# | Number | Type | Name | Registration Point | Filename
|
---|
1 | 501 | bitmap | Left | (6, 7) | |
2 | 502 | bitmap | mask | (6, 7) | |
3 | 503 | bitmap | Right | (6, 7) | |
4 | 504 | bitmap | mask | (6, 7) | |
5 | 505 | bitmap | Up | (7, 6) | |
6 | 506 | bitmap | mask | (7, 6) | |
7 | 507 | bitmap | Down | (7, 6) | |
8 | 508 | bitmap | mask | (7, 6) | |
9 | 509 | bitmap | Hand | (7, 0) | |
10 | 510 | bitmap | mask | (7, 0) | |
11 | 511 | bitmap | OpenHand | (7, 7) | |
12 | 512 | bitmap | Mask | (7, 7) | |
13 | 513 | bitmap | ClosedHand | (6, 6) | |
14 | 514 | bitmap | Mask | (6, 6) | |
15 | 515 | bitmap | Document | (8, 8) | |
16 | 516 | bitmap | mask | (8, 8) | |
17 | 517 | bitmap | HoldPage | (7, 8) | |
18 | 518 | bitmap | mask | (7, 8) | |
19 | 519 | bitmap | Ear | (6, 6) | |
20 | 520 | bitmap | mask | (6, 6) | |
21 | 521 | bitmap | stop | (8, 8) | |
22 | 522 | bitmap | mask | (8, 8) | |
23 | 523 | bitmap | LastCursor | (19, 15) | |
24 | 530 | field | loading... | (0, 0) | |
25 | 531 | field | A B A | (0, 0) | |
26 | 532 | field | a cappella | (0, 0) | |
27 | 533 | field | a tempo | (0, 0) | |
28 | 534 | field | A tempo | (0, 0) | |
29 | 535 | field | Academy | (0, 0) | |
30 | 536 | field | accelerando | (0, 0) | |
31 | 537 | field | acciaccatura | (0, 0) | |
32 | 538 | field | accompanied recitative | (0, 0) | |
33 | 539 | field | accompaniment | (0, 0) | |
34 | 540 | field | accompanist | (0, 0) | |
35 | 541 | field | acoustic | (0, 0) | |
36 | 542 | field | acoustics | (0, 0) | |
37 | 543 | field | Act | (0, 0) | |
38 | 544 | field | adagio | (0, 0) | |
39 | 545 | field | ADRENALINE | (0, 0) | |
40 | 546 | field | adrenaline | (0, 0) | |
41 | 547 | field | Aeolian harp | (0, 0) | |
42 | 548 | field | affettuosamente | (0, 0) | |
43 | 549 | field | affettuoso | (0, 0) | |
44 | 550 | field | affrettando | (0, 0) | |
45 | 551 | field | aficionado | (0, 0) | |
46 | 552 | field | air | (0, 0) | |
47 | 553 | field | airs and graces | (0, 0) | |
48 | 554 | field | ALARM REACTION | (0, 0) | |
49 | 555 | field | ALARM REACTION: SYMPTOMS | (0, 0) | |
50 | 556 | field | ALBONI | (0, 0) | |
51 | 557 | field | ALDA | (0, 0) | |
52 | 558 | field | Aldeburgh | (0, 0) | |
53 | 559 | field | ALEXANDER | (0, 0) | |
54 | 560 | field | ALEXANDER TECHNIQUE | (0, 0) | |
55 | 561 | field | Alexander the Great | (0, 0) | |
56 | 562 | field | allegretto | (0, 0) | |
57 | 563 | field | ALLEGRI | (0, 0) | |
58 | 564 | field | alliteration | (0, 0) | |
59 | 565 | field | alt | (0, 0) | |
60 | 566 | field | alto | (0, 0) | |
61 | 567 | field | alto clef | (0, 0) | |
62 | 568 | field | amateur | (0, 0) | |
63 | 569 | field | amoroso | (0, 0) | |
64 | 570 | field | amphitheatre | (0, 0) | |
65 | 571 | field | amplify | (0, 0) | |
66 | 572 | field | andante | (0, 0) | |
67 | 573 | field | anthem | (0, 0) | |
68 | 574 | field | anti-climax | (0, 0) | |
69 | 575 | field | Apollo | (0, 0) | |
70 | 576 | field | APOLLO, GOD OF MUSIC | (0, 0) | |
71 | 577 | field | apotheosis | (0, 0) | |
72 | 578 | field | appoggiatura | (0, 0) | |
73 | 579 | field | aria | (0, 0) | |
74 | 580 | field | arietta | (0, 0) | |
75 | 581 | field | arioso | (0, 0) | |
76 | 582 | field | ARISTOTLE | (0, 0) | |
77 | 583 | field | Aristotle | (0, 0) | |
78 | 584 | field | arpeggio | (0, 0) | |
79 | 585 | field | arrangement | (0, 0) | |
80 | 586 | field | assai | (0, 0) | |
81 | 587 | field | assonance | (0, 0) | |
82 | 588 | field | atonal | (0, 0) | |
83 | 589 | field | atonality | (0, 0) | |
84 | 590 | field | attacca | (0, 0) | |
85 | 591 | field | attack | (0, 0) | |
86 | 592 | field | ATTIC | (0, 0) | |
87 | 593 | field | audience | (0, 0) | |
88 | 594 | field | audition piece | (0, 0) | |
89 | 595 | field | auditions | (0, 0) | |
90 | 596 | field | auditorium | (0, 0) | |
91 | 597 | field | auditory | (0, 0) | |
92 | 598 | field | Auftakt | (0, 0) | |
93 | 599 | field | aural | (0, 0) | |
94 | 600 | field | ausdrucksvoll | (0, 0) | |
95 | 601 | field | authentic performances | (0, 0) | |
96 | 602 | field | ayre | (0, 0) | |
97 | 603 | field | BACH | (0, 0) | |
98 | 604 | field | back-stage | (0, 0) | |
99 | 605 | field | background to eri tu | (0, 0) | |
100 | 606 | field | BAKER | (0, 0) | |
101 | 607 | field | balance | (0, 0) | |
102 | 608 | field | ballad | (0, 0) | |
103 | 609 | field | ballad opera | (0, 0) | |
104 | 610 | field | bar | (0, 0) | |
105 | 611 | field | bar line | (0, 0) | |
106 | 612 | field | BARBIER | (0, 0) | |
107 | 613 | field | bard | (0, 0) | |
108 | 614 | field | baritone | (0, 0) | |
109 | 615 | field | baritone voice | (0, 0) | |
110 | 616 | field | baroque | (0, 0) | |
111 | 617 | field | BASEMENT | (0, 0) | |
112 | 618 | field | bass | (0, 0) | |
113 | 619 | field | bass clef | (0, 0) | |
114 | 620 | field | bass voice | (0, 0) | |
115 | 621 | field | bass-baritone | (0, 0) | |
116 | 622 | field | bass-baritone voice | (0, 0) | |
117 | 623 | field | baton | (0, 0) | |
118 | 624 | field | battuta | (0, 0) | |
119 | 625 | field | BAYREUTH | (0, 0) | |
120 | 626 | field | beat | (0, 0) | |
121 | 627 | field | BEAUMARCHAIS | (0, 0) | |
122 | 628 | field | BEETHOVEN | (0, 0) | |
123 | 629 | field | behaglich | (0, 0) | |
124 | 630 | field | bel canto | (0, 0) | |
125 | 631 | field | BEL CANTO ARTICLE | (0, 0) | |
126 | 632 | field | belebt | (0, 0) | |
127 | 633 | field | BELLINI | (0, 0) | |
128 | 634 | field | BERG | (0, 0) | |
129 | 635 | field | BERGONZI | (0, 0) | |
130 | 636 | field | BERLIOZ | (0, 0) | |
131 | 637 | field | BERNACCHI | (0, 0) | |
132 | 638 | field | bewegt | (0, 0) | |
133 | 639 | field | BIBLIOGRAPHY | (0, 0) | |
134 | 640 | field | big name | (0, 0) | |
135 | 641 | field | Biography / Composers | (0, 0) | |
136 | 642 | field | Biography / others | (0, 0) | |
137 | 643 | field | Biography / Singers | (0, 0) | |
138 | 644 | field | Biography / writers | (0, 0) | |
139 | 645 | field | BIRTWISTLE | (0, 0) | |
140 | 646 | field | BIZET | (0, 0) | |
141 | 647 | field | BLACKWELL | (0, 0) | |
142 | 648 | field | BLANCHE MARCHESI | (0, 0) | |
143 | 649 | field | Blow the wind southerly | (0, 0) | |
144 | 650 | field | Body & Mind | (0, 0) | |
145 | 651 | field | Body and Mind | (0, 0) | |
146 | 652 | field | BOITO | (0, 0) | |
147 | 653 | field | BOWMAN | (0, 0) | |
148 | 654 | field | box | (0, 0) | |
149 | 655 | field | box office | (0, 0) | |
150 | 656 | field | BRAHMS | (0, 0) | |
151 | 657 | field | brass | (0, 0) | |
152 | 658 | field | brass ensemble | (0, 0) | |
153 | 659 | field | break | (0, 0) | |
154 | 660 | field | BREAM | (0, 0) | |
155 | 661 | field | breath | (0, 0) | |
156 | 662 | field | breath control | (0, 0) | |
157 | 663 | field | breathing | (0, 0) | |
158 | 664 | field | BREATHING TO SING | (0, 0) | |
159 | 665 | field | breeches part | (0, 0) | |
160 | 666 | field | breit | (0, 0) | |
161 | 667 | field | BRENDEL | (0, 0) | |
162 | 668 | field | breve | (0, 0) | |
163 | 669 | field | BRITTEN | (0, 0) | |
164 | 670 | field | broadsheet | (0, 0) | |
165 | 671 | field | broken voice | (0, 0) | |
166 | 672 | field | Br├╝nnhilde | (0, 0) | |
167 | 673 | field | buff | (0, 0) | |
168 | 674 | field | buffo | (0, 0) | |
169 | 675 | field | business | (0, 0) | |
170 | 676 | field | cabaletta | (0, 0) | |
171 | 677 | field | CACCINI | (0, 0) | |
172 | 678 | field | cacophony | (0, 0) | |
173 | 679 | field | cadenza | (0, 0) | |
174 | 680 | field | calando | (0, 0) | |
175 | 681 | field | call | (0, 0) | |
176 | 682 | field | CALLAS | (0, 0) | |
177 | 683 | field | CAMERATA | (0, 0) | |
178 | 684 | field | CAMMARANO | (0, 0) | |
