With the other two solar layers visible with the naked eye, i.e. the photosphere and the chromosphere, the situation is very simple. The photosphere is white. There is no whiter white than the color of the solar photosphere as the photosphere is the source of the light that, at daytime, illuminates the surface of the Earth and that is why our eye is, during daytime, calibrated so that it considers the photosphere's light neutrally white. The chromosphere is red. Its highly saturated red color is caused by the spectral line H-alpha radiation in which the chromosphere shines intensively. The saturation of the red color is so high that any color calibration is of no influence, i.e. the excitation of the red-sensitive cells is so strong that the excitation of the green-sensitive and blue-sensitive cells is almost immaterial. The solar corona, on the other hand, has no distinctive color and its color hue greatly depends on what we define as white. During the short period of totality the light of the solar photosphere is missing as it is hidden by the Moon. The eye therefore misses the "classic" calibration source of white light it is familiar with and the subjective opinions concerning the color of the corona may differ. Most people evaluate the corona as bluish. The bluish tinge of the corona in totality is given by the blue color of the Earth's sky. The intensity of this blue color depends on the extent the human eye gets accustomed, during the short period of totality, to the unusual light conditions and manages to disregard the sky's color. Using objective methods to compare the color of the corona with the color of the photosphere we would find that the color of the corona would be only marginally different, i.e. the corona is almost white (with a slight shift towards green). The color similarity does not signify that the spectral composition of the photospherical and coronal light are identical. It just means that the ratio of the red, green, and blue component of the light are roughly similar.
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NΘmetkΘr (Hungary) 11. August 1999, Maksutov - Cassegrain MTO 1000a, 10.5/1084mm, Fujicolor Superia 800, exposure 1/60 s