvfvb jvfvf fvbvf !^Ujvfvb fvfvbvbvfubvbv fwbvf fvofubvbvfvfvn vfvZ4V fvfvn fvbu9l fvfvn jvfvj fvfvr fvfvfwj fvfuj bvfvf fvfvbvb fvfvfw fvbubv fv~bvfvfvbvf cfu1J CV4-* SZT1+ vZ41* bvbvf fvfvb fvfvbvfvfvbvbwf fvfwj "bUbU fvfvbv fubvbvbwfvfwbvZ4^U^UZ5 jv^U dfu^u "^U^T$ ^UZU bwfwf fvfvf bvwfwbUI N2R2A vbv=m bwbwf fvbvbwbvfwfvf fwjvb fwfvf bUbw^ bvbVbv^Tfv^v^Ufw^Un bv^uZ3I ^Tbvbvbuj bvfvf !^Ufwfwb bwfvb bwbvbvfwj fwbvfwf fvbvf Bfv5l bwfvf bvbwf bwfwf ZT^u^T^ ^vbvbw^vf ^UVTf vfw^Vf ZUZT^vbvbvf ^UVt^4^Vf ZUV3f R2N1N 8R2R2N R2R2N RRVrVRV2R1N2R2N R2ZSZsR2RRM Distribution Domark Dorling Educational Ehrlich Electronic Electrovision Empire Entertainment ametek Gremlin Guildsoft Harper Helicon Infobusiness Infogrames Integration Interactive That'll That's 49.99G Psygnosis 0151 709 5755H GamesJ 5R Under 50[ Under Distant Suns Distant Suns, by Mike Smithwick, covers much of the same ground as RedShift. The differences between the two programs are minor and, for most purposes, irrelevant. Like RedShift, you can position yourself almos` inally here, and thankfully it is more than worthy of the licence deal developer Teeny Weeny Games has managed to produce something truly worthy of the much loved Terry Pratchett books. By involving the authoC r at every major point the team has ensured that this is as close to the books as you are likely to get without Mr P learning how to program himself. Although basically a typical point-and-click thingy, Discwor ld differs from many others in a number of respects. First, it s English which is a novelty in itself. Second, it s funny. Funnier probably than Sam & Max or even Monkey Island. Third, it has famous people ic Idle provides the voice of Rincewind (the hero of the tale) with all of the other character voices being provided by Jon Pertwee, Tony Robinson and Spitting Image voice-actors. Finally, it has a stab at bein g an original game. Not only is it an original storyline as opposed to something lifted from the Discworld novels, but also employs a new point-and-click graphics engine which is quite simply superb. The interfG ace is actually very similar to that used in LucasArts adventures left clicking on objects allows you to interact with items, whilst right clicking looks at/talks to/mucks around with things. However, where i t really shines is in inventory manipulation. While pretty much every other game in the genre uses either an on-screen inventory (such as Indy: Fate of Atlantis) or a separate screen system (like Gabriel KnightI , or any other Sierra game for that matter), Discworld uses a unique windowing system. Double-click on Rincewind and a window pops up which can be re-sized and moved just like in Windows. Cool. Why hasn t anyon e thought of doing this before? If you want to use an object you simply pick it up from the window and drag it onto the thing you want to interact with. Simplicity itself. As far as basic adventuring goes, itK has to be said that this is one of the best games I ve played since I first booted up Monkey Island 2 (still one of the best point-and-clickers ever). The puzzle structure is really quite superb, and while the mini quests which you find yourself on throughout the gameplay are long and complex, you never really get bored with the action. For Discworld buffs, you ll be pleased to know that virtually every major locaM tion in Ankh Morpork is in the game, along with many other locations dotted around the disc. As far as characters go, they may not all be here but the vast majority of really famous ones are around. The only character I was disappointed not to find was Mort, but apparently he ll be popping up in Discworld 2. Discworld is quite possibly the best adventure in this genre. It s not a victim of its own hype, it complemeO nts its pedigree well, is well structured and the voice characterisations are superb. Just for once a licence-based game is worth every penny. John Davidson Discworld Price 49.99 (inc VAT) Contact Psygnosis P'0151 709 5755 Platform MAC MPC CD-i 3DO :y:y: :vNoQ (a b b b^kZ < AbkZ*$ b^k^L4 F1JR9 -ZJ=g :y:yr BZkVL0 ^jblI c^I^KU bl^KV @$`R0{ N-JOo{ bl^mj :363: flbm^KR Z+Z+V ,RnR,M SRosR ^lblRMA t~^kr VMVLV*V*I Zlbln ,a(a b r~V+blbK^ (a$a b i~VLM blZ V (a @k o~Z,R-VLr @bDbd A4B@b<B` @0b b AVK=f !@B\b` !0BPa i~R+R,M TbPb\ r(b(a$a B<B<BHbl h`@@<Ah $a b @c@B<b\ (b b @B<BX ,ADb@bd ,APAaj @ n0w sJQJ1 ,b4a8 ,A\ah @$b$a$ Pb@bP vq @,a$b( @,b(a$a0 $b$b b, 0$@(a(b b b(a(a b(a$a b b(b(b kbI=f H@vqs RJRNroY b0a(b $a$b, ,b b( a,b$b B b$b,a nMnmj,v b,a b bJRg8 ADC$!E B b0b b b,b,b$b b,b(a(b b$b4b$b b,b$b @Hb@ae b,b(a$b HbXb4 B(b,b b @L@LaT ZMNs= NrNsR BJRJRkZ +^LAf bj^Lb ZKZJ1 JRJRc RF0F0o{ @V#Zj VKV*^Lf ZKVK^lb V+R R fibj^J^ $a(`8 Z-ZL^nbmj bmbobnfnf fMbLV V*ZJj Z)Z Z)Z V a `A$ V+^+V+E VLRMf R+ZLj blZLR+ blZ+R,A bkZKR ZKR+R+VLV+R V,^+f bl^lV+VMVLR VLR+RLVMZMV,N ZlZ+R,N Z*^*^m^mZLV+V *V Z+f fkbkbKfmbmf bmZ,^*^*^L^MZ,^K^ ^ Z V ZJbkR cRsoz JfKfkfKb*b*b+b*b)b b ^ Z ^ Z Y Lbmbm^KZ*0 Involving Iranian Iraqi Irate Ireland Irena Irene Irish Irishman Ironed Ironic Ironies Ironing Irons Irony Irrationally Irregularia Irrelevant Irresistible Irresistibly Irrespective Irresponsible Irreverent Irrigation Irritable Irritant Irritate Ringing Rings Rinsers Rip-offs Ripburger Ripped Rippling Risen Rises Rising Risked Risking Risks Rithm Rithms Rival Rivalled Rivals River Rivers Roadrunner Roads Roadside Roadsign Roars Roast 58.70 59.95 59.98 59.99 6-12-year-old 6.5mb 600000 602800 62.88 59.95G Meridian 0181 543 3500H SciencesJ Over Over t Play Track One Described by its creators Day at the Beach as hot, humid and happening , this is another interactive music CD, though, thankfully, there s not a menopausal rock star in sight. Instead we have 10 songs from uns` t anywhere in the Universe. You can t stand on a planet s moon (except Earth s), but you can travel on comets, asteroids and artificial satellites. Clicking on a star will give you a heap of information that reC lates to it, and stars can be labelled with the SkyMap, Draper or Smithsonian catalogue numbers. Distant Suns comes with a core database of 9,824 stars up to magnitude 6.7, but you can load in the full NASA Sky Map catalogue of 255,000 stars, as well as the complete Hubble Guide Star Catalogue, which amounts to something over 16 million stars. You can view eclipses, precession, conjunctions and alignments, and like ReE dShift you can print out ephemera and predict meteor showers. The program comes with a selection of orbits of asteroids, comets and satellites which you can load and view. And it s simple to add your own. he stars and deep sky objects are clearly marked, but the display of the planets is not as impressive as the bitmaps of RedShift. However, there are lots of small, nice touches in Distant Suns. For instance, yoG u can emulate light pollution (various environments such as country, town, city or New York are available) with the Skylight option, and see the devastating effect that street lights have on astronomical observ ation. Distant Suns is a more open-ended program than RedShift, with the ability to add in extra movies, objects and orbital data, and I expect a number of add-ons either from the author or from users thaI t will make this great program unbeatable. Distant Suns Price 59.95 Contact Meridian 0181 543 3500 Category Reference/Education Platform MAC MPC CD-i 3DO 0A A(A 0A$A$A0A0A8b$A$A A(A(A @ <a 0A,A4A AH 4A8a8a@a 4a8a(A$ADa<a 0A4a(A@a,A$A0A8a4A (A$A !$B RJRJR F1B1B 1F1F11 Sunset Sunshine Super Super-8 Super-intelligent Super-nova Super-race Super-special Super-sub Super-team Superannuated Superb erbly Superbly-encoded Superbly-equipped Superego Superficial Superfluous Supergiants 19.95D (inc VAT)G*Day at the Beach Productions 0171 233 9924H MusicJ 2R Under 20[ Under Doom II The greatest PC game ever is updated and put onto CD-ROM, but has it lost any of its magic? If you haven t played, seen, or at least heard of, Doom then I hope you had a nice time t imagine where you igned artists and groups drawn from hundreds of hopefuls. The name Don t Play Track One reflects the fact that the digital data for the interactive elements of the disc is stored on the first . So you canC play the songs on your hi-fi as long as you don t play track one etc Interactivity arrives in the form of full-screen computer animations and (rather less than full screen) video windows which interpret eac h song often in a very creative way. As usual, you can point and click on hot spots within the imagery to make something interactive happen. There are also humorous video intrusions from a certain MC RoE b who explains, for instance, why keeping CD-ROMs in the fridge is a good idea provided, of course, that you keep them away from the cat food I really wanted to like DPTO. I felt that here was a disc with th e attitude and approach to hijack interactive entertainment back from the propeller heads. But sadly the implementation is deeply flawed. Much of the computer animation is clumsily executed and the interaction G is anchored firmly at the Fisher Price Activity Centre level. Click a hot spot and see a bed levitate. Click on a plane and gasp another plane appears. Ho hum. However, there s not a single duff song on the CD and there are several that are really rather good. In fact, after a couple of hours reviewing this disk on a PC, what I wanted to do most was say bugger the interactivity and stuff the damn thing in my hiI -fi. Which kind of defeats the object of the exercise. t Play Track One. Great name. Great idea. Great album. Dodgy CD-ROM. Mat Toor t Play Track One Requires 33MHz 486, 8Mb RAM, 30Mb of hard disk sp ace, thousands of colours recommended Price 19.95 (inc VAT) Contact Day at the Beach Productions 0171 233 9924 Platform MAC MPC CD-i 3DO 1J1F1F1JRJRF1B JRJsJrJRJRJsJrJRF1F1= NRJ2JRJRJ2F1 JsJsJrJRJ2F1B F1F1B J1JRJ1B F1F1B F1JsJr JsJRJRF1B F1JRJsJs JsJsJRJRJ2F1B F1F1= JRJRF1B JsJRJRF1B 1NrJsJsJrJrJsJRJRJsJsJRJRJ1F1B F1F19 JRJRB F1JsJrJsJRJRJsJRJ1F1= RMJRJSJsJsJRJRJ1F1B 1F1F11 JRJRF1B JSRob JsJsJRJRF1B F1F1B F1B1U JRJRJ1F1B 1F1F1)J F1F1JRJRB F1JsVMe NsJRF1B F1F1B Js8JRJ2K J1F1B JRJsV-ee JRF1= F1J2F1F1B JROF1F1B RJsJsJrNrJRFRF1B F1F1= FRJsJSV-e JR}J2F1> sVMb e .FRF0Z Y F1F1= -NrJSV-e nlnmwW J1F1F1B JRNJ2B2R F1B1)k SV-eQ JR~FRV F1~J1F1F F1F1J2JRFRV F1J2FRU F1F2V,e F1B1I F1~J1F1F1B 1F1F1J1F1N.ME F1~J1-k F1FR)K !JR o{ F1F1%* F1F1B F1F1F 1NRJRF1B 1NsJsJRB FRJsJsNsa F1F1= 1F1JRJRJ1F1F1J1 JR&F1B F1JRF1B J1JsJsNsJRJRJrJrNsNRB NsF1B F2NRJR5 JR F1B F1F1B F1JsJs JR NsJR9 JRNsB VMZnb ZoROB JR J1F1B F1JsJs oZnVKM F1J1JRJRJ2F1B F1B1B F1JRJsJsJR= F1F1R RNsF1)J ^nR+A JR(F1B F1F1B F1JRNs= F1J1JRJRJ1B F1F1B 1NsNsR NsJ2F F1NsNsF1= 1JRJRB -VNZnA F1F1B F1J1JRJRJ2F1B F1F1B F1J1F19 B1F1J2JRJRF1B F1JRJRB F1JRJRNs NsJRF1F19 JRNsJRJ1B B1F1J2JRJRF1= 1Nsg9 RJRJRF1F1= JRNsNsF1= F1F15 JRF1JRJR oVNk7 F1J2B 1JR%) 1F1F1B F1JRR F1F1B NsF15 1F1F1B RMR,M NsJR5 JRNsV 1JR-k F1F1B ZoVoI F1F1= JRB0Nsw VMZmZLA JRNsg F1JRJRB 1JRNsR JRJ1= 1NRF1JR9 JRNSF JRF1-k 2F1F19 F1F1B F1NsV 1F1JRR 1F1F1JR= F1F19 F1JRF1-k F1Ns5 F1J2JRF1F bIbIN bHN*)J NsJRF15 fgbIRKV)b fhbF^Ib F1F1B Zjfgf b'bgjgfGb'] V*RMN bFbiZ JRJR9 ^HbIfiZ(U RNsJR= JRNsR bFbgfG biV(Y JRNsNsR Nfn^MM Z)V*R,M 1JRJrR J1JRJ2J1JR *fG^&] MZNR+M jfGb&] RJR)J J2J1F1 bhbGZ)F RF1)J J2J2J1 bG^HB kjffgJ+- Mff^H1 RJRF1%) 1JRJR R*F2F1)J vuvTj4I RJRNr1 1F1JsZ VKNs9 <Ns%) RJRF15 NsF1B sNRNsR NsJRF1B 1F1-k NsJRkY JRJsJsJRJRF1 NsJR1 JRF1= JRF19 1JR)J sNsJs JsJsJr JrJRJRF1 1Ns-k 1JRNs9 RJsJsJr JrJrJsJr 1F1F1-k F1F1B F1JRF1B F1NsV JRJRJ2-k 1F1JR9 F16-k J2J1= RsNsNsF1B sF1NtV JRF1F1JRJRF15 F1JR9 JRF1B NsJRB F1JR9 JRJR= F1F1B sJR)J NsF1= NsJRB NsJRF1= JRNsZ JsJrJsJsJR5 F1JR5 NsF15 NsNs)J JrJrJsJsJr RF1-k JR6JsNsB 1F1J1B Js#JRJRF RNsNr9 Js%JRJRF1B RJRJR= RF1-k JsJsJrJr JRJRJ1F1 !F1F1B JrJRJrJRJR JRJRF1 RNsJR JrJRJQF1 1NsNsR #NsJRF1B JrJRJRF1 $F1F1J2JRJRB 1JRNsNsV NsF1F1B 1NsJRNsNsJ25 JRJRF1 F1F1J2 JR$J1B 1JRF1NsV F1F1= sNsF1= JsJsJrJRJRF1F 1F1J2JRF1B 1F1F1A JRJRB JRJ1F1B J1F1B B1F1F1J1J2 J2F1F1 NsNsF1B 1F1F1B NsJRR JRF1F1= JsJRNsNs JR"F1B JRNsJRB09 NsNsJRF1F1B QJR!) RsNr9 0JsJRNrJrB 1JR-k F1JRF0F/NrB blbOnNn JRWRsR J/J1= ,R'VgI JR"F1= 1J1J19 F1F1B gR&R&I JR%J1F1F11 1F1F1B 1JRF1JRF1F1B JRJ1F1F1B 1F1F1B Ns JRJRNsR NsNsJ1 F1F1B F1F15 J1F1B *Z e' F1F1J1 JRF1F1= &V&1E F0F1B F0B-B F1F19 NsF2= 1JRJRF15 F1F1JRJRNsNsJRF19 J-JONOJPF 1J1F1B 1JRJRNsNsJRB F1F1J1J2F1B /F,RoJ- 0F1F1B -JNJ.= F1F1B 0F0JQJRNrNrRsR F1J19 JQFP> 1F1JRB F1F1NP 1F1F1= F1F1= 0JM%% F1F1B F1F1B VMVmR, J2JRJR F1F1B JQJQR VlN,RM9 F1JRJRJ1 -No1H F1JRJRJ1 MZmR+N R,VLZmZ RNsJ1B F1F1B F1JRJRJ2 ZmVLVLRMN,RMb J.JNR JRJRJsJrF1B F1JRJRJ1 JrJQF0Jr! -J,N,N 1JsJsJRJRJsJsF F1JRJRJ1 bhbhfhjhj 1F/JN9 NqRnE JRJrJs JsJRB J1JRJRJ1 jhfhfh bHfhj oNnVmRKE 1J1JRJsJr JsF1B F1F1B J1JRJRJ1 fhbhbHbhbHbhbhfhjhj QJQF0B/Jr> 1JRJRJs JsJsF1B F1F1B J2JRJRJ1 bhbhfhj F0B0B0JqF/5 F1JRJrJs JsJRF F1F1B fhjhj 1F1JRJsJsJRJRJsJsJRB F1J2JRJ2 F1JRJRJs JrJsJRB F1JRJRJs JrJsF1B J1F1F1B jhjhj fhfhjhj J1JRJRB 1J2JRJs JsJrF1B F1F1B J1F1F1B V Z(Z(V*R,N,= 1JRJsJsJRJRF1= F1JRJRJs JsJRB F1F1B J1JRJRJ2 1JRJsJsJRJRNsJRB F1JRJ JsJRB F1F1B F1J2JRJRJ2 1F1F1B JRF1B F1JRJRJsNs JsNsJRB Interpret Interpretation Interpretations Interspersed Intertemporal Intervention Interview Interviewed Interviews Interweaving Intimate Intimidating 54.99G Virgin 0181 960 2255H GamesJ Over Over Dr Drago s Madcap Chase Cross a 60s race movie with Monopoly and what do you get? A 60s race movie crossed with Dr Drago s Madcap Chase reminded me at first of the film Monte Carlo or Bust. Both revolve around a frantic, obstacle-` been for the last year. This ultra-violent 3D shoot-everything-in-sight-and-find-your-way-out extravaganza is, quite simply, the best game available on the PC in fact any platform especially so when you pitC your mind against human opponents in a multi-player serial, modem or network game. Now, among the countless rip-offs, both released and forthcoming, comes Id software s own sequel Doom II. Cosmetically the c hanges are limited to just one new weapon, seven new monsters, an original soundtrack and the occasional new graphic including burning barrels and a few nice backdrops. You can run the game straight from CD, E albeit jerkily, and the first eight levels from Doom are thrown in, but it costs 54.99, making for a very, very expensive game. Nasty. Gameplay wise, initially it s a disappointment, with not much extra over the original. However, as you move further into the 32 levels, subtle differences do become apparent. For a start there are more traps including disappearing floor panels and harder puzzles. Pressing a swiG tch to open a door to safety, for example, is more likely than ever to shut a door behind you or unleash a horde of monsters. Oh yes, the monsters. There are hundreds of them, even on the easy levels. With it b eing so difficult some would say ridiculously difficult it seems Id have aimed the game at the seasoned Doom player. But here s the problem. Despite the changes, Doom II really isn t that much different froI m the original. The new levels are welcome, but then anyone who is that into Doom will have probably got hold of a map editor by now and created their own levels, or at the very least had their hands on some of the numerous shareware levels. Also, the programmers have committed a major sin the well-publicised Doom cheat-codes work. So you soon find yourself jumping to the end levels to see what they look like. For K Doom pros this is perhaps not the game that it should have been, while virgin players are probably better off checking out the eight-level freeware disk version (available at most shareware libraries) rather th an heading straight into the onslaught that is Doom II. Still, playing either edition is a unique gaming experience, and one well worth trying. David Williams DOOM II Price 54.99 (inc VAT) Contact Virgin 018M$1 960 2255 Platform MAC MPC CD-i 3DO VpROF F1F1Z VpVpZ PF0NsA VpNNJ-E ORpNOA PRqJ/F Ebkk9 J0RQNr^ VpRNN $^)k7 0NPRPJ0NONPVpZ F/NQNr9 kbEwK ffb%^ b'b&Y jfZ'5j ffb%U fEf%Y fffffj boboZ.s Ing^II ZpROk RNV-R.z jnR,F fMbMNNJ MVoNNZ RkJ*I +Z-J-n jlV.-I kN 6i6)5 fL^+A vtvRv JsNRY& ^+jmfli VOV-^Nr fm^+M jm^+M jm^,Q jmb,Q jnbLZ fMfLM bL^+Q jm^+M Z-jmI bL^+Q jm^+U jmbLQ fMbLV ^p^NM +^+fL= bLbL= jlfmz bEfFb%Y ,b+nmv ^MZ,= bKbL) gbFfFbEb%b%1i Eb%fEI Eb%fEM ZHjEa fffff -N-N.F ffffs fffFbEn %b%b% jnVN1j ffffj fffff J.NP9 b%b%s b%f$I 'jfffffs fFbEfFb%r 54.99 547811 549442 Numerous Numskulls Nunchacas Nutrition Nuttall Nuzzle O'bannon O'connor O'connor's O'rourke Obedient Obelisk Obeyed Object Objected Objective Objectives Objects Obligation Obligatory Obliged Obligingly Oblivion Oblivious Obscure Obscures Observation Observations 34.99D without gamepadG Blue Byte 01604 232200H GamesJ 3.5R Under 40[ Under Dr. No s get this out of the way now. James Bond is a nasty, snobbish, right-wing, government thug who treats women like dirt. With his small-minded pursuit of the trivial Dom Perignon 54, shaken not stirred vo` ridden race through Europe, with dubious-looking entrants gleaned from all over the world. Both are prone to the odd nasty deed or two as well. However, once fully immersed in this interactive multi-player me, it s apparent that there is far more to it. The aim is to arrive at a designated European city before any of your opponents, with a financially superior bank account to boot. These destinations are chosen a t random by computer and announced to players by the game s excessively side-burned commentator. The players up to eight can play including the extremely fast (but beatable) computer are then transported, iE n the guise of stereotypical ethnic characters, to the starting line. So begins this straightforward racing game. Well, not quite The road to victory is paved with numerous coloured squares. These represent ei ther good or bad tidings to those who land on them: a blue square provides a player with a bonus (usually money); a yellow square means a Chance Card will be issued. These give players such goodies as free moveG s or the chance to disrupt an opponent s journey. (Chance cards can be bought when you land on a purple square.) White squares enable players to buy or sell property and, although these range from public houses to cheese shops, you can t help but compare this feature to the board game Monopoly. The fact that you progress via squares, dictated by a score between one and six, only serves to reinforce the resemblance. PI enalties and forfeits are represented by the ever popular hue of red. Finally, information signs are dotted throughout the routes and these give you access to snippets of data on the various cities you will vis Where, though, does Dr Drago feature in all this, I hear you cry. Well, once players have completed the opening lap of the game, Dr Drago emerges to embark on a mission of destruction. Dressed in a top hat K and sporting a rather nasty sneer, his objective is to penalise whoever is losing after each lap. The most demoralising thing about his deeds is that he forfeits after every move, so if you are unlucky enough t o fall way behind your opponents due to a run of low scores I speak from experience here you are well and truly stuffed. The one saving grace for us losers , though, is that following the initial race youM are presented with an opportunity to catch up in the Master Rally. The destination here is Brussels and all the competitors start the race 30 squares away, thus ensuring fair play. For this contest, however, D r Drago attaches himself to the player with the most assets. The main attraction of Dr Drago is the animated effects which do make a difference to the playing experience. So, when you win a flight from a ChanceO Card, you get to see yourself transported through the air, rather than rely on someone nearest to your piece, picking it up and moving it around a board manually. In the same vein, domestic arguments and cries cheat can be prevented when buying or selling property, as the computer works out how much to debit from your account and shows you a monthly statement after each round. The one major disadvantage is siQ tting seven people around a PC to play (a Mac version is due in September, incidentally), although for an extra 10, a gamepad (QJ PC Propad) is provided which goes some way in alleviating this problem. Marc S teward Dr. Drago s Madcap Chase Special Requirements 4Mb RAM, 33MHz 386 Price 34.99 or 49.99 (with QJ Propad) (inc VAT) Contact BlueByte 01604 232200 Platform MAC MPC CD-i 3DO VMZn^ VmVLRKVL^ ZnZm^ ZmZn^ VLVm^ VMZnb ZmZm^ ZnVnZ Z%^Ebgb fZE^FZFV%V&V&R ^fbefffff bfbebF^G^GZ'Z'R Ro>Q- ffffbE^%^D^$Z ZmZmR+VKZ ^i^iVHR'R&R&R ZnVmZ jgb(jjj I^ ^ n ZMZM^mZMR+ZmVMV,^nN R+ZmZnb VLVMb Zm^n^nV,ZnZ_ ZMVLZLZnR,b VL^mA ^NR-^ bn^-j ^nR,b ^nZMI ZmR,R,^nN VLR,ZmV,I V,ZMR,Zmf ZnZMR +V,ZMV,A V,R,R,E ^Nbn^Nb ZmVLZm^ VoZoN-^ rm^ U VLVm^ rmj*] +f+n+b jKjLv ^m^m^ nmnMr mj*f)n V'Vob oVo5i -VoFO2UC NsF1J1M /RN^q ZmZmb 5.v.u.v NN.)' ZmZnb ZmZmZ ZmVlVL^ RNNONNN. NN#NORNRNNNROVoRNRORNRNNORo^ VmVmVlZ NNNNNONORNRNy NMN-N.RNNONORORO RpRnZ VLR+VLZm^ ZmZm^ ^mZkVJZk^l^ Zm^m^mVmVmZmZmVmRLVLVmZ ^lVkZl^ ZmZl^lZmVLVLVMVM^ bd^B^B^"V bc^CZ#^BV"R ,M(-(- (a,aD '0m ) H,l,k I $j )0m0l ($J ),L(+(jM ZnVMZ g J,L,,, V"^"r H0m0M,kZ V,ZMb ^nZM^ vlrLn*a 0m0k^ VnVnRMZnf zlzmj VnVnZnf ZMZmb 0m,lZ,E ZMR,VLN *n*f e VLR,^mI K ),k D0l4m, K(IIL R,Zn^ ^nZMR+ZmZMb ZmZmVMb ZnZn^ v,j+nKjnR bo^N] ^nZmZnf 0lZ+A ZmZm^nb m$+Qn vmrLrlrlY ZnVmRKA m,+,mIn ZLVL^ r-nmU ZnZnZ m,+0mEO VLVm^ rLnLn,n,a ZpZOZQZRb f+f a ZlZmZmZn^ Z3bV^6^ rlvjvk c@Zn^ PR.E& +R(R*RLRMZlfjfi^h^ ZiZHbG^ ^E:bEbhbh^iZJ^ ^jZHZDZ$Z$ZDZ$V ,VmRLRMA VNJ-F J.RNZ RNJ-RNZ VnRNJ J-RN^ VoVpRoNORoVNRNVpV VpROVNVNVoZoVoZ ZoZn^ ZGbhbeb bg^F^FZFV%R ZmVLZl^ ZG^Hbgbff bhbG^H^HZ'V bgbfbF^F^E^EV$U ZmR+ZmZ VmZmZm^ bC^AbA^"Z ZmZmb VmVKI Zm"ZlI ^nZMZnf VKV&M aV"9a ZmZmZnZ ZnVL^ ^MZMj ZlZ&R R,ZMZnb b bZfo LVLVLI R,VMj LZMVMZMZnM R+R,b ^nV,ZMR, Zn^m^nZmb VM^nI RMVMR,ZMZMA ZmVmVmRKVlZlVlVlVLZmZ b$bVCs# R+VLR ZmZnZ VlVlZm^ vmj+v mZMVLR,^ ^nVMR,b R,VMVMZM^m^ Z,VmZn^ mR,V,R,I aV {J VLVl^ j nK] a^aV"Q ZmVlZ Pn*b-5k nLj)b j+ f,^,= b(bR.b ^(b#n VnVm^ VLN,g N,ZrQ ZmVm^ ^.V0ZsM ZmZnZ ^k^lM -VnNN1 -VnVoVnZ ZnZn^ ZmRLRLZ ZmRLN-N NNNMNNNONONoNONPRORNVoRNNN RoRORoRnVo^ NNRNRO RORORoRPRPROVo^ ZmVm^ VLVlZmZm^ ZLVJV*VKZk^k^k ^mZlZm^m VlVM^ ^m^l^ ZmVmZmZmVmVmVLVM^ VmRLVm^ febb^B^"^"V febC^"^BZ > ZJb)U $b,aa N,Znb R,R,VMb R,RMf VmR,Z b(bb&A ZmVnZnZn^ ZnVn^ a(bbGE LVMAg ZMV,R R,V,E m^mV,M ZmZmb zlr+Yh V,^nI ZMZn^ ZnZn^ VMZmVMZmVLR+ZmZ VLZlZlZ b f)f ZmVmZn^ VLRLVmZ ZmVLZm^ ZnZnZ krLn+r RoV-] :lJmZ j+n+j U N,ROb RMf U )*)2KJMZ vlf Y nLrjz %N&RFRfVf^ VkRKNIRIRHN %R%N%VFZfb ZiVHVIVER#R$R%R RMZo= RnJ-F J,RNZnb N-N-Z J-RNZ J-RN^ ZnRnRo ZoZnVnVnZnVnZoVoVoV ZoVoVoZoZnVnVnZoZn ZoVoZ F+F*B*F*F)F)B)B)B B Rm^ >(B(>(> >'>(>(>'> >'>(>(: ZnVMVMZnb R,^nb R,ZMb ZnZnb VMR,b R,R,VMR,ZmZn^ R,VMb RoFqBpB F*>,BN5 ^.r1v ,bnZMI ZMV,E MV,ZMM MZM^nN ZmZMVLZMV,R,Znb NmJJZ LF+=E ZmVmVLZm^ FMB B ZmVMZ 0VP-J NPNpJpJNJNF.= J/J.F /NqNON.RpRpNPJ/A VMN-J.J.J-N-R.RORORoRoVqV VoRoNNJ-J ZoVnZ VmVmZn ZmZnZ Red-necked Red-suited Redemption Redesign Redesigned Redford Rediscovered Redrawn Redraws Redress Redshift Reduce Referencing Referred Reflected Reflects Reflexes Refreshing Refreshingly Refrigerator Refuge Refuse Regain Regained Regaining Regard Regarding Regardless Regime Regina Regional Registered Regular Regularly Reigns After Afterlife Afternoon Afternoon's Afterwards Again Against Agonise Agonising Deeds Deepest Deeply Default Defaults Defeat Defeated Defeating Defeatist Defeats Defecting Defects Defence Defenceless Defences Deeds Defend@ Definition Definitions Delays@ sive@ Depth Designer@ Desktop@ Detail@ Developed Dialogue Dibden@ Didn't Different@ Difficult Digitally@ Digitisation Direct@ Directly Disapprove@ DisastersQ Disco@ Disease Disguise Dissect@ Distribution@ Dive@ Dolls@ Domingo@ Don't 49.99D three-title setG Philips Media 0171 911 3000H VideoCDI Digital MoviesJ 4.5R Under 50[ Under s Sing-A-Long Classics A program whichaims to teach kids classics like Mary Had a Little Lamb Singalong classics for ages three to ten? Yes, your pre-school child could be belting out Nessun Dorma after just six easy sessions. Wel` dka martinis s a miracle he found the time to save the world from the gaggle of megalomaniacs working on behalf of the acronym-monious conspirators of SMERSH and SPECTRE. But then, that was all part of theC fun. Dr. No (briefly translated as I Don t Want Any Doctor by its Japanese distributor) is the first of the 17 Bond movies produced by Albert R Broccoli and Harry Saltzman. Like its successors, it pits Briti sh secret service agent James Bond (Connery) against a mega-villain with a fatal flaw he doesn t shoot Bond in the head immediately. The action is set in the Caribbean, where the sinister Chinese rocket scienE tist Dr. No (Joseph Wiseman) is using hi-tech hanky-panky to sabotage NASA space launches. Bond fends off tarantulas, flame-throwing tanks, blood-crazed dogs, floods, fire and ho hum bullets before giving Dr. No an early bath in some superheated radioactive isotopes, leaving just enough time for a snog with the scrumptious Honey Rider (a dubbed Ursula Andress). The Vatican famously denounced the film on its releG ase, and even now it s possible to see why. Bond is a ruthless bastard with no qualms about shooting people in the back. The sex was all the more effective by being implicit: the image of Ms Andress emerging bi kini-clad from the sea singing Underneath the Mango Tree is indelibly printed on millions of male baby boomers minds. Connery is magnificent as 007, Wiseman chilling as the bad Doctor. And in the early dayI s there was still a decent plot to be followed. Special credit should go to Monty Norman s score, which can turn a walk through an airport arrival lounge into an edge-of-the-seat viewing experience. The VideoC D transfer is probably as good as we could expect from a 30-year-old master tape. Indeed, it looks like Philips has uncovered far better source tapes for all three of these titles than the ropey old Betacams ITK V dusts off every Christmas. Mat Toor Dr. No Requires DV cart for CD-i; MPEG card for MPC/Mac Price 49.99 (part of three-title set) Contact Philips Media 0171 911 3000 Director Terence Young Starring Sean C LJonnery, Joseph Wiseman, Ursula Andress Platform VideoCD Encoding Very Good FQFQ!