179 | 685 | field | CAMPION | (0, 0) | |
180 | 686 | field | canary fancier | (0, 0) | |
181 | 687 | field | cantabile | (0, 0) | |
182 | 688 | field | cantata | (0, 0) | |
183 | 689 | field | cantate | (0, 0) | |
184 | 690 | field | cantilena | (0, 0) | |
185 | 691 | field | cantor | (0, 0) | |
186 | 692 | field | canzone | (0, 0) | |
187 | 693 | field | canzonetta | (0, 0) | |
188 | 694 | field | Carmen | (0, 0) | |
189 | 695 | field | Carmen, the plot | (0, 0) | |
190 | 696 | field | carol | (0, 0) | |
191 | 697 | field | carole | (0, 0) | |
192 | 698 | field | CARRÉ | (0, 0) | |
193 | 699 | field | CARRERAS | (0, 0) | |
194 | 700 | field | CARUSO | (0, 0) | |
195 | 701 | field | CARUSOΓÇÖS HEALTH | (0, 0) | |
196 | 702 | field | cast | (0, 0) | |
197 | 703 | field | castrato | (0, 0) | |
198 | 704 | field | castrato voice | (0, 0) | |
199 | 705 | field | catch | (0, 0) | |
200 | 706 | field | CAVALIERI | (0, 0) | |
201 | 707 | field | CENERENTOLA | (0, 0) | |
202 | 708 | field | chamber music | (0, 0) | |
203 | 709 | field | chamber opera | (0, 0) | |
204 | 710 | field | changing voice | (0, 0) | |
205 | 711 | field | chanson | (0, 0) | |
206 | 712 | field | chant | (0, 0) | |
207 | 713 | field | chant | (0, 0) | |
208 | 714 | field | chanter | (0, 0) | |
209 | 715 | field | chantry | (0, 0) | |
210 | 716 | field | chanty | (0, 0) | |
211 | 717 | field | chest voice | (0, 0) | |
212 | 718 | field | chiave | (0, 0) | |
213 | 719 | field | choir | (0, 0) | |
214 | 720 | field | choir screen | (0, 0) | |
215 | 721 | field | choirmaster | (0, 0) | |
216 | 722 | field | choral | (0, 0) | |
217 | 723 | field | choral evensong | (0, 0) | |
218 | 724 | field | choral societies | (0, 0) | |
219 | 725 | field | chorale | (0, 0) | |
220 | 726 | field | chord | (0, 0) | |
221 | 727 | field | chorister | (0, 0) | |
222 | 728 | field | chorus | (0, 0) | |
223 | 729 | field | chromatic | (0, 0) | |
224 | 730 | field | chromatic scale | (0, 0) | |
225 | 731 | field | church music | (0, 0) | |
226 | 732 | field | classical | (0, 0) | |
227 | 733 | field | Classicism | (0, 0) | |
228 | 734 | field | clavichord | (0, 0) | |
229 | 735 | field | clef | (0, 0) | |
230 | 736 | field | clerk | (0, 0) | |
231 | 737 | field | climax | (0, 0) | |
232 | 738 | field | coach | (0, 0) | |
233 | 739 | field | coaching session | (0, 0) | |
234 | 740 | field | Coaching session 1 | (0, 0) | |
235 | 741 | field | Coaching session 2 | (0, 0) | |
236 | 742 | field | Coaching session 3 | (0, 0) | |
237 | 743 | field | Coaching session 4 | (0, 0) | |
238 | 744 | field | cochlea | (0, 0) | |
239 | 745 | field | coda | (0, 0) | |
240 | 746 | field | colla voce | (0, 0) | |
241 | 747 | field | coloraturo | (0, 0) | |
242 | 748 | field | colour | (0, 0) | |
243 | 749 | field | comic opera | (0, 0) | |
244 | 750 | field | company | (0, 0) | |
245 | 751 | field | composer | (0, 0) | |
246 | 752 | field | composition | (0, 0) | |
247 | 753 | field | con fuoco | (0, 0) | |
248 | 754 | field | concert | (0, 0) | |
249 | 755 | field | concertante | (0, 0) | |
250 | 756 | field | concerto | (0, 0) | |
251 | 757 | field | conductor | (0, 0) | |
252 | 758 | field | congregation | (0, 0) | |
253 | 759 | field | congregational singing | (0, 0) | |
254 | 760 | field | conservatoire | (0, 0) | |
255 | 761 | field | conservatorio | (0, 0) | |
256 | 762 | field | conservatory | (0, 0) | |
257 | 763 | field | consonance | (0, 0) | |
258 | 764 | field | consonant | (0, 0) | |
259 | 765 | field | continuo | (0, 0) | |
260 | 766 | field | contract singer | (0, 0) | |
261 | 767 | field | contralto | (0, 0) | |
262 | 768 | field | contralto voice | (0, 0) | |
263 | 769 | field | contrapuntal | (0, 0) | |
264 | 770 | field | copyist | (0, 0) | |
265 | 771 | field | corpse | (0, 0) | |
266 | 772 | field | counterpoint | (0, 0) | |
267 | 773 | field | countertenor | (0, 0) | |
268 | 774 | field | countertenor voice | (0, 0) | |
269 | 775 | field | Covent Garden | (0, 0) | |
270 | 776 | field | cover | (0, 0) | |
271 | 777 | field | CRACKED NOTES | (0, 0) | |
272 | 778 | field | CREATION MYTHS | (0, 0) | |
273 | 779 | field | creation myths | (0, 0) | |
274 | 780 | field | CREATION ROOM | (0, 0) | |
275 | 781 | field | CREDITS | (0, 0) | |
276 | 782 | field | crescendo | (0, 0) | |
277 | 783 | field | CRESPIN | (0, 0) | |
278 | 784 | field | croak | (0, 0) | |
279 | 785 | field | crotchet | (0, 0) | |
280 | 786 | field | cue | (0, 0) | |
281 | 787 | field | Cultural / beliefs | (0, 0) | |
282 | 788 | field | Cultural / History | (0, 0) | |
283 | 789 | field | curtain-call | (0, 0) | |
284 | 790 | field | DΓÇÖOyly Carte Opera | (0, 0) | |
285 | 791 | field | da Capo | (0, 0) | |
286 | 792 | field | dal segno | (0, 0) | |
287 | 793 | field | DAME JOAN SUTHERLAND ON TECHNIQUE | (0, 0) | |
288 | 794 | field | DARKE | (0, 0) | |
289 | 795 | field | début | (0, 0) | |
290 | 796 | field | decay | (0, 0) | |
291 | 797 | field | decibel | (0, 0) | |
292 | 798 | field | declamation | (0, 0) | |
293 | 799 | field | decoration | (0, 0) | |
294 | 800 | field | dénouement | (0, 0) | |
295 | 801 | field | density | (0, 0) | |
296 | 802 | field | Der Leiermann | (0, 0) | |
297 | 803 | field | Der st├╝rmischer Morgen | (0, 0) | |
298 | 804 | field | descant | (0, 0) | |
299 | 805 | field | DEUTSCHE STAATSOPER | (0, 0) | |
300 | 806 | field | development | (0, 0) | |
301 | 807 | field | Di Quella Pira | (0, 0) | |
302 | 808 | field | dialectic | (0, 0) | |
303 | 809 | field | dialogue | (0, 0) | |
304 | 810 | field | diaphragm | (0, 0) | |
305 | 811 | field | diatonic | (0, 0) | |
306 | 812 | field | diatonic scale | (0, 0) | |
307 | 813 | field | diction | (0, 0) | |
308 | 814 | field | diminuendo | (0, 0) | |
309 | 815 | field | Dionysus | (0, 0) | |
310 | 816 | field | diphthong | (0, 0) | |
311 | 817 | field | director | (0, 0) | |
312 | 818 | field | DISCOGRAPHY | (0, 0) | |
313 | 819 | field | discord | (0, 0) | |
314 | 820 | field | DISEASES | (0, 0) | |
315 | 821 | field | dissonance | (0, 0) | |
316 | 822 | field | distance | (0, 0) | |
317 | 823 | field | diva | (0, 0) | |
318 | 824 | field | divertissement | (0, 0) | |
319 | 825 | field | DOCTOR THEATRE | (0, 0) | |
320 | 826 | field | dodecaphonic | (0, 0) | |
321 | 827 | field | dolce | (0, 0) | |
322 | 828 | field | dolente | (0, 0) | |
323 | 829 | field | DOMINGO | (0, 0) | |
324 | 830 | field | Don Giovanni | (0, 0) | |
325 | 831 | field | DON GIOVANNI STORY | (0, 0) | |
326 | 832 | field | DONIZETTI | (0, 0) | |
327 | 833 | field | double time | (0, 0) | |
328 | 834 | field | DOWDLE | (0, 0) | |
329 | 835 | field | DOWLAND | (0, 0) | |
330 | 836 | field | down beat | (0, 0) | |
331 | 837 | field | down-stage | (0, 0) | |
332 | 838 | field | drängend | (0, 0) | |
333 | 839 | field | drape | (0, 0) | |
334 | 840 | field | dress rehearsal | (0, 0) | |
335 | 841 | field | dualism | (0, 0) | |
336 | 842 | field | duet | (0, 0) | |
337 | 843 | field | duple time | (0, 0) | |
338 | 844 | field | dynamics | (0, 0) | |
339 | 845 | field | eardrum | (0, 0) | |
340 | 846 | field | early music | (0, 0) | |
341 | 847 | field | einfach | (0, 0) | |
342 | 848 | field | Einleitung | (0, 0) | |
343 | 849 | field | elasticity | (0, 0) | |
344 | 850 | field | elegy | (0, 0) | |
345 | 851 | field | elocution | (0, 0) | |
346 | 852 | field | embellishment | (0, 0) | |
347 | 853 | field | enchant | (0, 0) | |
348 | 854 | field | enchanter | (0, 0) | |
349 | 855 | field | enchantress | (0, 0) | |
350 | 856 | field | ENCHANTRESSES | (0, 0) | |
351 | 857 | field | encore | (0, 0) | |
352 | 858 | field | engagement | (0, 0) | |
353 | 859 | field | ensemble | (0, 0) | |
354 | 860 | field | ENSEMBLE TUNING | (0, 0) | |
355 | 861 | field | entrΓÇÖacte | (0, 0) | |
356 | 862 | field | enunciation | (0, 0) | |
357 | 863 | field | Eri tu | (0, 0) | |
358 | 864 | field | ERIE CANAL | (0, 0) | |
359 | 865 | field | Erie Canal text | (0, 0) | |
360 | 866 | field | erm├╝det | (0, 0) | |
361 | 867 | field | ESTES | (0, 0) | |
362 | 868 | field | etwas | (0, 0) | |
363 | 869 | field | EXAMPLES OF VOWELS AND DIPHTHONGS | (0, 0) | |
364 | 870 | field | exercises | (0, 0) | |
365 | 871 | field | expiration | (0, 0) | |
366 | 872 | field | expire | (0, 0) | |
367 | 873 | field | extended range | (0, 0) | |
368 | 874 | field | extension | (0, 0) | |
369 | 875 | field | FABRITIIS | (0, 0) | |
370 | 876 | field | FABRITIIS | (0, 0) | |
371 | 877 | field | Fach | (0, 0) | |
372 | 878 | field | falsetto | (0, 0) | |
373 | 879 | field | FARINELLI | (0, 0) | |
374 | 880 | field | FAURÉ | (0, 0) | |
375 | 881 | field | Faust act 4 final trio | (0, 0) | |
376 | 882 | field | feierlich | (0, 0) | |
377 | 883 | field | FERRETTI | (0, 0) | |
378 | 884 | field | FERRIER | (0, 0) | |
379 | 885 | field | Fest | (0, 0) | |
380 | 886 | field | fifth | (0, 0) | |
381 | 887 | field | finale | (0, 0) | |
382 | 888 | field | FINNISSY | (0, 0) | |
383 | 889 | field | fioriture | (0, 0) | |
384 | 890 | field | FISCHER-DIESKAU | (0, 0) | |
385 | 891 | field | FLAGSTAD | (0, 0) | |
386 | 892 | field | flies | (0, 0) | |
387 | 893 | field | fließend | (0, 0) | |
388 | 894 | field | floor rehearsals | (0, 0) | |
389 | 895 | field | flotter | (0, 0) | |
390 | 896 | field | flutter | (0, 0) | |
391 | 897 | field | fly tower | (0, 0) | |
392 | 898 | field | folksong | (0, 0) | |
393 | 899 | field | FOLKSONG TRADITIONS | (0, 0) | |
394 | 900 | field | footlights | (0, 0) | |
395 | 901 | field | formalism | (0, 0) | |
396 | 902 | field | forte | (0, 0) | |
397 | 903 | field | fortepiano | (0, 0) | |
398 | 904 | field | fortissimo | (0, 0) | |
399 | 905 | field | fourth | (0, 0) | |
400 | 906 | field | FOWLER | (0, 0) | |
401 | 907 | field | FRENI | (0, 0) | |
402 | 908 | field | frequency | (0, 0) | |
403 | 909 | field | FRICK | (0, 0) | |
404 | 910 | field | frock | (0, 0) | |
405 | 911 | field | front-of-house | (0, 0) | |
406 | 912 | field | fugue | (0, 0) | |
407 | 913 | field | full score | (0, 0) | |
408 | 914 | field | Further Interest | (0, 0) | |
409 | 915 | field | FURTHER READING | (0, 0) | |
410 | 916 | field | Garden | (0, 0) | |
411 | 917 | field | GARDEN | (0, 0) | |
412 | 918 | field | GAUTIER | (0, 0) | |
413 | 919 | field | general rehearsal | (0, 0) | |
414 | 920 | field | GERSHWIN | (0, 0) | |
415 | 921 | field | Gesang | (0, 0) | |
416 | 922 | field | geschwind | (0, 0) | |
417 | 923 | field | getragen | (0, 0) | |
418 | 924 | field | GIACOSA | (0, 0) | |
419 | 925 | field | GIGLI | (0, 0) | |
420 | 926 | field | giocoso | (0, 0) | |
421 | 927 | field | giusto | (0, 0) | |
422 | 928 | field | glee | (0, 0) | |
423 | 929 | field | glissando | (0, 0) | |
424 | 930 | field | GLUCK | (0, 0) | |
425 | 931 | field | GOBBI | (0, 0) | |
426 | 932 | field | GOETHE | (0, 0) | |
427 | 933 | field | Gossip | (0, 0) | |
428 | 934 | field | GÖTTERDÄMMERUNG | (0, 0) | |
429 | 935 | field | Götterdämmerung act 2 scene 3 | (0, 0) | |
430 | 936 | field | Götterdämmerung Vorspiel Scene 2 | (0, 0) | |
431 | 937 | field | GOUNOD | (0, 0) | |
432 | 938 | field | grace | (0, 0) | |
433 | 939 | field | grace note | (0, 0) | |
434 | 940 | field | grand opera | (0, 0) | |
435 | 941 | field | grave | (0, 0) | |
436 | 942 | field | grazioso | (0, 0) | |
437 | 943 | field | Greek modes | (0, 0) | |
438 | 944 | field | Gregorian chant | (0, 0) | |
439 | 945 | field | Gregorian modes | (0, 0) | |
440 | 946 | field | GRIEG | (0, 0) | |
441 | 947 | field | Grundstimme | (0, 0) | |
442 | 948 | field | guitar | (0, 0) | |
443 | 949 | field | HABAÑERA | (0, 0) | |
444 | 950 | field | haba├▒era | (0, 0) | |
445 | 951 | field | HALLE | (0, 0) | |
446 | 952 | field | HALLE | (0, 0) | |
447 | 953 | field | hallelujah | (0, 0) | |
448 | 954 | field | HAMMERSTEIN | (0, 0) | |
449 | 955 | field | HAMPSON | (0, 0) | |
450 | 956 | field | HANDEL | (0, 0) | |
451 | 957 | field | harmonise | (0, 0) | |
452 | 958 | field | harmonist | (0, 0) | |
453 | 959 | field | harmony | (0, 0) | |
454 | 960 | field | harp | (0, 0) | |
455 | 961 | field | harpsichord | (0, 0) | |
456 | 962 | field | head voice | (0, 0) | |
457 | 963 | field | HEARING YOURSELF SING | (0, 0) | |
458 | 964 | field | HEAVENΓÇÖS FIELDS | (0, 0) | |
459 | 965 | field | heiter | (0, 0) | |
460 | 966 | field | Heldentenor | (0, 0) | |
461 | 967 | field | herz | (0, 0) | |
462 | 968 | field | HISTORY OF CAROLS | (0, 0) | |
463 | 969 | field | HOFMANNSTHAL | (0, 0) | |
464 | 970 | field | Holy Week | (0, 0) | |
465 | 971 | field | HOMER | (0, 0) | |
466 | 972 | field | Homer | (0, 0) | |
467 | 973 | field | homophony | (0, 0) | |
468 | 974 | field | HORNE | (0, 0) | |
469 | 975 | field | HOTTER | (0, 0) | |
470 | 976 | field | house | (0, 0) | |
471 | 977 | field | HOW A SOUND STARTS | (0, 0) | |
472 | 978 | field | hurdy-gurdy | (0, 0) | |
473 | 979 | field | hymn | (0, 0) | |
474 | 980 | field | hymnal | (0, 0) | |
475 | 981 | field | iambic | (0, 0) | |
476 | 982 | field | ILLICA | (0, 0) | |
477 | 983 | field | impresario | (0, 0) | |
478 | 984 | field | improvisation | (0, 0) | |
479 | 985 | field | improvvisato | (0, 0) | |
480 | 986 | field | In the bleak mid-winter | (0, 0) | |
481 | 987 | field | in time | (0, 0) | |
482 | 988 | field | in tune | (0, 0) | |
483 | 989 | field | incantation | (0, 0) | |
484 | 990 | field | Ingemisco | (0, 0) | |
485 | 991 | field | inhalation | (0, 0) | |
486 | 992 | field | inhale | (0, 0) | |
487 | 993 | field | innig | (0, 0) | |
488 | 994 | field | inspiration | (0, 0) | |
489 | 995 | field | inspire | (0, 0) | |
490 | 996 | field | instrumental | (0, 0) | |
491 | 997 | field | instrumentation | (0, 0) | |
492 | 998 | field | interpretation | (0, 0) | |
493 | 999 | field | interval | (0, 0) | |
494 | 1000 | field | intonation | (0, 0) | |
495 | 1001 | field | introit | (0, 0) | |
496 | 1002 | field | Jesu, meine Freude | (0, 0) | |
497 | 1003 | field | JONES | (0, 0) | |
498 | 1004 | field | jubilate | (0, 0) | |
499 | 1005 | field | jubilation | (0, 0) | |
500 | 1006 | field | juste | (0, 0) | |
501 | 1007 | field | KALEVALA | (0, 0) | |
502 | 1008 | field | KALEVALA | (0, 0) | |
503 | 1009 | field | KANAWA | (0, 0) | |
504 | 1010 | field | Kapellmeister | (0, 0) | |
505 | 1011 | field | keck | (0, 0) | |
506 | 1012 | field | KERN | (0, 0) | |
507 | 1013 | field | key | (0, 0) | |
508 | 1014 | field | key signature | (0, 0) | |
509 | 1015 | field | keyboard | (0, 0) | |
510 | 1016 | field | keyboards | (0, 0) | |
511 | 1017 | field | KING'S COLLEGE | (0, 0) | |
512 | 1018 | field | KIPNIS | (0, 0) | |
513 | 1019 | field | Klavier | (0, 0) | |
514 | 1020 | field | KRAUS | (0, 0) | |
515 | 1021 | field | LA SCALA | (0, 0) | |
516 | 1022 | field | La Scala | (0, 0) | |
517 | 1023 | field | la voce | (0, 0) | |
518 | 1024 | field | langsam | (0, 0) | |
519 | 1025 | field | largo | (0, 0) | |
520 | 1026 | field | laryngitis | (0, 0) | |
521 | 1027 | field | laryngologist | (0, 0) | |
522 | 1028 | field | larynx | (0, 0) | |
523 | 1029 | field | Learning and rehearsing opera | (0, 0) | |
524 | 1030 | field | lebhaft | (0, 0) | |