( /F/JP JPJPJOJOR RqJP-h F0FQ)j /JPNPNpNPNp JORqJO)H JPNPNPNpNPNPJPJPNPRqJ/)( F0JQ1 JPNPJPJPNPRqF F0F0!( F.J/JP JPJPNPRqB JPJ/JPNONqA J/JPNPJPNP NPRqA NPRq= J0J1F J/JPJPNPNPJPJPJ/NPRp= 0FQ)j J/J/NPNp9 NPJOJOJ/NPNp5 J/JPNPNq5 F/JPJPNPJOJOJ/J/NPNp5 J/J/NpNp5 J/F/NpNp5 F/JPJONPNPJOF/J/NPRp1 F/JPJ/JPJP NPNp1 J/J/JPJ0J/JPJ/JPNpNP1i F/J/JPJOJOF/J/JPNpJO-H F/J/JPJ/JO NPJ/)H J/ NPJ/)( NPJ/)H JOF/J/NPF/)G J/J/F/J/J/NPF/%' JPNOF.%' JONpF F/F/J0J/ NPF/! F/J0J0 JP NPNqF F/J0J/NP NPRqB FsB1> J/J/JP9 J/J/F/J/5 J/F/F/1j F/F/F J/J/JPNPNPJPJ/F/A NPJ/F/F NPJ/F/F J/J0NQNPNQNPJ0F/F J0F/F J/NPNqNPJPJPJ/F/A J0NPNqNPJPF0F/F J0NQNqNPJPJ/F J0JPNQJPJPF/F /JPJQJPJ/F/B JPJPJ0J/F J0NPJ0J/F F/J0NPJ0F/F J0JPJPJ/F J0JPJPJ/F F/J0J0F/F F/J/J/F J0F/F F/F/-i F/ )I J/F/%( F/J/J/J F/J.J/J.J F/J/F/F/J J.J/J.J.F.F F/J/J/NONON/N/J/J.J.J 0NqRqNP N/J.J.J 0NqRqR NPNOJ.J JPNpJOJ-J /JOJ.F JRJQ)( F0JQNrV JrNr9 NsF0= JrNsV NsNsZ Edge-of-the-seat Edge-of-the-seat-and Edged Edges Edgewater Edible Edifice Edinburgh Edison Edited Editing Edition Wiseman Wisened Issue Issued Issues 35.19G Guildsoft 01752 895100H Young ChildrenJ 2R Under 40[ Under Dracula Unleashed Nosferatu returns in a gory, cinematic adventure game. Set some years after Bram Stoker s original story, Dracula Unleashed follows the adventures of Alexander Morris, brother of Quincey who died in the initia` l, no actually; Dr T (an unpleasant little squirt with a squeaky voice, the program reveals) has a more child-like opinion of classics Mary Had a Little Lamb, I ve Been Working on the Railroad, and so on. e idea of Singalong is either heroic or deeply foolish. It is a multimedia program that runs under Windows and, rather than using its own drivers, uses the Windows ones already on your system. It combines compu ter-generated voice and music (allegedly, in the latter case) with CD audio, and comes with a spectacularly abbreviated manual and a large songsheet. My basic prejudice is that this is not a good idea, as WindoE multimedia capabilities are more than a little flaky, and installing the program on two machines confirmed this. In both cases the program complained I was using the wrong MIDI device (OK, I was ) and I sho uld edit the MIDI mapper; and although personally I have a vague idea of what a MIDI mapper is, I doubt that many of Singalong s target market will. The first machine stopped complaining after I d done this, buG t obstinately declined to play either CD or computer music. It did play sound effects, and did sing the first line of the songs, but goodness knows what went wrong with it after that. Dr T s troubleshooting gui de tells you to disconnect all other software and gives you a large list of video and sound board manufacturers in the US to badger Once you have got it going, it s briefly popular with the kids. There s an anI imation in the main screen, and the words and music run along the bottom in time with the singing. For karaoke, you can either set it to words and music or accompaniment only, and it s popular, albeit noisy, wi th kids who aren t too concerned about quality software authorship. The over 25 songs turn out to be 26. Once you re sick of the computer making this racket you can slam the CD into a normal audio player in sK ome other room (preferably in some other house) and hand them the song sheet. Nice touch, but it doesn t really overcome the quick and dirty impression that pervades the program throughout. John Lettice L~s Sing-A-Long Classics Price 35.19 Contact Guildsoft 01752 895100 Category Entertainment/Education Platform MAC MPC CD-i 3DO 21:121.1:161.161- 61.161:121.1:16 .1:161.161:121.1:161.161:121.1:12 .121:161.161:1.121:161.161:1.1) 1.121:161.161:1.121:161* 1:1(21.1:161.161:121.1:16 1.161:121.1:161.161:1) 1:121.1:11 2s*121 12s2R& 6s6s" 1*R2R" .R*1B 6s2RB 6s&16 :s2s" *1.R*R s6s6sN .R2sB 6R*RF "16t[9 >t6s: *1*1.s*12R.RB 6s2s&12R.R"1*1*1.R: *1*R*1.1&1.s" *12t2s R*1*1&1*2& 6s2s" R*R6s:s&12s6s *1.1" JRNsR JRNs{ 1Nsg9 RJRF1^ RJRg9 sF1NsF1^ JRNsJRkZ RJRNs K l l l l l k l m k l l #$i0k,i H E G0j,j G G % G$I(j(i,k,k0l0k4l4l0k(j(h$g$G D D(h(I,j0k0k 4m4m0l H %$I,k4l4l8 0l,j0l,k H(i4k4l4 0k0l0k0k,j,k(j ,k,j(i,j(j(I$I0l4 G(J0k0k i E(g4k8 ,J$H$H0j8m8 4l0k,j(j(I,i,i(j, $J )$J$h ((I0k0l4 ,k(I,i 0l4l8m4m8 8m4l$I,j4 F H$g E,j0g$h(i8 4l%(I(I,k4l,j8 4l4l0l,k(I(J$h, I(i(j 4l0k4l0k4m4l4l $(I4l$G F(h,i(i$g(f(I4 4l(I$I(i$I G & G$I0k(j$I,k0k8 4l4l8 $H$h g(j(j H F$g$F,j,j(g G(i0k0l8 4l 0k8 %$H4k8 ,k0k0j(i$G$h,j0k$h D$G(i$i0l4l0l,j0g(h$H(J0l8 4l,8m8 g G,j4 4l8m8 4l,j,j$I,k0j4 4l0k(j$h(h s619k " H(i,i,i4l0l4k4l0l0k,k4l4l8 4l,k(I(i$H$H(I & f H$I H$H H$I(i8 0k0k4l4l4m4lc 4l,j(j,i(i $$h0i,j0k(j4k4l8m8m 4l,k H G$I$H0k0k4j,j F D(h4l4l,j(j$I G$I,k4l4 0j0i$I0j(g >u>26 E(i4l8 4l0k,k(I$I,j,j4l8m8 0k,j(j(i(j,j4l4 4m4m4l0k G H(j4l8 4l4l8 0k0l4l4l4 H0k4l4m8 4l4l0k0k 4l,J ( E ',J0k8 F4j4k(g t>t)K >s:sB >s:u6 $(i4L< &$H0k4 &(I(J4 &,j8l0k$g #,i4l8m4 G(J4l4 & G '0k4 0i$G(k4l8m,j h :1>s) 8m0k(h$I4 ,j G,i4 B1:1B 0k(h(h4l8 0k$I$i0 $i(j4l8 0j$h(i4 4l,i(j8 G H0K< &0l0l@ $I$H,k< 0k(i0k8m8 0j4k8 $I G4lA F1F1B 4l,j4l8 4l0K0K4l0K4k0k4l0k4l4l 4l,j4l8 H H4lE0 4l4j4l8 4l0k4k8 ,j$I4 SJ1F1B ,k$H0k@ 0k4k8 4m0k0j8 4l0k8 V1B1F1B l0l4l< 0k4l8 4l0k4k< 4l4l8 tF2F1J1o{ 4l0k4l8 E$i4l8 0l4l< 4l4l< sfs^sF1B 1^sjs{ sfsfRfss9 JRF1Z 4k4l8 #(i8l8 4l4l< 4m4l< D^sk9 F1F1JR^y fRfRfsf RNRF1Z m4l4l8 KNskZ :R:sO9 D,i0l8 4l4l< 4l4l< fRfSf ftfRfRf F1JR^ fsftfRf fS^Sf RRNsBRVsg9 m4l4l8 $(g4l8 0l4l8 fRfsf f2fRf fsftf ftfsf J5fsbsV3j NsJRRRf fsfsf fRftg JRNs!( 0k4l8 D$h4l8 4l4l< fRfsg RsNsNRZ fsfRs NsNsN 0l4l8 #(h0l8 0l4l< NtNsNRZ 0k4l8 $,h0j8 4m4l4 fRfsfsfRf NsJso{ 0k4l4m4l(j g KF2g8 D(i0k8m JRNsj ftfsf 4l4l4m4 D(h0k 4m4l0l4l< 4l4l4m4l,j(g D$h0k8m4l4l4 4l4l4m4l,j$h :,:qO| #$i4l8m4l4l8 4ZTfRfsf fRRT:6B5VTJ5NTNU) 0k4l4m4l :,:PO[ 4l4m4l4l8 ^tfsf Fw:W*X*X*7*7&8*7F5BVNTf NRNsR 4l4l8 4k4m4l4l< fRfRf fsfSbSVRR *y*y.X.8*8&8FUo RsJRJ 4L4L8 NsJsNsR F5:6&75 J$GDdM( :w*y&X27RUbskY 0L4m8 B06R5 RJRNsNsV FU.7&8*Y Rf6 5 F1JRV .7.X! 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A` l defeat of the evil Count. After a Romanian priest contacts him regarding the events surrounding his brother s death, Maurice travels to London where he meets original protagonists Jonathan Harker and AnnisettC e, to whom he becomes engaged. All this you learn by way of a dream-flashback which culminates in the sudden death of Annisette s father. You awake after a troubled sleep with just four days to solve the myste ry surrounding the headless corpses that have begun appearing in the streets of London and, by doing so, to prevent the re-emergence of Dracula. The gameplay of this Interactive Horror Movie is pretty straightfE orward, thanks to a particularly intuitive interface. To travel to any location Morris simply gets into a cab (driven by a variety of loveable Cockney characters, all of whom appear to have graduated from the D ick Van Dyke School Of Dialectical Training). Inside he is presented with a list of possible destinations. Arriving at a destination triggers a short piece of video footage which you can watch as often, or as lG ittle, as you want and record the salient points in your journal. Then it s back to the cab, where, depending on the nature of the scene you ve just witnessed, the list of addresses known to you may have increa sed. Rather unsurprisingly, you also get to pick up the occasional object along the way. The key dramatic element of the game is time. You have four days to solve the mystery, but within this timetable you alsoI have to achieve a certain number of objectives by the end of each day. Unfortunately you don t know exactly what these are, but you ll know if you ve failed. The tell-tale sign is finding yourself horribly mut ilated a foggy London street. It s also important to bear in mind that if you arrive at a location at the wrong time you could miss a vital clue. For this reason, you are provided with a pocket watch. The concK ept of the Interactive Movie is still a little shaky, often tending to be a catch-all for CD-ROMs that are more movie than active gameplay. Dracula Unleashed is not free of these faults, and adventure games pla yers will waste many a fruitless hour clicking on objects before realising that the only thing they can interact with is the door. However, the developers have attempted to increase the perception of interactivM ity by including a new element in the inventory. Certain scenes rely on you having the right object in your hand at the right moment which at least increases the feeling of interaction in the game. Unfortunat ely, by the nature of the product, you must place this object in your hand before entering a location (since you can t interrupt the video). This is rather more limited than a conventional adventure game in whiO ch you can think Of course, if I use the vinegar on the bike pump and then show it to the actress she ll give me her collection of Doris Day videos, but it does at least give the impression of activity. On th e down side, Dracula Unleashed has a strongly linear feel, and far too much repetition in the action sequences (I never want to hear another Cockney accent as long as I live). Nevertheless, the weaknesses of gQ ame are somewhat compensated for by its success as a film. The quality of the sound and video is impressive, and is complemented by the sets and costumes (although where things get too complicated or expensive re replaced by slightly dodgy paintings). With the exception of the cab drivers and other local colour characters the acting, while not outstanding, is of a higher quality than is usual in these things. Sm Paul Lakin Dracula Unleashed Price 42.99 Contact CIC Interactive 0181 563 4013 Platform Mac MPC CD-i 3DO !))!))!!))! !)!))1) !!)11 )1!))!)! !)!)1)! )!)11! !1)9JBB99119J199)919BB1B11 1 B9)919B9)! !9)1BM )!))! ))!)11 )1!)) !)!))!!)!)!))!1 19BB)1J199)1)191) 9B9!) B9BB9B1))1! !)!!)! )1)199! !)1))1 )!!)!)) !)99BB99119J99B11)11))1191191991)19 )199BB9)! !)!!) !1)BB9B19BB 191911))1 1B99B91BB1 )!)1991! !))!! )1))!)11! 1991911 B119)1)1) 1)!9B91B9)191 !199U !))!! !)!!) )91)!)11)!)! 1)!1!! !9JBB1BBJ9 )1B91B)1991! 19B1))1B 1991) )!!)!! BJ9119119 B99B1) 1 )1)!B9)11B !)99!)91)! !))11))! !!))!))!)1! !1!!1!! B1)119919919B )!)B)1J)1) !!))! !)!))!!)) !199! !19BB9)9199 1911911 B))19BB99119B1 )1)B)1! !)!!)) !)11)1991! !!)9B919 B911))11 B9)19B11911BB1))!) !))!!)!) !)!))! !)!!) 1))!19B1 )B9)1919 9))911)!)1199)1 19BB1))!) 1)1)) 11!!) )JB)) 191)1 9 B99BB919B9 !11919 !)!)!) !))!! 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JBBJJ JBBJBB JBBJJBBJBBJJ JBBJJBJ JBBJJ JBBJBBJ JBJBBJ B JBBJJBJBBJ JBBJBJBJ )1)11))1)11 )11)) BJJBB Protagonists Protean Protect Protected Protecting Protection rotein Protester Proto-fascistic Prototype Prototypes Protracted Proud Proudly Prove Proved Proves Provide Provided Cultishness Cultural Culture Cultures Cumbersome Cumbrian Cumbrians Cuniform Cunning Cunningly Cupboard Cure's Cured Curiosities Curiosity Curious Curiously Curling Curly Currently Can't Canada Canadian Cancelled Cancerian Candid Candidate Candle Candle-lit Capsule Capsules Captain Caption Captions Captive Capture Captured Captures Get-up Getaways Getting Ghastly Gherkin Ghost Ghost-detecting Ghostbusters Ghosting Ghostly Ghosts Gibberish Cluedo Clues Clues/objects Clumsily Clumsy Clunk Clunkiness Clunky Clutch Clutched Clutter Cluttered Cluttering Cnn's Co-designer Co-exist Co-incidence Co-operate Co-ordinated Co-ordinates Co-star Coach Coach-and-play Coach-only Coast Coating Coats Coaxes Cobalt Cobbled Realising Realisitc Realism Realistic Realistic-looking Realistically Reality Hand-eye Hand-held Hand-painted Hand-to-eye Hand-to-hand Hand-written Hand/eye Handiwork Handle Hands Handset Handy Hangers-on Hanging Hangs Hanker Hankie Hanky-panky Hapless Happen Happened Happening Happenings Happens Happiest Happily Happy Hard-hearted She'll She's Sheba Sheen Sheep Sheer Sheet Sheets Shelf Shells Shelves Shergar Sheriff Sherlock Sherman's Shield Shields Shift Hears Heart Heart's Heart-stopping Heartbeat Heartbreak Hearted Heartening Hearties Hearty Heaven Heavier Heavily Heavy Heavy-duty Heavy-handed Heavyweight Hedgehog Heedlessly Heels Hefty Hegemony Height Heights 44.95 44.99 44000 486sx-25 49.95 49.99 50-50 500-1100 50000 500bc 529595 54.99 44.99G Mindscape 01444 246333H GamesJ 3.5R Under 50[ Under Dreamweb Something s not right with this cyberpunk adventure. Three years in the making, but 15 hours to finish This strange mix of cyberpunk and mystical adventure contains some much-vaunted adult content: people ha` h yes, those lost hours staring at a green-screen line drawing map of the Caves of Kathmandu, slowly typing turn North and trying to imagine what the trolls looked like. Of course, nowadays the troll would apC pear as a monstrous, hairy thing gnashing its teeth and swinging a huge spiky club. You can actually see it and hear it nothing is left to the imagination. Dragon Lore s superb 3D Studio-style opening sequenc e is a good example of how far adventure games have come since the good old days. It tells the childhood story of Werner von Wallenrod (the central character) and explains, with beautifully rendered graphics, hE ow and why he came to be milking cows in some distant valley. Far away in his rightful birthplace, he is really destined to be a great warrior and Dragon Knight. But as with so many games that have been release d on CD-ROM, more thought seems to have been put into the presentation than the gameplay all mouth and no trousers if you like and this is the only explanation for the fact that it comes on two CDs. In someG ways, Dragon Lore does remind me of those old adventure days, well, sort of. Instead of typing North to face North, you click on the relevant part of the screen and in the blink of a wizard s eye you are fac ing in that direction. There is no smooth scrolling of the scenery in a gentle arc as you bravely turn to face your opponent or to run away like the true coward you are. Just a click and all of a sudden the sceI nery has changed the same system used in Myst. There are some animated cut scenes that link parts of the game but these can seem somewhat disembodied. Dragon Lore will keep you occupied for a good few hours. Most of the puzzles involve simply using the right object from your inventory or the right spell at the right time. Most aren t too difficult so you can progress at a reasonable rate. The objects you need to fK ind are easy to spot, usually being a blocky bitmap on a rendered background. At some points you will have to engage in some strenuous physical combat so there s a wide variety of different situations requiring different skills. Besides, it s always healthy to take a break from taxing your brain to give the nearest orc a good few whacks. s worth mentioning that this game is a complete pig to set-up it needs nearM ly 590K of free base memory so expect to make some calls to the technical support team if you re not an expert. t get me wrong, in most aspects Dragon Lore is a reasonably decent adventure game and defin itely looks fantastic, but as they say, looks aren t everything. Duncan Swain Dragon Lore Requires 33MHz 486 with at least 8Mb of hard disc space Price 44.99 (inc VAT) Contact Mindscape 01444 246333 PlatformO MAC MPC CD-i 3DO NsJRB NsF19 JR~F1F11 RF1%) 1NsJRB CN`R` RJRJRF1F19 RJRJRF1= F!%) 1JRF3)F F1NsNt RNRJRJSNsJRJRB F2JRNsR NsJS-k JSNr5 1NsF1! 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F-NOJ.F RoNO)J J.RpZ -NO)H J.J.1 J.J.= .NNJ.NO^ J.N.NNF-%' Smooth Smooth-scrolling Smoothed Smoother moother-than-silk Smoothie Smoothly Smoothness Smorgasbord Smothering Smoulder Smoulders Smudge Smuggler Smutty Snack Snail Snake Snakebite Snapped Snapping Snappy Snapshot Snark Snatch Snatches Snazzy Sneak Smooth Smoother Sneakily@ Soft-porn@ Someone Songs@ Sorry@ Sounds Sourced@ Soviets@ Space Specialist@ Speed@ Spinning@ Sponsors@ Sprog's@ Squares@ Staff@ Star@ Starting@ Stated@ Steal Stills Sting@ Stinging@ Stinker@ Storiest Story's@ StraightD Straightforward Strength Stripy@ Stuart@ Stuck Coward Cowardly Cowboy Cowboys Cowering Coyote-style Crabs Crack Cracked Cracker Cracking Crackle Crackles Crackpots Craft Crafted Crafts Craggy Crammed Cramped Crams Crank Cranks Cranny Six-button Six-camera Six-pack Six-player Six-year-old Six-year-old's Six-year-olds Sixteen Sixth Sixth-form Sixth-formers Sixties pping Slapstick Slattery Slaughter Slavering Slaves Slayer Sleep Sleeping Sleeve Sleeves Slice 44.99G Empire 0181 343 7337H GamesJ 3R Under 50[ Under Driving Test About to take that nerve-racking test? Perhaps this disc can help you brush up on the essentials Hey, drivers! Do you know how many penalty points you get for driving a car with no MOT? Or at what age a child ` ving sex, swearing, that sort of thing. Ultimately though, the really big fault comes in the difficulty or rather the lack of it. Seasoned adventurers will have no trouble finishing this game quickly, probablC y in 15 hours or so. In the dark and scary future, a planet is controlled by a powerful mystical force: The Dreamweb. It controls the minds of the sleeping populace, and is controlled in turn by seven disembodi powers inhabiting physical hosts on earth. Some are good, some are evil: if the goodies have control, it s pleasant dreams all round; too many bad hosts and it s Tortured Sleep City, with people waking up E in sweats after dreaming they ve been given a makeover on the Richard and Judy show. Unfortunately, the Web s now thoroughly bad: terrible nightmares abound and everyone s wandering about looking like Klaus Kin ski. So the Keepers of the Web enter your mind, urging you to kill the seven evil hosts and set things right. The game uses an unusual top-down viewpoint, each location being divided into a number of single-scG reen rooms. One nice touch is the in-game computer terminal with its limited command language, from which you can glean more information as you discover passwords. But, the pace of the game is slowed by the cum bersome inventory interface and the unusual navigation system you can t walk around freely. Worse still is the fact that entering many of the buildings requires you to key in a code number repeatedly. The spI eech on the CD-ROM version does add a little to the experience, although the droning in-game music will quickly irritate. Meanwhile, the graphics are what s politely known as retro. Dreamweb has taken nearly th ree years to make, and it shows. While the concept may have been passable when the idea was first mooted, the likes of Sam & Max, Ecstatica, the two Alone In The Darks and countless others leave it standing. ItK s not totally bad but it s not that good, either. Patrick McCarthy Dreamweb Price 44.99 (inc VAT) Contact Empire 0181 343 7337 Platform MAC MPC CD-i 3DO 4a8a4a, e$ 0l1- $(( ( (I(I,*( 0l,K( 34.99G-10 out of10 Educational Systems 01142 780370 MPCI ReferenceJ 2.5R Under 40[ Under nA Drug Wars South American drug barons are not the only clich s in this predictable shoot- em-up The war on drugs is the scenario for American Laser Games latest in the Mad Dog McCree series s not technically a ser` is legally responsible for wearing their own seatbelt? Do you know how many milligrams of alcohol you can have in your blood to stay under the limit? Or more to the point, whether you have to report running oveC r a deer? If you did, then you know more than most drivers out on the roads. All the answers to the above questions and more are here in this attempt to make learning driving facts a little less tedious than r eading the Highway Code. And so we are invited to play a series of rather primitive but not totally unentertaining puzzles which require you to answer questions about driving and road safety correctly before yoE u can progress. Games include: Word Park, where you try and guess a word by adding letters for each correct answer; Patience where the questions get in the way of the card game; Rear Mirror is another quiz in which you get bonus points by reading mirror writing; Clunk Click is the road sign version of the memory card game; Speed Trap is a dubious race against time with the added thrill of seeing cars trundle sG lowly across the screen while you try and work out the meaning of, say, an empty red triangle sign; and Signpost is another quiz where answering correctly reveals an, em, roadsign, which you then have to identi After competing the quiz games, you can do a driving test, which is yet another quiz with the same set of questions but without a game attached. If you succeed, you are awarded a flashy certificate which yI ou can then print to impress your friends. The overall effect is not unlike a lowbrow game show in which the questions are just an excuse to give away prizes. A shame really, because this title could have been so much more. Paul Nesbitt Driving Test Price 34.99 Contact 10 out of 10 Educational Systems 01142 780370 Category Education Platform MAC MPC CD-i 3DO NsF1= 1FQF1NrR J1FRV JrFQJSJRJRB0F1R #."2!. #.".!! NsNsJRV F1JRV NsNsJRB l`d`L !<A, $ 0B8a8 (b4b4 4 8A8a0@0 <A@A(b NsF1R < <!L 4@(@DaXaPa0 4@T F1F1FQFQR F0NsN F1JRNsF1B0B 8@8a4 @ !4AP@@A $ D JRF1JRF0NrJS- NsF1R 4@0A$ 0b4b0 0B0A, , 4A, ,b<b8!$A 0 0A@a@A8 8A@b<@0 $ (A$! F1JRB sF1B0= D@La8 ( @@TaL RJR%) NszJR-k ,A$!, Ha@a( ."2#& 2!2"- !2A2C% NsJRJRNR= JRFQFRNsJQR 2C."! <@4@ 0A0@ ( 8A4A4 1Ns%I NSF1NsNsJRNrNrNs= JsNsNsR NrNsNrNrN RrRrNrNrNsNsNrRrRr RrRrNrV sNsJrNr JSJSJR JRJRNRNQJQJRNRNQ JQJQJRJR JQJQJRJQJQN QNQVr: SJsJrJQJQNRNR JQJQJRJRJQJQJRFQJQNQJRNsJS QFQFSFR_ laf/W RtJRB01l p`@m' R1Zs^ 1F1NsNsF1B FQF1F15 *B2#2 .B.#2#."% 3.$.#.C!c JrNsA NRg9 ^.b.v b0b0r b/nrr ^QV0^ RJ1N1RR-k Essentials Establish Established Establishing Establishment's Estate Esteem Estevez Estimated Estranged Eszterhas Etchings Ethan Ethereal Ethical Ethnic Ethos Etiquette Etymological Etymology Eulenspiegel Penalty Penberthy Penchant Pencil Pencils Penelope Penetrate Penguin Penis Pennant Penned Penniless Pennsylvania Penny Pentagon Pentium People Yields Yonder York's York-style Yorker Yorkshiremen TBAG%American Laser Games 001 505 880 1718H GamesJ oA+Dvorak s Symphony No.9 From The New World Voyager brings you Dvorak's masterpiece symphony on CD-ROM - but is it the best thing since sliced bread? From the opening screens, including a stunning animated locomotive, a Czechoslovakian landscape, not to` ies, but each game is so similar in format that you ll know roughly what s in store from this comparison. The mix of still, shoot-out screens (where digitised hoods randomly pop up from behind their cover likeC a fairground duck-shoot) is adequately interspersed with first person perspective, motion-video sequences. By filming each video section as a perfect round , the action appears smooth and natural until you miss a shot and it s a quick cut to your assailant in action. Now this format works, but that s in the arcades. PC games are different. The only freedom of choice here is the assignment order and the decision tE o shoot or be shot! The mouse accuracy is sloppy so unless you invest in a light gun (due out this spring) you may wind up very frustrated. And, the whole kit kaboodle seems to be shot in Clich -o-vision prepare to cringe as your partner says: re dealing drugs in this bar what say we buy these guys a six-pack? Gareth Ramsey Drug Wars Special Requirements GameGun recommended Price Contact AmericG9an Laser Games 001 505 8801718 Platform MAC MPC CD-i 3DO N0N1NRNRR RrRpRQNPNQJQNPJPNONqNSR2^ NQJQJPJ0J0J/F F/J0N1NrR NR,NQJ0F F/JPN1J0JPNQJPJ0F/F/F R1RRVrZ RrNQNPJPNpNQNQ Nq:RqRR^ N/J0J/F/F F/J/A 0NrRqA F/J0J0NQRrV RrNqNqNRJ0F J0JPJPJQJ0F RsNqNRJR N2NQNQR RsRSV J/F/JOJ/J NQNRRrV RrJPF RrNRNQJ0F RRpJ/NOR J/?J0N0NRR NQF/F RsNrNRJ0F/F/F J0N1NRRR J0J0J J0J/J/J1JQNrRrV NrF/F RQRsV QNQN1J/ J0N2NQNQNRNRNQNQJ0NQNQNqRrV RqN0F NRNQNrRrV 0RrRRRQNPJ0J J/F/F/F QNRNQRrV NRF0E /RRVsV VsRQN0N0J qRqRrR NRJ0F NQRRE RtRtV RsRqNrNQF rRsRtV NrNRJ0N1NRRRA NRRSV RsNRJQNQNRRrA VsRsRrJ0F NQVrf RsNRNQNQRRRRA RrNR= RrJ0F RrJ0J/J0JQ NPR/RR NQNQNRRrR RsNQF/F RsJ0JQNR RrN1Rsb NQN1NQRsVtF NQJ/F RRJ1J0JQNRN3 RNRRqR NQJ0J/F/NQE RrJ1NRNRRtR RtNRRRJ2Rrb NrNRRrR RrNQJQJ0NPE J1$N2N2J0J0J1J NRNRR RrRqNqNQNRNQVrZ RsRrR NrNRN1J NRRrR NSNRRRZ RQRsR NrNRNRJ NrN2NQR NsJQRrR NrNRR RRRqRRVrV NRN2NQR R1R/5I VqVro8 1RRVrV RqRrV VtVsV /J0J/J/E NqN2NQRqVrRs5l VsN0N VtJ0J0NRNQNRNqRsRR5J RqVsV PNrNrRrR NQNQNqRrRQ1j RqR0A RrRqRqNqRPNPV N0NQNQNRVr=i 0N1NRNQN01) RrR/9j RqRqNrRrRrR NRRSRsE RRN0A R0J0VR^ VrN/E rRqNPRQVrR1A RrRrNqE N0J0A NrRrF 0NRRrR NRNQA NRRsRsR sNQJ2JRN2N RqRrV RsN2J J1N19 RrRRN0J 1NSNsRsRrRsN RsNTRR5H NsRsNrRrNRNRVRI 1JRJ1J0F/F VPN/J sRsRrRRRsRSI NtF2J1N3Ru^ 1NRNRJQJPN2NRNSA JSNTJTNtRtVtV J2J2NsJ2F 1J2N2E N2NQE RRN1E PN/N.E 0NQN1J /N/N0E N0N/I J0F/JP= /J/F/J0J0)) F/J/J/J J0RrF J/J/J J0N0RQN/) V1ZQZQV2Z1ZQZRVQ%J J/#J0J/J/NPNQNQRRA <!(AE@ 8!@ 4b N/NON0NQRQRqRqRsRsV !,b=B N0N/NPN0RQR RR=RrRqNQ) v`f@= J/RQNPNPRqNqN NqNQR QNQNRRrNPRQ= ^!V"^ ZCb!=A J/N/NQN1JQJ0NQN0RPRpNQN0J/J/N01) N1N1NQ NR7RQRPN0J N0JPN1E J/J0N0J0J/N0J0JPNRNQNPNRJQN0J0F /J0J/J0NQF/F/J/ J1J/J/J J/J0A r@j M J0N0NQJ JPJ0J/F/J N1NQN1N0E <B<B8 J0N0J J0NPNPJ0J0JPJ1NQNPN1NQE N0N0N1N0N0NQJ0J NQNQJ J/J0F0N0J N/NPNPN1N NQRpNQNQRPN1J/F/J N1NQNQRONPNQNQNRNQNPJ0NPN0J/F/A J1N1N N1NPNPNqRqNRN0J0J J0J0NQN2J1J0J/J0F J/NQNQN1J0F/F/F VAn@v`r@^A=A 4BDb4 N0NQNQJ 0F/J/F J1J1NRNrNqNrRsV RrRQNQF/J0J ^`N%VAv 1NRRRVsV RrRqR F/JOJ/F f`r`z RqRqR RqNPJ1J RqRrRqRqNqJ/J/F/F J/J/J0NPNQF @B8B@ 8b@"DA8 RRRrRqRrRqN/J/J/F J/J/N0NQNPNQRQRqRRNQA RrRrRqRrR NQN1J/F J0R2RQNQNRRsRsRrR sRRRrN RqRqR NQJPJ/F J0N1NQNq RrRrR RrRqRqRrNR9 RrRrR NPJ/F/F F/HJ/J/N/N0N1NQNqRqV RRRQRrE ^tZtZ RrRsRrRqRqNPN1NRNPJ0J/J/JPJ/JQJQJ/NPRPR/NRRrV RrNP9 RqNqRqRqNPNPRPRqRqNPN0RqR NrRqNPRPRP VrRqVrV VrRsRs VrRrR NqRPRqRrR RsVRZ RsVsV VsRqN RsRrR RrRqRRV VsVrZ VqRrRrRqRPNQJ0F RrRRRrR RRRrR RsRrRQRPRrN0J RRRRRrRRRrRrRQRqR RrRqRqRrNPNOJ0N0J/J RRRRVrRqV RsVsV RrVsR RrRsRsRSR RqRPNPRONON0N RrRrRRRrRrVRRRRrNQR NqJPNQNRJ RqRQVQVrRqRQV2RrRqRqRPN0J0J RrVqRRR2RRRrRqRrRQRPNPN0J VsVrZ RtVrR RQRQRqRrRrRqNqRPNPJ0J0J RRRRRrRRRqRq NQN1J1J0J/J/N1N09 VrVqRRRQRqRqRPRPN0N1NQNPNOJ/NPNORPN VrRrRRR RqRqRPRORPNQJ0J/N1N1J0RONOJ/J VrVrRrRrRRRRR NrRqNPJ0NQJQJQJ0N1RPRPR1NPN/J J/J/A RRRqRqRrRQRPNPN/NPN0NQNPRPRPRORQNPN/J RsRqRqRRRrR RPRPN0NPRrRQRPRpRONPJ/J RrRQVRR2 RR RrNrNPRPNPJ0NPRqRpRPNPN/NPNPJPJ0J ZsZsZ RqNPNPN/NpRrRQRPRQRPJ/J/ J/J/J J/F0J/A VsVsVRVsVsRrR VrRrRQRPVrVRVrVrVQRPN0N N/N0J N0J19 <A<B<B@A f! V`E ,aJ f <b@b@b@A <b@b@b@A ,AN A @A@B@BDA(cj f2f29) cbt^1b ^1ft, b1fRQ( !