525 | 1031 | field | LEECH | (0, 0) | |
526 | 1032 | field | legato | (0, 0) | |
527 | 1033 | field | leggiero | (0, 0) | |
528 | 1034 | field | LEHMANN | (0, 0) | |
529 | 1035 | field | leicht | (0, 0) | |
530 | 1036 | field | leidenschaftlich | (0, 0) | |
531 | 1037 | field | LEIDER | (0, 0) | |
532 | 1038 | field | Leier | (0, 0) | |
533 | 1039 | field | leise | (0, 0) | |
534 | 1040 | field | LEITMOTIV | (0, 0) | |
535 | 1041 | field | Leitmotiv | (0, 0) | |
536 | 1042 | field | lento | (0, 0) | |
537 | 1043 | field | LEONCAVALLO | (0, 0) | |
538 | 1044 | field | lexicon | (0, 0) | |
539 | 1045 | field | librettist | (0, 0) | |
540 | 1046 | field | libretto | (0, 0) | |
541 | 1047 | field | Lied | (0, 0) | |
542 | 1048 | field | Lieder | (0, 0) | |
543 | 1049 | field | LIEDER | (0, 0) | |
544 | 1050 | field | Lieder | (0, 0) | |
545 | 1051 | field | LIND | (0, 0) | |
546 | 1052 | field | lirico-spinto | (0, 0) | |
547 | 1053 | field | liturgy | (0, 0) | |
548 | 1054 | field | lollipops | (0, 0) | |
549 | 1055 | field | LUCIA DI LAMMERMOOR | (0, 0) | |
550 | 1056 | field | LUCIA DI LAMMERMOOR TEXT | (0, 0) | |
551 | 1057 | field | LUIGI MARCHESI | (0, 0) | |
552 | 1058 | field | LULLABIES | (0, 0) | |
553 | 1059 | field | lullaby | (0, 0) | |
554 | 1060 | field | lungs | (0, 0) | |
555 | 1061 | field | lustig | (0, 0) | |
556 | 1062 | field | lute | (0, 0) | |
557 | 1063 | field | Luther | (0, 0) | |
558 | 1064 | field | LUTHERAN CHURCH | (0, 0) | |
559 | 1065 | field | lyre | (0, 0) | |
560 | 1066 | field | lyric | (0, 0) | |
561 | 1067 | field | lyric opera | (0, 0) | |
562 | 1068 | field | lyric soprano | (0, 0) | |
563 | 1069 | field | lyric tenor | (0, 0) | |
564 | 1070 | field | lyric theatre | (0, 0) | |
565 | 1071 | field | lyrical | (0, 0) | |
566 | 1072 | field | lyricism | (0, 0) | |
567 | 1073 | field | lyrics | (0, 0) | |
568 | 1074 | field | madrigal | (0, 0) | |
569 | 1075 | field | maestoso | (0, 0) | |
570 | 1076 | field | Maestro | (0, 0) | |
571 | 1077 | field | Maestro di Capella | (0, 0) | |
572 | 1078 | field | Magic Flute | (0, 0) | |
573 | 1079 | field | Magic Flute act 1 duet | (0, 0) | |
574 | 1080 | field | Mahler | (0, 0) | |
575 | 1081 | field | major | (0, 0) | |
576 | 1082 | field | MAJOR AND MINOR | (0, 0) | |
577 | 1083 | field | male alto | (0, 0) | |
578 | 1084 | field | MALIBRAN | (0, 0) | |
579 | 1085 | field | management | (0, 0) | |
580 | 1086 | field | manuscript | (0, 0) | |
581 | 1087 | field | marking | (0, 0) | |
582 | 1088 | field | markirt | (0, 0) | |
583 | 1089 | field | MARRIAGE OF FIGARO | (0, 0) | |
584 | 1090 | field | Marriage of Figaro act 1 aria | (0, 0) | |
585 | 1091 | field | masking | (0, 0) | |
586 | 1092 | field | MASQUE | (0, 0) | |
587 | 1093 | field | masque | (0, 0) | |
588 | 1094 | field | MASS | (0, 0) | |
589 | 1095 | field | mass | (0, 0) | |
590 | 1096 | field | Mass | (0, 0) | |
591 | 1097 | field | MASSENET | (0, 0) | |
592 | 1098 | field | Master of Song | (0, 0) | |
593 | 1099 | field | mastersingers | (0, 0) | |
594 | 1100 | field | matinée | (0, 0) | |
595 | 1101 | field | matins | (0, 0) | |
596 | 1102 | field | MATURING VOICE | (0, 0) | |
597 | 1103 | field | McCORMACK | (0, 0) | |
598 | 1104 | field | measure | (0, 0) | |
599 | 1105 | field | MEDITATION | (0, 0) | |
600 | 1106 | field | MEILHAC | (0, 0) | |
601 | 1107 | field | MELBA TOAST | (0, 0) | |
602 | 1108 | field | MELCHIOR | (0, 0) | |
603 | 1109 | field | melisma | (0, 0) | |
604 | 1110 | field | melodic | (0, 0) | |
605 | 1111 | field | melodrama | (0, 0) | |
606 | 1112 | field | melody | (0, 0) | |
607 | 1113 | field | MENDELSSOHN | (0, 0) | |
608 | 1114 | field | meno mosso | (0, 0) | |
609 | 1115 | field | MENTAL METHODS OF RELAXATION | (0, 0) | |
610 | 1116 | field | MENTAL STRESS AND SINGING | (0, 0) | |
611 | 1117 | field | MERLIN | (0, 0) | |
612 | 1118 | field | MERLIN THE MAGICIAN | (0, 0) | |
613 | 1119 | field | Merry Widow | (0, 0) | |
614 | 1120 | field | messa di voce | (0, 0) | |
615 | 1121 | field | MESSIAEN | (0, 0) | |
616 | 1122 | field | metaphor aria | (0, 0) | |
617 | 1123 | field | METASTASIO | (0, 0) | |
618 | 1124 | field | metre | (0, 0) | |
619 | 1125 | field | metrical | (0, 0) | |
620 | 1126 | field | metrical foot | (0, 0) | |
621 | 1127 | field | metrical psalm | (0, 0) | |
622 | 1128 | field | METROPOLITAN OPERA | (0, 0) | |
623 | 1129 | field | MEYERBEER | (0, 0) | |
624 | 1130 | field | mezza voce | (0, 0) | |
625 | 1131 | field | mezzo forte | (0, 0) | |
626 | 1132 | field | mezzo piano | (0, 0) | |
627 | 1133 | field | mezzo soprano | (0, 0) | |
628 | 1134 | field | mezzo-soprano voice | (0, 0) | |
629 | 1135 | field | micro-tone | (0, 0) | |
630 | 1136 | field | middle-ear | (0, 0) | |
631 | 1137 | field | MILLER | (0, 0) | |
632 | 1138 | field | minim | (0, 0) | |
633 | 1139 | field | minnesinger | (0, 0) | |
634 | 1140 | field | MINNESINGERS AND MASTERSINGERS | (0, 0) | |
635 | 1141 | field | minor | (0, 0) | |
636 | 1142 | field | minstrel | (0, 0) | |
637 | 1143 | field | MINSTRELS AND JONGLEURS | (0, 0) | |
638 | 1144 | field | Miscellany | (0, 0) | |
639 | 1145 | field | Miserere | (0, 0) | |
640 | 1146 | field | mit Aufschwung | (0, 0) | |
641 | 1147 | field | mit Ausdruck | (0, 0) | |
642 | 1148 | field | mit Begleitung | (0, 0) | |
643 | 1149 | field | mit Bewegung | (0, 0) | |
644 | 1150 | field | mit Feuer | (0, 0) | |
645 | 1151 | field | MMB1 | (0, 0) | |
646 | 1152 | field | MMB10 | (0, 0) | |
647 | 1153 | field | MMB11 | (0, 0) | |
648 | 1154 | field | MMB12 | (0, 0) | |
649 | 1155 | field | MMB2 | (0, 0) | |
650 | 1156 | field | MMB3 | (0, 0) | |
651 | 1157 | field | MMB4 | (0, 0) | |
652 | 1158 | field | MMB5 | (0, 0) | |
653 | 1159 | field | MMB6 | (0, 0) | |
654 | 1160 | field | MMB7 | (0, 0) | |
655 | 1161 | field | MMB8 | (0, 0) | |
656 | 1162 | field | MMB9 | (0, 0) | |
657 | 1163 | field | MMG1 | (0, 0) | |
658 | 1164 | field | MMG10 | (0, 0) | |
659 | 1165 | field | MMG11 | (0, 0) | |
660 | 1166 | field | MMG12 | (0, 0) | |
661 | 1167 | field | MMG13 | (0, 0) | |
662 | 1168 | field | MMG14 | (0, 0) | |
663 | 1169 | field | MMG15 | (0, 0) | |
664 | 1170 | field | MMG16 | (0, 0) | |
665 | 1171 | field | MMG17 | (0, 0) | |
666 | 1172 | field | MMG18 | (0, 0) | |
667 | 1173 | field | MMG19 | (0, 0) | |
668 | 1174 | field | MMG2 | (0, 0) | |
669 | 1175 | field | MMG20 | (0, 0) | |
670 | 1176 | field | MMG21 | (0, 0) | |
671 | 1177 | field | MMG22 | (0, 0) | |
672 | 1178 | field | MMG23 | (0, 0) | |
673 | 1179 | field | MMG24 | (0, 0) | |
674 | 1180 | field | MMG25 | (0, 0) | |
675 | 1181 | field | MMG26 | (0, 0) | |
676 | 1182 | field | MMG27 | (0, 0) | |
677 | 1183 | field | MMG28 | (0, 0) | |
678 | 1184 | field | MMG29 | (0, 0) | |
679 | 1185 | field | MMG3 | (0, 0) | |
680 | 1186 | field | MMG30 | (0, 0) | |
681 | 1187 | field | MMG31 | (0, 0) | |
682 | 1188 | field | MMG32 | (0, 0) | |
683 | 1189 | field | MMG33 | (0, 0) | |
684 | 1190 | field | MMG34 | (0, 0) | |
685 | 1191 | field | MMG35 | (0, 0) | |
686 | 1192 | field | MMG36 | (0, 0) | |
687 | 1193 | field | MMG37 | (0, 0) | |
688 | 1194 | field | MMG38 | (0, 0) | |
689 | 1195 | field | MMG39 | (0, 0) | |
690 | 1196 | field | MMG4 | (0, 0) | |
691 | 1197 | field | MMG40 | (0, 0) | |
692 | 1198 | field | MMG41 | (0, 0) | |
693 | 1199 | field | MMG42 | (0, 0) | |
694 | 1200 | field | MMG43 | (0, 0) | |
695 | 1201 | field | MMG44 | (0, 0) | |
696 | 1202 | field | MMG45 | (0, 0) | |
697 | 1203 | field | MMG46 | (0, 0) | |
698 | 1204 | field | MMG47 | (0, 0) | |
699 | 1205 | field | MMG48 | (0, 0) | |
700 | 1206 | field | MMG49 | (0, 0) | |
701 | 1207 | field | MMG5 | (0, 0) | |
702 | 1208 | field | MMG50 | (0, 0) | |
703 | 1209 | field | MMG51 | (0, 0) | |
704 | 1210 | field | MMG52 | (0, 0) | |
705 | 1211 | field | MMG53 | (0, 0) | |
706 | 1212 | field | MMG54 | (0, 0) | |
707 | 1213 | field | MMG55 | (0, 0) | |
708 | 1214 | field | MMG55 | (0, 0) | |
709 | 1215 | field | MMG57 | (0, 0) | |
710 | 1216 | field | MMG58 | (0, 0) | |
711 | 1217 | field | MMG59 | (0, 0) | |
712 | 1218 | field | MMG6 | (0, 0) | |
713 | 1219 | field | MMG60 | (0, 0) | |
714 | 1220 | field | MMG61 | (0, 0) | |
715 | 1221 | field | MMG62 | (0, 0) | |
716 | 1222 | field | MMG63 | (0, 0) | |
717 | 1223 | field | MMG64 | (0, 0) | |
718 | 1224 | field | MMG65 | (0, 0) | |
719 | 1225 | field | MMG66 | (0, 0) | |
720 | 1226 | field | MMG67 | (0, 0) | |
721 | 1227 | field | MMG68 | (0, 0) | |
722 | 1228 | field | MMG69 | (0, 0) | |
723 | 1229 | field | MMG7 | (0, 0) | |
724 | 1230 | field | MMG70 | (0, 0) | |
725 | 1231 | field | MMG71 | (0, 0) | |
726 | 1232 | field | MMG72 | (0, 0) | |
727 | 1233 | field | MMG73 | (0, 0) | |
728 | 1234 | field | MMG74 | (0, 0) | |
729 | 1235 | field | MMG75 | (0, 0) | |
730 | 1236 | field | MMG76 | (0, 0) | |
731 | 1237 | field | MMG77 | (0, 0) | |
732 | 1238 | field | MMG78 | (0, 0) | |
733 | 1239 | field | MMG79 | (0, 0) | |
734 | 1240 | field | MMG8 | (0, 0) | |
735 | 1241 | field | MMG80 | (0, 0) | |
736 | 1242 | field | MMG81 | (0, 0) | |
737 | 1243 | field | MMG82 | (0, 0) | |
738 | 1244 | field | MMG9 | (0, 0) | |
739 | 1245 | field | modality | (0, 0) | |
740 | 1246 | field | modes | (0, 0) | |
741 | 1247 | field | modulation | (0, 0) | |
742 | 1248 | field | molto | (0, 0) | |
743 | 1249 | field | monodic | (0, 0) | |
744 | 1250 | field | monody | (0, 0) | |
745 | 1251 | field | monophony | (0, 0) | |
746 | 1252 | field | MONTEVERDI | (0, 0) | |
747 | 1253 | field | MOORE | (0, 0) | |
748 | 1254 | field | morendo | (0, 0) | |
749 | 1255 | field | MORGAN | (0, 0) | |
750 | 1256 | field | MORGAN-HITCHCOCK | (0, 0) | |
751 | 1257 | field | mosso | (0, 0) | |
752 | 1258 | field | motet | (0, 0) | |
753 | 1259 | field | movement | (0, 0) | |
754 | 1260 | field | MOZART | (0, 0) | |
755 | 1261 | field | mucus | (0, 0) | |
756 | 1262 | field | M├╝LLER | (0, 0) | |
757 | 1263 | field | MURRAY | (0, 0) | |
758 | 1264 | field | muscle | (0, 0) | |
759 | 1265 | field | muscle fatigue | (0, 0) | |
760 | 1266 | field | muse | (0, 0) | |
761 | 1267 | field | MUSES | (0, 0) | |
762 | 1268 | field | Muses | (0, 0) | |
763 | 1269 | field | museum | (0, 0) | |
764 | 1270 | field | music | (0, 0) | |
765 | 1271 | field | music drama | (0, 0) | |
766 | 1272 | field | music hall | (0, 0) | |
767 | 1273 | field | MUSIC OF THE SPHERES | (0, 0) | |
768 | 1274 | field | music theatre | (0, 0) | |
769 | 1275 | field | musical | (0, 0) | |
770 | 1276 | field | musical comedy | (0, 0) | |
771 | 1277 | field | musical play | (0, 0) | |
772 | 1278 | field | musical theatre | (0, 0) | |
773 | 1279 | field | musicianship | (0, 0) | |
774 | 1280 | field | musicologist | (0, 0) | |
775 | 1281 | field | musicology | (0, 0) | |
776 | 1282 | field | MUTI | (0, 0) | |
777 | 1283 | field | nachsingen | (0, 0) | |
778 | 1284 | field | name part | (0, 0) | |
779 | 1285 | field | nasal | (0, 0) | |
780 | 1286 | field | nasal passages | (0, 0) | |
781 | 1287 | field | national anthem | (0, 0) | |
782 | 1288 | field | nel tempo | (0, 0) | |
783 | 1289 | field | neo-classical | (0, 0) | |
784 | 1290 | field | neural | (0, 0) | |
785 | 1291 | field | nicht eilen | (0, 0) | |
786 | 1292 | field | nicht schleppen | (0, 0) | |
787 | 1293 | field | NICOLINO | (0, 0) | |
788 | 1294 | field | nightingale | (0, 0) | |
789 | 1295 | field | NILSSON | (0, 0) | |
790 | 1296 | field | nitrogen | (0, 0) | |
791 | 1297 | field | nocturne | (0, 0) | |
792 | 1298 | field | noël | (0, 0) | |
793 | 1299 | field | non troppo | (0, 0) | |
794 | 1300 | field | n├│ta | (0, 0) | |
795 | 1301 | field | notation | (0, 0) | |
796 | 1302 | field | note | (0, 0) | |
797 | 1303 | field | oboe | (0, 0) | |
798 | 1304 | field | octave | (0, 0) | |
799 | 1305 | field | octet | (0, 0) | |
800 | 1306 | field | ode | (0, 0) | |
801 | 1307 | field | odeon | (0, 0) | |
802 | 1308 | field | Odysseus | (0, 0) | |
803 | 1309 | field | Odyssey | (0, 0) | |
804 | 1310 | field | off-key | (0, 0) | |
805 | 1311 | field | off-pitch | (0, 0) | |
806 | 1312 | field | off-stage | (0, 0) | |
807 | 1313 | field | off-stage chorus | (0, 0) | |
808 | 1314 | field | offertorium | (0, 0) | |
809 | 1315 | field | ohne | (0, 0) | |
810 | 1316 | field | Ol Man River | (0, 0) | |
811 | 1317 | field | OLDEST SONG | (0, 0) | |
812 | 1318 | field | on-stage | (0, 0) | |
813 | 1319 | field | one-act opera | (0, 0) | |
814 | 1320 | field | onomatopoeia | (0, 0) | |
815 | 1321 | field | opera | (0, 0) | |
816 | 1322 | field | opera di camera | (0, 0) | |
817 | 1323 | field | OPERA AUDITION EXPERIENCE | (0, 0) | |
818 | 1324 | field | OPÉRA BASTILLE | (0, 0) | |
819 | 1325 | field | opéra comique | (0, 0) | |
820 | 1326 | field | OPÉRA DE PARIS | (0, 0) | |
821 | 1327 | field | opera house | (0, 0) | |
822 | 1328 | field | opera seria | (0, 0) | |
823 | 1329 | field | operetta | (0, 0) | |
824 | 1330 | field | opposite prompt | (0, 0) | |
825 | 1331 | field | opus | (0, 0) | |
826 | 1332 | field | Or La Tromba | (0, 0) | |
827 | 1333 | field | oral | (0, 0) | |
828 | 1334 | field | oratorio | (0, 0) | |
829 | 1335 | field | oratory | (0, 0) | |
830 | 1336 | field | orchestra | (0, 0) | |
831 | 1337 | field | orchestra pit | (0, 0) | |
832 | 1338 | field | orchestral | (0, 0) | |
833 | 1339 | field | orchestration | (0, 0) | |
834 | 1340 | field | orchestrina | (0, 0) | |
835 | 1341 | field | ordinary | (0, 0) | |
836 | 1342 | field | organ | (0, 0) | |
837 | 1343 | field | organist | (0, 0) | |
838 | 1344 | field | ornament | (0, 0) | |
839 | 1345 | field | ornamentation | (0, 0) | |
840 | 1346 | field | ORPHEUS | (0, 0) | |
841 | 1347 | field | ORPHEUS | (0, 0) | |
842 | 1348 | field | Orpheus | (0, 0) | |
843 | 1349 | field | oscilloscope | (0, 0) | |
844 | 1350 | field | ossia | (0, 0) | |
845 | 1351 | field | out of tune | (0, 0) | |
846 | 1352 | field | ouvre | (0, 0) | |
847 | 1353 | field | overtones | (0, 0) | |
848 | 1354 | field | overture | (0, 0) | |
849 | 1355 | field | oxygen | (0, 0) | |
850 | 1356 | field | PΓÇÖANKU | (0, 0) | |
851 | 1357 | field | PAEAN | (0, 0) | |
852 | 1358 | field | paean | (0, 0) | |
853 | 1359 | field | PALESTRINA | (0, 0) | |
854 | 1360 | field | parlando | (0, 0) | |
855 | 1361 | field | part | (0, 0) | |
856 | 1362 | field | part song | (0, 0) | |
857 | 1363 | field | partials | (0, 0) | |
858 | 1364 | field | passagio | (0, 0) | |
859 | 1365 | field | Passion | (0, 0) | |
860 | 1366 | field | PATTI | (0, 0) | |
861 | 1367 | field | pause | (0, 0) | |
862 | 1368 | field | PAVAROTTI | (0, 0) | |
863 | 1369 | field | PEARS | (0, 0) | |
864 | 1370 | field | PêCHE MELBA | (0, 0) | |
865 | 1371 | field | pentatonic | (0, 0) | |
866 | 1372 | field | perfect pitch | (0, 0) | |
867 | 1373 | field | performance | (0, 0) | |
868 | 1374 | field | Performance reference / background | (0, 0) | |
869 | 1375 | field | Performance reference / text | (0, 0) | |
870 | 1376 | field | performer | (0, 0) | |
871 | 1377 | field | PERFORMERSΓÇÖ SUPERSTITIONS | (0, 0) | |
872 | 1378 | field | PERI | (0, 0) | |
873 | 1379 | field | pesante | (0, 0) | |