@B@BDB0AI Shoot-out Shoot-outs Shootable Shooting Shoots Shopping Shops Shores Short Short-changed Short-order Short-span Short-term Shortage Fairly Fallen Falling Falls False Familiar Familiarly Families Family Family's Famous Famously Fan's Fanatics Fancied Fancy Fanfares Fantasia Adequately Adjacent Adjectives Adjunct Adjust Adjustable Adjusts Adler Administered Administration Administrative Administrators Mouse Mouse-clicks Mouse-driven Moustachioed Mouth Mouthful Mouths Moved Movement Moves 39.99G Astrion 0181 202 0011H Music 3.5R Under 40[ Under Earth Command This disc melds two CD-ROM obsessions: space and ecology. Sadly, it's heavy on ecology, but short on gameplay You are the commander of a spaceship orbiting earth who has been given ultimate power over the worl` mention a rural black guitarist, Geronimo and Wall Street, Dvorak s Symphony Number 9 has the mark of sheer quality, and there s not a Hovis wagon in sight. While some classical CD-ROMs leave much to be desireC d when it comes to the quality of the sound and performance, Voyager Software has chosen one of the best recorded interpretations of Dvorak s seminal symphonic work. The digital performance is from none other t han Kiril Kondrashin and the Vienna Philharmonic, and, although it dates from 1980, the sound comes up fresh as paint. All the excellent CD Companion research tools which readers will have encountered on previoE us Voyager music titles are available, including: expert commentary and musical analysis; glossary definitions (with musical examples); a section on instruments and the Romantic orchestra; more than 325 supplem entary illustrations; and an essay on Dvorak s life. Most of these sections are arranged like a book with chapters that divide deftly into sub-chapters. While the mixture of text plus graphics plus optional souG nd is a simple formula, it is more than adequate to illustrate such things as the authentic sounds of the American orchestra that gave the symphony s premi re performance. Neither will punters who thrive on his torical and bigraphical detail be disappointed. In the section entitled Dvorak and the New World you can hear fascinating eyewitness accounts of the composer s life in the astonishingly vital America at the dI awn of the 20th Century that spurred Dvorak to his symphonic masterpiece. The heart of this CD is the section entitled A Close Reading. This focuses on the minutiae of Dvorak s music right down to the individu al bars; notes are highlighted horizontally as they are being played. But you control the order in which the work unfolds, and an erudite commentary by the American music scholar Robert Winter is only a click aK way. Winter loathes jargon, which means there are none of those abstruse, off-putting sentences which are all too common in classical music CD sleeve notes. It s impossible not to be swept up by his knowledge, enthusiasm and wit. In the final analysis, some viewers may feel that not enough has been made of the multimedia possibilities such as incorporating more graphics. But the title s great strength, apart from M its encyclopaedic treatment of the subject, is that it will appeal as much to the Classic FM listeners as to hardened classical music buffs. And the next time you pass the Hovis shelf at the local supermarket y ou will be able to hold your head up high. Jonathan Webster Dvorak's Symphony No. 9 Price 39.99 (inc VAT) Contact Astrion 0181 202 0011 Category Entertainment/Education Platform MAC MPC CD-i 3DO ZLZKw5 pN+VNwW JRF1kZ RPRpb VpRPV J0NQw sJRo{ JRF1= F1g9> JRF15 JRJR%) F1JRNsF1B NsF1R sNsJRF1NsNs^ NsJRV F1F1JRkZ 1NsNsR JRJRc !F1F1 sJRg9 F1JRR F1JRg9 RNsg9 RNsg9 RJRg9 NsNsV JRNsB !F1g9 F1NsNs sJRo{ RJRJRZ cNsNs5 F1NsNsJRNsNsg9 JRF19 NsF1V RNsNsB RNsJRB JRJRNsJRJRR sJRNs= NsJR= NsF1JRF1F1JRR NsJRR NsF1F1c NsNsV NsNsJRF1NsF1B NsJRV JRNs= NsNsV NsF1= NsF1B F1NskZ NsJR^ JRJR%) F1F1B F1F1c JRJR5 NsNsF1JRF1JRF1 F1JRF1JRF1F1Ns 1JRg9 JRNsB NsF1Ns= 1NsF1JRB NsNs^ F1F1%) NsNsR sNskZ JRJR9 JRNskZ F1NsNsB JRF1-k F1JR= NsNsc 1F1F1c sNsJR= sF1o{ sNsJRR sF1)J 1F1Nsc NsJRR NsF15 NsF1JR-k F1NsJR-k NsJR-k sJRg9 JRNsB JRJRF1= F1F1B RJRJR5 NsNsw sJRF19 NsNs9 NsJRF1V JRF1)J NsNsV NsJR9 JRNsNs= NsNsF1 JRJRc sF1g9 NsF15 1Nsg9 NsF1g9 NsNs9 sF1F1{ F1F1V JRNsF1JRR F1Ns%) NsNsR F1JRNs NsNs= NsJRJR9 RNsJRF1V JRNs%) RF1o{ NsNs^ JRJR5 1JR-k 1F1-k RNsNsF19 F1JRJRg9 JRJR= sF1o{ mF1)J sF1Ns^ !F1%) JRJR)J F1JRJRR 1JR%) 1F1JRB 1JR-k RNsNs-k 1JRF1)J F1Ns9 1JRF1JRJRF1NsJRF1JRR NsJRV F1Nsc F1NsV JRJRNsF1R F1NsF1R F1JRF1B JRF1F19 F1NsZ JRJRZ NsNs^ NsNs^ sJRF1kZ NsNsF11 1JR)J Sliced Slick Slicked-back Slickly Slickness Slicks Slide Slider Sliders Slides Including Inclusion Income Incoming Incompetence Incompetent Inconsequential Inconspicuously Incorporating Incorrect Increase Increased Increases Increasing Increasingly Incredible Incredibly Incriminating Incubate Indecent Indeed Indelibly Independence Independently Indestructible Previous Previously Previously-released Price Accuracy Accurate Accurately Accusation Accusations Accuse Accused Accustomed Acerbic Achieve Achieved Achievement Achieves Achieving Acid-spitting Ackbar Acquaintance Acquire Acquired Strength Strengthen Strengths Strenuous Stress Stress-buster Stressed Stresses Stretch Stretched Stretches Stretching Strewn Strict Strictly Stride Strike Striker Strikes Striking String Stringed Strings Strip Stripes Stripping Strips Listeners Listening Listens Lists Literal Literalism Literally Literary Literature Litil Litres Litter Littered Little 39.99G Softline 0181 401 1234H CD-iI Reference GamesJ 2.5R Under 40[ Under qA Ecstatica If you were the sort who pushed a Ouija board around during break at school, this nightmarish game will be the answer to all your dreams The first thing that strikes you about Ecstatica is the sheer quality of` s ecology by the UN. You can use taxes, laws, sanctions and advertising to promote a cleaner, greener, fairer world. You can control things globally or zoom down to hundreds of individual countries where you C can meddle on a more intimate basis. It is a great concept and dazzlingly executed with real news footage of environmental disasters and real actors integrated into the game. Unfortunately, there isn t much of a game there to play. A key requisite of strategy games is that they should involve some sort of decent feedback. Sadly, Earth Command fails to supply the player with any substantial, or more importantly compreE hensible, information as to how they are doing. There are charts indicating the relative rates of pollution, quality of life, industrialisation and the like for every level. But even on the full world view thes e apparently have a life of their own and at country level it is impossible to keep track of any kind of global view, so overwhelming is the data. The other feedback mechanisms are through the little red, yelloG w and green dots that appear on the map, and through video e-mail from your bosses. The dots lead to a report on some aspect of ecology or life on earth. Red invariably means an environmental catastrophe, yello w is a warning, while green always seems to take you to Danish toilet-paper recycling success stories. When you zoom into a catastrophe there is nothing you can do except tinker with the country s UN budget andI hope for the best. Even then it can be years before anything happens, if indeed the simulation has registered that the catastrophe has happened at all. Sometimes the report can scream about an industrial accid ent while the pollution meter reports that things are getting better. The video e-mail does give a vague sense that you are connected to the planet you are supposed to be saving. You get calls from your boss aK nd from a spiteful gnome who monitors the world s newspapers and adds to the frustration quotient by yelling at you to do something now, while, because of the ridiculously long time frame, you can t. The result of all this lack of feedback is that the game plays like Sim City without the maps. You can see generally whether things are going right or wrong, but it is hard to do more than nudge events in the right direcM tion. The other disappointment is that the game is too easy mainly because of its heavy-handed political theme. Go to the taxes window, for example, and tax fossil fuels at 100 percent and then subsidise renewa ble forms of energy. Likewise encourage free trade, discourage meat eating (inefficient use of resources), encourage small families, discourage the use of pesticides and so on. After a while (after a long whileO , thanks to the lack of a feedback loop), the world will start getting better. The disc might as well have a big arrow over each ecologically sound option with the words This one here, dumbo flashing in big r ed letters. If Philips can get the game aspect sorted out for a future version, then this disc could be a cracker. Unfortunately, I think its didactic purpose, banging the converted over the head with the messaQ ge that green is good, makes the gameplay superfluous. Jim Smith Earth Command Price 39.99 (inc VAT) Contact Softline 0181 401 1234 Category Entertainment Platform MAC MPC CD-i 3DO F0"F1JRNsR NsNrJRJRJQF/B F.F0Jq-j NrNrJQ F/FP= NsNrNqNrJP5 NpF/= F0FPFPB/F/JPJPF1JQNrR JqF/B F/FOF0JPF/F0FP JPJPF1 J0F1F/B F/F/J/J.J/F/F/F F0FQF0V FSJu_ ^s^sfsU B4BTBT JuFTN JuB4Jv5 BSFTJuR ^sZ1M QfsbrZ bQb1^1] JuFTRuJSB ZtZRZs^s^ ^s^tbs^s^s^1fsbR^RbSfSbQfRb2b Qb/b0Y FtJu^ B3NvR RtZtN Z1^R^ Zs^sZRbs^s^sbs^ fsbsfsfsf bsb2b1b jRjPf :V>5BUZ NtNu= ZsbsZs^sbs^s^ bsfs^2Z ^3fsb3frjsf1b jQb0] VBTNvV ^sbs^s^rZSZ3^tb btZ3^1M 1jsfsfRjQb/] JvBU2 VtR3Vs^sVs^s^s^S^SZR^2^s^sfsbub j1f0b NxFu:5Fx) Zs^SZS^r^RbS^R^1Z2Y sftb2Q jsfRf0fqf0] F3Ntk[ BuFvRx[ RvJT> s^R^r^3^RZ1Z2Z2b2Q fsb3U 0jrf0j1jRb B5FT: Z0^SZQQ 3jt^2M jRf0b0f0Y ZQZ1Z1Z3^S^sb F3Nuc 5FVBv>UBw>SJwV 66467) t^sZ0V ZRbsb V2R2Q jRfSbk wJvBV>VJ NwRwZ NvJvR Z2^3M bTbR^RZ1V0^R^R^1bs^SZS^sbsZs^ 2bsftfSU fRjsjsfRb2b1b2fSbR bsGZ3^tM ^0^0ZR^sZR^sZRQ ZSV3Z S^Sfs] f/fQjsfsjsjsfrfrf JVJVJ >4JuZ ^0^1bsZsbsbsQ 2ZS^Sb ^tZ3ftZ ^1brb f0fQfRfsfsbrfsfsb V2ZsZ ^R^2^1 fSf0b/f/jRfrfRfrjsfsb FTFu[ 2bt^sZSZS^sZSbsbr^Rb1^qfsbsf jQbPb jRjQf0f j0fQfQfPfsftb VSV2R Z3Z2Y Rbsbr^R^1bQ^ ^0Z0Z1Z fQfQfrjsjsf FTJt_ 2^2b1^ Z2fSU PfQjQb0fsf 1^Q^0] fRjsfsfsQ jsfrb 0fQfRfsjsf "NvNu$ ^0b0fQfQY ^1bRjsQl 1jrjs fRfsfQf1b1bQbrfs^SQ ftbtR ^/fRbSbrbsfsfsI 1fsjsfrfRb fRbSf JTJvZ 0jQ^/f0fPf0fs fsftj F4F3FU% 1jsjrjsfRfqfqjqbqfsjsj F5JUJwN fSZ0^ bQfrZ frfsjsfQ^0fqjrfqfR] FuBUBUZ b1bQjtfrbQb fssjsbQfQjqjrfQ] JTNTV NvRwFTJug fsbrbrfrfRfqbrfsjsfsfsf fsjsfq^1bQfQjqa Rft=m fshjsjsfs^Q^0frb0Y f/fqjrjpj.e b1fSfsE JUJuR jsfrb0bQb1bQj jsfRf f0f/jPa NvFuNuc jsb0I -jrjsfrfrfqfOfsfPf jrf0a ^1bSb FU>SBv>55 Z1bQbsf fsfsf fRbQZ .jqjrfsfsj jrjRQ FVBv9 JvFv5 fsbsjsf fsbsf jrfRjrfrb fSfQbRfrIJ NwFVV RwJV% BTFvR fsbsfsbrZ/^sg9 fQfPa FV65N >3B4N fsfrU ^2b0Z b0b1Y PjsfsZ ^1bsfsbsbsf bSjsf fs^Qf1Y fsjqb fsfsb1b/U +fsbrfsb fqjrfRQ rfsbsf jsjsQ bs^RfsfsjsjsfpjqZ frb0fsbs^RbRbrb1^1M bsfsbsf bqfsfs9* QfP^/fqjsfsfsbsb NvB4FUJvN NuB3B4- bsbsf jrfRM fsjsfsfsf fsZQb wJ6R626R:R6R61_9 ^s^rb1frfPU VQbtb 4Nu1p ~:R>r:Rc9 ^2^2^Sbsb fs^sV ^sfsf B3NvJU). 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RuNUg: Z2brQ RvJT= JUNv= SVUkZ f1jQa NTRuZ RwFt: NvF5= 3NvRw1M 3N4NUb F5Ju! wFU>59 NuNuFTF4)N RTVUM RT%g: NwB5B NUJvJVB U>U!/ F4Nw^ NuNUN59 J4NURvF N4NtJ tN4%, JTJ3RU9 4F3JV9 VJvFUJvFV5 VuVug: VTJ4F 3ZSR3I RUN4= uVt=m ^SV2V3^ UJ3JT5 3^sbs^ URwNuRvR RuVuI ZTVU-- J4F4B TJ3R4= NwJv5 NURwb RvFv> qNr%( J4J4= VvRVA FUFU9 pNq)) FTJUg: JwJTJvN FUNwNv1 QF2%) PJQ)* F5F4V qJQ>1: 0F1-K VNUNU5 fT^3Z /FP)* u^49- NvNvJUB 3Vv1N Zu^2M+ JUNvR NUJ51 TRVNu=o JuNvNwNu5q NtNUR NvRwZ 2Z3V3Z 5Rw)/ NvF4V NVRw-/ vNw%/ NUN49 NwJVJUF6F5NwZ 3RTk[ NvF6V ZvVvM V5ZU4 F1F0F1B1F0F0F1JQF1F1FRFQF1JRJQJRJQ NRJrNrJrNr NrNqNrJQJRJR F2JQJQF1FP F/FOF/F0JPJQJqJqNrV RrRrJqJQJPJP >1>1>2>RBR>r>R>1>1> >U>5V >UFvw FvFvV J1JQNR NsNsJSJS JQJQF1F1B F/F/JPJQJQNqN VsNrNqNqJQ JPF/F/B JQNqJrNqJQF0 F/F/FPJQJQNqN NqJQJPJQF0F/B F/JPJQNpNq-K JSBRJt JuJ3JSF3F2B2B Dazzlingly De-robing De-stress Deactivated Dead-end Deadly Deadpan Dealer Dealey Dealing Mechanisms Mechwarrior Medak Medallions Meddle Meddling Medical Medicine Medieval Mediogre Mediogre's Medium Meeting Meets Mega-villain Megabytes Megadrive Megalomaniac Megalomaniacs Mehta Melancholy Melds Mellersh Melvin Member Members Memorabilia Memories Memory Menopausal Mental Mentality Mentally Warped Warplanes Warps Warpspace Warrant Warren Monkey Monkeys Monochrome Monologue Monopoly Monotones Monotonous Monster Monster's Monster-bashing Monster-infested Monster-selling Monsterfest Monsters Monstrosity Monstrous Montage Montague Montalban Monte Month Month's Monthly Months Morals Morbid Fulfil Fulfilled Fulfilling Full-blown Full-frontal Full-length Full-motion Full-orchestral Full-screen Full-size Full-text Full-time Banging Bangs Banish Banker Bankruptcy Banned Bar-room Barbara Barbetto Barely Bargain Bargain-priced Bargaining Barlow Barometer Baron Baron's Barons Barraged Barrels Barriers Barring Barrister Barron's Barry Bartender Baseball Baseball's Based Baserunning Basi's Basic Converted Convey Conveys Convince Convinced Convincing Convincingly Convoluted Conzone Cook's 39.99D inc VATG Psygnosis 0151 709 5755H GamesJ 5R Under 40[ Under Elvis on CD-ROM The King of rock roll gets a less than stately treatment on this disappointing biography Elvis was King and don t let anyone tell you different. Okay, so he abused prescription drugs, made some terrible fi` the animation. Whether you re creeping past monsters, dashing about the village or hanging crucified upside down from an ironing board, you re doing so in a beautifully animated manner and all thanks to the C work of Alain Mandron, former Head of Mice (or something) in the animated feature Fievel Goes West. The other thing you notice is the excellent definition of the character sprites. They look like real living c reatures, rather than arrangements of flat polygons, thanks to the new ellipsoid technology developed by Andrew Spencer, the game s main creator. Between 60 and 80 separate ellipses have been used on each charaE cter, with the result that they work in three dimensions and have accurate muscle definition which scales convincingly. ll probably also notice the excellent sound effects and atmospheric music. Push past a priest who s been hung from a beam, and the beam creaks in a pleasing manner (although the priest may disagree, of course). Move near an area of potential threat (in other words, just about anywhere) and you l hear the kind of spooky music that would have you hiding behind the back of the sofa if you were a few years younger. Before you notice any of these things, though, there s a good chance you ll notice somethi ng else: there s a bloody great werewolf who keeps jumping off rooftops or out of doorways and beating the crap out of you, sometimes until you die. Why is this? (Apart from the fact that he clearly needs a comI bination of powerful sedatives and caring analysis, instead of the care in the community he currently receives.) Because he, along with the minotaur, the giant spider and drunken half-man half-pig thing, is the embodiment of a young girl s nightmares. She dabbled in the black arts, tried to summon a demon whom she thought she could control, underestimated his powers (isn t it always the way?) and ended up a prisoner.K Now the dark recesses of her mind are being used to rip the village apart. ve stumbled innocently into the place in search of a swift half during a journey through the mountains which surround and enclose the town. Now the bridge you passed over has collapsed; you re trapped, the monsters want to kill you, and the only way to leave is to sort out these underlings and the demon who controls these evil creations. You have the choice of playing the game as a male or female, both of whom, you ll be pleased to know, are equally adept at expressing themselves physically with knives, swords, teddy bears and whatever else com es to hand. And they have to be. From the moment the game begins, you re knee deep in fast-moving evil. Each passage around the village largely consists of endless, nightmarish chases in which you re pursued byO seemingly tireless foes. They don t just walk around in a circle in one area, like monsters do in most games, they come after you. You can lose them, or once you get some weapons dissuade them temporarily, but they ll always be back. And if you let your energy drop below a certain level, they ll kill you. Fortunately, there s a haven where you can rest and replenish your energy, but you ll have to find it and usQ e it frequently if you want to survive. The over-riding element in the game, helped by the music, is the fear of being caught. You start to dread turning the next corner and usually with good reason. At first , constantly being captured, tortured and beaten to death can be a little off-putting, but gradually you start to get the hang of things. You can pick up bits of helpful information by reading various books whiS ch are situated about the village and its surroundings, or talking to some of the few people who haven t been impaled, tortured or beaten to death. You ll find weapons a knife here, a sword there and object s that can be mixed as potions to help you in your task ahead. And gradually your frustration evolves into a dogged determination; you learn how to avoid or survive the beatings, and everything starts to come tU ogether. The Lady of the Lake makes a special appearance and you ll be knighted, which will eventually lead to you learning magic spells to enable you to attack monsters with fireballs. To say much more would s poil your enjoyment of the game, because its design involves the discovery of these things. What you definitely won t become is hopelessly stuck on a single puzzle for hours on end, until you get fed up with thW e game and never go back to it. The game isn t entirely without fault. The Alone in the Dark-style camera angles alter to frame the action in an atmospheric and cinematic manner, but just as in AITD, can someti mes cause you to misjudge your path through a doorway. This can lead to your character becoming stuck against the wall rather than dashing smoothly through it which, with a horde of ravaging beasts on your taY il, often proves hazardous to your health. Still, there s always the Save Game facility. There are occasional on-screen glitches when camera angles change, too, but nothing major. In fact, I d become so engros sed in what I was doing I d forgotten all about them until someone pointed them out to me while I was playing. These minor faults aside, Ecstatica is a mighty bundle of tension-packed fun. It s big, and has a f[ airly open-plan approach where you always know roughly what you should be doing and where you should be going, so that it never becomes frustrating. It s brilliantly animated, has a great soundtrack and sampled speech, and is packed with atmosphere. Well worth blowing your sweets money on. Patrick McCarthy Ecstatica Price 39.99 (inc VAT) Contact Psygnosis 0151 709 5755 Platform MAC MPC CD-i 3DO Af)njjIjIjJnIAE jJjJjjjjnjf( !$b8b jjjjJjjn IjjjjjIjjjjrj9$ jjjjjjJjJjjjjn b4b8b jjjjjjJniQ jIjjjJjjnjjI njjJ9% !(b8b4b4b8b4b c c c4b4b jjJjIjjnj=f jJjjjIjJn jjnjnjQ B0b4b4b8b4b$b AVRgZ ijJjjnjM bf)njjjjjnjnj9E njjIjJjIjjnjI !(b4b8b4b4b,b $c8b4b4b$c jjjjIrjE fIjjjI B0b8b c8b4b4b$c njjJjjnI1 jjjjIjjn jjJjjjjjJjjjI njnjjJnjfI jjjjjIniAf c0b4b4b(b jjjjInjY njjjjJjjjj) B0b8b4b8b,b c,b4b4b0b jjIjJrjI njjJjInjjI$ jInjjInjnjM !(b8b c,b4b4b0b jjIjP Inj9f jJjjjIjJr jnjjI5 b4b8b4b8b,b C$b4b4b0b NsNsR jjjnjjI, ijjjjjInjE !$b4b4b4a4b$b RON0F2JRF1 bb(njjjn jjjjIjIni1 B,b8b4b4b0b 4B4b4b$c F1N0J1JRJRF1JR= nInjjInjU af(njjIjInjfI ! b8b8b4b4b$b 0b4b4b(b F1F2FRJRJRF1JRNsJRJRNsNsR IjjjjniIf nIjjjIjjv A,b4b4b8b,b b4b4a(b NsJRR jjjjJrj1% jnjnjU b4b8b8b4b$c b4b4b,b jjJnjjI !$b8b4b8b,b b4b4b,b f)njjInjf B4b8b8a4b$c b4b4b,b c cVs^ jInjjJrjQ !(b4b8b8b,b c cJ0c ijJjjv B0b8b8b4b$b c bA b4b8b4b,b 0b4b4b c F1JRNsJRJR b(c c4b4b$b ,B4b4b$ !(b8b0b 0!0A$c B0b8b8a0b NsNsJR B,b4b8a4b(b F1JRJR JRNsR NsNsR c c,b jjjJjHQ b0b8b8a4b$b F$H,b4b c F1NsNs !$b4b8a4b(b F1NsNsJR 0B8b8a0b c$c4b8b8a0b0G(I( JsJRE 4A8a4b$b c$b<b<b8b4b4a0 (b4b c jJjj F1JRNsNsJR 6NsNsJsF b4A4b(b c b8b<b8b8b8 4!8a0b c c%(b8a8b<b<bE A8A4b$c c#0b8a4b8b@ b(nHE$ F1F1JRNs 4!8a(b A0b,b(b,b F1F1NsNsJRNsNsR JRJRNs^ VrVqV 8A0b c 0b4b0b8 0b8a0b NsNsV b4A4b$c $b0b4b0b F1F2FR NsNsR $c$c, $b0b4b4b F1J0J1FRF1 NsJRJRNsR $b0b4b4b F2V.N0F2F1F1JRJRNsJRJRNsNsJR b0b4b4b c 1J1Z,N0F2F1JRR JRJRNsJRJRR B0b0b4b$b F1N0f(J0F2F1F1JRJRNsJRJRNsR ') v c,b0b4b$b F1N/^+J1F2F1F1 ,b0b4b,b F1N0R/F2JRx b0b4b,b F1FRFRJRJRF1 NsNsR b,b4b,b NsNsJRJR b,b4b4b NsNsR ,b4b4b 1JRF1F1JRF1NsNsF1 NsNsN jjIjjjIf ,b0b4b$c JRF1F1JRF1JR nIjIf ,b0b4b$c F1JRNsJRJRNsJR ,b0b4b(c NsNsJRNsNsR ' ' ' 4A8b8b8 b,b4b,b A,b(B8b0b 4b8b<b4 b,b4b,b F1NsR ,b4b8b8b0 b,b4b0b NsNsJRR RQNtR (b0b4b4b$ b,b4b0b NsNsR fJ^KfJj NsNsR ,b,b$ b,b0b0b F1JRNsR Nsblj ,b,b4b c JRJRF1 JR NsR JRJRNsNsJRNsR 0b0b4b c JRJRF1Ns NsJRNsNsR (c$b,b(c NsNsJRNsJR c,b,b(b F1F1JRJRNs NsJRNs1 d`CXCP NsNsR c0b8a@b<a,b NsJRJRNsR dC\cPbXc\CTBXcXB\cXBLBQ NsNsR NsNsN NsNsJRJRNsR cTbPbX \bTbXBTbP F2N0J1FR TBLAXc`c\bTbPbTbP FRJ0JQJRNsJRJRNsR XBTbTbPbTbP DbLbH!E) 4B8A8A4A0A(A$b R1V0XC $b$c c NsNsR (b0b,b0b F1JRF1F1 nj^+R \#\BXbT NsNs= ,b,b0b$c F1F1JRF1JRNsJRJRR NsJRR XBTbL ,b,b0b$b NsNsJRR PBPbHbHbLbD NsNsR $ $( jnjf(j ,b,b0b(b .VP9F (C$B$c(C *$($( jJf(a ,b,b0b,b JR NsJRJRNsNsR j(Z-Me jjjIf sNtNsR sNsRs! jjf)f b,b,b0b c NsJRJR NsNsR nkjIf(a b,b,b0b c F1 JRF1JRNsJRNsR NsNsA0 jjjIf(a NsNsR jjjjJf(f F1F1JRJRF1F1 JjIf)f F1JRJRF1JRNsJR NsJsE ,b,b0b(c NsJRNsNsR 4A4b4a,B ,b,b0b$c NsNsR 0b(c c(b c ,B,b0b(c F1F1JRJRF1 ,B,b,b, F1F1JRJRF1 NsNsR b,b,b( F1JRJRF1 PNrJMRrI c b0b c$b,b c$ NsNsJRNsR fjjJriY ,c c c= JRF1F1JR F1F1JRF1F1 Jnjj(v njnIf LD'DE,'((< F1F1JRF1 jjIf)f jjjjjJjJjInIM dc`c`c`b`B\CXCT F-FN= dc`C`dX 0b0b,b(c JRF1F1B F1JR)J jjjJj)f !0b8A4a4a4A0a( 4A4A4a 1F1)J njjjjIf B,b8b jjjIf)f B0b8b4b4b( 1F1F1B jjjIf)f flf)] B8b4b4b, njjjjJjIf)f b4b4b4B JRNsNs njf)f(jIjIf(f 8a4b sJRJRNsNs F1B1B 4b4a0 )jJnjf) jkfJA jj&jIf(I (f(f) j)jIjI f)f(f(f jIf(M J1JRJRJ1JRJR NRNRJ1JQF NsNRJ11k Down-side Down-to-earth Downbeat Downer Downers Downfall Downhill Download Downloaded Downmarket Downpour Downright Downside Downtown Downward Downwards Doyle Dozen Drago's Dragon Dragon's Drags Drakesblood Drama Dramatic Drank Draper Drastically Drawback Drawbacks Mayall's Maybe Mayer's Mayhem Mayonnaise Mccarthy Mccarthyite Mccoy Mccree Mcendrick Mcgraw-hill's Mcguffin Mckellen Mckellen's Mcnicholas Mctoor Mdi's Die-hard Diego Diehard Differ Difference Differences Killed Killer Killer-bs Killers Killing Killings Kills Kilrathi Kilwrathi Kimmage Kimtec Kinda Kindersely Evocative Evoke Evokes Evolution Evolutionary Evolved Evolves Evolving Ewing Ewing-style Ex-apple Ex-biker Ex-disney Ex-fonz Ex-husband Ex-kgb Ex-members Ex-navy Ex-outlaw Ex-pat Ex-robot Ex-stripper Ex-wife Exacerbated Exact Exacting Exactly Passage Passages Passageways Passe Passed Passenger Passengers Passers-by Passes Passing Passion Passionate Passionately Passions Passive Passively Passivity Password Passwords 29.38G Discworth 01438 757033H MusicJ 1R Under 30[ Under Encarta 95 Designed with Windows 95 in mind, the upgraded Encarta is a joy to use, beautiful to look at and crammed with data but still annoyingly American On looks alone, Encarta 95 is the belle of the multimedia ency` lms, toadied up to Richard Nixon, shot up his televisions and (possibly) died a lonely, bloated has-been. But none of this can detract from the fact that he was the greatest entertainer this Century. And if heC s still alive, flipping burgers in some small town in Mississippi, he would be horrified by this vile cash-in on his hallowed talent. The cursory printed biography wouldn t tell the Elvis novice anything he or she didn t already know. The discography covers only some of the King s albums and then only lists the titles, leaving out any useful information like what songs are actually on them, who took part in the sessE ion, whether the discs are available and there are no shots of any of the album covers. Paradoxically, the bootleg discography does include an album track listing. But given that the great hunk of burning love was primarily a singles artist, the omission of any information about his 45s is unforgivable. Worst of all are the 23 tries at reproducing classic Elvis tracks using a wooden session band with a frequently G out-of-tune lead guitar and an Italian session musician (Ralph Ottavio) who often mispronounces the words and sounds like he s just choked on a particularly glutinous burger. The interface is also fatally flawe d. Boxes appear where you don t want them and if you click on one of the hot-linked references to an Elvis song, returning to the biography always leaves you at the start and not where you last clicked. MaddeniI Most promising was the video section with black and white clips of The Pelvis in action. You can see rockabilly classics like Baby Let s Play House, Blue Suede Shoes and Heartbreak Hotel. These are well d igitised but even with a state-of-the-art 486 PC they failed to play without the sound disappearing and the video jerking the great man more than usually around. One for the jailhouse. Paul Nesbitt Elvis on KsCD-ROM Price 29.38 (inc VAT) Contact Discworth 01438 757033 Category Reference/Education Platform MAC MPC CD-i 3DO F1F1F RJRJRJ2JR NR JRNRNRJRJ1J1JR5 BR2R6 .s6sFR. :/:/:.BP :.