874 | 1380 | field | petto | (0, 0) | |
875 | 1381 | field | PEVERLEY | (0, 0) | |
876 | 1382 | field | phoneme | (0, 0) | |
877 | 1383 | field | phonetics | (0, 0) | |
878 | 1384 | field | phrase | (0, 0) | |
879 | 1385 | field | phrasing | (0, 0) | |
880 | 1386 | field | PHYSICAL METHODS OF RELAXATION | (0, 0) | |
881 | 1387 | field | physics | (0, 0) | |
882 | 1388 | field | PHYSIOLOGY AND WORDS | (0, 0) | |
883 | 1389 | field | piacevole | (0, 0) | |
884 | 1390 | field | piangendo | (0, 0) | |
885 | 1391 | field | pianissimo | (0, 0) | |
886 | 1392 | field | pianist | (0, 0) | |
887 | 1393 | field | piano | (0, 0) | |
888 | 1394 | field | piano reduction | (0, 0) | |
889 | 1395 | field | piano score | (0, 0) | |
890 | 1396 | field | piano transcription | (0, 0) | |
891 | 1397 | field | pianoforte | (0, 0) | |
892 | 1398 | field | PINZA | (0, 0) | |
893 | 1399 | field | pit | (0, 0) | |
894 | 1400 | field | pitch | (0, 0) | |
895 | 1401 | field | place, placing the voice | (0, 0) | |
896 | 1402 | field | placement | (0, 0) | |
897 | 1403 | field | plainsong | (0, 0) | |
898 | 1404 | field | Plato | (0, 0) | |
899 | 1405 | field | PLATO AND MUSIC | (0, 0) | |
900 | 1406 | field | plot | (0, 0) | |
901 | 1407 | field | poco | (0, 0) | |
902 | 1408 | field | poco a poco | (0, 0) | |
903 | 1409 | field | poi | (0, 0) | |
904 | 1410 | field | pollutants | (0, 0) | |
905 | 1411 | field | polyphony | (0, 0) | |
906 | 1412 | field | PONSELLE | (0, 0) | |
907 | 1413 | field | PONTE | (0, 0) | |
908 | 1414 | field | POPP | (0, 0) | |
909 | 1415 | field | PORGY AND BESS | (0, 0) | |
910 | 1416 | field | portamento | (0, 0) | |
911 | 1417 | field | Pre-Raphaelite | (0, 0) | |
912 | 1418 | field | precentor | (0, 0) | |
913 | 1419 | field | prelude | (0, 0) | |
914 | 1420 | field | première | (0, 0) | |
915 | 1421 | field | preparation | (0, 0) | |
916 | 1422 | field | presto | (0, 0) | |
917 | 1423 | field | prima donna | (0, 0) | |
918 | 1424 | field | prima volta | (0, 0) | |
919 | 1425 | field | pro | (0, 0) | |
920 | 1426 | field | Probe | (0, 0) | |
921 | 1427 | field | processional | (0, 0) | |
922 | 1428 | field | producer | (0, 0) | |
923 | 1429 | field | production | (0, 0) | |
924 | 1430 | field | professional | (0, 0) | |
925 | 1431 | field | projection | (0, 0) | |
926 | 1432 | field | PROKOFIEV | (0, 0) | |
927 | 1433 | field | PROLONGED STRESS | (0, 0) | |
928 | 1434 | field | PROLONGED STRESS SYMPTOMS | (0, 0) | |
929 | 1435 | field | prompt box | (0, 0) | |
930 | 1436 | field | prompt corner | (0, 0) | |
931 | 1437 | field | prompt-side | (0, 0) | |
932 | 1438 | field | prompter | (0, 0) | |
933 | 1439 | field | proper | (0, 0) | |
934 | 1440 | field | protagonist | (0, 0) | |
935 | 1441 | field | prova | (0, 0) | |
936 | 1442 | field | psalm | (0, 0) | |
937 | 1443 | field | Psalm 51 | (0, 0) | |
938 | 1444 | field | psalter | (0, 0) | |
939 | 1445 | field | pseudonym | (0, 0) | |
940 | 1446 | field | PUCCINI | (0, 0) | |
941 | 1447 | field | PURCELL | (0, 0) | |
942 | 1448 | field | PYTHAGORAS | (0, 0) | |
943 | 1449 | field | Pythagoras | (0, 0) | |
944 | 1450 | field | quadruple time | (0, 0) | |
945 | 1451 | field | quality | (0, 0) | |
946 | 1452 | field | QUALITY OF VIBRATION | (0, 0) | |
947 | 1453 | field | quartertone | (0, 0) | |
948 | 1454 | field | quartet | (0, 0) | |
949 | 1455 | field | quasi | (0, 0) | |
950 | 1456 | field | quaver | (0, 0) | |
951 | 1457 | field | Questo é un nodo | (0, 0) | |
952 | 1458 | field | quintet | (0, 0) | |
953 | 1459 | field | quire | (0, 0) | |
954 | 1460 | field | Quotes | (0, 0) | |
955 | 1461 | field | rallentando | (0, 0) | |
956 | 1462 | field | range | (0, 0) | |
957 | 1463 | field | RANGE AND TESSITURA | (0, 0) | |
958 | 1464 | field | read-through | (0, 0) | |
959 | 1465 | field | recital | (0, 0) | |
960 | 1466 | field | recital room | (0, 0) | |
961 | 1467 | field | recitative | (0, 0) | |
962 | 1468 | field | recitativo | (0, 0) | |
963 | 1469 | field | recitativo secco | (0, 0) | |
964 | 1470 | field | reed | (0, 0) | |
965 | 1471 | field | refrain | (0, 0) | |
966 | 1472 | field | register | (0, 0) | |
967 | 1473 | field | rehearsal | (0, 0) | |
968 | 1474 | field | REICHARDT | (0, 0) | |
969 | 1475 | field | relative pitch | (0, 0) | |
970 | 1476 | field | Renaissance | (0, 0) | |
971 | 1477 | field | repeat | (0, 0) | |
972 | 1478 | field | repertoire | (0, 0) | |
973 | 1479 | field | repertory | (0, 0) | |
974 | 1480 | field | répétiteur | (0, 0) | |
975 | 1481 | field | répétition | (0, 0) | |
976 | 1482 | field | reprise | (0, 0) | |
977 | 1483 | field | Requiem | (0, 0) | |
978 | 1484 | field | REQUIEM MASSES FOR THE DEAD | (0, 0) | |
979 | 1485 | field | resonance | (0, 0) | |
980 | 1486 | field | RESONANCE AND ORGAN PIPES | (0, 0) | |
981 | 1487 | field | RESONANT VOICE | (0, 0) | |
982 | 1488 | field | response | (0, 0) | |
983 | 1489 | field | RESZKE | (0, 0) | |
984 | 1490 | field | RETHBERG | (0, 0) | |
985 | 1491 | field | reverberation | (0, 0) | |
986 | 1492 | field | rhyme | (0, 0) | |
987 | 1493 | field | rhythm | (0, 0) | |
988 | 1494 | field | ripetizione | (0, 0) | |
989 | 1495 | field | ritardando | (0, 0) | |
990 | 1496 | field | Riu, Riu Chiu | (0, 0) | |
991 | 1497 | field | ROBESON | (0, 0) | |
992 | 1498 | field | rococo | (0, 0) | |
993 | 1499 | field | r├┤le | (0, 0) | |
994 | 1500 | field | Romantic | (0, 0) | |
995 | 1501 | field | ROMANTIC MOVEMENT | (0, 0) | |
996 | 1502 | field | Romanticism | (0, 0) | |
997 | 1503 | field | ROSE | (0, 0) | |
998 | 1504 | field | ROSSETER | (0, 0) | |
999 | 1505 | field | ROSSETTI | (0, 0) | |
1000 | 1506 | field | ROSSI | (0, 0) | |
1001 | 1507 | field | ROSSINI | (0, 0) | |
1002 | 1508 | field | round | (0, 0) | |
1003 | 1509 | field | ROUND ROOM | (0, 0) | |
1004 | 1510 | field | roundelay | (0, 0) | |
1005 | 1511 | field | ROYAL OPERA HOUSE | (0, 0) | |
1006 | 1512 | field | rubato | (0, 0) | |
1007 | 1513 | field | R├╝CKERT | (0, 0) | |
1008 | 1514 | field | R├╝ckert Lieder | (0, 0) | |
1009 | 1515 | field | RUFFO | (0, 0) | |
1010 | 1516 | field | ruhig | (0, 0) | |
1011 | 1517 | field | sacred music | (0, 0) | |
1012 | 1518 | field | Saint Cecilia | (0, 0) | |
1013 | 1519 | field | SALLEY GARDENS | (0, 0) | |
1014 | 1520 | field | SALVINI-DONATELLI | (0, 0) | |
1015 | 1521 | field | Sanctus | (0, 0) | |
1016 | 1522 | field | sanft | (0, 0) | |
1017 | 1523 | field | Savoy Opera | (0, 0) | |
1018 | 1524 | field | scale | (0, 0) | |
1019 | 1525 | field | scan | (0, 0) | |
1020 | 1526 | field | scansion | (0, 0) | |
1021 | 1527 | field | scena | (0, 0) | |
1022 | 1528 | field | Scene | (0, 0) | |
1023 | 1529 | field | scherzando | (0, 0) | |
1024 | 1530 | field | SCHIKANEDER | (0, 0) | |
1025 | 1531 | field | SCHILLER | (0, 0) | |
1026 | 1532 | field | SCHIPA | (0, 0) | |
1027 | 1533 | field | Schlag | (0, 0) | |
1028 | 1534 | field | schlagen | (0, 0) | |
1029 | 1535 | field | schnell | (0, 0) | |
1030 | 1536 | field | Schola Cantorum | (0, 0) | |
1031 | 1537 | field | SCHÖNBERG | (0, 0) | |
1032 | 1538 | field | SCHORR | (0, 0) | |
1033 | 1539 | field | SCHUBERT | (0, 0) | |
1034 | 1540 | field | SCHUMANN | (0, 0) | |
1035 | 1541 | field | SCHUMANN-HEINK | (0, 0) | |
1036 | 1542 | field | SCHWARZKOPF | (0, 0) | |
1037 | 1543 | field | schwer | (0, 0) | |
1038 | 1544 | field | SCIENCE AND SINGING | (0, 0) | |
1039 | 1545 | field | score | (0, 0) | |
1040 | 1546 | field | SCOTT | (0, 0) | |
1041 | 1547 | field | season | (0, 0) | |
1042 | 1548 | field | SEEFRIED | (0, 0) | |
1043 | 1549 | field | segno | (0, 0) | |
1044 | 1550 | field | semantics | (0, 0) | |
1045 | 1551 | field | semibreve | (0, 0) | |
1046 | 1552 | field | semiquaver | (0, 0) | |
1047 | 1553 | field | semitone | (0, 0) | |
1048 | 1554 | field | semplice | (0, 0) | |
1049 | 1555 | field | SENESINO | (0, 0) | |
1050 | 1556 | field | senza | (0, 0) | |
1051 | 1557 | field | septet | (0, 0) | |
1052 | 1558 | field | set | (0, 0) | |
1053 | 1559 | field | setting | (0, 0) | |
1054 | 1560 | field | sextet | (0, 0) | |
1055 | 1561 | field | sforzando | (0, 0) | |
1056 | 1562 | field | shake | (0, 0) | |
1057 | 1563 | field | SHAKESPEARE | (0, 0) | |
1058 | 1564 | field | Shakespeare | (0, 0) | |
1059 | 1565 | field | shaman | (0, 0) | |
1060 | 1566 | field | SHAMANISTIC HEALING | (0, 0) | |
1061 | 1567 | field | shanty | (0, 0) | |
1062 | 1568 | field | show | (0, 0) | |
1063 | 1569 | field | SHOW BOAT | (0, 0) | |
1064 | 1570 | field | sight reading | (0, 0) | |
1065 | 1571 | field | sight singing | (0, 0) | |
1066 | 1572 | field | sight-line | (0, 0) | |
1067 | 1573 | field | silence | (0, 0) | |
1068 | 1574 | field | SIMIONATO | (0, 0) | |
1069 | 1575 | field | sine wave | (0, 0) | |
1070 | 1576 | field | sinfonia | (0, 0) | |
1071 | 1577 | field | SINGING AS THERAPY | (0, 0) | |
1072 | 1578 | field | SINGING DIPHTHONGS | (0, 0) | |
1073 | 1579 | field | SINGING EXERCISES | (0, 0) | |
1074 | 1580 | field | Singing in Italian | (0, 0) | |
1075 | 1581 | field | singing teacher | (0, 0) | |
1076 | 1582 | field | SINGING VOWELS | (0, 0) | |
1077 | 1583 | field | Singspiel | (0, 0) | |
1078 | 1584 | field | Siren Room 1 | (0, 0) | |
1079 | 1585 | field | Siren Room 10 | (0, 0) | |
1080 | 1586 | field | Siren Room 11 | (0, 0) | |
1081 | 1587 | field | Siren Room 12 | (0, 0) | |
1082 | 1588 | field | Siren Room 13 | (0, 0) | |
1083 | 1589 | field | Siren Room 14 | (0, 0) | |
1084 | 1590 | field | Siren Room 15 | (0, 0) | |
1085 | 1591 | field | Siren Room 16 | (0, 0) | |
1086 | 1592 | field | Siren Room 17 | (0, 0) | |
1087 | 1593 | field | Siren Room 18 | (0, 0) | |
1088 | 1594 | field | Siren Room 19 | (0, 0) | |
1089 | 1595 | field | Siren Room 2 | (0, 0) | |
1090 | 1596 | field | Siren Room 20 | (0, 0) | |
1091 | 1597 | field | Siren Room 21 | (0, 0) | |
1092 | 1598 | field | Siren Room 22 | (0, 0) | |
1093 | 1599 | field | Siren Room 23 | (0, 0) | |
1094 | 1600 | field | Siren Room 24 | (0, 0) | |
1095 | 1601 | field | Siren Room 25 | (0, 0) | |
1096 | 1602 | field | Siren Room 26 | (0, 0) | |
1097 | 1603 | field | Siren Room 27 | (0, 0) | |
1098 | 1604 | field | Siren Room 28 | (0, 0) | |
1099 | 1605 | field | Siren Room 29 | (0, 0) | |
1100 | 1606 | field | Siren Room 3 | (0, 0) | |
1101 | 1607 | field | Siren Room 30 | (0, 0) | |
1102 | 1608 | field | Siren Room 31 | (0, 0) | |
1103 | 1609 | field | Siren Room 32 | (0, 0) | |
1104 | 1610 | field | Siren Room 33 | (0, 0) | |
1105 | 1611 | field | Siren Room 34 | (0, 0) | |
1106 | 1612 | field | Siren Room 35 | (0, 0) | |
1107 | 1613 | field | Siren Room 36 | (0, 0) | |
1108 | 1614 | field | Siren Room 37 | (0, 0) | |
1109 | 1615 | field | Siren Room 38 | (0, 0) | |
1110 | 1616 | field | Siren Room 39 | (0, 0) | |
1111 | 1617 | field | Siren Room 4 | (0, 0) | |
1112 | 1618 | field | Siren Room 40 | (0, 0) | |
1113 | 1619 | field | Siren Room 5 | (0, 0) | |
1114 | 1620 | field | Siren Room 6 | (0, 0) | |
1115 | 1621 | field | Siren Room 7 | (0, 0) | |
1116 | 1622 | field | Siren Room 8 | (0, 0) | |
1117 | 1623 | field | Siren Room 9 | (0, 0) | |
1118 | 1624 | field | SIRENS | (0, 0) | |
1119 | 1625 | field | sirens | (0, 0) | |
1120 | 1626 | field | SIRENS | (0, 0) | |
1121 | 1627 | field | Sitzprobe | (0, 0) | |
1122 | 1628 | field | SIXTEEN, THE | (0, 0) | |
1123 | 1629 | field | slide | (0, 0) | |
1124 | 1630 | field | SMETANA | (0, 0) | |
1125 | 1631 | field | smorzando | (0, 0) | |
1126 | 1632 | field | soliloquy | (0, 0) | |
1127 | 1633 | field | solmisation | (0, 0) | |
1128 | 1634 | field | solo | (0, 0) | |
1129 | 1635 | field | soloist | (0, 0) | |
1130 | 1636 | field | SOMETIMES INSTRUCTIONS CAN BE LESS THAN USEFUL | (0, 0) | |
1131 | 1637 | field | song | (0, 0) | |
1132 | 1638 | field | song setting | (0, 0) | |
1133 | 1639 | field | song-cycle | (0, 0) | |
1134 | 1640 | field | SONGS TO EASE STRESS | (0, 0) | |
1135 | 1641 | field | soprano | (0, 0) | |
1136 | 1642 | field | soprano voice | (0, 0) | |
1137 | 1643 | field | sostenuto | (0, 0) | |
1138 | 1644 | field | sotto voce | (0, 0) | |
1139 | 1645 | field | soubrette | (0, 0) | |
1140 | 1646 | field | sound colours | (0, 0) | |
1141 | 1647 | field | SOUND IN THE BODY | (0, 0) | |
1142 | 1648 | field | sound waves | (0, 0) | |
1143 | 1649 | field | SOUND WAVES AND SYMPATHY | (0, 0) | |
1144 | 1650 | field | soundproof | (0, 0) | |
1145 | 1651 | field | spinto | (0, 0) | |
1146 | 1652 | field | SPIRITS EXPRESSED IN SONG | (0, 0) | |
1147 | 1653 | field | spirituals | (0, 0) | |
1148 | 1654 | field | spoken theatre | (0, 0) | |
1149 | 1655 | field | Sprechgesang | (0, 0) | |
1150 | 1656 | field | Sprechstimme | (0, 0) | |
1151 | 1657 | field | Stabat Mater | (0, 0) | |
1152 | 1658 | field | staccato | (0, 0) | |
1153 | 1659 | field | staff | (0, 0) | |
1154 | 1660 | field | stage | (0, 0) | |
1155 | 1661 | field | stage directions | (0, 0) | |
1156 | 1662 | field | stage door | (0, 0) | |
1157 | 1663 | field | stage left | (0, 0) | |
1158 | 1664 | field | stage machinery | (0, 0) | |
1159 | 1665 | field | stage management | (0, 0) | |
1160 | 1666 | field | stage right | (0, 0) | |
1161 | 1667 | field | stalls | (0, 0) | |
1162 | 1668 | field | stamina | (0, 0) | |
1163 | 1669 | field | stanza | (0, 0) | |
1164 | 1670 | field | stave | (0, 0) | |
1165 | 1671 | field | STEFANO | (0, 0) | |
1166 | 1672 | field | Stimme | (0, 0) | |
1167 | 1673 | field | straight theatre | (0, 0) | |
1168 | 1674 | field | STRAUSS | (0, 0) | |
1169 | 1675 | field | string | (0, 0) | |
1170 | 1676 | field | STRING AND THE VOCAL FOLDS | (0, 0) | |
1171 | 1677 | field | string ensemble | (0, 0) | |
1172 | 1678 | field | stringendo | (0, 0) | |
1173 | 1679 | field | strings | (0, 0) | |
1174 | 1680 | field | STUDER | (0, 0) | |
1175 | 1681 | field | subtext | (0, 0) | |
1176 | 1682 | field | suite | (0, 0) | |
1177 | 1683 | field | SULLIVAN | (0, 0) | |
1178 | 1684 | field | Summertime | (0, 0) | |
1179 | 1685 | field | SUPERSTITIONS | (0, 0) | |
1180 | 1686 | field | support | (0, 0) | |
1181 | 1687 | field | surtitles | (0, 0) | |
1182 | 1688 | field | SUSΓÇÖISTINNAKO | (0, 0) | |
1183 | 1689 | field | sustain | (0, 0) | |
1184 | 1690 | field | SUTHERLAND | (0, 0) | |
1185 | 1691 | field | SYDNEY OPERA HOUSE | (0, 0) | |
1186 | 1692 | field | syllable | (0, 0) | |
1187 | 1693 | field | sympathetic vibration | (0, 0) | |
1188 | 1694 | field | symphonic | (0, 0) | |
1189 | 1695 | field | symphony | (0, 0) | |
1190 | 1696 | field | TA'I CHI | (0, 0) | |
1191 | 1697 | field | tabs | (0, 0) | |
1192 | 1698 | field | TAIKOMAL | (0, 0) | |
1193 | 1699 | field | TAUBER | (0, 0) | |
1194 | 1700 | field | TCHAIKOVSKY | (0, 0) | |
1195 | 1701 | field | TEATRO LIRICO NACIONAL | (0, 0) | |
1196 | 1702 | field | TEBALDI | (0, 0) | |
1197 | 1703 | field | Technical / science | (0, 0) | |
1198 | 1704 | field | Technical / vocal technique | (0, 0) | |
1199 | 1705 | field | Technical / voices | (0, 0) | |
1200 | 1706 | field | technique | (0, 0) | |
1201 | 1707 | field | TECHNIQUES TO RELIEVE UNDUE STRESS | (0, 0) | |
1202 | 1708 | field | tempi | (0, 0) | |
1203 | 1709 | field | tempo | (0, 0) | |