&J* >1B2JtV :.&J* Jr:.>O>O>/BP F1JRB SJtBS: F1FRZ B2FUJwJwFwk[ >R>S.S- NsF1%J r0d`i :3:3>2o >xj0d`m <b<@= @bX`Y La@bD DaHag N,r@vavbvavbvbvavavbvavbvavavbvbr@N,_ 4a4@= VFNOc FRFsJsFsJsNs>12 VmVlR v!v"n z r#: ^ z!B v"v"vBq BvAzA] zAn"( r"~aIc n$vB6 vAvBiH AvBzAY nDvB2 vAjE2 avBvBvAvBd avBzaU vBbg. ~@bh. ZAV b vBzavavazavbM >T>SBS>t: zazaz No~@j za~`V vazaza~`^ zazaz zaza~ R.zAzaz`zar#: VfZgZg^ zaza~ N/zAzaz BRF1F1 F2F1B12 F1F1FRFQF2F1F2F1F2F2F1FRFRF1F2F1F2 NsJRR *-:KE Br:k:O6 JlNL! JSNsF16 NsNsNRB 2.s.s! 2R.R.2*1& Anybody Anymore Anyone Anything Anyway Anywhere parent 01438 01444 01454 01462 01474 01483 01604 01625 01626 01628 01703 01767 Category Reference/education Category Reference/entertainm Cater Catered Catering Caterpillar Caterpillar's Caters Catharsis Catholic Cathy Caught Causality Cause Caverns Caves Cavorting 85D and underG Microsoft 0345 002000H Reference Over Over Ephemeral Films 1931 -1960 A brighter guide to the American vision of a brave new world in this intriguing archive of public information films I want lots of suds, every woman does. And if you wanted suds you could get them by using Ox` clopaedia ball. Microsoft has evidently put a lot of effort into the cosmetics of the upgraded version and Encarta 95 looks even better than the pouting beauty that took the CD-ROM encyclopaedia market by stormC in 1994. Encarta 95 is designed in the same vein as the next version of Windows (incidentally called Windows 95, too) and if you re a seasoned Encarta 94 user, you re in for a shock. Point and click, for inst ance, is almost a thing of the past. Gone are the days of seeing a menu, clicking on it, choosing a sub-heading and clicking on it. Heaven forbid and the Microsoft lawyers forgive that Encarta 95 should looE k like the Mac. So, without the single click of a mouse, pop up menus now leap into view at dizzying speed as you move your mouse around over menus and over buttons. Each button or menu has what looks like a d ownwards arrow and every time you move over one, a pull down, up or out menu literally falls out accompanied by a scrolling type noise. Once you get used to the idea,though, Encarta 95 menus are incredibly easG y to use. The down side, in today s mixed environments where 99.9 per cent of applications don t work like this, is that users may take time to get used to the down arrow, meaning minimise application odd. If you re a first timer to PCs, you ll probably love it, though. Looking very different from its predecessor, Encarta 95 is much prettier, much better designed, a lot faster and, all in all, a lot more enjI oyable to have around. It has a tad over 26,000 entries divided into 94 categories, 8,000 photos and eight hours of audio clips. A beautifully designed opening screen takes you into the encyclopaedia itself or on one of three tours: World of Encarta, Getting Around and Research and Reports, none of which is particularly good. Once into the encyclopaedia, however, each screen (or page) is attractive and, more importaK ntly, functional and simple to use. The interface is typically much less cluttered and easy to navigate than British challenger Hutchinson s Multimedia Encyclopeda (HME), which is reviewed on pages 46 and 47. Each article is categorised and the current category is pictorially represented at the top left of the screen in a toolbar. The product has nine categories (from physical science to art, language and literatureM ) each divided into many sub-categories. A find button also in the toolbar at the top of the screen brings up the aptly named, Pinpointer. This pop-up mechanism lets you search through all the entries either by word, media (video, audio, animation, etc.) or any other criteria. It s much faster and a good deal better looking than HME, and has a nifty spell checker which helps you search more effectively. The PinpointeO r can be minimised and kept handy at all times. There s also a Find Assistant Wizard which provides a step by step approach to searching the encyclopaedia. A features button hides the atlas, the media gallery o f multimedia snippets, the timeline and the MindMaze quiz. Its next door neighbour, a tools button, has a browse utility, a Post-it note type metaphor for appending your own thoughts and observations, and an AmQ erican dictionary and thesaurus. In the far, top right hand corner lies the help menu which sensibly looks like the international Tourist Information Centre logo. Below the toolbar is your chosen article, compl ete with text, pictures and video clips. There is a view button to customise this area of the screen into four pre-defined layouts and the font size of the text can be changed to small medium large a feature which is long overdue. Click on any red entries in the text and Encarta will take you to that entry. It s quick and it s efficient. Pictures can be enlarged to almost full screen, though annoyingly vi deos can t. Each page has a pretty watermark as backdrop that denotes the article s category. And the majority of articles have a further reading list and usually a related articles box, though this feature onlU y highlighted novels and English literature when we tried it out on Dickens! The Atlas is much stronger than HME s, going down to much finer detail. It recognised Portsmouth, Edinburgh, Oxford, London, Card iff, for instance. It has a key showing rivers, mountains and the like. And there are lots of useful and educational animations in Encarta 95 including: how a plane flies, how a CD works and how a glacier formsW The Timeline is a hands down the winner. It doesn t even attempt to fit all the detail into one screen and is entirely scrollable. However, it lists nothing after 1974 other than the break-up of the Soviet U nion. Encarta 95 is a big improvement on the earlier attempt but has a couple of faults, too. As always, the product is too American and I d be wary of splashing out for Uncle Samisms if there are children in tY he house. It concentrates on American issues predominantly, is littered with American spellings like color and the dictionary doesn t recognise peculiarly English spellings. The new interface is also confusin g in places. Some falling menus include a close option and others don a close is top right. To exit the program you need to click close and not , which can be confusing. Hutchinson s might be sl[ ow and cluttered but it is also cheap, thoroughgoing and to its great favour, English. Encarta is fast, elegant but almost double the price of Hutchinson s and, determinedly American. Avril Williams Encarta Price Under Contact Microsoft 0345 002000 Category Reference/Entertainment/ Education Platform MAC MPC CD-i 3DO Fun Facts 1. Ice cream was first made in 2000 BC by the Chinese. Originally made from ric] e, snow and milk. 2. The wheel was invented by the Sumerians in Mesopotamia in 3500 to 3000 BC. Unlike most inventions of this time, the wheel is reckoned to have been invented by a single, unknown person. irst Olympics held in 776 BC in Greece. The first sports were footraces, wrestling, boxing, horse racing, long jumping and javelin throwing. 4. First printed book called Diamond Sutra. Published in 868 BC in Ch_bina. 5. New Zealand became the first country to give women the right to vote. It happened in 1893. RrJPNqV NqJONrF rJPJPNrV NrJRZ NrJPNqJ.Rq^ :v24! J0JPNqV NrF0NQNqNqJ0= FsBSJ RrNPRrZ NQJPR JQFQZ RqRrZ RNV,o 6565F ^HZ%I NqNqF0Z RON.F J1J0Vos MbmM% ZJN*A bFZ&R 'biw. 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Honest! We forgave Scooby Doo and those meddling kids for having American accents because we were en` ydol, which was not some kind of narcotic, but rather a washing powder with its own little film portraying the fulfilled life of an inter-war American housewife. This is just one of 40 excerpts on this disc frC om rarely seen American public information films and adverts dug up by media archaeologist Rick Prelinger and displayed as QuickTime movies, alongside an informative and wryly amusing background essay. There w ere apparently 600,000 of these films made in the US during the 30 years before and after World War 2, and only a few of these amusing, fascinating and sometimes shocking insights into the US establishment s atE tempts to make its citizens behave, buy, and betray reds under the beds have survived. As such, Ephemeral Films is as much a valuable archive as it is top notch entertainment. The pre-war films portray America as an all-white country with efficient, optimistic workers, untroubled by the depression, unions, hunger or the impending war in Europe which would eventually encompass America. Most of the films go beyond adG vertising and are designed to promote their sponsors (typically auto giants and soap companies) view of the world, in a near Orwellian manner. The virtues of American capitalism and mass production are rammed home; along with the 30s obsession of scientific advance: Leave It to Roll Oh shows us a housewife being made redundant by a robot. To New Horizons predicts clean cities of a quarter of a mile high, and thI e forthcoming wonders of television include the prospect of a blonde actress stepping out of the TV set and into the viewers living room. One of the clips documents the first appearance of those Rice Krispies troopers Snap, Crackle and Pop slugging it out against Soggy, Mushy and Toughy in the fight for breakfast cereal hegemony. After the war, McCarthyite America became obsessed by the declining moral standards oK f its juveniles, so films like What to Do on a Date Dating Dos and Don and Are You Popular? , were aimed at teenagers. Girls are portrayed as either sluts or princesses and in Are You Popular? one p articular slut is informed that: Parking with boys does not make you popular, not even with the boys you park with! . Instead, the ideal couple Wally and Caroline agonise about whether to go on a weenie roastM or a taffy pull, but one thing is certain, she s back home before 11pm. One of the most telling themes in these films is an unquestioning confidence in the joys of unfettered consumerism and science that sca rcely exists now. In Two Ford Freedom a second car is all an isolated housewife needs to solve her problems. In Relax , a crazed boffin torments women with loud noises to show how science will help them relaO This CD-ROM contains all the contents from what were initially two separate CD titles To New Horizons 1931-1945 and You Can t Get There From Here both of which were reviewed in Issue One. In this re-issue t he quality of the movie clips is much improved (thanks to QuickTime 2.0) and the graphics are now in colour. It was good before, but thanks to Oxydol it s even better. Paul Nesbitt Ephemeral Films Price 29.3Qe7 (inc VAT) Contact Softline 0181 401 1234 Category Reference/Entertainment Platform MAC MPC CD-i 3DO ROZKg JR%J2c b/jPz jPf/nrf/z f0jPnqjPnqb jqjQz jPf/r B/B/9 B/B0> qBPB/B/ !Npcv JQFQFPB0BPB0B0B/)i !Npcv FPFPF0B0B/)i ANpcv rJqJrJqJQB0B0B/)i !Npcv JrFPB0B ANpcv JqFQB0)j !Npcv JrJrFQ- !Npcv FoFo_U oBOFoR FoFoFpN ^q^0^PbPZ jqfP^.^/nq^ ZRZQr !Npcv BO>.>.[U RQN0Vr5 NrNrFQ- !Npcv fr^/E b/b/r fOjpjqfqj NrJqB0)j !Npcv JrFP1 !Npcv Z/fp~ Fo>.BOV >.Fp9 BOJ/E qb/nqr ^r^rj QB/)j BOBN- BoBo>.Bo1 QVrN0b PJqB/FP9 JrJrJQB/> bNpcv FPB/FQ5 rJQJrJqFPB0- cNpcv .BO[4 ^/fOz !Npcv BOFo>NBo>.>.R oBOBO>.>-5 V1VQf ^qV/^/M RRRr^ !Npcv >N>.- oBN>N: >NBo> Fo>NFpN 0R0ZQA QZRZr^Q5I QRQVrJ0Z !Npcv !Npcv fPb/z fqjrz !Npcv !Npcv nqjpnqZ Npcv oBoBOA Npcv 0RRN1b >.>N5 .>NJOM .b/9I Q^q-( Fp>-F Fp>NJ Bo>.[U Z/ZQw ^rZQM jpb/^0Q /fpAj ^q^qZPw7 -BoBN>.1 P^/^/Q BNFp>.>.BoJ BNBOF .>.BosV ^rZPQ bqZ/E 0N0RQJ BNpcv BNpcv QfPbOfpjqnqb/b/jpY !Npcv VrVrN1A VQR0^Q= !Npcv >.FoBOBoBoN bO^/bOU PbP^/M fqbrj ZQVQb RqVMg9 tRORpB NRF1Z jPjPjqb/jpbPv npfOb/fOv VP^r{Y BoBN- RQVrZ ^/fPjq^ nqjp^ .brZ0j VrN1J ^r^rj J.F.( BOBO5 dBOcv o>.BOFoF FxBXBXFxBXFxBxFxFyN JyFyN BXFyFyJ FyFyFxJ FyJyJ >8>X:8J >XBx_ X>8Bx[6 >8>8:7Fy_ >8>X:8R X>X>8Fyc< 8>X>XZ XBw>W:YN /F/F/F 1Rrg8 1F0kY NQRqZ Bx:7Z rRqNrV 0JRNs5 Fx&>8[ 0^0^0RPg RF0oY sJRNr5 RJRJ1^ xFyFx>8_ WFyFx>XFyFy5 yFyBy>65 /B/FPF/JqN JqJqFPF0B/9 FqJrJ0J0 )FQJqFPB/> qFQJqFPN Weren't Depressive Deprived Depth rceto Derivative Derived Descend Descent Descent's Describe Described Describes Describing Description Desert Deserts Deserve Deserved Deservedly Deserves Design Design's Designated Designed Mushy Music Agonisingly Agony Agreeable Agreed Agreement Agriculture Ahead Aidan Aided Aiello Aim-and-shoot Aimed Aiming Aimlessly Ain't Roast Roasted Robert's Roberta Roberts Robin Robinson Robot Robotic Robots Robust Rock'n'roll Rock-eating Rockabilly Rocker Rockers Rocket Rocket-launched Rockets Rockumentary Rocky Rodney Roger Roget's Rogue Roguish Rolled Roller Rollin Microsoft 0345 002000 Young ChildrenJ Eyewitness: Cat "They say a cat has nine lives and is always prepared for the unexpected, announces the narrator, as a small lovable tabby is ineffectually menaced by a large crow in front of a computer-generated background. ` tertained by them we should do likewise with Explorapedia: The World of Nature. Hosted by Thaddeus You can call me Tad Pole, we re placed on the good ship Information from where we can view an Earth just beC gging for an eager mind to explore it. The Explorapedia divides our planet into 16 environments, or biomes , including rain forests, deserts, mountains and even the Universe itself. Tad immediately starts ear ning his keep by asking us what we want to do, and presents a choice of seven options including, hear about Explorapedia and explore . With these choices the CD caters for those who like to know exactly whatE s on offer and how to get at it, while placing equal importance on exploration and discovery. Encouraged by the fact that help from Tad is only a click away, the more intrepid will not be left out in the cold. To explore, you can either click on one of Earth s environments which will beam you directly into that biome, or choose one from a menu. A sprog s voice reads the on-screen text out for you, but if kids want tG o practise their reading skills there s an on-screen option to switch off the sound. Certain words within the text are either coloured or underlined. Coloured words, if clicked, will lead to more information or a related subject; underlined words will give a definition. It s quite easy to get lost in the labyrinth of information and so the interface includes a partial parachute in the shape of a step-back button anI d, of course, there s always Tad if you get seriously bamboozled. Back on the ship there are plenty of things to keep activity levels running high. Some of the objects are just fun animations. Others, like , will patch you into the comprehensive database which allows you to trawl for text clips, pictures and a sizeable resource of video. If you ve seen something that inspires a bout of creativity, clicking on tK he paint pallet will link you to your favourite drawing or writing program. If you fancy testing your exploration skills, click on Wise Cracker the ship s parrot and it ll challenge you to search for five p ieces of information. Once they ve all been collected the reward is a corny animation which is a bit of a let-down. The radio plays songs, not up to the Muppet standard, but tolerable nonetheless. ExplorapediM a also encourages non-computer activities (whatever next?). For example, find and read about the hare and the hyrax, then list the differences between them and their environments on a piece of paper (paper?). n production terms, this CD-ROM is of the highest quality. The hefty database is hidden so well by the clear animation and graphics that the disc earns its rightful place within the infotainment bracket. AlthouO gh getting lost with this type of CD-ROM is easy, even with the best of help. Explorapedia is no exception and Microsoft has room for improvement in this department which hopefully we ll see in future discs i n the series. Finally, American multimedia software inevitably means American accents, a fact that continues to grate on parents buying CD-ROM home products. Although, fortunately for companies like Microsoft, Q these niggles don t seem to upset young CD-ROM users, for whom the Yankee accent is part of their everyday cultural diet. Tessa Paine Explorapedia: The World of Nature Price Contact Microsoft 0345 00200R<0 Category Entertainment/Education Platform MAC MPC CD-i 3DO :t:s.0) JxJWF7B7> S:s:3>S:2:262:3>T1 T:S:R:S% :s:R61:22 7FXFXF7JxJ By_>y:x6 Bu63% >1BSBtB 67:7:7: >y:X67) 2:2:3- >X:7:76 :y681 :y:y> :y28. BtBt>r: >y6X.81 286X:X:71 :K&$G .u&26 RsNsV v0z0i :t:TB /v0UI 42u6v: 6v2v:uBtS :u22% *3*T&3* *S2T:SW< .3&1% Bu>SR 63*w* 626u2T& V.x"U RF1kZ 27:Y! &2B0c NtNsNS= NsNsNSJRF29 :v.s6u6 sNSNSJSJRF2B1B29 u.S2T61!K 0b$b( RF2B2 .46v&3( /,b$c0 w242u&2- 52u*S ,b c4 >XByS 2T*2% >XBy%p >8>X!o NB'Z { 7BY!N VK^po{ 68>yV YFScS :tBv% F2Js)j 7By_] 2727a n&NcM ,b b$ JRF1^ F1JR{ ,",cJ v.V2T2TB :76XJsou 2S*S2t- 7>XBxJ gQ0b$ !BRS; Fy>X) 8>5N(^ K2L.L6 r*Mkp *L&+"L& uFTS= ."N_( uJT[~ uR3Zu Sj*wN N5NUR4 JsVqzgAf FTNtV JRB2J mF,MH v/v/a NlZKZr "K&+" m*M%d /NN_Y JRNsg9 K***k*n% ,>&JbV sNsg9 o&o&.* >%6#c FBJbZ r/r.e 2L*.". FBJdR 2ZTQk Bx>7_; /rPvPr NZ ID b*V,f 62:0F L.l.kE :2BS: 1JRF1JR BM:l% e:KS_ :v6U6wF ,b,b0c0b8 FEJc_ *I**6 NdFCJ >yBx) 2I2*.k*K2m J":D:e6g>g[ :X:7% /zPv/i ^Qr/4 RIJ ~ &*.m* *pFdJ 0b,b4 ~~0b0c8 (rivhv .F"'& BEBEJ 2GvJn ^4fuM v0z0zPv :d:D6D6%> mr+rn{r ">E2(&F"G CFDJeB&JFRgo >GBfJ FRJsJRJsNtJt>21 k:j2H% v/z0a irGr'v >dBE. >u:u- mBQJrFq% :T:u- 16S>u) kJ2ZRA t6R!k 21:3- B&5.3 2O..*, 0"r"s OF2g: 6):**(: NtB1O JSB1_{ j: _P s6QK7 q&.Wy $*0O[ v0z/r .'2(F N*M&M6 ,*L*MJ :j2H.G.g& uRUVwNTE RUVvb ^vZw^ NTRURuRTNTRuVUE k6i2g*' 5"X&5Bt VvVvZ 6&x24s ZvZwE NTRU^ RFR[\ 1.37> N3RUZvZUVUI RURU^ 4NTNTZ o&,-J VUR4J ZwRu= RwFuRvA VvVv9 nvjuf4v 5VvRUE RUN4J4J nvj4j Zw:U: jvfvf fUjun L:jNS VvVuNTJ jufUf K6HQg Bv>S5 >WFt_[ 5BwF4Jsk .eREA fDfCjEn$i bTfufuj sRRBRBQB :5F2gZ ZkV*R*V jujufTjvv f4fubTbT% t:Sk[ <fTb3] zFpgG fUnvfvbUjvZ f4ju] Z2Skl 2u:0N 1F1F2 9 2P.g.g> M6L&(2v2-!f $c(c( 921kJ $c b, >L>(: /.O24JSZ FSNsJ1= ,b8b< 4b0b0 sF1NtJS= ,c(c( 0c4c4 ,c(c< Media Media's Mediate Medic's Medical Medically Medicine Medieval Mediocre ogre's Medium Medium-rate Meercat Sprog's Sprout Sprouted Sprucer Sprung Spuds Spunk Spurred Spurs Spurts Sputnik Squad Squaddie Squadron Squadrons Squalor Square Square-eyed Square/circle Squarely Nonetheless Nonsense Nookie Noose Nordberg Norden Norma Normal Nonetheless@ Normally@ Northern@ Notable Nothing@ Notoriously@ Novella-esque@ Novelty Numbers Numerous O'connor@ Object Observatory@ Obsessed@ Obvious@ Occasionally Oddity@ Oeuvre@ Offered@ Offices@ Often Oldfield's On-screenw Overalls@ Example Examples Exams Excavations Excavator Exceeded Exceedingly Excel Excelled Excellence Excellent Infotainment Infra-red Infrared Infrastructure Infrequently Infuriates Infuriating Ingenuity Ingratiate Ingredient Ingredients Inhabit 9.99D inc VATG CD Vision 0181 503 0589H VideoCDI Digital MoviesJ 4R Under 20[ Under wA!Eyewitness Encyclopedia Of Nature Like the beautifully illustrated books that Dorling Kindersley has become famous for, this CD-ROM is a lot more attractive and less intimidating than any science teacher The designers have worked hard on this ` But it s all uphill from then on in this very entertaining VideoCD, one of the first in a series of Eyewitness nature programs jointly produced by Dorling Kindersley and the BBC. Cats are aloof and although thC ey appear to show affection they do as they want, we are told before cutting to a large spotted carnivore attacking something large and defenceless in the bush. And not only are the striking similarities betw een domestic tabbies and their ferocious wilder cousins fascinatingly portrayed in beautifully shot footage, but the role of cats in the history of mankind is also examined. From ancient Egyptian times, when cE ats were often worshipped as deities, up to the recent past when sailors attributed mystic powers to the ship s moggies, mankind has been obsessed by felines. This half-hour VideoCD is basically like watching an episode of a superior BBC nature documentary, with a few hi-tech computer graphics between each section. And at 9.99 it was none the worse for that. The encoding is towards the top of the range for VideoCD.G Only when leopard cubs began wrestling in a heap did the kaleidoscope of brown, orange and white spots begin to degenerate into little digital cubes. This would make an excellent stocking filler for anyone who loves cats or who is interested in feline matters generally. Paul Nesbitt Eyewitness: Cat Price 9.99 (inc VAT) Contact CD Vision 0181 503 0589 Platform VideoCD Encoding Very Good NsF0R J/J0F/Z RnNMV VoVpRqg8 ^pZMR JRNsR F/NoNOA J/JORp5 R,R,Vpo8 JfKZ Q NMRnZ ZlVLVmROk7 ,fMbLflQ JRNsRsR RNRO)' flfkI *bJZ*, ,JNNoNOV fkfl=g VnZobL b*fKE bjbJn ^jbm( VpRpZ ZnVM^ RnNNRoZ VMVnN.V fmb+b)b*=f VnRnRoVoRnRMZ VnN-RPb N.NPB Kf*b f*=F b+Z Ed JP1iR ,NLRlo1 VoVoROVpV NONMRNZ jfJflM ,^*Z fmV VoROV NONNNNV ^*V bL=h ,Rn-F N-NNV NoNNNNV +^Jjl^ U Z ^+5& VlJ+g RmNMZ NOJMA VnNMJ-RpV NOJ.NOJ.J VLR fmj nNL1f N)sQ VKR+RM^ mVlVlVmJ+J NpJ/J NNN.Vob VLV+ZKVKR mRLRKJ NqNPJ/J R.Vob JblEf nRmN*J 5 -^mZKR)VKR+N J,J-A RrNPN.VOZ VKR+ZoZob NqNPRPVoZ ZoRO= ^ ^ ^*V M .NNNNB NMJ,9 VLRLRL^ R-N.A J+NKA R,&RLVMZnZnf RON-J VpVn^ ZnVMN,N.A fmjmjlj RoF+NL= +R,RMVMN+N+VlR+N VMZmZn^ ZoZNR,N ^ bKZ Q J,J,J+= RLN+N+I ZoV.N ^)b)b Y lRkJ)b ,R,VLZMVMVMN R-R,^ VoRnE R-R-I KN 9& b)b)Z mJ,1h R,R+R+ZnVME V,fK] JfKZ ^L NLJ*9 ^NZNZoI Z fKfKb*fl NF-F-F N+ZnVnN NZnV,V K^*fkbKn pJ.J.9 RMR-M bMb+j RlJ*9 NJ.J/Z J*NJg pJ/J0Z NOJ/Z flfkj NpJ/Z J-J,A VMRMNNZ -VoRNN.f RmNN^ NROJ.JOZ JOF-RoF VpNOJ/J/Z RnJ VKV*M F.F.NoV RoJ,= N+N,J N.R.^ NKR+Z,I F*B 9 N+N,N,J N+N*R jLb*Q JNNoB NrJQB .F-F.F.= N-oJ-A N,N,J,J-NNNNF NOJ.Z kN ^l9E MNLRK^ J,J-J-F RNVo^ J,NM= NPJ.A JOJ.Z *RkRkJ ^ ZMZn= ,J+-g RlRl1f J.)NNF RPNOF J.F.J.JOJ.NOF J-JNZ N+VmJ*NK^ J.J-JONpJ.F F.J/Z MZn5& V+ZLM RmRl-g .N-J,F J.RpNNF F-J.Z RnB NINI9 MZMV,= -J,J,NNJ.F J.RoNN= J.F.Z NORpNO= NOF.Z J*-g NNNONOJ.= NPJ/Z KRKNJJ)N*E NNNNNOJN9 -NOJ-= KRkN)RjZ RjN(^ J-N-NNNNJ.9 NNNJ-A NOJOZ *RkN)R MNMJ-NNF NONOJ- -RpJ/F0Z NIVkRIJ(J(Z VkJ)RkRl= +J)NJF A ,VoR.5i J-J,N-F NNNNNONNJ.F NNRnZ ROJ.F/Z JHRiRiF RkRKJ J*JINiF +RM5i JNJ/! J-N-J,F NNNNNOJNNOJ.J.F R.VpF/F0V B&NHF NHNHA JJ)J*V F*F)JHJHB N-NNJ. -R.VpJ.J0Z IRiF(NIF HFGFHB MR-RoF (F(NIF J)NI= IJ)J*N+A RMNMNMRpRpNONNJ.-H VnRMRoF J)F -f J(RiVkA -RMN,RoRoNNNONNJ-5 -ZoRNRoF NJpFO- NNN,RNR NN-JMJ-NN= VoRpB +NJJ)NJF J-RNV NNNNRNNNJ-NNRo9 -ZoZoVOV J.JOZ -VoRoJ-NNRoNNNNRoJ-F NZpZpVpV F/J/Z FqB/V J,N-RnRnNNV F/F/Z F'B'1 JoJn5 RmN,NMNNNNRoV NNRoV F/JOZ JLB+Z J-RnJ+RMN-NMNNRoRnNNR NNJ.NONOA F/J0Z B'>&6 JNB,1 -JpFOZ RoN-J,NMN-NMRNRnNNRoV N.N.RpNNJ-J-A NNJNZ JoB-%& NpJ-N-RNJ,NMRNRNNNV RoRONOVpN.NNJ JPJ0Z iBG>%1 FPB.N J.J-NMRMN-NMRnNNRoV RORORoVpNONOJ-F -N-VoZ NPJ0Z FGB&: NMNMN-N-RNRnNMVoVoRNRnVoRoRNNNN-J-J.F--H -RNVOZp^ JPF/Z hB'>&9 J,J.Z NLN,N-NMRnRNRMVnRMRMVn VoRNRNNMN-J-J-J.1i /VpVpZp^ JPJ1Z (BH>'>&1 NMJMZ N-N,N,RMRnRMVnRnRMRMVnVnRNRnRNNMN-J-J-= ZpZp^ NNJNZ NNRMN- RM(RnRnRMRnRMRMNMN-J-NO= J.N.RPZ NPJ0Z *F F A 'JIF)Z JMJNZ NNRMNM R,RMRMRm RmRMRm RM NNN.NON/9 .N.N.VpZ JPJ0Z (JiB(^ NMNNZ J.NNRMRMVMRMVMVmRmVmRmVmRmRMRmRmRMRMRNRNRO J/J.F ONONOVqZ NQF1Z >(>'9 JlJMZ N,N,J N,J,J,J VqVQVPNPV mJMB-Z 1JQF1Nsg9 F0F1R F1Ns^ 59G Dorling Kindersley 0171 753 3488H Reference Over Over Eyewitness History Of The World This is a superb exploration of human history covering the whole planet The Eyewitness History of the World is a multimedia encyclopaedia covering world history from the first humans to the present day as re` product it looks wonderful, full of detail and pleasing aesthetic touches, although in places, in my opinion, it is almost too pretty to be functional. It reminded me of an antique toy that I was too scared tC o touch. The opening screen, and the centre of the entire product, looks like a naval officer s cabin with a sextant, a mahogany desk and barometer, and books littered over the place. Click on almost anything on the screen and you will be taken to one of the 15 main areas within the product. The screen is immaculately designed but lacking in easily accesible audio help and pointers. My other major bugbear with this E product is the obvious sell-out to our American cousins. Despite Dorling Kindersley being a UK firm, all the voices and spellings are American so Autumn becomes and favour becomes favor . This is a shame, although DK tells us that localised English versions are in the pipeline. And even despite the American accent I forgave the CD-ROM because of the quality of content. Never mind the children, I sat enthrG alled with this product for days. The disc covers everything from photosynthesis to nitrogen cycles to classification, the subject categories broken down into 15 main areas: Prehistoric life, the Web of Life, M icroworld, Amphibians, Reptiles, Birds, Insects, Invertebrates, Plants and Fungi, Habitats, Climate, the Green Book, Climate and a Quiz Master game. There is also a speedy index area where you can dynamically sI earch the CD by any key word. In fact, unlike many CD-ROMs I ve seen of late, this one trots along at a respectable pace throughout. Each area includes plenty of narrative and hypertext links to help children ( and adults) with complex ideas such as Darwinism. Most words, such as amphibians and invertebrates, are pronounced (though in an American accent). There are tons of clever and helpful animations (see box) and 5K 5 excellent video clips showing in minute detail everything from the way birds fly to the White Tailed Sea Eagle catching its prey. Each screen also has plenty of dynamic links to other areas in the product, wh ich is one of the CD s other real strengths. Some have links to classification tables, or to other areas, each window has a see also button linked to related topics, and there are also key facts for trivia enM thusiasts. Many areas also feature to scale boxes showing the size of the animal relative to humans. There are, however, few examples of animal noises which for a multimedia product seems a bit of a wasted op portunity. The Prehistoric Life section (shown on screen as a fossil) is a good starting point. It provides a timeline of information from the beginning of life to prehistoric animals moving through evolution, O fossils, prehistoric plants, invertebrates and reptiles. Once again, it s full of audio and animation. The Web of Life book has four chapters: the Biosphere, Natural Cycles, Energy Flow and Living Together, and demystifies the whole art of life. The Natural Cycles chapter includes the same diagrams to describe rainfall and carbon build-up that have stayed the course over generations but include animations that actualQ ly make sense of it all in a way that a textbook and the blackboard never could. One of my favourite areas, the Habitats section, includes ten categories ranging from Tropical Rain Forests to Desert to Coral R eef. Each habitat is highlighted on a sextant (and spinning globe) and a detailed picture shows you the environment above and below sea water. It s easy and fascinating to scroll up and down through the environS ment and you can click on any one of the hundreds of animals in each habitat to bring up its name, information box, and more videos and animation. The CD also includes a Green Book area. Dedicated to eco-frien dly issues and awareness, the book has chapters on global warming, pollution, threatened habitats and endangered wildlife. It also has sensible advice on saving energy. This is an excellent and thoughtful incluU sion in a children s product. Each of the six drawers in the desk covers groups from amphibians through birds to plants and fungi. When pulled out, or clicked on, the drawers look like, well, drawers with comp artments full of different examples of the animals or plants in that group and a what is a section to cover the basic similarities of each group. Every screen is bright red, which is little wearing on the eyW es, and has no go back icon but does have a next icon to move forward. Again, each window has lots of interesting and, more importantly, relevant icons leading to classification, metamorphosis, key facts and so The climate section, accessed through the Barometer, is also a really good way of understanding what on earth the daily weather forecast is all about. Microworld, depicted as a microscope, looks at plant lY ife, animal life and micro-organisms in minute detail. It shows how viruses replicate and how bacteria spread as if you were actually looking down the drawtube of a microscope. I opted out of Biology early on, put off by the thought of dissecting a mouse. With all the audio, lack of blood and guts and superb animation, this product almost eliminates the need for dissection altogether. Hundreds of animals are put unde[ r the microscope and under the electronic knife. This product is a must for the squeamish and morally conscious. There are very few CD-ROMs I think are good value at 60 but this is one of them. It s a book, a teacher and a science lab all rolled into one. A must for anyone with a curious mind. Avril Williams Eyewitness EncyclopedIa Of Nature Price 59 (inc VAT) Contact Dorling Kindersley 0171 753 3488 Category Re]+ference/Education Platform MAC MPC CD-i 3DO Rr1rRrQrRrRrQrRr2n2r2n2r2rRrRnQnB r2rRn1nRrRn2rQrQrRrQm -r/iJ 0rQrQr1r1 NsNsJS F2JRJSJsJR5 NsNsJRJRJSJRJRFR JsNsF15 J-Vpf ` dbdbh ,N-1j dbEhbdbe( N,RN1 ZmZ+M dbBhbdb\ Cr#vDv%vCi dbCdAd Ivezdq ` rR{ dbDdAe( dAdAdcd dAdbdAmj db:dBdbd V V ZK db7dAdcd rajbjew nVM=f ndfDN qhbdA dAdbn ^ifgk8 VNbmbKU rNOkZ bl^+Z )V b+bl{t jRFS> J-Npr d@d@dAd db4hAX %fdncz mZ+^ ^+U ` r1w Dfdjcz dAdAm db5dAi( bDfdncv dbdbh 2B1F29 db5hbM Cv#v$q efCnbz db6dAiI db6hbUJ J.RMQ blZ,VLQ dbdAdbdbdAm VoVo9 dAdbdAh db7hbU b#b"Y nZpVosT ZqVrVq5 db=dAdbd ^kZmRO^ db?dAdBii dbdbdAh Z0VqZ dAdAdbh JVKVM^ dbbdAh dbLdAh J-Vok db`dAhAl hbdAm J-Voo3 db&dAi) dbdAv BhRhbHj'N) dbJd h adbdAm dbdbdAd@ AhbIH AdbdbdAh bDjdv dbdAdAi b#^$ffz jjRoo4 db.hbY b$b#b$~ bDjcv dAdAm JRrR]i dbEdAvs{ bDjcv dAdbdbdAa J-Vok VnRoI dAnQB.1I AdbdbdAh fgjdv db\dAh -^Qhbdbdbi' dbdbdAmk >I:G! QdAdA Adbdah dAdbdbdAm db#dAh dbdbhbY bdbdbdAr1 HBiBi>iBj:IBI^ Zj^iw db#d m AdbhaM( dbdbdAi FnFoF najBv Z&^&bgZ Adbdbd dAdbh >h:iFjF db`!d NrJQF1F0F1Ns^ dbdbhbX :h6(6 :I>kF JRNsZ dbdbd d n0V :K:l1 dbdAh :K>j6)!& dbdbd dbdbd dbdAmJ dAdb] dbdAm dbd m db` r1 NsNsR dAjro bB*o0 db` r1 db` r1 RRs-k JtFR= JOjshb cLBh"` db ` mj db$dAi l"PB(cAB W<dbdb{8 Ada]j db"dAn ["dbd dbdAv0o{ d dAmj dAd mj Z#dbd dbdAr1 e"dbd adbdAmj db%dAd h j1Nr= bdAdbiC dAYd!iJ dbdAdAdbdbdAl 8`8`4aUB dAdAhb]) 8a8a< hahah dbdbz B B B c, x.dbdAv dbdAmj #~Cz%u z#zCv zCz$q s'dbdAmj dbdAmj dbdAmj dbdAi RqROV rdALB dbdb` r1 dbdbd vR v$zDad bbnbnan fdn"a! Gn%j%r )V'V(V'V&V)V' V'R'a 1` ! v@z@i sdALb r v eC nbnbncr bzcv$u J0R )$ +RLRN-J f!j f"f"j"j#j"n!jCe *rIr+vJe *rJvjj* r,vkz &r%rFz`v`q zbz`r gzdvbm BJRk{ vAv zevCi +N0Rqr $^D^cA R#ZCN$I ZEV$bd^c9b ZeZBN d ` d ` dAdA vrvsvRr0q B1B0B1 v%z%z%v v%v$zEzDz z#z#v m dbh z%dbdbh z~dbdbd Dr%]D dbdbd dAdch (b$b b B b$b, Kindersley Kindersley's Kindly Kinds Kinetic King's Kingdom Kingdoms itchen Kitsch Klaus Klebb Klick Kline Kline's Knack Knackered Knees Knife Knight Knight's Knighted Knives Knobs Knock Knocking Knocks Opinion Opinions Opponent Opponent's Opponents Opportunities Opportunity Opposed Opposing Opposite Opposition Optimistic Optimum Option Too-short Toolbar Toolbars Tools Toolworks Top-class Top-down Top-flight Top-notch Top-quality Top-ranked Topic Topicality Topics Cabin Cabinet Caboodle Caches Cacophony Cactus Cadaver Caddy Cadiz Caesar Caesar's Cafes Cakes Calculated Calculator Calendar Calendars Calibration California California-based Californian Caligula Called Children Children's Chile Chill-out Chilled Chilli Chilling Chills Chime Chimpanzee China Chinatown Chinese Chips Chirpy Chiselled Chistopher Chivalrous Chock Choices Choke Choked Choose Choosing Eco-friendly Eco-system Eco-terrorists Ecologically Ecology Economic Economics Economy Ecosystem Ecstasy Ecstatic Ecstatica Eddie Edge-of-the-seat Wildlife Wildly Wilds Wiles Wilfred Wilks Leading Leading-edge Leads League Leagues Leaning Leanings Leans Leapfrog Leaping Leaps Leapt Learn Leavened Leaves Leaving Lecture Lecturers Put-off Putt-putt Putters Putting Putts Puzzle Puzzle-filled Puzzle-solving Puzzle-solving/adven Puzzled Puzzler Puzzlers Puzzles asi-girlfriend Quaternary 59G Dorling Kindersley 0171 753 3488H History ReferenceJ Over Over Eyewitness: Horse The beauty of these Eyewitness programs is that the producers (the BBC and Dorling Kindersley) manage to take a topic one would not instantly recognise as being worthy of VideoCD attention, and present it in a ` cent as Nelson Mandela s election as President of South Africa. The quality of the presentation on this disc is superb. It opens onto a lush 3D environment of a desk covered with a variety of objects. In the mC iddle is a globe within a HG Wells-esque time machine. On the machine, world history is divided into ten sections starting with Up to 500BC and ending with After 1945, with in-between sections divided into ag es such as AD 500-1100, Age of Great Religions etc. By clicking on an era, the machine will start up. When it stops, the globe and objects will have changed to represent the era you ve chosen. You can then navE igate by selecting one of the four geographical divisions (Africa & Middle East, The Americas, Europe, Asia & Australia), opening the document drawer of the desk to see what s inside or by clicking on one of th e objects on the desk. The desk also holds four books Everyday Life; Culture; Innovations; Who s Who that let you access information by subject across the ages. This is a very easy interface to get to gripG s with and providing objects from the different times is an excellent idea. This way you have something you can immediately get your teeth into and which gives you a starting point from which to delve into the rest of the disc. If you find something that particularly engages you, you can get at lots of information very quickly. Clickable icons bring up key dates on a subject, maps, quirky facts and related subjects. There is a vast amount of information and all of it is easy to access. The information also has a very broad spread, covering events, cultures and peoples from all over the world in equal depth. And it puts Eur opean events strongly into context by being able to see what was happening in the rest of the world in the same period. The information on the disc opens up as a series of overlapping windows (though not using K Microsoft Windows borders) and clickable picture icons let you navigate through the data. Other icons will point you to related topics. The cross referencing is good, although it was a bit of a drag to click to a reference in another age and have the disc go through the whole rigmarole of the globe closing up and spinning and all the windows opening up for that subject. Highlighted text only gives written informationM and not pictures which for a definition of something like obelisk is a bit disappointing but there are moving examples of maps and diagrams which are well done and especially useful when talking about th ings such as Faraday s first electric motor. The textual sections of the disc have been written in a concise but easy to read way and the type is large enough to make studying easy. This disc could easily get iO ts gold Politically Correct certificate, but rather than trying to ram a point of view down your throat, it simply comes across as having a balanced outlook. It points out: There is a huge gulf between the wea lth of a country such as the United States and the poverty of Third World nations, and has a movie clip labelled First Person on the Moon The desk interface also has other functions. There is a flip-back lever on the wall if you want to jump to your last entry; an Options menu that will let you copy or print the top window or the whole screen; a help icon that takes you to a clear help section; and a button th at takes you to an incredibly long index function. It s worth flicking through this vast index to pick up on things you might have missed. There is also a Quiz Master box on the desk that gives you a quiz on thS e disc contents and almost makes a worthy CD-ROM in its own right. The operation of the whole disc is very smooth and you will wait only a moment to get to the information you want, sometimes getting it instant The first thing that strikes you about the opening screen (the After 1945, Modern World section) is that all the objects seem to be related to America in one way or another. There is a picture of Martin LutU her King, a helicopter from the Vietnam war, a spy briefcase representing the Cold War, a TV showing footage from the Gulf War, the American lunar module, and a large broadcasting dish representing satellite co mmunication. Granted, America has had a huge influence on history in the post-war period, but history has also been made in the rest of the world. This is the kind of opening screen that will immediately engageW an American user but maybe not the rest of us. The fall of Soviet Communism and the rise of independence in Africa are covered in as much detail as the American issues on the disc, but surely the opening scree n could also have included these monumental changes? This is just one example of a slight, but definite, American bias. The most surprising feature of the whole disc is that it is narrated by American actors Y throughout and all the spellings use American conventions. It s common knowledge that the American market is the biggest in the world, but Americanisms from an English publisher? Happily, the developer, Dorling Kindersley, is working on localised versions as well, but if these take as long as the Macintosh incarnations of previous Dorling Kindersley discs we could be in for a very long wait. Apart from this, albeit f[ airly major, point, the disc is superb. It is a pleasure to use, and the content is interesting and genuinely entertaining. There is so much to browse through or learn that you will end up going back to it agai n and again as you would do a book which is a major achievement for multimedia. This really is about as good as multimedia is ever going to get. Conor McNicholas Eyewitness History Of The World Price 59 (i]xnc VAT) Contact Dorling Kindersley 0171 753 3488 Category Reference/Entertainment/ Education Platform MAC MPC CD-i 3DO RF1F1= F5NVZ NrNrNs9 RqN/9 J0J0R/ RrRrNQNq /NQRQNQj VpNRRQRq ^n^mb ZNZMV-R mZMV,b J0NrZMr NRNQNRJ1kZ RRPb&z fG^m^n^ ^nZms LZMZMbK^K^LZ+ZmZMVNZoZMVMVpVob NQNQ1k RrRq9h R,V ^+9 lb bK^ RrNR1k RVQV1 R1RQR1RQVQVQR1N1N2R1RQ RQVsI JtaJTJ JtJuN NoJoJOE lR,RsF PVq-I RrRrR RrRrV NRRr1k $c,b0 VM^Nf RrNQRQ-j F0J/J0J0J/J. 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They have been around for 150 million years longer than man, existed before th` simple and interesting fashion. I must admit that I was hardly champing at the bit (ouch) to view this particular disc but, having done so, I am quietly impressed. Eyewitness: Horse, as the sleeve notes state, C takes the viewer on a tour, interweaving fact, history and anecdotes with myths and legends. This tour is presented through superb graphics and a brief narrative on the various aspects covered, which really j ust whet the appetite, rather than provide a comprehensive explanation. Horses, we learn, have featured heavily throughout history since they first appeared some 55 million years ago. For example, Genghis Khan E insisted on employing hotbloods , small and fast horses, during his famous conquests, due to their adaptability to the Middle Eastern desert conditions. More trivial tales include how in ancient folklore, the horse s tail was seen as a cure for goitre, yet, if immersed in water , would turn into a mass of eels. And did you know that it was Henry VIII who officially established that one was equal to 10 centimeG tres? As you might have guessed, this VideoCD does not set out to be a serious learning program, more an informal, potted selection of both serious and trivial horsey facts, which ultimately makes this an enjo yable watch. Marc Shergar Steward Eyewitness: Horse Requires DV cart for CD-i, MPEG card for MPC/Mac Price: 9.99 (inc VAT) Contact: CD Vision 0181 503 0589 Platform: VideoCD Encoding: Very Good VPZpR NRJ/J.VO^p^N^O^/M ^PV09k .Z.V.M R/ZpZ/fpY bpbNU R/Z/U QR1ZQI VQZqM VrVPM sRRN1b rVQZQ^r^qZPQ QV0^QZ0Z/V QZPZ/V PZPV.V R/ZOZ.V PZ.Z.V R.^PV VPV/^OY QR/ZPZ/ 0R/ZP^ObO^.U N/ZPZOfpfoZ /ZPZObpj QRP^PbPjqn RPZP^/fpj QZq^ObOfpn VP^pbobofoj P^qbpbof fqjqn bObOjpnq bOfojp fpfofojpn NbN^-Z Z-ZNb fpjpj NfobN^-Z fpfOjpn fo^-Z-Z.b ZOZNR-I fofOjpn bObobo^N^ob VqN/V fpfofojpj .^Nfp^Nf bpfofp ^Obpf fpbofpjpj fpfOfOfPjpj fPfOfNfOjpjpn F1JQF05 fpfOfOfNjojon NsNsJRRs= fofOfOf.fOj F1JR9 bofOfNfOfon JQJQF0B bOfNfNfOfon 1F1B0= bpbObNfOfoj bobObOfOfpn bofofOfofpn fpfpf bpfpfofoj bpfpfpf fpfpbNfon bqbpfpfpf fpfofNjp fpbobOZ bPfpfpj fpfpfofo fpbObOZ bqfpfOfPjpj fpfojojonpn bobOZ NRJQ-j fqfpfqj fpjpjpn ^OZ.U Horse House Human Hutchinson's Immercenary Impact Incredible Indecent Infected Inferno Infopedia Information Interactive Known Knows Knuckles Kombat Kondrashin Ultimately Ultimaviii Ultra-fluid Ultra-quick Ultra-violent Ultramarine 9.99D inc VATG CD Vision 0181 503 0589H VideoCDI Digital MoviesJ 4.5R Under 20[ Under Family Feud In our survey we asked 100 people to name their favourite TV quiz show. You said Family Fortunes . Our survey said ur-ur! A totally fictitious scenario, of course. I mean, who doesn t like Family Fortunes?` e dinosaurs and were the first species to give birth to live young. However, most people s impression of sharks remains as sinister, streamlined killers lurking around beaches waiting to tear surfers to piecesC . In fact, as this beautifully shot documentary (co-produced by the BBC and Dorling Kindersley) reveals, only five out of the 375 known species of sharks have attacked humans and probably only because they mi stook them for seals. On average, only seven people are killed each year by sharks, whereas humans wipe out 100 million sharks in the same period. And yet, as the CD points out, sharks are superbly-equipped caE rnivores capable of smelling blood more than 1km away. They are 10 times more sensitive to light than you or I, and are one of the few species with a sixth sense enabling them to detect the minute electrical cu rrents that all creatures generate. Sharks not only have a renewable source of razor-sharp teeth, their whole skin is effectively a coating of tiny teeth. But more people have been killed on land by humans wieG lding weapons using sharks teeth than by sharks themselves. The VideoCD makes a persuasive case for this most maligned of creatures, backed up by plenty of startling facts and footage of sharks in their natur al environment. The disc also features some beautifully visualised graphics and backdrops, which enhance the perception that you are watching a top-quality product rather than a cut-and-paste collection of old I film clips. Eyewitness: Shark is entertaining, educational and exciting and it makes fascinating viewing for grown-ups as well as the kids it is aimed at. The colourful footage has been successfully transferr ed to the VideoCD format with the minimum of pixellation a minor miracle considering the demands that turbulent water can cause the MPEG encoding process. Highly recommended and at 9.99, excellent value. KyPaul Nesbitt Eyewitness: Shark Price 9.99 (inc VAT) Contact CD Vision 0181 503 0589 Platform VideoCD Encoding Excellent UUUUUU :3:4>4>UBVBU>5BUBU>U :3>4>UBU BVBV>5 3J3NSRTV NTRtVtVtZ JTJSNSZt^ 3F3F3RTVt^ 2FSJSR SNtNtRtV B5B5> B2>3B4>4B4F4F5B4B4FUFUB4B SNtNtRtV >3>4>4B4> FUB5> B6>5>5: >4>4>3> >5B5> FSF2JS^ :3>T:T6 frfqj :3636 ntj2e vqvQz vpr/n.n vQv0vPz vqvqzqz :5:5>5 fsf2] vuvtv2v1u /v.zqz vPvPv v0zsv 1vRv1vQz vQvQv1u vQrpnNU v0vQv/zpz zqv0v v/vPv/r v1vRz >3>3: 2vRvRvsvsvQvQz jsnSr2m nSvSv2q jSn2v2v jun3rTvSr nvrvm prpQG nvn4i 4Fu>3- B2BTJ R2VtV JtBTBu1 NtFS: w>5>UN Fv#FwN BUBUFvBUF :4>UBv1 BVBVJ FwBU>4BVJ B5>4J BTFvFvFwJ FvBU>U: :4>5>4 BUFwJ Z2V2E :4>4: B5>5BVBV>4:4F >5BUB55 5Fw>55 5>VFwJ ZSRsNRF2FtN >TBTNwJvB49 Jv>3> UBU>45 BVFw: Bv:5% J2NtFTFuFuN JvFUB4> BU>3: :3:4BvBvBU:4: ZtN3NuV NuFTFTJUB3> JUF45 JUFTV 4BU>31 :4BvN rQr1e TVTNTJSB3B3FUFT> 4F4B35 BUBVJ >4FvJ szsr1a 4FUF5B49 JuB41 U>U>4> >3BT- BuBuJ Fw>U>T>4FvBV>VS 4B4B4FUB u>3>4BTBTB45 :3>4>4>TBu>3- 4>5BvF n3nSrsz F3F39 BTFu>3>3: >T>U5 vFv%o vFwFwF nSrsz JuF4F49 BT>4FuBT: >3BUFVJVJUJTF39 unuj3a 4>3>4>3>SBt>31 F4F5NwF5F4F4= rtj2Y JuFUN NuJuV 4BUBT>T>3: >4BUBvF >UBv_} rtrsj2Y JvJUFU9 FuFuBT>3: Bw:4F nRjRb uRuNvJwR Fv>3>3FuB3>3Fu5 >vBwS FuBTFuJ Fu>39 FvB4BTBTFuB41 FvBUJ >u63J rRj1a qnQf0n JuJuN BTB3>3BUFvBTB4BTB4> nRj1a 0fqfrwY BTB4BTB3B4BTB4: u>2%K jPjPa JsJtJ FuBUB4>3>3: >3BUFuFuJvJ FuBTBT6 >3BTFuFuBuN Fu?BuBu>T>4: >4FvR BUBTBTJ BT>4>TF Bu0BUBUBuFvJ FvBUBUBuFvN >T>TBu:4J junT] JSJtFTFu Fu>4>4BUFUBTFu Fv2BUBU>4 :3:4>UBv>UF Bv>VJ jtnS] J0JRFtFTFuBUBUFvFvBUBTFuBT>3BT>4>4FvFvBUBvBv>UF Bv>UBvBvF ntjSY 0JRJsFTBT: >4FvFuBT>T>3: BuBUBuF BUFvJ :4:4BvJ btftjtjSY rJs>2>3: >4>T>4: >U>UBvJ F3JTV bsftfsjRY 1FSBS>3Bu>3: 63Bu:3:4>4F F2JSR btbSfTfSb rsn2v BT>3: JSNtR fufTb rQr1vs B2BS: :363>uF F3NtR ^ubufvj zsvRvsz BS>3- >v>wS FTNuR ZSbuj fujub2b ntnt] nsjSf3fSb rtrSn1rRz r1vsv2m ntjSv 3>TFvBvB 3B4F4B ^u^tbuf fubuj nsj2] fqfQY nTf2j2rtrtv vRr2vSv2m jSj2rt{ 3BuBuBvBv Zt^tbubufuj bubSf2f1] bQfrfR^ RfRjsn jSnSrtntntr vsvSvtvSvSvRvsvtv ftb2Y ^0bRfsfSjsn ntntrtr rtrsv vsvsvtv B3FTJUJUNuV Rfs^2U 3>TBvS bs^RZ1V1V V2^Sbt^RU ^2bsbS^2bSn bsbsf PbsfSfsn 4F3JTV ^t^s^t^tb ^s^r^sf ^1fsj B3JvR ZtZtb eZsZs^s^ NvNvR FTJuR RqRqRrRRNR FTNvV NQRqRrRRNR :U:uF RqRrRrRRRRRrRRNRNrNrNs JVJvR NvFTNvN 3F4F4V NQNQJ1NQNQRrRrRRNRNRNQ B5B5J JvNvFUNwV B3F4JUZ JR J2JRJQJRJQNQNQN1NQNR NRNQN1 NrNsNrNsR JwF5JUB F4F4JTR NsJsNsJr NRJQJ1N1J1NQ NQJQJQJRNR RsRsR FVFvFuB49 3JUJUJTNuV NsJsNsJs N1N1J1J1JQJ1N1NQNQNRNQJQNRNRNrNr RsRsNsR >4>4> FVB4B4= 3NvNuNuNvR N1NQNQNRN2 TBu>T- UFUJu> NtNtNs J1 JQJRJ1JQJRN1N1NRNRNQ TFvB4> 3JTNvR F0J0JQNQNQJ1 JQNQNRJRJRNR J1J1JQJRJQ JQJ1JRJ1J1JQ JQJRNrNsN uNuJuN J1JQJ1JRJ1F1JQ NRJRJRNrNrNsR 3NuNu J1JRJ1F1F1J1JRJQ NrNrNsNsR NtJsNsNSNs JSJRFRJRJQ J1F1F1JQ NuNuR JR JQF1F1JQJ1J1F1F1JRJQ J4JUR JsNtN JQF1JQJ1JQJR 3JUFTNuV JR NrNrNsR tJuJUJuR NsJRJR NRNrNsR UJUJUNuN NtNtNs JRNRJRJRNRJR JRJRNRNrNsR NuNvJuNvNvNuR NsCJRNRJRJRNRJRNrNRNrNRNrNrNsR 64:TB NtNtNsNsJRNrJRNRJRJRNrNRJRJRNrNrNsR >u>v> :v:v> >v:U:T2 SNuNuR Ns-NrNrNsNRNrNRJRJRNrNsNrNsR >v:u6T:uJ :u6T>v> >v:U:U>v:uB :u:u:T:uB >u:u> NsRsR :u>u> RtRsR 64:U:U6T:U>uB l B2R NsNsRsRsNtR u>vBvF 6464- :UBvB >v>v:u2 63BvBv:T:T>uB :U:u>vB JuJvR :U64:UB 63:U>v:U:U:u:U64:UF JvJvR :u642 :T:T- 63:uB :u6T2 6464:U:4:u :3:SF >v6464B 64:UF 39.99G Gametek 01753 553445H GamesJ 4R Under 40[ Under Fascination This French-produced feature leans far more on horror than tit-and-bum shots, and is mostly a cut above its two concurrent Redemption label CD Vision releases. Our dashing and debonair Renaissance bandit escape` For me, it s Les Dennis who makes it s brilliant. The way he comes up with spontaneous jokes about the members of each family, the gags about their names top stuff. I mean, that s clever isn t it? AnywaC y, Family Feud is what the Americans call it, and they may offer bigger cash prizes over the pond, but they ain t got our Les. Which means no Les in this US game conversion. Major disaster. The format of this 3 DO title is basically the same as the UK show. Two families answer social questions in the hope that their responses match those of the general public, polled in pre-show surveys. The nerve-jangling big moneE y round for the winning family is still there at the end, and there are even bonus cash rounds to get through before you get into the proper game. As you might expect, you can play the game against the computer , but it s when you play against a friend that the game really comes into its own. Family Feud is so crap, it s brilliant. You see, many of the 4,000 questions have an American bias and, of course, all the survG eys have been conducted in the US. So, rather than choosing the obvious answers, you have to squeeze into an American s mind and predict what they might have said. Name a sport played on grass? my partner was asked. She guessed that (American) Football was top answer, but she didn t think of Croquet which was in second place on the board. Oddly, she didn t guess that Tag or Frisbee would be there either. Game to meI excellent! Okay, so the presentation is questionable the digitised characters look like complete loons and there s hardly any animation. And yes, spelling each of the answers letter by letter can become mo notonous. But hey, the sets are so similar you can pretend you re on the show! Up to ten players can participate! You can personalise the families names, interests and personalities to match yours! It s suitabK le for kids of all ages! It s Family Fortunes! Alright, so it s not for everyone Family Feud is really a cult game. All that s missing is a cult like Les Dennis to present it. Warren Chrismas Family Feud LKice 39.99 (inc VAT) Contact Gametek 01753 553445 Platform MAC MPC CD-i 3DO *7*X*X *Y*9*9.Y *9*9*Y .9.Y.Y.9.9.Y.Y.8* LNNNqZ &8&8" &8*8% N.JOV *8*8! J+J-JPV N,J.JPV &8&8" "8&8& N-NOV ^p^pf &8&8& &8&8"8"8 J+J-J/V 5"7"7 4"7&8& 4&X&8& *8&8 r&w&9*Y J.JOZ Zp^pj &8&8& O&w*y" N+J-JOZ ZpZof 4&7&8 0"V&8 T&X&9&8*8& &8*Y&7 M&v*Y"7 J.JOV Zp^pj N"t"8& u&X&8& "s*x*Y N"u&x N+N-JOZ Zp^oj 6&7"6 N"u&8& &8&Y"U &X*Y" *w&Y"8 R-N.JPZ Zp^of W&7"5 )"s&W&8& p&w*Y" U&X&8 N-N.JOZ Zp^pf q"W"8& &8&8& &8&8&9&X s&y&8 &8*8& N+N.J0V ZpZpf n"u&8&8" 2*W&8* R-N/JPZ Zp^pj "r&W&9& &8&8"W *v&X& R,NMJPZ O&u&X&8& S*X&Y& N.NqZ Zp^pj &8&Y"6 *x&8& N,NNNp^ Zp^oj "8&8&8&9"6 2&W&8* T&y"8 R,NNNrZ ZqZpf .W&8&8& 0f$C( R.NORp^ Zp^pj ZNR.$ $c,e, (f$D(d, *8.8)O 5*Y*8* *8&8* *8*8! 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When Dan Gallagher (Douglas at his oiliest) engages in a weekend bonk-fest with Alex (Close wit` s a mob of locals by holing up in a ch teau inhabited by two women who seduce and manipulate the cocky villain into staying a while. The reason? He is the intended main course for a blood-curdling girls night C in, attended by a mysterious collection of other well-to-do women in this Gothic costume drama. The sub-titling of the French dialogue helps preserve the audio impact of the film which, even if it is a long way from Dolby Pro Logic, at least avoids the deadpan mid-Atlantic dubbing of its Redemption co-releases. Picture quality suffers from pixel blurs and original film blemishes, but again the film was clearly shot E in 1979 with a degree of directing aplomb by Jean Rollin. Perhaps Rollin is not quite up to the nerve-jangling directing of the classic Hammer Horrors, but despite a sometimes disjointed first half, it actually manages to stoke up the tension well as we discover why the gang are so keen to have the hero for dinner A hankie is more likely to be required during this movie more for its unhappy ending than any other reaG son. The dirty Mac brigade have been warned! Michael Kavanagh Fascination Special Requirements DV cart for CD-i; MPEG card for MPC Price 17.99 (inc VAT) Contact CD Vision 0181 503 0589 Director Jean Rollin Starring Lina Romay, Alice Arno, Jess Franco Platform VideoCD Encoding Poor V/ZPs ^QZ/Z/Q ^oV.Z jQfPn ^.fPn fqfrn ZLV,V,^ObPj fnbMn ^OZ.V ^MZ-bpj blZ+bor R^0b0j ZkR+Q Z.bObNbNr ^nZNf UjSf1^OR- ^o^NQ ^q^qb fofon fpbpj Z.Z.Z fqfnn oZ-Z/V.E F.RPE ZNV-ZMV-R bOfP^ VlVLVLV-V pZOV.Z b/bPj ZpZpb /fqjqv F-Vpb VNZqj Zp^qj vLn+j+j+nLrmv fpZ.I ZOV/M F-NN^ R/VQj ^r^rf ZoR-M vmn+j,rMrmnMe brZq^ VKN f -vNvnz nqnqZ r.vpz /rPrOvpv ^Ob.z /n/n.nNroz j/j.nNz jNf,] Q^pbps 0V/Z.j /fqbpZ.ZNboj Z.Z.k frZ0V ^M^no V-^pb .npnna bq^Nf bo^MbNV .fOb-U (d(e0 nmbLZMZ-Z ^/Z.^Pfqfq ^1frbR^ bpV.ZPb np^.Q bRbR^0U bQbPU ^PbqfqV bR^1V 1zRrQa v1vQi v-zoz z.zpz .zNzmz /zozMz .zOv-z rOf.