1204 | 1710 | field | tenor | (0, 0) | |
1205 | 1711 | field | tenor clef | (0, 0) | |
1206 | 1712 | field | tenor voice | (0, 0) | |
1207 | 1713 | field | tenuto | (0, 0) | |
1208 | 1714 | field | tessitura | (0, 0) | |
1209 | 1715 | field | TETRAZZINI | (0, 0) | |
1210 | 1716 | field | text | (0, 0) | |
1211 | 1717 | field | TEYTE | (0, 0) | |
1212 | 1718 | field | The Met | (0, 0) | |
1213 | 1719 | field | The Three Tenors | (0, 0) | |
1214 | 1720 | field | theme | (0, 0) | |
1215 | 1721 | field | THILL | (0, 0) | |
1216 | 1722 | field | third | (0, 0) | |
1217 | 1723 | field | throat | (0, 0) | |
1218 | 1724 | field | throat cleaning | (0, 0) | |
1219 | 1725 | field | throwing the voice | (0, 0) | |
1220 | 1726 | field | TIBBETT | (0, 0) | |
1221 | 1727 | field | timbre | (0, 0) | |
1222 | 1728 | field | time | (0, 0) | |
1223 | 1729 | field | time signature | (0, 0) | |
1224 | 1730 | field | time values | (0, 0) | |
1225 | 1731 | field | TIPPETT | (0, 0) | |
1226 | 1732 | field | title r├┤le | (0, 0) | |
1227 | 1733 | field | TOMLINSON | (0, 0) | |
1228 | 1734 | field | Ton | (0, 0) | |
1229 | 1735 | field | tone | (0, 0) | |
1230 | 1736 | field | tongue | (0, 0) | |
1231 | 1737 | field | tonic | (0, 0) | |
1232 | 1738 | field | tonic sol-fa | (0, 0) | |
1233 | 1739 | field | top C | (0, 0) | |
1234 | 1740 | field | top notes | (0, 0) | |
1235 | 1741 | field | TOSCA | (0, 0) | |
1236 | 1742 | field | Tosca act 2 | (0, 0) | |
1237 | 1743 | field | TOTEMISTIC MUSIC | (0, 0) | |
1238 | 1744 | field | totemistic societies | (0, 0) | |
1239 | 1745 | field | TOURNEDOS ROSSINI | (0, 0) | |
1240 | 1746 | field | transcription | (0, 0) | |
1241 | 1747 | field | traurig | (0, 0) | |
1242 | 1748 | field | treble | (0, 0) | |
1243 | 1749 | field | treble clef | (0, 0) | |
1244 | 1750 | field | trill | (0, 0) | |
1245 | 1751 | field | trio | (0, 0) | |
1246 | 1752 | field | troppo | (0, 0) | |
1247 | 1753 | field | troubadour | (0, 0) | |
1248 | 1754 | field | TROUBADOURS AND TROUVèRES | (0, 0) | |
1249 | 1755 | field | trouser r├┤le | (0, 0) | |
1250 | 1756 | field | trouvère | (0, 0) | |
1251 | 1757 | field | TROVATORE | (0, 0) | |
1252 | 1758 | field | tune | (0, 0) | |
1253 | 1759 | field | tuning | (0, 0) | |
1254 | 1760 | field | tuning fork | (0, 0) | |
1255 | 1761 | field | TURNER | (0, 0) | |
1256 | 1762 | field | twelve tone music | (0, 0) | |
1257 | 1763 | field | twelve tone row | (0, 0) | |
1258 | 1764 | field | TYPICAL STRESSED POSITION | (0, 0) | |
1259 | 1765 | field | UN BALLO IN MASCHERA | (0, 0) | |
1260 | 1766 | field | UN BALLO IN MASCHERA libretto | (0, 0) | |
1261 | 1767 | field | unbroken voice | (0, 0) | |
1262 | 1768 | field | understudy | (0, 0) | |
1263 | 1769 | field | unison | (0, 0) | |
1264 | 1770 | field | upbeat | (0, 0) | |
1265 | 1771 | field | upper extension | (0, 0) | |
1266 | 1772 | field | upstage | (0, 0) | |
1267 | 1773 | field | VALLIN | (0, 0) | |
1268 | 1774 | field | Van Dam | (0, 0) | |
1269 | 1775 | field | variations | (0, 0) | |
1270 | 1776 | field | veloce | (0, 0) | |
1271 | 1777 | field | ventriloquism | (0, 0) | |
1272 | 1778 | field | VERDI | (0, 0) | |
1273 | 1779 | field | VERISMO | (0, 0) | |
1274 | 1780 | field | verismo | (0, 0) | |
1275 | 1781 | field | verse | (0, 0) | |
1276 | 1782 | field | vespers | (0, 0) | |
1277 | 1783 | field | VIBRATING STRINGS | (0, 0) | |
1278 | 1784 | field | vibration | (0, 0) | |
1279 | 1785 | field | vibrato | (0, 0) | |
1280 | 1786 | field | VIDEOGRAPHY | (0, 0) | |
1281 | 1787 | field | VIENNA STATE OPERA | (0, 0) | |
1282 | 1788 | field | Villanelle | (0, 0) | |
1283 | 1789 | field | villanelle | (0, 0) | |
1284 | 1790 | field | virtuosity | (0, 0) | |
1285 | 1791 | field | virtuoso | (0, 0) | |
1286 | 1792 | field | vivace | (0, 0) | |
1287 | 1793 | field | vocal | (0, 0) | |
1288 | 1794 | field | vocal cords | (0, 0) | |
1289 | 1795 | field | vocal folds | (0, 0) | |
1290 | 1796 | field | vocal technique | (0, 0) | |
1291 | 1797 | field | vocal work | (0, 0) | |
1292 | 1798 | field | vocalisation | (0, 0) | |
1293 | 1799 | field | vocalise | (0, 0) | |
1294 | 1800 | field | vocalist | (0, 0) | |
1295 | 1801 | field | VOICEPRINTS | (0, 0) | |
1296 | 1802 | field | VOLTAIRE | (0, 0) | |
1297 | 1803 | field | volume | (0, 0) | |
1298 | 1804 | field | Vorspiel | (0, 0) | |
1299 | 1805 | field | vowel | (0, 0) | |
1300 | 1806 | field | VOWELS & CONSONANTS | (0, 0) | |
1301 | 1807 | field | vox | (0, 0) | |
1302 | 1808 | field | VOXBOX | (0, 0) | |
1303 | 1809 | field | WAGNER | (0, 0) | |
1304 | 1810 | field | Wagner tuba | (0, 0) | |
1305 | 1811 | field | Wagnerian | (0, 0) | |
1306 | 1812 | field | warming up | (0, 0) | |
1307 | 1813 | field | WARMING-UP TO SING | (0, 0) | |
1308 | 1814 | field | WAVES ON AN OSCILLOSCOPE | (0, 0) | |
1309 | 1815 | field | WEILL | (0, 0) | |
1310 | 1816 | field | WESTMINSTER CATHEDRAL CHOIR | (0, 0) | |
1311 | 1817 | field | When Laura Smiles | (0, 0) | |
1312 | 1818 | field | white sound | (0, 0) | |
1313 | 1819 | field | WIDMUNG | (0, 0) | |
1314 | 1820 | field | WILT | (0, 0) | |
1315 | 1821 | field | wind ensemble | (0, 0) | |
1316 | 1822 | field | wind instruments | (0, 0) | |
1317 | 1823 | field | WINDGASSEN | (0, 0) | |
1318 | 1824 | field | wings | (0, 0) | |
1319 | 1825 | field | wobble | (0, 0) | |
1320 | 1826 | field | WOLF | (0, 0) | |
1321 | 1827 | field | woodwind | (0, 0) | |
1322 | 1828 | field | word setting | (0, 0) | |
1323 | 1829 | field | WORKSONGS | (0, 0) | |
1324 | 1830 | field | worksongs | (0, 0) | |
1325 | 1831 | field | WUNDERLICH | (0, 0) | |
1326 | 1832 | field | yodel | (0, 0) | |
1327 | 1833 | field | yoga | (0, 0) | |
1328 | 1834 | field | zart | (0, 0) | |
1329 | 1835 | field | ziemlich | (0, 0) | |
1330 | 1836 | field | zur├╝ckhaltend | (0, 0) | |
1331 | 1950 | field | Laptop first | (0, 0) | |
1332 | 1951 | bitmap | Sound laptop | (288, -2) | |
1333 | 1952 | bitmap | BUTTON IN | (287, -2) | |
1334 | 1953 | bitmap | Quit laptop | (294, -65) | |
1335 | 1954 | bitmap | BUTTON IN | (296, -67) | |
1336 | 1955 | bitmap | Close laptop | (255, -79) | |
1337 | 1956 | bitmap | BUTTON IN | (260, -80) | |
1338 | 1957 | bitmap | Spare | (275, -135) | |
1339 | 1958 | bitmap | BUTTON IN | (275, -135) | |
1340 | 1961 | script | CURSORS | (0, 0) | |
1341 | 1962 | script | TRANS | (0, 0) | |
1342 | 1963 | script | BITMAPS | (0, 0) | |
1343 | 1964 | script | VERSIONS | (0, 0) | |
1344 | 1966 | bitmap | Laptop Finished without map | (299, 217) | |
1345 | 1967 | bitmap | gold laptop pict | (64, 54) | |
1346 | 1968 | bitmap | Mini Laptop Icon | (63, 55) | |
1347 | 1969 | bitmap | SPOT | (16, 16) | |
1348 | 1970 | script | BITS | (0, 0) | |
1349 | 1971 | script | Frame before script for laptop | (0, 0) | |
1350 | 1972 | script | Frame script for laptop | (0, 0) | |
1351 | 1973 | script | Trace | (0, 0) | |
1352 | 1974 | script | TRACEHIT | (0, 0) | |
1353 | 1975 | script | LAPTOP lingo | (0, 0) | |
1354 | 1976 | script | DUMMY | (0, 0) | |
1355 | 1978 | script | FIXES | (0, 0) | |
1356 | 1979 | script | PLURALS | (0, 0) | |
1357 | 1980 | script | BINARY | (0, 0) | |
1358 | 1981 | field | | (0, 0) | |
1359 | 1983 | script | | (0, 0) | |
1360 | 1984 | script | sims handler additions 1 feb 96 | (0, 0) | |
1361 | 1991 | field | FirstPlug | (0, 0) | |
1362 | 1992 | field | p2 | (0, 0) | |
1363 | 1993 | field | p3 | (0, 0) | |
1364 | 1994 | field | p4 | (0, 0) | |
1365 | 1995 | field | p5 | (0, 0) | |
1366 | 1996 | field | p6 | (0, 0) | |
1367 | 2000 | field | Laptop Last | (0, 0) |
|