^ nnf-b nnf.] 0bQbQZ /^0bPbpbqbPbQfqjrjqbPbOZNV z/~pvo] Z/Z/Z.^O P bpbObPfpf bpbqfpj jofObN^MZMZ-ZMR, v.zpzqa ^0^QZ0^QbR^1Z0ZQ^1b1fRf rfqbQfpf fpjpj fofobNbMbLbM^MZMV-V,R+N+N r-zpz .VOZ.V fpfQbP^P^P bmbm^mbm^m^m ZL,ZMZmVMVlVmRMRLNMN,N,VNV.V zpzprNf .V.V.V ^/fpfpf zOvOnNnOf-^.V b0bPb/^.^.^/^ b-^,Z,ZM^-Z,Z-^NbnbMbNfNbNfMjnn r.voz bp#fpfPf0f0b0fqfQjQfQb0b/bObofofoj bPfQfQfpbqf fpfpbobOfPfPf/f f.f/f/j/jPjOf/b.b.f/f.f.b b.fO^ Z-^MZ,Z-^N^M^Mbn fnb.^.^/Z.Z jpjojoj RMZMZM^O^obpbobofofojoj l J-VNb JMZmf NNZn^ N-R-ZmZM^MbMbMfnf J-RNZM^MbMbnbnb RMZnb jlfln r-rNn.nPz jlfKjln bk^Jfk^J^JZ b+fLb,^ 0J,Znb bl^L^lf fnfmj bl^Jblf flflf blfmblf ZM^,^ ,fNfnfN^+Q ^+^+Z ^+^,U N,ZMb bl^L^Lbl \fmbMfnj fmjmjnn bl^*blj flfkj fkflj bl^lf flfkflflj bl^+^Kfmf blbKbJ^*^+bKbLblbl^LbKZ*Z)b zon-U -jMf-f-nor ^MfmflblZ+ Z+Z+^+^+^ bMfnfn fmTbLbL^Lblbl^L^L^+^+^,bM^,U bM^,Z Z+^,Z*Q *^+^KV Z+^l^kZ+V ^+Z*U -zpn.Qg /bNAh f-f.^ b.f.b f-b-f f-f-b nofNM ^,Z,U fPfQ^/^ ^.bPfqjqfPbOfojofOfNfOfOZ ,^,b-fNfNZ bO^.bPfpj jqbNb.b Z,bMfNfMbN^-=h PfP^.b.Y -nqb/I rMvoro] rMn-a bpbO^OZPZPVOV/V.ZP^ blZLQ 0bpfOa fNf.f rPr.i /f.=H nojNf-a nonMj rpn/j.b rqn/n/f/b f/jOM vqrPjOb j/nrfQEi /vpzpzPzpi nOjNf.f.f f.jOn /jQnQn/n nojNjNj.j/j/jPnpr -j/rPvqzqzPz0r nojNj/jPjQnQn rpnOnOjPnQrrr ^-bMV OfOjoj b,jm{4 ZPV.V.R n1nrrrv rrjQf/Y ^P^P^0 fRnrz nqb/Z R/VQZqb ^1^1fQn VPVPZQbrbr^ bQZ0V Z0^1f fqbQ^ ^0fQnsv ^QZ0Z2^S^Sbrj ^/f/nQv jPb.Z fofrj ZQZRbtbt^Rfsn ^rZQZR^s^2fSjtr npb/] ^rZQ^Q^RbSjtr zpvOzPz npjP] OfNfMjMjnjnfnf bo^Qf ^R&bSftn zPv.u f-b-^OZ/ZO^pb b.^.^Ofqj bs^R^RZ1Z2^1fRnSvtztzrvQvPv.v Ofpfpj ^/bqj brZ1Z 1rsvSr1m b.bPf b2^0U SrSr2i nQrQrqv bQ^OZ/V ^.jpr jtfRfQf1b0^/Z 2nsrRi J0JQVr^sR boZN^oj bqbq^PZ jo^-Z .^PbQjrn fRfRjrn nqjQnQrRvsr o-J0NQVRZS^R^Rb jPb.Z b0^/^0b1jrj jrfQn zsvQv1zRv1m F0NQVRZR^Rf f/nOnor 0jQfqfqfrfrfQfQn F0NQVr^r^R^sf LjMjMfLf-fMfmfmf fRb1^0b1b1Y frfRfQfQjqnQvQz0v v/v/r NQVr^sbs^sb jtb2^ f1fRU frjRfQjPn0q NQVs^ bPjrjQQ fPj0j/i J1VR^s^sb /VrZrV rqnqnPf/^.^ b/jqfpQ fQnQf/f 0zQzrz 9NQVr^tb j-j-jOjOnprqnP] NQVs^ bN^MZ-R a b b v/zQz jqfOY $A$b$ v.vPzPz nofmZ ,bMfnfon /z/z/u z/zp~ fojOjOjon v/v/q fqbqbqf fNfMr jPjPnqjPb0fPfPjPfPY v/zOv ZrVQZqZQV0Q rsf1f0j1f1b j1f1b N0RPV0R R.VNV.V/VPM V,VLRMRMNLJ R-RMRL9 VoVNVNVPZ V/VPV0R/R V/VPVqV Mostly Motel Mother Mother's Mothers Mothership Motherships Mothra Moths Holing Holinshed's Holliday Hollow Hollywood Hollywood's Holmes Holocaust Holograph Holographic Holt's Homage Home-based Home-grown Homes Homesick Hometown Homework Under Under PLATFORM 15.99G Philips Media 0171 911 3000H Digital MoviesJ 3R Under 20[ Under Fatty Bear s Birthday Surprise Help a teddy bear collect the items it needs to prepare a little girl s birthday surprise Still receptive to the myth that teddy bears have a life of their own when the lights go down, I was enchanted with Fat` h the wackiest perm since Kevin Keegan) he realises he's done bad and returns to cosy marital bliss with cutesy daughter and chocolate-box wife (Anne Archer). In true hell hath no fury like a post-feminist-careC er-woman scorned fashion, Close wreaks all forms of vengeful havoc on the nuclear family she loves to hate. She also cooks up some trouble for the family s pet bunny rabbit. Lyne directs with a nice eye for dom estic bliss gone sour, while Close brings a passion and credibility to Alex which the film doesn't deserve. Lyne was famously forced to change the ending - and sadly this disc doesn t make use of CD-i s capabilE ities to allow you to choose between the director and studio versions. Technically this is a well rendered encoding, almost up there with Star Trek VI in quality. During the final scenes, though, the steam effe ct looks clumsy, while the occasional fades to black seem to leave a curious brief ghosting. However, most people will buy this disc for its shock appeal (or as a timely warning to hubby), so the occasional encG oding glitch won't be too bothersome. Meanwhile the film's classic Hollywood structure slots in very neatly with CD-i's chapter format. And, of course, it makes it easier to skip the psychology and zip straight to the blow job in the lift. Allegedly. George Kaplan Fatal Attraction Requires DV cart for CD-i; MPEG card for MPC Price 15.99 Contact Philips 0171 911 3000 Director Adrian Lyne Starring Michael Douglas, GI<lenn Close, Anne Archer Platform CD-i MPC Encoding Very Good JsJs5 FRFQF0)I 0B0B0B 0NRJQFQFPB0FPB0B0> QJR%) QNrJQJqFQFQF0FQB0F0= FRB19 FPFQFPBP9 QNs%) F0B0B FqFQFQ FQFQ> sJt-J Fr9FQFQ> sNs-k 0JrJrFrFQB0B0>0FQN FqFrFQFqB0BP9 FRFrFrBQ JrJsJrJrFrFrFqJrBPBP9 rFQ%( B0B0B Jr8FrFrJrFqJ BPB/9 BrIFrB0B0>/JrN JrJrJ JrFrFrFqJ BPB/9 BrFrFrFQB0B0>0JrN JrJrJ FP>/9 FrFrJs B00JrN FqFQ9 BrFrJ FrBRJsFR FqJr9 >2>3: FrFQJrFr FqFP= B0B0: FrBQJsFRB0B0>0J FqB09 B0B09 :S>TBuBu1 B/BQJ FrBQJ FqB0= B0>09 :S>UBvBu5 FrBQJ FQB0= >T>uB FsBqF Fq>0> B0B0B/: BQB0> B0B0> >S>T>uF BQB0> B/B0FP1 Bv>UBu6 Fq>/> B/FQ5 FQB0BPN Fq>/> B/FPBPN Whence Whenever Where :here's Whereabouts Whereas Wherefores Wherever Whether Archie Architect Architects Architectural Architecture Archive Archived Archives Chapter Chapters Character Character's Character-sketch Characterisation 39.99D approxG Electronic Arts 01753 549442H Young ChildrenJ 5R Under 40[ Under Fellini Dubious film maker, dubious disc One of the greatest film directors of the 20th Century, or an Italian egoist with an unreasonable sense of grandeur? It s a tough question. Fellini was well known to be more th` ty Bear s Birthday Surprise from the very beginning. And although I am 20 years older than the target age group for this CD, I have it on good authority (my niece) that children are delighted with this product C Fatty Bear, the hero of the program, belongs to a little girl called Kayla, whose tale begins to unfold on the eve of her birthday. As she falls to sleep, in fairy-tale fashion, her stuffed old Fatty Bear leaps to life and with your assistance and the help of the other toys, dolls and stuffed animals around the house, sets about making a birthday cake, blowing up balloons in preparation for a birthday surprise fE or Kayla. Aimed at three-to-seven year-olds, Fatty Bear s interface was simple enough for my young niece to use without getting frustrated, although it would be a bit challenging to a three year-old without con siderable help from a parent. To guide Fatty Bear on his quest you simply click the moving arrow. In all, there are 30 different areas of the game to explore, taking Fatty from bedroom to kitchen to attic to gaG rage in his bid to find the necessary cake ingredients, letters for a birthday banner and so on, before Kayla wakes. And when the child gets stuck, they can conjure up any number of funny little hints to help t hem on their way, by clicking on Gretchen the doll or Matilda Rabbit (who can fly). Kayla, Fatty Bear and all their friends talk in engaging and funny voices. There are no inanimate objects in the world of FatI ty Bear: click on a hatstand and it comes alive; click on the answerphone and there s a message from Daddy. You can also take a ride on a skateboard, send a book flying round rooms and open the fridge to take a midnight snack the list is endless in this innocent and exhilarating children s adventure. The CD even comes with a luminous Frisbee, a 48-page colouring and puzzle book, crayons and pencil. Though extremelyK American and perhaps a little fattist in name, Fatty Bear is loads of fun for parents and kids alike. It is charming, fantastical and a great way to entertain and enchant the children on a rainy afternoon. ril Williams Fatty Bear's Birthday Surprise Price 39.99 Contact Electronic Arts 01753 549442 Category Entertainment Platform MAC MPC CD-i 3DO "1'w0 a.3W} B%&o2 /"s.s_ B21C[ R5R5I 2Q"R6 b20?: &R&rO .,l,l!- S.tO9 FsBTBsJ .Q"R: BSFtFtFtFtBtFR9 N4NTRU^ub RUNTR4R "1&RB BsFtFtJtF3 R4R4N4ZU^ R4N4R4R 1*1"s> o6o3k3 "2&RO9 N4N5ZU^ R4N5R R.R[{ N4ZT^ 5k4^m 6p"S2 N4ZT^ "2&sS:Z UwU{t N4ZT^ RbR^PV1N BSFtBsFtN 21"RJ FtJtFtBTBTBtBsJ 2&sW9 3Bt>T>TBtFtFtFuBtBSF/R,^Hbg^'n R.s[: FsB0N ^Iffj 1.0"R> *1"SF &2"sG Tk6g8c sFtBtJ i i tsVc7g o&s&RN C j i i>3>0 "S*sO962 2R"S6 tFtFtBuV &2"R> SFtFtBtV )'ZI_ "S&R> FtFtFto >0"S*RK FtFtBSb FtBTg 1*R"S.tW :SJtFtBsZ Ft>TV )HFrZ >SBTo FtBtJ Ft>tV 1l-l6S6 "R"s> tFsBtBtb FtBtN 2FSBRF JtJ2f RFuFuBt2 :P&s*RF tFtBSb T%lRM QVOZOVpk FsFsV 6R22>t1 FtFtFtFt>3 o4{QM ^uRRZU^ kk4RO FtFtFtFtFtBt:3V =oZUV2R1 &s*rF FtFtFtFtFtBsJ ZU^uZtb &s2s.S FtFtFtFtFt>sFso Zu^u^u^vQ BsBSBSFtJtFt6sJ 3^u^u^vM FtBSR ^uZTI BtBtR &S*SN ZU^v=o &s*sR U^vZU^v5, FsFtFsBtJ BtBtFt&2 sBSBSJs*1 2FSFs6S SFsBS NoVqVoJO BsFtFtFtFtFtBsBsJ s.s2TF 2JtFt:s sJtFt RRtBS sJsJsJsN JtJtJ sFsFtFtFtFtFtFtFtFtFtBsBsN N.NP=m ^HbHbH ^H^H^Hbgjgj sFtFt RFsB/J/RqRq JtFtFtFt>S JtFtJ FsFtFtFtFtFtFtFtFtFtFtFtFsV l%JB2s V0ZU^u^uVSVSM ^I^I^I^IbIb(I >tBtBS RrFQ5 2JtFtFtFs tFtJt:2 tFtFtFtBuBuBuFTBTBTBTBTBtR 2s:tSZ %*B1w OV4bvZ4E ^I^I^H^GU QVsFR-l TJtFtJt.2 sJtBtB JQJ/R /bv^uV4 ^I^HZ( ^n:TFtBtJtFt tFsR.Y ~#~"~ ^TZU^v^ ^HZ(bHj L2RJtJ R0^MBTFt* tFt>S ~D~e~ ~%~D~ CVMZl kZL5j ^H^GbIV R 1JtBuJQa flJs:S 2Nt>u ~$~f~e~ zD~$} V-Z1f fHbHZ+= BuJQe ~d~"~d FuF1e ~#~e~ ~D~"~e~eJE fE~D~$~ ~e~$j%VEY bHbGfj= ~D~e~ ~D~$n (bH^Ibhj ~d~d~ ~e~#y "R,Z0 H^I^I^Ibhf ~E~e~E Hfhbibififij fk^kj ^Kbi^' ~C~d~$y *s*s= +fI^H^IZ Kz$]B ~D~$y 5%Afbjj fIfHbH^H^I^(U KzDac $~E~D~E~ Z'b(bh^IbibhU KzDUB ~$~D~%} *1&1& 61212P: >qJrFqJPF/ .NOJ. 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cPCTBPcTcTcdchdhdhdhdhdhdhdhcdB4c$ B$bTcXBT$( PcTbPcTcTcdbhchdhdhdhdhdhdhcd#4C( \bDb B$bPBXBTD BPcTCPcPcTc dbhchdhdhdhdhdhdhch"0#( #TB0c c b c`ChChdhdhdhdhdhdhchbXcPcPcPcXc,c DX"XC0b \ChchdhdhdhdhdhdhdhcXbTcPcPcXC0c LcXBTcTcTcTcTcTcTcTc Fatty Fellini Female Fighter Fighters Files Films Final Flash Flashback Flashdance Flight Flintstones/jetsons Floyd Fodder Football Forces Forever Frank Freddi French Frontier Funeral Gabriel Gallery Garden Generation George Ghost Ghosts Global Black Blender Blind Block Blood Blues Bolshoi Books Bookshelf Bowie Boxing Brave Brief Brown-the Bryan Bunny Bureau Business Busytown Cd-rom Central Century Chadwick Changing Chaos Chase Children Chris Chronology Chuck Cinemania Class Classic Classics Dolls Dolmens Dolphins Domain Domark Domestic Dominant Dominated Domination Enough Enquiries Ensemble Ensign Enslaved Enslavers nsured Ensures Ensuring Entails Entangled Enter Entering Enterprise Enters Entertain Entertained Entertainer Entertaining Entertainingly Entertainment Explore Explored Explorer Exploring Explosion Explosions Explosive Explosives Expo-92 Exponent Exponential Exponentially Export Exported Exporting Exposes Exposition Exposure Expounded Expounding Express Expressing Expression Expressions Exquisite Extend Extended Exterior Electronic Electronically Electronics Elegantly Element Elements Elephant Elephant-like Elephants Elevation Elevator Eleven Elf-like Elgin Elicit Elicits Eliminates Elimination Elite 19.99G 01923 240050H Reference 2.5R Under 20[ Under Female Vampire The narrative thrust to the Female Vampire, also known as The Bare Breasted Countess and Erotikill, is simple. Our erotic anti-heroine Countess Irena Karkstein, played by Lina Romay, leaves a trail of death and` an a little self-obsessed but it s difficult to complain. Watch La Dolce Vita, 81/2 or La Strada, and you start to see the sparks of genius. More important here, though, is whether Fellini fits well onto CD-ROMC . This CD does a fairly poor job of shoehorning a lifetime of grandiose cinema onto a 5.5 inch disc. For a start, Fellini s films, conceived on a massive scale, don t fit well in a window the size of a book of matches. It s thoroughly uncompelling and unsatisfying after seeing them at the cinema. Even when images are presented at full screen, as the stills are, the depth of meaning is lost because of the utterly banaE l captions. Undoubtedly the worst are from The Clowns, where most captions say things like A clown or are simply erroneous. Even when we see an interesting picture of Fellini making up as a clown, the disc fa ils to convey the story behind the image that he was making up for the cover of Newsweek, which is not an inconsequential fact. This is not carping, it shows the poor editing of the disc contents especially sG ince the half-baked approach is evident throughout. The disc simply doesn t take advantage of the possibilities of CD-ROM. Film clips are thrown away because there is no commentary and no explanation. In a sect ion on Fellini s use of music in his films, there is no music the music is under a separate button called Other There s a massive tract by Fellini about light, but no examples of lighting in his films. WhI y put something on CD-ROM if you re not going to use the medium to its best advantage? A large number of opportunities have been missed here. One thoughtful feature, and an interesting aspect for newcomers to F ellini, is the highlighting of the drawings he made for his films. Each of the screens on the disc contains elements of them, which helps to tie the whole thing together in an interesting and clever way. There K is also a separate section looking at these drawings and the general influence of comics on his style of film-making. An interesting subject featured on the disc is Fellini s work as a director of commercial ad vertising shorts. But although there may be a section about it, sadly none of the films are available, and neither is there any explanation as to why Fellini did them. Neither are there any filmed interviews wiM th Fellini himself, to put his work into context and set the scene. For a director who came close to over-art-directing his movies, the disc apart from the use of Fellini s drawings is under-designed. The screens for each film are fine, but the timeline in particular flat and uninviting. Also, getting around the disc is made difficult because of the lack of cross-referencing. There are no hot links to other sectO ions, no biographies of the major stars he directed even Marcello Mastroianni and Anita Ekberg aren t featured in any depth or details of his collaborators. This disc is well-priced and that s a healthy mov e for this kind of title (the additional half disc in the rating is there for the price alone), but anyone interested in finding out more about Fellini could usefully spend the money they would on this disc on Q a La Dolce Vita video or some cinema visits. Watching the films he made will tell you a lot more about Fellini in a far more interesting way. Stuart Price Fellini Price 19.99 Contact EMME 01923 240050 CategR5ory Reference/Entertainment Platform MAC MPC CD-i 3DO J1F1F NsF0> F1Nsc F1kZN sNSJS= sJr-k RJS%) F1JsB RJS)k sJRo{ dF1)J dNro{ NsF11 1Nsg9 JQF/Z F1JRRsR JPF01 JrJsFPRrkX F1JSNqg B/F.NqR NqJR= B/F1NPZ NsF1w NQF1NrZ >3>3B3B3> >3>3>4>4B3>3>3B3>3> >4>3B4>4B3>4>3>3>4FU%* F1JQNr^ /NrB/B VvVv] V4VvV PJQNsZ F0)I NtJQB09 4JvkZ VvVwY Self-proclaimed Self-regulation Self-rule Self-styled Sell-out Seller Selling Sells Selwyn Semi-academic Semi-autobiographica Semi-literacy Semi-surreal Seminal Semtex Senate Send-ups Sendell Sending Sends Sensation Sensational Sensationalising Lifetime Lifted Lifter Lifting Lifts Light Light'n Lightbulb Lighter Lighters Lightgun Lightguns Lighthearted Lightheartedness Lighthouse Lighting Lightly Lightning Lightning-quick Lights Lightweight Underbelly Undercover Underdeveloped Underestimated Undergo Undergoing Undergone Undergraduate Undergraduates Underground Undergrowth Underlined Underlines Underlings Underlying Undermines Undermining Underneath Underpaid Understandably Understanding Understated Undertaker Undertaking Underwater Additional Address Addressed Addresses Adept Adequate Adequately Lounging Lovable Love/tie Loveable Loveably Lovecraft Lovecraft-inspired Loved Lovely 240050 246333 255558 260903 267979 29242 297797 03322 Reference Sciences 17.99G CD Vision 0181 503 0589H VideoCDI Digital Movies 1R Under 20[ Under FIFA International Soccer Electronic Arts has come up with a winner in it s latest footie game Among the many football simulations released on the PC to coincide with the World Cup this summer, most belonged at the bottom of the Beazer` destruction as she seduces her victims and fellates her male lovers to death. It is a storyline which many of us might find hard to swallow. But it s a part which Romay seems glad to get her teeth into despiteC the workaday acting of the bulk of the supporting cast. The quality of acting in this 1973 French/Belgium co-production another Jess Franco masterpiece would at times shame a sixth-form drama club play. The soundtrack, for instance, is all over the place, while the dubbing is so flat and dreary that it becomes comical. It s just as well the countess herself is mute. The CD has obviously been encrypted from prE etty cruddy film stock and the result is a washed-out look to the images. The interface and presentation of the discs are nice, though, with vaguely interesting sleeve notes and a proper title screen. Somehow, this absurd plot is stretched out to 93 minutes. As soft-porn directors well know, a little bit of a plot is never a bad thing and the humorous possibilities available in this film s storyline are there for tG he taking, but ignored. Instead, there are plenty of bellies but not too many belly laughs in this film. Michael Kavanagh Female Vampire Special Requirements DV cart for CD-i; MPEG card for MPC Price 17.99 (inc VAT) Contact CD Vision 0181 503 0589 Director Jess Franco Starring Lina Romay, Alice Arno, Jess Franco Platform VideoCD Encoding Poor FjJkJjFIF(>(: FhBHBIBIBi>&9 FiBHBIBI>'B&= FjFiFIB(F(> B*JLNmR JiFIB(F&B FiFHB&B&B B(FHB BHJiJ Fh>&5 FHFhFHFhFH>(9 NhFhJ'E 'BGFFB'BHFiFiBHFiF JhF'J B'B'FHFiFiFhFHJ JgFF> F'J'J FGB%> B'BGFHJiJjFiFhN FHFhFhFF9 NhFFF&A F'FgJhFHJiFiJiN FhFhFgFF> HJHNHRhR NGJ&J N%N&N& J'FGFGJGN FgFFFFB%B$A F'F&F&NHR JhB&= NgJ&J R&N%N%J%N&NFNENEJ%J%J&J'NHNgNgR JfJfFfFeFD> JFJfN $V%VFRFRFRfRfNFFEF%J&RgV JgFFB%B ZFZfZfZgZgRfNfNgV NhNhJGJGJFJFJ%A &:%BFN FiBI5 BIF(B ZhVhRgZ JgBFF&F%F%F$E >&FGFFB&: RgNgRgZ BfB&F &FGFG> NfNFVF^hb JgBF> )JIFG> VEVEZff FhJgR iRiRhNGF&9 FGB%B VhR(R&R VHV(V(^I^ .BPFqJqN JIRIZ ZhVhVh^ F*FJNjF)9 RHNhVhf (RIN(N'N&VHZ R)R'VH^ V&N&N NeNEJ&I R(VJ^ VhRGN R'ZIZI^kb RhNhJ'= RHN'N >l6*% ^fZfVgZ ViRGN V)N E FD>#: B&BF>E:D6#5 :E>g:G1 ZfZEV%V&VgZ VhN'I JFJEJfN Ba>@>AB`F`F Fc>DBD>$> >">!:!>B:C:C:#: ZfZ%V$M VGZfVFV JhB&9 FG>CF FaB@F@J JcB"9 B!FA> > > : >@>A>B>#: :":#>"> ^FZ%Z%ZFV%V%R ZgV&M Fa>!: > >!>">#: FDJeJeN NhJ'F'F V&V%U VhR'N'N'N N%VGZ FbFaB >!BBFb> > >#>#>$> FCJdN FgBGBGB'B'>&9 bgZ&Q RgRgRGRGVgZ FbBA> >!BBN FEFEFDF$B F%F%F F$FCN jgfhjgffZ%U FDFEB%F&F$9 Z&b'jhjgf'fGjGjFY %JeFd> FB>#>$A (rHjgfGfFf%U 'f'b&^ JgJFA >!BB> )nHrgnh] F^FZ%Z&Q NhNGJ'F ngjEj%f&b )rjjIU &Z&Z%Q ViRHNGJ&E >#F#: &Zh^ib rifHQ &^&^$Q ZiRHN&J f%b%b%b$n ZhZhVGR&I JaB F ^gbfbE] ^&b%U ZgZGVGN&I 'VhZH^ VgVFR&R&N ^'^'U ^hVHVHV'R fI^GZ&V fi^GZ'Z(V B`>`>@>@B`R fHbgj bhZ'Z bhfif i^HZ'Z >@BABbBcBcN fiZ'^FbHfGbFfgn fgfhr ^GZ&Y bgbg^FZ J`F`F >@:"BBBc>D>EF fi^(V f'f'b ^g^F] bg^FZ&V >'>">@B@B B B B F`N >B:">">c>D6#>DF >B>AFbR v ef bf^%j bH^GZ'V F@> : BbF Bd:": BCBD5 :D6"6 v&v'zHz)q bgZ%bfw ^IZ'Z&V ">!B@FaJ B`: 6 :!Bd>E6": FdFe5 (vIr&e jg^%^%r ZhZhZ'V&Q FaBAB!: ngjEb$fFz ^h^hZhV'R FcFBBBFc>B1 rkjGnfnEf#b Zf^gf ^h^h^gZGR Be>$FeJ jij&f ^E^Ej ZgZhVGZ&V Be:$:#B ^EZ$jg{ ZfVEZ&V >$2#6C>bJ Bf>EN b$f%~ ZeVEV$R >EBf>&5 Be>CF jgb$f ZfVER%N %FgB%- VGR%R #>$BE>DN IzjzhzjzjzizFr%vfz vizjvJ v v)v ZDV$M $FfB%> zgvivIvJv*v*q ZgV&V jfnGv'z(zjvJv)v v q ZgVFV BBC>$5 )~)v u n$rDrDrfz ZFV&V&M jhf'a FeBfJgN FgBFBGBFB&> jgf&f v(v'q bh^gZGV'R FhBG> >%BFR bjZiVh/b bh^GZGZGV JhFhFgN vinJbI^I^if BK>I9 Bf>f>GBgN nIfI^Hfif ^g^Hbh^gZFZ'^'Z&R b'^Gf ^gVfZgZfVEREVFZGZGZF^FZFV%R IbIZ)Z R&R&V%V >)>HB F'B'1 >FBE> FGJiFIBIR >&FgR jgf'^ VIZGR&I ^G^GU ^F^ff ^cZC^Dfefe^#a ZiR'R'VIZIV %^D^dbebe^f^EZ r)vJz njrin'j j%fEZ J'VHV(N ZfVEb ^#^D^%^$^$Z +zLz+ ~l~k~ fibIb(b ^f^gZFV%Q %ZfbhZ'Q v)z*~K~m~ ~Lzn~ zjzjz > JhR Z%V$V zLzk~k~KzkzKv)v(zIzizjv vij'] RgRGVgZ ZgVfVfVhVhViVGRHN JzLz+zLzkvIvHz izJzHv(v v'vGzHzirhnGa RFR&R&R R&VEZeV%R R%VGVHVHI )vHv)v)zIv)v(zHzHrgnGrGn'j'b&] ^&^&Z&V RgN&N V'VHV zIzIvjz ngjFf&b&Y b'fG^'Z Z'V&R NFJ$J zIziz vhnGf'f bHfhfHbHZ'Z'V'R NgJ&F v'vJr)v)vhvgrGj'j&j j)fJb bH^(Z'Z'V&U NiNhNhRhV NgJ&F j&j&f f&fFfHfijij ^gZFVFVGV&R NhNhNHNhRiNGJFJEJ%E z'z'vHr%n %nGnG fgbhf ZfVFVFR&RFN NhNhF(JGJ'F nErGrGnEj%f f$jfnhn fh^GZGZG^g^ ZhVGVFVFVER%N NhNgJhF&F'B %jFjgjGf& f&f&f%f'fGbG VFZfVEV%R%R%R JgNgRgR RfJfJFF&B %f&b'b&^&] b%b%b&b'b& ZFZFVEZEV$V$R JGF'FGFGNGRgReNeJDB b%be^F^G^F^F^& Z&.Z%V JgFGF F'FgFhJgJgJeFDF b%bE^F ^G^&^& Z&Z%ZEV Fi JiFIJiJIJiJiN FGF&B&FFJGJGJFJFF&F%A bFbgbfbgbGbG^G^&^&ZFZFZ&Z&V&V V%V$R JjFiFHFHBHBHB(BHFi JiJiN FfBEB%B &^&bffgfhbG^G^&^FZFZFZ&Z&V%V BiBiF JiFHBHB(B >'>'B(FHBHBH>'B'FHJHFHFgFFB&B ^EZ&^HfHbH^H^G^&Z&ZFZFZ&Z&V& B'>'B' #B'B(>'>&>&B&FGFHBGB'B Z%^F^GZ'ZG^gbhbG^GZFZE >'>': F&FGFGB&= V%V%Z%Z&^G^FbFbGbgbhfgbFZ&Z&Z%Z%V%V FmBmFkF FiBhBgBgFgBGBG>G:&: V%Z&Z&Z ^f^E^%^&Z&V BKBKFJBIFIBi>h>G>f>FB&B&>%: ^FbG^GbGbg^G^gbFbhfhf fhfgbgbgbfbF^%Z%V >+>*>) BH!>G>'>F:%> fhfhbgZEV$U :*:'> >&BG>&> >&>&: bh^GV&V :(:%: :%>%> ^fZFZ :$:%> ZfZ&Z ^G^'V bhbGbGZFZ fifhbG^&^%Z fibif bh^(b(b'b&^ Z&^GbHbHb'b'^'^GZ b'f'a #+2/('+**.' Times Timescale Timetable Timing Timothy Tina's Tinfoil Tiniest Tinker Tinkling Tinny Tinsel Tipples Sizable Skateboarding Skeletal Skeleton Sketch Sketches Sketchiness Skids Skies Skiing Skilfully Skill Skilled Skillfully Skills Skimmed Skimped Skin-suffocated Skinhead Skinnamarink Skins Skipped Skipping Images Imaginary Imagination Imaginations Imaginative Imaginatively Imaginatively-drawn Imagine Imbalance Imitate Imitation Imitations Imitators Immaculately Immaculately-conceiv Immaterial Immature Immediate Immediately Immense Immensely Immensly 39.99D inc VAT (MPC)E 44.99F inc VAT (3DO)G Electronic Arts 01753 549442H Games 4 / 5M 118 / 91N 4.5R Under 40[ Under Flash Traffic Save your cash, this is more trash than flash. We won t be vague avoid like the plague! s not often a reviewer gets the chance to give a blow by blow account of a game from start to finish, but then it is Homes league. Only one was Premiership material, and that was FIFA International Soccer from Electronic Arts. Now it s available on CD-ROM, and it s even better. The action kicks off with a new, and rather nicC e video sequence. Well, actually it s an advert for a football boots company, but they re going to remain nameless (until we get a pair). The game looks exactly the same as the floppy disk version, but with one major difference more on that in a minute, I d better fill in the gaps first. FIFA is played from a unique isometric in-the-stands viewpoint, a system which is certainly refreshing and works rather well. AE nimation of the players is smooth thanks to the use of several thousand frames. Each guy has a neat bag of tricks including back heels, sliding tackles, flying headers, bicycle kicks and more. Of course, gettin g them to perform these feats doesn t come easy, and although the basic running around, shooting and tackling is straightforward, really mastering the game takes time. Initially, you ll find yourself stabbing aG t the buttons wondering how you performed each action. As with all good footie games, there s no shortage of options to tinker with. You can play against a human opponent or any of the 49 computerised teams, in a single game, tournament or league. There are different conditions to choose from, various play strategies and formations. Fanatics can even play a full 45 minutes each way. The only black mark is that penaltI y shoot-outs have been replaced with sudden death, so you can t quite recreate the 94 World Cup final. What really puts the special in this Special Edition is the running commentary. Yep, not only do you get the continuous crowd chants as you play, you also get a ball-by-ball analysis. Not from John Motson, thank God (a CD-ROM isn t big enough for all the garbage Motty spurts out). No, here it s Tony Gubba. And whK at an enthusiastic fella old Mr Gubba is. Virtually everything he says is pronounced with an exclamation mark. Corner to Brazil. Barbetto great tackle by Wilson! Long hoof up the field. Hallsworth great poss ession by Ansell strike by Ansell! Oh it s off the crossbar! Strike by Buckner! IT S IN!!! Ah yes, it takes me back to the glory days at the Goldstone Ground. (When was that, exactly, then? Ed.) The monologM ue is rather limited, but then, so is your average commentator s. Generally it s very entertaining funny, actually. Sadly, the programmers still haven t used real player names; instead we get ridiculous alter natives such as a goalie from Eire called Terry Irish and an American goalkeeper called Peter Stryker, with many of the others being employees of Electronic Arts (nice ego trip, guys). The CD edition does allowO you to edit the text, but needless to say the commentary names remain the same whatever, so it s all rather pointless. Still, don t let this put you off buying the Special Edition of FIFA International Soccer. It was already a fantastic looking, fun-to-play game, and now it sounds brilliant too. Warren Chrismas (Issue 4 review) FIFA International Soccer CD Special Edition Requires 8Mb for running commentary, 4Q Mb without Price 39.99 Contact Electronic Arts 01753 549442 Platform MAC MPC CD-i 3DO FIFA INTERNATIONAL SOCCER All-singing, all dancing FIFA on 3DO, but where's our Tony? The all-new 3DO version of FIFA International Soccer follows the PC CD-ROM version released in September (reviewed last month), but here the designers have effectively started again with the graphics at least as it looks nothing like preS vious incarnations. Instead of just a single isometric viewpoint we have a choice of seven views including Cable Cam, Sideline Cam and, erm, an End Zone Cam. Having a choice meant we often found ourselves in a state of option paralysis the truth is none of the views are perfect. The Ball and Shoulder views, for instance, show the action close-up but you see so little of the pitch it s impossible to tell where the U other players are. The sound has been improved there s now a wide range of crowd noises including a chant of Eng-ger-land, Eng-ger-land, Eng-ger-land when playing as Terry s boys and some pretty nifty drums . Sadly though, there s no commentary from Tony Gubba as with the PC CD-ROM version, due, no doubt, to the fact that this version is aimed at the American market. The most noticeable difference is the speed s gone up a gear and also the difficulty factor which has increased slightly, mainly because the three main buttons on the 3DO s handset have to be used in combination with the two shift buttons on top. at you get with the 3DO version is a host of neat touches a great intro, digitised clips of classic moments in football history , a good replay facility with five more camera views, and even a six-player optY ion. Ultimately though, it s not any more playable than the PC version. In other words, it s bloody good, but not perfect. Warren Chrismas (Issue 5 review) FIFA International Soccer Price 44.99 (inc VAT) CZ<ontact Electronic Arts 0753 549442 Platform MAC MPC CD-i 3DO &.53,+.--1) *)$;FB<;?==@: ! !" #"!!" #"#$# ! ! ! 6:Dckkz~uwuvb, 3211//./-,+**,% ,-./00//0// .0/.0//.//0/ /..-,-,,+*() 9=Hemn| xzxye09::97764434210.-0( 023455 36546 3221100/../../.-12 -.//0/0 0//.( $MIDktt tVbgfedca_^]][ZYWVXQ;?>?= 6789: ?<<STS Y[^\Z _aa`a WVVZ[ C;FD38LgjnhdK46442/**)" ) (&&('*-01- )()'%%&&#! D=JF5;JamrlhQ :@AA?<963.+,'$$! 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It may have taken nearly two years to make the leap from PC, SNES and Megadrive onto the CD-i, but Flashback is the kind of copper-bottomed game property that the system needs to att t every day you encounter a CD-ROM with so little content. On loading the game, you are presented with a full-screen, full-motion video intro which shows various people using large guns to express differencesC of opinion. Your objective is to take charge of a team of FBI secret agents and prevent a crazy scientist from blowing up Los Angeles. As you move through the game you are shown a series of video clips, each with an associated piece of dialogue. You respond by choosing from a list of responses. Sounds good, doesn t it? Choose the right one and you go on to the next scene. Get it wrong and it s game over. Your firstE task is to interview your only two suspects. I interviewed one and looked through his personal effects which led me straight to an air hostess. She led me straight to the madman. I followed him to a stadium wh ere he was planting the bomb, ordered my men to defuse it, messed with the madman again, and that was it. The end d cracked the whole thing in about 45 minutes, and not a minute too soon. If you re lookingG for a game that uses MPEG to provide full-motion video, check out Return To Zork, or splash out on one of any number of linear but well encoded VideoCDs. Whatever you do, avoid Flash Traffic. Chris Anderson Flash Traffic Requirements RealMagic MPEG card Price TBA Contact Gem 01279 822 822 Platform MAC MPC CD-i 3DO Gem Distribution 01279 822 822H GamesJ !$A$`$A(c0 (^H^(^(bHbH^GZ&U '^'^&^&^'^ ^'^'b'b'fGfGbGbGb(bhbhfHfi fHfGfffGjhj fh.fgfgj fhnhr ZHZ'E $a$A,a4 Z(Z&M b(^HbHfHbH^G^&Y b'b'fHfIfH fh3jhjhfhjgjfjGj jhjgjGb(fHjhj fIjiv $a$a$@$a, )^I^)^H^H^G^'Y ^'^&^'b(b(f(f( fgjHj fhfifgfgfhj fHfhfhn A(a$`$A, )bH^( b(b'b'fHfHfIfhfhfHfHfhji fgfGfHjgn nhjIr $A$a$@$a, Z'Z'Z ^(^FI hbh^H^HbIbH^G^&U f'b&b&^'b' fifhfhfgfGfhfHf @fhfhjhjhj jhfGfgjhn A(a(`(A, hbG^'^(bIfH^GY fIfGbG^IbJn jhjij jhjgjfjgj *fHfHfhjhn $A$a$`$A, ^'^(Z'M Ibh^(^(bIfhb(^(V 'bHbHbhfhfhbHf fgfhfhfIr `(a$A$a, Z(^(bHb&Q ibh^HbHbIbHfG^'U b($fHfhfhbFf%vd jhjij jhjhj fGjhr V(V'=c (a(@, Z'Z'^)^)Z&M bH bG^&U 'b'bGbGb'b'fH^&Q fgfhfGfGn jgj(r Z(R&=a $`(A0 Z(^'^'^(Z&M fhbHbHbIbHbG^&U 'b&b' jFb$MB jfj(r $A(a$@(a0 5Z(^(^(^HZ&M fhbHbIbibhb'^ 'b'b'b(f'jgn jhfhjhj 8jhfhfhfHjhr nFj)r $A(A$a$ Z(^'^'^H^HZ bhbHbHbhbhb'^&U 'b'b(bhbhfHr fh,jir jfj(r $A(A(a( (Z(^H^(^G^GbHZ&I bhZbHbGU 'b'bGbGbHjhz b&fHfgfgjhj jFjGr $A(`(A(a0 Z(^'^' bG^FM bHfG^FU 'b'b'f'jhv !0a8 ngfGfIfhfGjgjhngnffFj'r (`(A0 Z'^(^(^)bH^EM fibHbHbIbH^G^&Q 'b'^H^GV HjGfHjhfHjhn bFfGfhfgfgfhjhjffF IZ%Ed `(A(A(`, ^'^&^'^Hb(fHZEI fhbhbhbHbHbG^&Q 'b'fGZE5a !(A,a bGjGjgjhfgjhngjff%f `$`(a(B(a0 'Z'^'^'Z ^'^'Z'^'^H^FI ibIbibibh^G^&Q fG^&U @(cM$ $!8B@ f%j%j&n fGfHfFfFb'b&f' `$@$a$a(a0 v^(^(^H^H^h^h^FI bibififi^(Z GbG^F^(j !$@8a@ jgfGfhf fifhfHb'b&] 'jGjGjhjhn (A(a, ^)^H^HZ)^(fhb bhbhfibh^G^FQ b'b'bHbHfHbFA jHjhj fffFb%] fGjgr (A(a(`(a0 ]Z)^H^H^h^gZ&Id hbhbIbIbibhbG^ b'fGbGb'f(Z !Da@ jgbGjHjgjhjhfF^ j'nhr ,a,a0 'Z'Z' ^(8^Hbhfhb fhbibifh^GZ&M f&b'b(fH^&5b fh8fHbFb fGjgn Z(^H^( ^GZEM bh^GZ b'bGbGbHQ ,c]g bGjIjhfhfhb&Y I^FEc (a(a(A,b4 Z(^(b(bI^I^IbIfI^&M ifibififhbh^'Z f'b&b'b(fHZ&5b jhfHjhfhjhjhf&] '^G^I^(^'bGb bifhfg^EM bH^FQ (fGbGbHbHfh^F5a jgnhjgj jhfF] ^(^HZ)bIbhbHfiZEE bibhfhbh^H^'Q '^'^(b(bHfh^f= jgbGfif fgjgfEY ^'Z&Z(^I^IbHbHbhfh^&Ed bibibhbg^'Qn b(Sb)fifgI fhjhfhfhbGb%U biZFE ^(bH^Hb(bIbHfHbIV fhfhbGZFM b(b'bGbHb(fHbEA fGj'jHfhfhffbEU bjZEE ^(bHb(^(^HbHbifhV%Ed fHbGZ&M bHfHbHbGbGf(r 8aa# jh8ffb%U j'nhr ^hZFE (`(a, nZ(^I^HbHfhb bG^&M fGfGb(^'^&j'z fhfhff^ ^iZFEd (a(a, ^HZ^IbHbHV bifhbg^&I (^'b'jhj @$ @aaC jgfGZ ngnfngv biZFE (^'^G^IbHbGbHbibhfgZ fjbifh^&M A$!0 @a] nfnfrGz fiZEI Z(^H^I^)^)^IbhbhbGV%Ac bh^%M nejeri bi^eI (a,a, ^(Z(^(^IbIbI fhb(Z'M vbvBz nfjErl biZFE (b,b0 ^(^(bHbHfhfHfif bGbFM jDj%rk fiZ&I V(V'I Z(^)^( ^Hs^JbJbhQ ifibifhfHbhbg^FM jenFj&nH{ *biZE (Z(^(^I^(bHbIbibhbhV ifibib bH^H^&M (fhZ%AC ^('^H^HbIbHbif )bhZ&b )^(^(b(b(^H^H IbHbhbhbibhbGZ&I bGbHjHr ^(^(^I^HbHbibhbHbgR ifibjbjb ,a4c] bGbG^'b&b&nh{ '^HZH^H^I^I^H^Hbifjb fibibif bG^&I b(b)^H^g^'b'fHn ^G^F^'^(^H^hbHbjbjbhQ bjbjbibibhZ&I ^'b'^(^H^(^)b) (^(b)b(bH^H^Hbifif bhbHZ&E bH^G^(^ b(bHfhjin ^(bH^HbHbHbIbjbjf fjbibif fhfg^%I b(^)^)^HbHbIfjj )^(b)^Ibhbhf bh^FI $a8di Z)^(fij fIjin bH^GM G^hbhfIbifhbH^FI '^'^'b'b(^(^H^FI `( $ $ (!8 Z'Z&I G^F^'^(bGb(b(Z&Ac $ ,!4B8 ^(5^G^GbGZ%Ab ! !$ ^(1^HbH^&M ff^&^'^'Z&E ^G^'^'^(^HbHbHbGQ $A,A$ 8fb r ^&^'^(^(b(fGbFQ zaj!E !(a ! $#M( Z(^(^(Z(b)fh^EY rBr){ GbgZ'Y bH8f&v (A$` &jg^GZ ^'^(bIfHb&U fHbFQ 8"De]g (b%=! `$!(!4a@ 8A8A4a(` 8!DA@AH @ (A,a,`0a8a4a( !,A0a(a (!8a8!<!4"I ,B8a4`(A,A0a0a4A8a4` @ a$A(A !$!(A(A ! 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A$!,A(A A !(A ` !(A$A Trash Trashing Trauma Travel Traveller Travellers Travelling Travels Travesty Travolta Trawl Treacherous Treacherously Treacle Treads Treason Treasure Treasures Treat Treated DTree Tree-based Tree-line Tree-planting Treehouse Tasks Taste Tasted Tasteful Tastefully Tastefully-shot Tasteless Tastes Tastier Tasty Taxmen-cum-monks Taxpayers Taylor Tchorniye Teach Teacher Teachers Teaches Teaching Teacup Tate@ Teacher's@ Teaches Teasers@ Suspects Suspended Suspense Suspenseful Suspension Suspicion Suspicious Suspiciously Sussex Sustain Sutra Sutton Suspects Suture@ Swept@ Switching Syndicate Synopses@ System Tables Tackled@ Taken Takes Talent Tangible@ Tanker@ Targeted@ 34.99G Philips Media 0171 911 3000H CD-iI GamesJ 4R Under 40[ Under Flashdance Alex (Jennifer Beals) is a welder by day, but dances in Mawby s Bar by night, dreaming of auditioning for the Pittsburgh Conservatory of Dance. Richie is a short-order cook in the same bar, but dreams of being ` ract in order to survive. (3DO owners are going to have to wait at least another month, by the way.) To recap, Flashback is a shoot- em-up puzzle platformer from the French developer Delphine, which was also reD sponsible for the not dissimilar Another World. Like that title, Flashback has a very distinctive cinematic style thanks to the extensive use of cut-scenes, movie-style soundtracks and fluid, polygon-based roto scoped graphics. The game begins with a mysterious scenario galactic investigator Conrad Hart wakes up on a jungle-infested planet to find that his memory has been erased and reveals further details about tF he whys and wherefores as the game progresses. The key difference between Flashback and Another World is the complexity of the puzzles and the level of interaction with the on-screen environment. Flashback fea tures over 20 functional items and 15 non-player characters. That means that in many ways it plays more like an RPG than a traditional platformer aside from the usual hand-to-eye co-ordination skills, you neeH d to talk to people, pick up clues, utilise your inventory and use good old-fashioned logic to progress to the higher levels. But it s not all problem-solving. Conrad has a gun and he has to use it regularly, b ut the combination of RPG and arcade-action genres what the Yanks call a cocktail of thumb candy and brain fodder helps make Flashback a very enjoyable time waster. Neverthless the conversion to CD-i has J brought problems. The screen image is smaller than the Megadrive and SNES versions and two unsightly green borders fill the edge of the screen. Second, the control system is far from intuitive (you have to pr ess the pad up and hit the jump button to leap sideways, for instance) and the game is impossible to play without a dedicated gamepad or joystick. And then there is the bane of my particular life the absence L of an ongoing save game function. Yes, you can save your progress, but only at certain locations, which makes navigating the early levels particularly onerous. But the transfer to CD-i has also brought with it some improvements. The intro and cut-scenes, which crop up when you pick up or use an object, are now much more detailed and colourful. More useful is the increased deployment of sampled voices and sound fx, plN us the chance to hear the stunningly atmospheric music score (so tuneful it was even released as a separate album in France) in its full digital stereo glory. Otherwise, there is very little difference in the C D-i version after all, if it ain t broke, don t fix it . The animation of Conrad s movements that made the original so jaw-dropping (even my cat was convinced that the sprite was a living and possibly edibP creature) have made the transition unscathed. The result is that Flashback is the best platform game on CD-i, easily eclipsing the childish Hotel Mario and the fun but simplistic The Apprentice. CD-i owner s wanting a title that packs great graphics and sound with a very original blend of gameplay genres will find Flashback a worthwhile purchase. Mat Toor Flashback Price 34.99 Contact Philips Media 0171 91130R Platform MAC MPC CD-i 3DO "*B&" 2e.E: :H6d6 Js>06 *%6&. "#"C&D*c ".C*#: A:,!& FN*v6 ^LZ/b .Q6s.0202/6Q2R2 ZHRGJ*%G Jd^@Ea ,*N.- "P*o* *,:,%E EZEZDR RERERDJ%E &o*t6 f:g6&6& `>(K& 2r&$B ("LS~ -F,!$ M"1"v"U" !&A.B* e*e*c&! IFkKY $"C"#" &b&"*B&"2 "2A*B. #"C"# c&b*b. gJH!i "*".c6 mV1.y& *".b2dO .b*B: B.B2cO .TJ6M 2 ."B cFuc] ->.>MJ 1"P&. UFxFwJ ****.H.f* !NE[D HJiRmV $6e.F. *$2CR RANhgQ m2l2K! BhgS 3:r..> '"I d &:gW1 "#.cF #&c"C6 2C2E* 2B&": &C&C&b6 D.E*B- *#*$! &N"E.dB 2b2a! *c&C: *d.d*d 2*S&3.0 ""*b* &k&o* "/.)O( .b*C&".BF c"C*b> ".c&C& &#&B*#.c*c*BW) &b&"O c6d6b2c 2j&J& B,NJoL *M*%-b .5.U.4*4*5.U6 2u16v2u6 Rotoscoped Rotoscopically Rotting Rottweiler Rough Roughly Roughness Roulette Round Round-up Roundhouse Rounding Non-player Non-sequential Non-standard Non-starter Non-trekkers Non-trekkies Non-tv Non-us Noncey Nondescript Utilise Utility Utmost Utopia Utter Utterly Vague Vaguely Vakkars Valanice Valentine Valentine's Valley Valleys Valuable Value Values Vampire Vancouver Vanish Variant Variants Variation Varied Varies Variety 17.99G Philips Media 0171 911 3000H VideoCDI Digital Movies 2R Under 20[ Under Flight Unlimited You might think a single-player one-plane-at-a-time flight sim is a crashing bore, but Flight Unlimited is so involving and realistic that it s actually a smashing soar Flight Unlimited is a single-player, sin` a stand-up comic (dream on, the pathetic Polack jokes just aren t funny). One night, Nick (Michael Nouri) happens into the bar and falls for Alex only to be told that she s one of his welders, and she doesn date the boss. Except, of course, she does in the end. And this is the basic story line, dreaming of being an engaging plot. Richie heads for LA and possible stardom (see above), Alex gets her audition, Nick g ets his woman and they all live happy ever after. That s all you have to do, dream, have a bit of talent and the world s your oyster. The film was released in 1983 the height of the Reagan/Thatcher regime of E film actors and grocer s daughters wielding ultimate power. Hm, no such thing as (class-ridden) society, just supportive families and highly talented, on yer bike individuals. Unlike the plot, the encoding i s very good, considering this is a movie full of frantic , body poppin action. There are few visible artefacts the only problem seems to be occasional blocking where light is reflected on moist skin, which, G unfortunately, comprises most of the film. If you re into wet T-shirts and 80s music, you could do a lot worse. You could also do a lot better. The Red Shoes it ain Barbara Smith Flashdance Special Requir ements DV cart for CD-i; MPEG Card for MPC Price 17.99 (inc VAT) Contact Philips Media 0171 911 3000 Director Adrian Lyne Starring Jennifer Beals, Michael Nouri Platform VideoCD Encoding Very good ,J,N-NM NNNMNMNLNMN- N-NNNMRMRNNNRNRNRnRnRNNN VoR.A VoVnZ ZpZoZpZp ZpZpZPZP VOVOVNV.V. 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An unlik` gle-aircraft (at a time) flight simulator. The operative word here is simulator . There is no combat because there are no other aircraft with which to interact. All you do is take off, fly and land (or crash, C depending on your ability). You may think this is about as exciting as listening to paint dry. And, in normal circumstances, you would probably be right. Flight Unlimited, however, changes the rules slightly. O nce you have seen it running, you will understand when I say that the circumstances become anything but normal. Flight Unlimited is what you might call a fifth-generation flight simulator. Although the choice E of aircraft is limited to four single-engine propellor-driven machines plus a glider, and the world area with which you can play is limited, the flight model and graphics conspire to lift this head and shoulder s (surely fuselage and wingtips? Ed.) above everything else around. To all intents and puposes, you find yourself flying within a fully digitised 3D world. Now that may not sound much, but look at the screen G shots to see what I mean. The world is, as we all know, a beautiful place. Now it is possible to see that from within a simulator. No more blocky rotating bitmaps or triangular hills. This is photo quality scen ery. Possibly even better than Magic Carpet. All this splendour is allied to brilliantly presented aircraft which look just right. But the crowning glory is the flight model. I m not exaggerating when I say thaI t Flight Unlimited uses as much processing power to handle the behaviour of the air as most simulators use in total. Unlike pretty well all other sims of this genre, Flight Unlimited treats air as a fluid mediu m, with associated dynamic complications. That means that you are vulnerable to propellor wash, windshear, thermals, clear air turbulence and all those other arcane aviation terms you hear on the news but neverK really understand. Let me put it more simply. I m a pilot (no, really he is Ed.). I love flight sims and this is the first time I can honestly say there are no significant problems with the way this game fli es, outside of the physical limitations placed on it by the fact that it s not the real thing. Now we ve all seen games which look fantastic but have all the long-term attraction of, well, something really not M very attractive. We ve also seen games which have no spectacular graphics but which play so well that we ve still got them loaded (like Red Baron, for example). There are a few which combine the worst of both w orlds. But recently there have been a couple of really nice games which both look good and play well. Flight Unlimited is the next step up. It looks great and plays marvellously. Of course, there has to be a doO wn side to all this wonderfulness. Don t even think of buying this game unless you either have a DX2/66 with 8Mb minimum or an enormous amount of patience. For anything approaching a good experience here, you n eed a Pentium with 16Mb and a good fast CD-ROM drive. You also need a really hot video card VESA Local Bus or PCI preferably. Then the results are truly awesome. From the ground buildings where you start to tQ he really intense effort of trying to fly a perfect Cuban Eight, Flight Unlimited just oozes quality and atmosphere. With a good spec machine, everything is smooth and, for want of a better word, seamless. With a bottom end machine (and by that I mean a DX/2), things start to get rather unsatisfying. Although the overall effect is still fairly smooth, the detail levels have to be turned right down and everything becoS mes slow. Although a couple of years ago, I would have said that this was acceptable, I ve been spoilt by progress. One of the features of Flight Unlimited is the flying instructor who joins you in the aircraft . Unlike pretty well anything I ve seen with an instructor involved, the advice and instruction you get are actually useful. Not only that, but there is a level of artificial intelligence built in that makes thU e whole experience far more involving. For example, in certain other sims I could mention, your instructor will give you generic sort of advice which will be repeated for a dozen different things. Here, your ad vice is specific. You get into a spin and the instructor will advise you on recovery as needed. Next time, he may leave you to get on with it until you make a mistake. So you pull back on the stick (big mistakeW ) and he ll say: No, try pushing forwards instead. This is the sort of behaviour you expect from a real instructor, and it all adds to the experience instead of being an irritation. Virgin claims that Flight Unlimited could actually reduce the number of hours needed to obtain a pilot s licence. Although I have reservations about the wisdom of this, I suspect that the claim may well be true. To sum up, not only is tY his an attractive package, with excellent graphics and sound, but it has bags of depth and atmosphere as well. This is a refreshing change, and Flight Unlimited deserves to do well because of it. Developer Look ing Glass is likely to release a sequel later in the year which is set to include combat options and network play, and this is sure to be an even bigger hit. For now, though, Flight Unlimited does just fine. Ju[ st make sure you ve got the hardware to run it. Simon Bradley Flight Unlimited Special Requirements 66MHz 486DX2 with 8Mb RAM; Pentium with 16Mb RAM recommended Price 49.99 Contact Virgin Interactive 0181 \"960 2255 Platform MAC MPC CD-i 3DO D"DEDCD HAD$HDH H!HDHdH DCHdHdHaH@H&Q HdH!D L HADDHDH <!HdU HdHcHaH HaH H&L <!8"8 <"8"8 H HDDdDbHaH <#<D8!< HeD"D HEP `@ @d<d8 D"D#L @C@d@cDc< @D"HDHdLcH$D @b@d@dDC< HBHdHdH HdDDD!H`Q <b@c@dDD@ HcHdHdD @cDdDD@ HcHCHdHdD <cDdDdDD< DBHdHDHbHcHdD @BDcHdDC< DCHdHdHcHdHDD @ADbHdDC< D"D#HcH HCHDHdHdD HdHdD!@ DBHdHCHDHdHcH DBHdHCHCDdHdHdH HcDcDdHdHdH HcHcHDDdHcH HcDDDdDbHaH `H"DDHcH HcDdDDDdDAD H%P H"HdHc DdHDD!D H"HdHCHEL DcHCD DbDB@ H"LeLgP DbDBD D#@!DB@ DBD H DADAD HFT B@ H!D n@@8# D LIX H#H Us 4!VTs (B0B8"8 ,L$%$!(@0a4B4 q$G(A0 0A0A4b8#8 <#<D8 0",A,b4C4 <C@c<C4 @DEjY V@ZaM 4"0B,A0B0B4B<"< <C<c<c<C< @A@A@!@"<"4",!(B0B8B8"4"8 @B<c<c@c @)@M@M @L/@*@(@'@ ,!0!4A0A,", <"@b<b<c@b@C@C@ LKbWo HvDTD2@.@+@*<(8%0 $"("0!0A,!, @C@CDC@ $@,A,", 0!0@4`8 !VCZFZJZ <"<c<C8A<A@BDCD"@#@ $ ,!," ,!0A0A4A8a< JSJRJRNrN <"<c8B8"<"DBDC@ C@CD#@ n?v]~ $ (@,B0C0C,C,B0"0"4 BoB1B F2JtJ <"8c8B<"@CDCDC@CDcDC@ LHnW (!,"0B0C0B0B0"0B0!, V7VWVVZTV4V5c JsBQBQBPB0B0>1B1B 8!8C8B@BDCD#@CDCDcDcDCD#@ bDb%^*b-b-^-b fmbn^ (@,B0C0C0B0B,!,!4 RvNWN 8!8C8#@CDCD#@#DCDcDcDCDC< (!,A,B,B0!0 b|ZzRxJUF 8!8C<C DBNDbDADADaDbDB@ K@ <DN <ED,LtT ! $A,B0!0 ,B,JLV 4!@cDC DBO@BDBDAD!DaDbDAD" $A,@, V}RVR 8"DDH$ D#(D$D%D&D&HGHFHGHHHIHI@ :/>NF JrFsFsJrJQFRFSJsJsNsRrR NsFTJsJrNqNRNTJUFUJTNsJRF2JrR JMNoV <$HFHFD'D(DIHJDLHMLmLnLoL >/>0>1F1F1BPB0F0F0BP>/>.>.>/BP RFrJqJqFQFRFqJ RrNSJTJUNtJSF2F1FRJQJqJ NqRrRrNrJQJQF1JPNoJpJP JpNqN >0B0B0F0FPFPBP>PBPJpR RrRSJSJsN JrF1F1 JQJqJqJ u RqRrRsNsJ2F1F1J0J/F0 B1B1F1FQJRJ RsRsRtV d@lIr NqNrR FQB0FOJOJQF2A \r{j;jZj{j 5J3J1J0A F/NpNrNsNsNrNqNrNrJRJqN JRJQJqNqN nnNPNQNrNSF2F1F0F0F F2J1J1F1F1F F1F1JqN RrRQNsR F1NqR NpJPB0F1F1B0: B0BQ> ' %(c, F1FQFQJqFPFPJpNqNrJRFQJqNrNSJ3 gmF/F0FPF1J J0F/F F0JQNPNpNRN2J1J0JqNpRoRqNsNqR RtNPVqj JpB0B J2NRJ0F $K0G4d f N2N2J2F F1F0FOF0J J1JRFRB2B2FRF2B B/FOJPN1N1J1FPBOFON/J1JRJPNoNqN2I J0J1J1J Z(bts R3N2J1F J1N2I F1F2B2 B2F2B1B 0RPJPF0B J.VPZ2R2J VRZsRRF0J0N1J1J1R2V3J1F1J1J1F1J1J1J0J0 J0J0E V1Z1V2N R0^Q^QZ1R ZPZqRPJ-J-J/J0N1RQRPN0NONoJOF/NORpJOF `8"@I< V1Z1R1N J.N/N Z2bRbrVQE ZP^P^1Z1R R.RON.J N/JMJ.J.NNNNJ.NNRnJ.= ^7V9J R2R1J0J/F.B R2R2V2VRZQRPJ QZPVOV R/V/V/M 0RNN.J 8!4"<"@#@ V5NSRQZpVRN2F N1J0J1F2J1N0R2R ^q^pR/N.R.V.ZObo^OR (u l 4"@cDc B2J1N0R1 Z2 V1N1B ^O^OR.R.V-Zn^n^nZNR0E (a0@<aD 8A@bDcDB@ D!DcD D"DAH fbngnOb5R6J2E J1R/VQ^rfrfQ^qVPF R-RMN-N <A@b@A<"4"8"<A@BDCDC@C< D"Db@C@#@#D D"D!DAH N0ZObqf fp^OV/I <"@B<"8"8B<B@A@B@CDCDcDC< D"Db@B@B@CDCDBDB@B@"DBDC@#@"D 0RP^3^6V V.^of bn^NV <"@"<B8"8"8A@A@A@B@C D"DCDB DCDC@B@B@# D#4@"@BDaD j}b\V6R/V/ZO^oZNV/V 8!<"<C<B8B8B<B Dc@#8 DCDC@"@A@A DB5DCDCD"D#@ ZNRNN 8!<"<!8B8C8B<B<B @AD"DB@B@BDB@"< @#DBDB@" DBDBDA@B@# D#/@!@ADaDBDBH R-J-F N-J-N-N <"<B<A <B@BDB@B@B@A@A@@@A@A@!@A@A@!< @#@B@A @A@ADBDB DBDADBDCDC DB-@#@ R-R.R. a8!8"<A<A8A8! 8!<!<!@!D"@"@#D$DD@C@DD%DEDEDeDEDFD$D D#@C@"@A @C@C@BDAD"DBDC@B@BDADBDCDCDB@ <!8!8A<@<@8@8 8 < <!@!@"@ D+D,H.H/HPL LrL1P @C@B@B@A@B@CDCDB@A@B@B@CDBDA@ <"<"<#<%<%@FDFDFHgHiHkL @!@"@"@B@B @C@CDBDB@A@B@CDC@A@ D D.DRH 8fYjzn{n}n @#DCDB @B@"@#@"@B@C@C@B@A@ADCD#@ < @#@BD b.b.b/b @CDCDC @B @"@!@A@B@C@"@A@A@B@C DBDA@ @#@CDCDB@"8!( b0b1b0f.j.f.b @B@BDB@B@B@C@B<B @"@"@BDB@B@#@ B@A@ D DB@CDCHC<"( b-f/fof fnf/f jGj)jMj 0 4A<B<B<A@ADA@A@B@C@B<B<B @A@!@"@"@B@A@A@C@C@ < @"DBDBD#@B4B$ f.fNf "8',&(",!4B8B<"@B@B@A @b@b< DBDCDB8B,! 0 4@<@< B@BDBDB@B <B<B@"@" @C@B@A< @#@CDCHC@", $ (!, 4 8!<B@A@B@B<B<B@A@B@C@C@A@A@"@"@B@A@B@C@"< @CDCDCDB<A(! 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(E$$$# #$C,d4 <"<B<B@B<@8 8 8"8B<B<B<A<@< < @ < D)T <A< 8 <!< < 4"4!8"<B<B8A8 8 @"< 8 A B$b 8@4!4 4"4"4B<B<"< 8 @"@ < 8A4b 4"4B8B8B<A8 8 @"< 8 @0`4b0c( 4!4"4"4B<A<!8 @%HRY @#DC@a8 !8B@B8b$b 8!<A8 4 @C@`< < 0!<A4b$b 4!4"8B8!< 8 D"@a< 8 !4"8C,c <a8"4!4"4B8A< 8 @A@@< B$C(d d 8a8A8"4"4B4A8 < @"@B< < @ 4b4A8!8"4B4 4 @B@A8 b,a4!4 4"8 4 @#@A< 8 DB8c c @"@B< 8 0b4"4"4 4 0 @#@A<@< (c4A8! @"@B@!8 D!HB8B c (b4B4"4 0 <#@B@@@ 4 DB@",C 0b8A4!0 @"@c<B< < D"@"4C C 4A4 , @B@b<A4 <"DA<B$c @"@"@B<A8 4 <"@"@",C @B@b@!8 <BDBD"4B @"@A<A< 8 @"<A@"<C$c <"@B@!< 8 <B@!D!8"$d <C<B@ 8 <!<B<BD"D!,C $c0b4 b$e,h( f f$E d @"@"<B<@< 4 <B@B@!@"<#$D @"@B@B<A8 4 <"<B@!@ 4'@4Uz <"@B@B<B< 8 (b8IL <"<"<B@B< 4 <#4D$ <"<B<B@A< <!<A@!@"4C$ d(f4 <"<A<B<A< 8 <B-< 4 <"<A<B@!8", +jQj3e <B<B<!8@8 <"<!<@<!<#4c$ nmjmfLY <B<B<A8 0 8!< @ @"4C( <"<B<B<"<!8 <"8!8 <!@ bH^*Y @"<B<B<!4 <"<!8!< <"<"<B<A8 , <"<!8 8!@!@"0B <"<!8!8 8!<"8"$c B0dI 8!<A8A8!< <"4C(c (b4dI' <"<B<"<"<A8 0 8!8 8!8 0C(c 8"<"<B<!<!8 4 8"8!8 8!4#,D$ <"<B8"<!<!8 0 8!8"8 ,"("(c$ 8"<B<"8"8!8 4 "P0"$# c 4!8B8"<"<"<!4 8"8"0"(C ,c("9 4"4!8A8!8!8 0!0"(c$ 0"0"0!0!0@4 8 $B b 0"0!0 0 0!0!0"0#0D, C $ # B 0!0!0 0!0 0#(C$c( 0#,`9@ 0!0!0 0"0#(C c nkf-Yi Dd4"4aQ 0!0 0 0 ,#,#(d$ Hd@dQ# ,!,",C(C$c ,",!,!("(d, 0e,D4 # b$a(B(c, ,d$D( f(f ] One-plane-at-a-time One-planet One-player One-sided One-up Onerous Take-off Taken Aviation Avoid Avoid-'em-up Avoided Avoiding Avoids Avril Await Awaited Awaiting Awake Awakening Award Award-winning somely Awful Awkward Axel's B-movie Babylon Bachelor Anaemic Anagram Anally Anally-retentive Analyse Analysed Analysis Analyst Analytical Anarchic Anatomical Anatomy Ancestor Anchor Anchored Anchorman Ancient Ancient-looking Unsatisfying Unscathed Unseen Unsettling Unsightly Unsigned Unsolved Unsophisticated Unsoundly-named Unspecified Unstable Unstoppable Unstuck Unstylish Unsubtle Unsuitable Unsurpassed Unsurprisingly Unsuspecting Untainted Untalented Unthinkable Unthinking Until Reduce Reduced Reduces Reducing Reduction Redundant Reeling Reelmagic Reels Refer Referee Referees Reference Reference/education Reference/entertainm Referenced Regular Regularly Reigns 15.99G Philips Media 0171 911 3000H CD-iI Young ChildrenJ 3R Under 20[ Under For All Mankind Get fired up with this emotionally-charged collection of archive film from the NASA launches I had the feeling this was going to be a five-disc review when I saw the box. For a start, the source is impeccable.` ely scenario admittedly, but one which provides a convenient backdrop for a game of exploration based on the characters home environments. The player is presented with an aerial view of the environment he or C she has chosen from which they can select one of a dozen or so sections for further investigation. Once in Judy Jetson s bedroom or Fred s garage there are various hot spots to activate, some more interactive t han others. In George Jetson s apartment, for example, Fred can be taken on a virtual reality holiday, create a meal combining any number of ingredients and set households automatons about cleaning the house. BE ack in Bedrock, clicking on Dino gets him to mow the lawn and clicking on the car in the garage takes George out for a drive into the Neolithic landscape. Navigation around the scenes is easy, the graphics are bright and clear, and you can easily swap characters by clicking towards the top of the screen. The developers of this disc have attempted something genuinely innovative: instead of sticking to the linear narraG tive pioneered by Br derbund s Living Books, they have created a free-form environment, where the emphasis is on exploration rather than straightforward story-telling. But this, unfortunately, turns out to be o ne of the disc s key drawbacks. Random movement about the environments only engaged this user for so long and this program lends itself to a further level of sophistication for example, the collection of clueI s/objects/ information which then combine to create a more satisfying conclusion. This CD-i lacks focus and structure, and would benefit greatly from at least some sense of purpose and the inclusion of more Fli ntstone and Jetson characters. Gaynor Spry Flintstones/Jetsons Time Warp Price 15.99 Contact Philips 0171 911 3000 Category Entertainment Platform MAC MPC CD-i 3DO N*RKs1 RkVkVkRjRJRJ5 VlRkoP *Rlk1 ZNZnsR v!v n Bv v n v!v v@zbU! lJ+NKk/ kJJNJRk9 b b0 bBfbn bAjaj f@f@j f@fAbBs RfRfR RfRfVgRH faf@fAn r2r.s BIB(w JLNLNLVmst 161%' aNc)C aBP6p TnujsE vjSjr, >O6P& Jj: - jSj3j3r &"*#! b2nv j2nTnTY rRrNrNRNrN *2*2> RqNOJO5 ONPRr9 .P.R% oR,RKVLRLNLJ, .2*2> h^(9$ FQJQJqJq JqFQ1 JqJpJqJPFPFPJP JPJQJqJqN VJNKV ReReVeV NgJ(1e *r*R*R.s FPlJPFPFP9 JpJqFPFP= FpFQ- .E2e! FPFPFQFPJpJqJQFPJPFPFQJPJPFPFPJPJ D.C.D -Vn{t PJpFO- .&.F6 F0JqJqJQFPJPFPFPNp5 Z.V.A (F&1g PNrNqJqJPN ^lbnw B0B15 aZ*s. B1B1FR>2: rBRFRBRBR B1#BRBQ>0- )J)J)J RHo 1BRFRBRB2B2 5B2BRFRBR>1: RB1)J 1Fs>Q: J(VIs oB1B2BRBRFsFR> >1FsJsFSFRFQ> aJ,o0 1B1B1>1BR9 1BR:0!I FQFRBRBRJ RBR>QBq GJ'1c rFR>0) q>0>1BR5 RIJ)5 S>2BS) VHR)E &zdzbzbrdM R(R)R(ZhwL vazAr r!r rDAC jVHVhJ'-D rAzbvAzbzbjE, zav z@vbQ vbv@v v@v@zAj!=B #vAv vAndId $r"vAv z`j N(R(A 'R'R'N Er v@v@v v v!r@rbV #zbvBr n!] rbv@rBAB BrbE" vAr v@v v!v@vbb rbvAz@v!v vA zA:r!U FQFQB vCn$< Cr"r!jCU 'rdrCa vAv vAv v!v v z@z@ v Kv!v v r vcI FvfQe jFrBv z vCvAv v v@v v v!v v@ v ?vAf TJtJsJsJS1 erArbMb rar rArcQ evAz@z@v@vbb$Q "vAv v@v!v!v v r!v! v BvBe rav@v@rA] vCvAv v vbYb vAv v@r@v@r Cvbf#A# DzAvbQ v@vAn r#v z@v@ vAv v!v@v v r vAr@ v vAr v v r!vcI v )r vcIC cv@vAv v rAj nAncM CvAnf Cv!v!v v vAvAr r v v!r v v v!vAr v@vA] vBvAv@v v r r v (r r vcI v!v v@r r v`n"Y R'VGV'VGV'VGV'V'n EzBz@z@vbU r v r v vAr!r v!v!v@ v ,v@v v r!rAre4 FvDQb Dv!v"eB !vabe VIR(1D v@v v!v v v! v!Tv v v!v r vAj"U DrBr!nBI" cr!v v zCiC #v!v!r r HZhV(f "zAz@ r@r v! r r v v v!v v!v! v :v@z@z@v v r rcA bv v v@v v!v@r z ZhVHZho v 9r r!v vAe av@vaj&, br v vCee #v vAf vBr r v 3r raf%, jDvav v"e "v!v"m Czaj#A" HvfnEU #vBr! r r v!v!v v!v! v!v v r@nCIB v@z@z` z@ rA] Bv v v@z@vAr r r v v r v Dv!r@r@r!rdIC cr@v v! v!r v@ v!v v v! r r!v! r v v!v vAr@nD=$ nDvBvBv NLRKj CrAr! r v v! z@r!] vbzAz@v v z@v v r v@z@z@ v!v v z@z@v@ r@v v!r rBvBrAr v v!v v@nd=c r r vAv@ v@vBU v@v!e CvAv v v@zaj vAr v!v! r v!r r@fd) zbv@r v@v r v v v!v r r v Evbv@z@vAj BrAr r v r v v!v v@rbjF=E Cv v r v@vAi @v v! v /va^ -JNRq v v@v v v@i rezAz@zaf"9" nFrAv@ RHRiZ r v v!r e !v@vcMd vAvAU v@z@v@vAv!v r@r czAzAv@a !zAz@z@z RGRHRIN(N(N) N)N)R)n N RJE NHN(f RiJ(-C N)J(J(N)J J'NH9 V)V)r Freddie Freddy Frederic Free-basing Free-form Free-kicks Free-spirit Freedom Freelance Freely Fresh Freshly Friday Fridge Fried Friedberg Friedman Friend Friendly Friends Friendship Frightening Frighteningly Frisbee Environment Environmental Environmentally-frie Environments Ephemera Ephemeral Epheseus Epic's Equals Equation Equipment Equipped Equivalent Equivalents Erased Erection Eroded Erotic Erotikill Erroneous Error Drawbacks Drawer Drawers Drawing Drawings Drawl Drawls Drawn Draws Drawtube Dread Dreaded Dreadful Dream Dream-flashback Dream-world Dreamed Dreamers Dreaming Dreamlike Dreams Dreamt 34.99G Softline 0181 401 1234H Reference 5R Under 40[ Under Forever Growing Garden Forever Growing Garden is designed to give children a rudimentary knowledge of plant-life by planting a virtual garden of their own. The child is invited to choose one of three possible sites for their garden` Al Reinert spent ten years going through the millions of feet of 16mm film NASA shot of the moon programme and tracking down the astronauts involved to narrate their experiences. NASA stuck cameras on everythiC ng going, so some of the most striking shots are from unusual angles: the inside of a jettisoned booster stage, the silence of the gantry before launch, stunningly broken by the protean sound of the Saturn V en gines. The astronauts perspective is quite unexpected too. NASA selected the calmest personality types, matched with superb flying skills and engineering backgrounds. What came back were the same God-fearing AE mericans, but definitely changed by the strangeness of their experience. Several of the astronauts described a feeling of being watched by a loving force on the Moon and several thought they had met God himself . This stranger side of the Moon missions is perfectly matched by Brian Eno s ambient score and by the slow abstraction of the imagery Reinert has chosen. The overwhelming emotional colour of the film is loneliG ness. The most poignant moment is the sighting of nomads campfires burning in the Sahara and the reflection of one astronaut that the lives of the nomads are infinitely alien to him in comparison to his being in space. But Al Reinert completes the paradox neatly by showing the other side of space flight. Watching the astronauts listen to country music, throw things at each other to relieve the boredom, and gurn for I the camera uncannily brings back memories of John Carpenter s grunge space film Dark Star. On top of this, Voyager has added a layer of expanded information. As the film runs through its transcript pages on the right of the screen, you can click on a hot word or name for a quick definition or a biography, without halting the film. At points throughout the film an excursion icon appears in the bottom left of the screeK n. Click on this and it takes you to a related article. Exit the excursion and you are returned to the point where you left the main program. There is a reference section on each Moon mission and on each astron all cross-referenced. The excursions and the glossary can be accessed from a separate menu as well as from within the movie. There are, however, a number of technical let-downs. When the transcript moves M to another page it halts the film for a few frames. QuickTime has to compress the 79 minutes of video quite viciously to fit it all on the disc and there is a full-screen mode that is best avoided as it increas es the size of the viewing window at the cost of resolution and frame speed. But these are minor quibbles compared to the achievement of getting the film and all its supporting materials on one smoothly runningO and well thought out CD-ROM. Even if the Moon programme does not make the hairs stand up on the back of your neck you should still check this out as an example of masterly film-making allied to visionary new media. Jim Smith For All Mankind Price 34.99 (inc VAT) Contact Softline 0181 401 1234 Category Reference/Entertainment Platform MAC MPC CD-i 3DO vJw-m FVF5N B2Jt{ vFUo| 3JT!* B5BV9 B4JvR B5B5R TJvk} vB5c; 5F5! F5FVV JwB4c JvB51 JvB55 JwJwB4)m FUBUFuB3> NwF4F4> TB4>4> JwF51 NwNwc FVFV= JvNwZ JwB5FV5 JwFVFV)m FV>4B45 FUNvF5B UJvF59 WFVJxN JVB45 VFU%L NvF4- FVB5BU9 JxFVB FVFU5 F5F51 B4FU5 B5FV1 JwJx^ NwF5- NwJwV JwJw_ NwB5^ NwFV9 FVNwZ FVJxR VJxJwFw: B5JwJ Jx>55 Fw>61 BVB6BVBV> Viciously Vicky Victim Victim's Victimised Victims Victor Victorian Victory Disc's Disc-based Disc-swapping Discarded Discern Discernible Discerning Discharge Discipline Disciplines Disclaimers Discoveries Discovering Discovers Discovery Discovery-channel Discredit Discs Discussing Discussion Discussions Discworld Discworth Disease Disembodied Disgruntled Disguise Smith Smith's Smithsonian Smithwick Smoke Smokes Smoking Smooth 45D and underG High Street StoresH SciencesJ 4R Under 50[ Under Four Weddings and a Funeral Four Weddings and a Funeral, the most successful British film ever, has been granted a welcome early release onto VideoCD. But how did a lightweight romantic comedy, part-financed by Channel Four, go on to make , before taking a trip to the hardware store to make a selection. There is also an Almanac on hand, to help them with their choice, and to provide a valuable demonstration of how reference books work. On to theC garden itself, where the seeds are planted in the holes provided, and after a quick watering session the garden starts to grow. This is the fun part the seeds start to sprout and grow into a variety of wei rd and wonderful shapes. The rate of growth can be accelerated from one day equals one day, to one day every few seconds, and thanks to the computer s built-in clock, the garden continues to grow even when the E machine is switched off. Educationally, this is a very useful demonstration of the rate of growth of plants, a staple school topic. However, it s hard to resist setting the rate of growth to the fastest possibl e level to see the plants shoot up on screen. For those with more patience, a game of Catch the Gopher helps while away the minutes as the garden slowly grows. Once the seeds have sprouted, the plants can be hG arvested and then sold at the market, or arranged in the flower shop where there are opportunities to set prices and further develop reading skills. Forever Growing Garden is great fun visually, with considera ble educational potential. It is probably a good idea to use the program with some parental guidance initially, to help draw out these opportunities as, left alone, the child would probably concentrate on the hI ot spots, become a highly skilled Gopher catcher, and ignore the educational aspect of the program. Wouldn t we all. Gaynor Spry Forever Growing Garden Price Under Contact High Street Stores Category EduJ cation Platform Mac MPC CD-i 3DO sBZ)ZZ RBRc! !!)1)9BB !)1)ZBR1R sB11!BJ BJR1!)) 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The in-game graphics have scaled fielders and give a good sense of the distances invol over $250m? Well, as you all no doubt know, the film stars the flop-top toff Hugh Grant as Charles, a witty and charming bachelor who believes in true love. Along with his equally witty and charming pals who, like him, have no discernible source of income he flits from wedding to wedding, making raffish speeches and fending off former girlfriends. All this changes when he bumps into Carrie, a beautiful Ameri can (Andie MacDowell) who has slept with even more partners than Charles. Fate and circumstances conspire against them (there s the small matter of their weddings to other partners , for a start), although in tE he end everything s settled with a spot of tongue-wrestling in the rain Why has it been so successful? It s hard to say beyond the fact that there are some good jokes, a smattering of excellent performances (n otably from Hugh Grant and Kristin Scott Thomas as the ice maiden poleaxed by her unrequited love for Charlie), and a pervasive atmosphere of summertime escapism. Only a hard-hearted cynic would draw attentionG to the film s numerous weak points, such as the episodic and uneven plotting, the jokes that fall flat on their faces ( s bonking? asks a young bridesmaid. s like table tennis only with slightly sm aller balls, is the lame reply) and a performance of such mahogany-like stature from MacDowell that you expect someone to shout timber! when she falls into Hugh Grant s arms. But the encoding carried out I by Philips team in Hasselt, Belgium is nigh-on flawless. Visual artefacts were practically invisible and the sound quality crystal clear. The interface is the US-version of the standard Philips control bar the main difference being a slightly jazzier slo-mo facility. All said, Four Weddings is probably as good (and commercial) as VideoCD gets at least for now. Mat Toor Four Weddings and a Funeral Special RK equirements DV cart for CD-i; MPEG card for MPC Price 19.99 (inc VAT) Contact Polygram 0181 910 5841 Director Mike Newell Starring Hugh Grant, Andie MacDowell, Kristin Scott -Thomas Platform VideoCD EncoL ding Excellent 19.99G Polygram 0181 910 5841H VideoCDI Digital Movies Comedy 4.5R Under 20[ Under VpRqZ rNqRqV nNqJQJPF0F/F/F0F0F1F0F0NsZ FpFpN FpFqJ FRFRJsR BT>4BUJv> 4JwJwJuF2A VpVPRpf RqRPJ/ F.rJ/F0F0F/F F/F/> F.J0N/A B6FWFXFXFWB VpRPNPNPV JRF0F.A B/JQF0B/JqN BkBkN JuF3FR5 B6B7"F7JXJxJxFXB4= ^nR-I N^N^NZOVoVpZ NsF0F/NqZ FUF21 2BUFVFWFxFX$F7JXJxJxBXB3A L^+^M^nZnN bnZ,I 2FTB4JV= FUB55 3BUBJ 5FWFWF7>FWJxFXJxFWB fpbof JwJxN NuF1-i F6B6: F7FWFXFWJXJXFXB6JUs{ bMbmV JvNwNwFTF01 F7JXFWJxV NvJuJuNvN Z,5%P MZMR,V-ROb JuFUJUN ^wZxZ VNZpb NvJuR 1^ubw^ RVRwJVF6FVFUNvJuNtA sbtbv^ P^Q^qR bLV I ^rV1VRVSJ2J2F FTJUJS= bvZwo\ bQZ0^R^RR ZnZpb Rjt^3M ZSVRR jSfSfSjUU f3fSjTjUb4^Tn ^,^+5 Z1^2b3b3^2b2bSbTftftbTbSbRZ1M ^Rb1Y 1fQbR^2^3^4bw{ ^xVVM jujun ft^2E bs^0^/b0b0^0^0Y bwfwbWbW^VZVN bnfmj VuVvZ ^vbVfVb5b5^4V bPb-Y -bqjsn ^T^3b3f -fojqnrn bSZ0A N1JSJTR bM^*Z -bNjpnrnsr fs^RV11( -f.nQnrn jufsbsI bn^Mb,^ Z Z fKf-{6 fKbJM ,fNf/jQnrn b,f.f/jOjPnrrsn nLf*U b-f.fOjOnpnpnrrrr fu^21( nNnLnljJn b-fNjNjOnpnqr b(^I{ ron-f ^,fNjN xNXJXF7F b-jNnonpnpnqrqr b,fNnpn b,fMnon pn-n,j+rLz b,fMjnnorpnpjpjPbP^ nNnMnLrmv f+jmfMQ roronL] f+b+M f-nov nqfN^ vpvorma fMfLjMf-f,f,fMnnr vqvpvornrLa rqr/v/vOvNvnvMr+r+n jmjMY rOr.n.rNvOvovnzozovovozovNvMvMvnrnnMf f,f,U NwB6= rNnMnMrNrnrNrNvov -jNnPv bp^.Z b0fRbQbQfQnrn nLf*f rNvpz .jOjPnqr brbqbQbRfrjsn 2JuNV= b/fOb.f/jqn VSRSJ j+j,nMz cNr)J -jNnOnof.b f,fMfNfN fPfOf/b0jQ jdjcjcn nznr,i *nKrMvpz bJP%( nMrorpr nononpnpnqnpnqjqjqfQfPjrr jcjcj vPr.n n,rMvpz rLrKe cF0!( jMnor jrjQjRrtv vOr-r+e +nLn,n,rNv vMvLvMr,0 cFP%( f+jMnnr jRjRnRrtv zrzqzovMn,e +nMrNvOzpz rPj-b,fM f-jPz zpvpU BF1!) j,nNrqvsv jrjRnRrtv zqzpzovorNn-n-r.rNvOvpvqz rqvsv jQjQnRrsv fabAj vpvPzqvpvOvpvPvPvpvpzqz n0rQvrz nrjQjQnqnrr rvjU( jcjbfb^ bAj vpr/vOvOzpz vqvrzr vqvprpQ v/vqz rSnQnq vunTjs( bBbaj vRn/n.rOvqz vRvqv r-vOvpzrv rrjQn Pnpf-] rsjRntr vtvuvtnSjt, fcfdfcfabA^ bbn vrv1m vOvqzqzr r-vOvpzrz rrjOj-Y n-rPrsv rtrtntnt1 ^BbCbCb#^"U vsvRv/q vNvPvpvqzq n-rNvozqzrz rqnNn-n,n n,n-rPv vtrtnTjt5) ztvSvQv ozpzqzqz n,vNvOzpzqzrz vsvrvrvsrtruv runtnSj v-vNzpz zqzqz n-r.vOvpvqvrz vurur rurtrtnSn bd^Cbc^cV"V! vMzoz nMb Q nLnNrOvp vtvtrtj2j2f rtnsjs9) ^Cfdj bc^AZ!^B^B^A^b^ v-v.vOvOr j,nNrOrpvqvqrqrqvrrrrRvSrRj ntjtfR- v/v0v0vOr-i j+n-nOrpvqrprqrqrQrQr1i j+f+j+j,j-nNrPv rpnQnPj0] j+j-n- nNrOvpv rpnpj/U zpzpz j,jMjNnNjNnNnNnOrpvq rpj/a ,f-jMjMnN nO+vqrqrPnPn/j.e vPvPzPzoznv,n r,vnzozoz ,fMjMj-n-n.nOnOnNnNnOrPrPnPnOnOn.j rSzsz zqzovMrMvmznznz rqrqv MfMjMj-j-jNnOnNnNjN rPrprO r0(rPrQrrr fRrRvRzsz vovpvprprPrprprPrPrr{[ ,bMjMj-j-jMj-nNnNjNnNnNnOrpvprpnprprprqrrrrr n.rOvpz zozov vprprprPrPnPrr{Z fMfLjLjLf,j-jN rOrpvprq r,v-vNvNvozpzpz nonnrNrOrqr QV-^LfLf+j+j,jN nOnPnqnqrrrrr v,r-rNvNvpz j+j,f-fNfOjOfOf/jPnPnp Z1ZSo: r-r-rNvOvpz rnrnronMe ^O^-b f,jMjNf.f.fNjOnOrpvsvtvuv r,r-rNvpvpzqz rornnnnMj j,(f-j-jNnNnOnQrRrRrSvsrRnRjRU n-rNvprpvqvqz rprprov j+j,f, jN!j.n/rPn0j1j1fQf rPrOr f+f-f-fMfLfMfMjNjOj/n/nq{Y j+n,nMnMj-nNv jLj+f+f,fLfMf mjmfnjojon nLj+f+f,jNnOnpnpjpj nnjMjMnonqnq npnonpr F7JX%1 RtJ2NTb xF6!. RRN2Z N1{9 RSRSN2V RsRs^ 1NrNsV BVR{Y RRsRtV VsRRV RsRsNS NRNrRsNRJ1NRNRNrZ N2N2RSNsRsJ1F0J1J2NRV NRRsNRJ1F N1VsZ NQNQRrZ NRJ1J0J VsRr9 NQRrRsZ J2J1F 0NrNrNQR N2NRRtRsV sRsRRRsRsV N1NRZ /NQNRNRN2J J/N0NRN1J1Vt^ N1RR^ cVSNR! NSJ1% eJuB3 URvNvNu-l RJQJ1NRJ1J1B RJsJsFQ NRJ1NRV NRRsV NSNSNRJ0= FVFVJVJwJwNxJWJwg< RtRtZ JwFwJwFvFUFUJ F3J4JTNvNuNuR RPN1VtZ VtVtZ VtRsV 1RsRsNRNQRrV RsN1RRN0A VrVsN1J 0N1VsVsNQN1J VrRQZ NQRrN0J RrN1= OJN-H NsNRNRJRJQF1F0 JRNRJRNRNsNsR F2J2NsNsNtRtNtN Grant Grant's Grant/rosalind Granted Graph Graphic Graphical Flits Float Floating Flogged Flogging Flooding Floods Floor Floozies Floozy Flop-top Floppies Floppy Floppy-based Floppy-game Floss Flouting Flower Flowers Flowing Flown Flows Floyd Fluctuating Fluid Fluidity Young Young's Younger Youngest Youngster Youngsters Yourselves Youthful Youths Ysanne Yucca Yugoslavia Zantzinger Zanzibar Zealand Ziggurat Ziggy 44.99G Sierra 01734 303322H GamesJ 4R Under 50[ Under FPS Football The upgraded version of last year's best-seller means you won't ask for your quarter back... Front Page Sports Football 95 is an upgrade of last year s best American football game on the PC, incorporating the` ved, helped by the excellent ball-flight. The sound deserves a mention too, including digitised abuse from the home crowd when you re the visiting batsman, good bat contact noises, an authentic ball-hitting-gloD ve sound and even a peanut salesman hawking his wares. There are three levels of arcade complexity and a manage-only option, so that two-player games can be handicapped if one of you has the hand/eye co-ordinat ion of a hibernating tortoise. For the heavy-duty player, there are customisable leagues and full player career modes. Since the game s licence is with baseball s Players Association rather than the teams, plaF yer names are real but team nicknames are approximations. In the pipeline is a data disk with the rest of the stadiums and 48 old-time teams, although I d have thought there d be room on a CD-ROM for those with this release. Silly me. Unfortunately we still haven t seen a game that captures the inherent violence of baseball, with players rearranging the catcher s face with a bat or deliberately pitching at the bridgH e of the batter s nose. Until we do, this is the best baseball game on the PC. David Williams FPS Baseball Price 44.99 (inc VAT) ContactSierra 01734 303322 Platform MAC MPC CD-i 3DO !FB3- SJsFRFS%K >2FSJt FRJt[ >1FS> SBSFtR fqf.a OfPfOfqfPa f.f/a f/fPf fqfOa fqf/a .fPfPj fPfPj fPfqfqa fOfObO] RJREi FSBSB2>19 2>1FS)k FSB2B tB2B2N FtB39 2BSB2>1= FSFtFt FtFSFSFtFSFtFS FSJuFtFSFtFTBSFSJ FtBSFtFTFSFtJuFtFTFSFSFtBSFS FtJuFTFSFtFTFSJuFtFTBSFTFTFtJtFSFSFtFSBSJtN B1>1FS> BSB2> FSJtA !F1B15 RJRFR= SB1B19 B2FS5 SF2-k FSF2> FRFsB2FSN B3BS> Handbook Handcuffs Handed Handful Handicap Handicapped Handicapping Handiwork Handkerchiefs Handle Handled Handles Handling Hapless Happen Happened Happening Happenings Happens Happiest Happily Happy Harassment 24.99 28.32 32-36 49.95 44.99G Sierra 01734 303322H GamesJ 4.5R Under 50[ Under Freddi Fish The kids have gone to bed, it s time to play their discs and if you haven t got kids, we won t tell Freddi Fish is the latest game for children from Humongous Entertainment, the team behind such games as Putt` new two-point conversion rule and the myriad personnel changes that took place in the off-season. As with FPS Baseball above, endorsement from the NFL Players Association means teams have correctly named plaC yers on the roster, but can t use the team nicknames. You can play matches in coach-and-play mode, where you control everything yourself, or coach-only, where you trust your players to carry out your instructio ns to their statistically accurate utmost. There are over 300 areas of player rating categories, with the option to personalise and print out game plans and play books. There are full rosters and depth charts, E and drafting, trading and firing players over a number of simulated years. Happily, despite this typically American obsession with statistics, the arcade gameplay is still unmatched on the PC. The play-editor is the best around, with separate sections for before and after the snap and an intuitive menu system that will have you spending hours creating ever more bizarre plays. (There are over 200 ready-made plays anG d the teams default playbooks are grouped to imitate their tendencies in real life). Attention to detail is excellent and impossible to fully document here. For example, you can specify the weather conditions in an exhibition game in three different ways. The excellent manual contains clear tutorials, quickstart and troubleshooter sections, a quick reference card and even a reading list. Highly recommended. PatriIjck McCarthy FPS Football '95 Price 44.99 (inc VAT) Contact Sierra 01734 303322 Platform MAC MPC CD-i 3DO \b`B4c9 TB`BPA-J X!d!\B`B`" `B]L")J \!`BLcXB`BTBLb`"0 B`A`BHcXB`BLc`BH"-J \B\B\b`BPBTB`B\"0 B`BPB@BXB<BTBdBHB1k \B`BTBPC`B\b\b\!, "\BHc`BXBLc`B`B<B1 bTB`BXBHc`BXB$ \B\b`A<B5 TcPB-J Xb`c4 B,cdB, bdb@c bXdDc c\cDb)J `b\b, b@ddbDb-k Xb`bDd BPc`b\ b@CXd c@cdb!8b- b\cPc$ \cXb Xc\C`B8 \c`b0 PdPB-J c,cPC)J Xb`C4 0cdC, A`cDb)J `b\b, B@ddbDb-k Xb`bHd Hc<c- BPd( \cXb$ PdPB-J Xb`C4 0cdC, A`cDb)J `b\b, B@ddbDb1k Xb`bHd \cXb$ TcPB-J Xb`C4 Tcdc0 \CDb)J `b\b, DddbDb1k Xb`bDd db8b- `cPB-J \CdDdC`cdC`cdDdC4 \cdCLB)J \C`C\ `c`cdd\ cdcdC\ \cdC` `cHB)J \C`c`c`C` `c`C0 \ddCHc-k \C`c\d` `C`c`c`C, dC\c\ dCdc<c- `d`c`c\ BdCdD`CdC`cdChC<c5 c0d0c ,d$c-K ,d,d, ,d,d, ,d,d, (c,c, F1B/5 c,d,c, ,d,d, c,d,c, ,d,d, XAX!e q\bX!a \b\b] X!\b\ BXA]' \b\AX X!X!XBfg AXBrr X X!{Y B5Jw% XbXAai nRNVob >4BT) VlRMN >-62^ FP>RFsZ B\aX X \aXAXA\C\ \aXAX!X XBXAX!X!\ AXA\b\ XA\A\b X!Xbv !\AXA \B\bXAX!X J-JNJNNNF-F NMNMVob qVL1E oRN)F *4*4) NMRM1g 122>41 6S*4% .JSF11H JRNNF 6t6T6U61% rJR)G F1JQ5 N-NMRMF N-N,N,N-NL VnVnZ J,N,1 ,VnVn5 MVnRM= F/F/Z Two-sided Two-thirds Two-volume Typed Typeface Types Typical Typically Typify Typing Typography Tyrannosaurus Tyranns Tyres Tyson Tyson's U-hum Ubiquitous Before Befriend Befriends Began Beggar Begging Begin Beginner Beginner's Beginners Beginning Beginnings Begins eheads Behemoths Behind Behind-the-scenes Behold 39.99G Electronic Arts 01753 549442H Young ChildrenJ 5R Under 40[ Under From Russia With Love From Russia With Love is the Bond purist s favourite Bond movie. With a meaty plot that stays faithful to Ian Fleming s novel (although the apolitical SPECTRE is substituted for the KGB), this succeeds as a thr -Putt (the unnervingly chirpy car with the Dennis Healey eyebrows) and the rather unsoundly-named Fatty Bear. Already, streams of adults are racing to their nearest software shop, fighting through the crowds wiC th machetes to buy it for make-believe children. Such is the reputation of Humongous Entertainment, and on this showing it s certainly justified. The premise of the game is that Grandma Grouper s treasure chest of kelp seeds has been stolen by two sharks, playing havoc with the ocean s ecosystem and, more importantly, spoiling the view from her kitchen window. Naturally, Freddi (who, despite what you might think, is E apparently female) volunteers to find the seeds. Before you can say, Two of those with chips, please, Luther, her pal with the serious Mohican haircut, has also volunteered to help. The control system is simp licity itself: you navigate around the screens by clicking on the direction arrows and any items that can be interacted with will be indicated by a change in the cursor icon. Collectable items, which will help G you in your quest, will appear in bubbles at the foot of the screen for future use. To use them, you simply click on the item, then on the person or object you want to use them on. Basically, it s a version of the point-and-click interface developed for so many adult adventure games. Every single screen in the game is awash with hot-spots which, while having no bearing on your progress through the game, activate a wiI de variety of entertaining responses. It pays to click on something more than once because you often provoke a different reaction the second time. Where this game scores over others is that you don t have to wa it for one hotspots to finish for another to start. Those with little or no self-control can click all over the screen, and everything will work at once. As you progress through the game, talking with the variK ous characters, you re given hints as to where to go next from bottles with messages inside. Each time you play the game, the location of the bottles and the puzzles will unfold in a different way. If you have a younger child and want to play it the same way every time, you can simply save the game right at the start and load it each time you play. There are plenty of saved game slots, which can be used and loaded aM t any time. Many of the areas of the game exist purely to provide an entertaining break from the quest for the kelp seeds. One lets you spend time in an undersea theatre, watching a number of less than top-clas s acts such as Frank the Fabulous Frog, Lukefish von Basstoven and Carpen Marina. A big plus about this is that it will help your offspring develop a healthy resistance towards poor theatre, making them less liO kely to grow up to be the sort who go on coach trips to see Cats. Another diversion is a feeding game, in which you throw jellyfish from a bucket at a stream of steadily advancing turtles and fish. If you allow the targets to reach the buckets, the buckets disappear and the game s over; feed them successfully and they keep on coming with increasing frequency until you either get bored or your central nervous system gQ ives out under the strain. The most educational part of this edutainment is Mr Starfish, who teaches maths. There are five levels of difficulty to choose from, ranging from simple number recognition and countin g objects, to adding and subtracting numbers with carrying and borrowing. It s nicely done, and all the characters encourage and congratulate the children. Progressing through the game itself shouldn t be too mS uch of a problem. The puzzles are of the chain variety: for example, you might need a bone from the whale s bone yard to give to the dogfish in the junk yard, to get a clock to give to the Manta Ray, to get a g ismo to open the shrimp net to get the pearl to give to King Crab, and so on. There s little chance of becoming stuck either, because you can always click on Freddi herself for directions, and you re free to waU nder about regardless of whether you re pursuing goals or not. This is an extremely high quality product. The animation and sound are outstanding, the music tracks are of good quality (but can still be switched off) and it s all engrossing. It s almost worth buying just to hear the Fiddler Crab sing an early contender for this year s Most Entertainingly Bad Singer in a Children s Title award. It even comes with a gW ood quality 32-page activity book and a set of character stickers with which to ruin your paintwork. What are you waiting for? Pretend you ve got a child. No-one in the shop will know. Patrick McCarthy Freddi X~ Fish Price 39.99 (inc VAT) Contact Electronic Arts 01753 549 442 Category Entertainment/Education Platform MAC MPC CD-i 3DO fsb1Y $b b( fsb0] B b(b0 (a(b( b1fsf fsbQ^ b0bRf fsb1^ b(b( b1b1bR A$b,a$b(b$b $a$a$b, ! a(b b( !$@%* A$b$b, b b b