05-19.SCL 5 5 out of 19-tET 05-24.SCL 5 5 out of 24-tET, symmetrical 07-19.SCL 7 7 out of 19-tET, major AEOLIC.SCL 7 Ancient Greek Aeolic, also tritriadic scale of the 54:64:81 triad AFRICA-W.SCL 7 Observed balafon tuning from West-Africa AFRICA-W2.SCL 7 Pitt-River's balafon tuning from West-Africa AFRICA-X.SCL 10 African Yaswa xylophones (idiophone; calbash resonators with membrane) AL-DIN_19.SCL 19 Arabic scale by Safi al-Din AL-FARABI.SCL 7 Al-Farabi Syn Chrom AL-FARABI_19.SCL 19 Arabic scale by Al Farabi AL-FARABI_BLUE.SCL 7 Another tuning from Al Farabi, c700 AD AL-FARABI_CHROM.SCL 7 Al Farabi's Chromatic c700 AD AL-FARABI_DIAT.SCL 7 Al-Farabi's Diatonic AL-FARABI_DIAT2.SCL 7 Old Phrygian, permuted form of Al-Farabi's reduplicated 10/9 diatonic genus ALBION.SCL 12 Terry Riley's Harp of New Albion scale, inverse Malcolm's Monochord, 1/1 on C# ARABIC.SCL 17 Arabic 17-tone Pythagorean mode, Safi al-Din AVICENNA_19.SCL 19 Arabic scale by Ibn Sina AVICENNA_CHROM.SCL 7 Dorian mode a chromatic genus of Avicenna BAGPIPE.SCL 12 Uilleann bagpipe tuning BALAFON.SCL 7 Observed balafon tuning from Patna BAMBOO.SCL 23 Pythagorean scale with fifth average from Chinese bamboo tubes BAPARE.SCL 10 African Bapare Xylophone, idiophone, loose-log BAPERE.SCL 5 African, Bapere Horns Aerophone, made of reed, one note each BARTOK_AX.SCL 12 Bartok's axial system, 4 times S-T-D on major triad 4:5:6 BOHLEN_EQ.SCL 13 Most equal selection from all enharmonic Bohlen-Pierce tones BREED-BLUES1.SCL 7 Graham Breed's blues scale in 22-tET BREED-BLUES2.SCL 8 Graham Breed's blues scale in 29-tET BURMA.SCL 7 Observed patala tuning from Burma BURMA2.SCL 7 Observed balafon tuning from Burma BURT1.SCL 12 W. Burt's 13diatsub #1 BURT2.SCL 12 W. Burt's 13enhsub #2 BURT3.SCL 12 W. Burt's 13enhharm #3 BURT4.SCL 12 W. Burt's 13diatharm #4, see his post 3/30/94 in Tuning Digest #57 BYZ_PALACE.SCL 7 Byzantine Palace mode, 17-limit CARLOS_ALPHA.SCL 18 Wendy Carlos' Alpha scale with perfect fifth divided in nine CARLOS_ALPHA2.SCL 36 Wendy Carlos' Alpha prime scale with perfect fifth divided by eightteen CARLOS_BETA.SCL 22 Wendy Carlos' Beta scale with perfect fifth divided by eleven CARLOS_BETA2.SCL 44 Wendy Carlos' Beta prime scale with perfect fifth divided by twentytwo CARLOS_GAMMA.SCL 35 Wendy Carlos' Gamma scale with third divided by eleven or fifth by twenty CARLOS_HARM.SCL 12 Carlos Harmonic, also Dan Schmidt Slendro-Pelog with 13,17,19,21,27 CARLOS_SUPER.SCL 12 Carlos Super Just CHIN_12.SCL 12 Chinese scale, 4th cent. CHIN_5.SCL 5 Chinese pentatonic from Zhou period CHIN_7.SCL 7 Chinese heptatonic scale and tritriadic of 64:81:96 triad CHIN_LUSHENG.SCL 5 Observed tuning of a small Lusheng, 1/1=d, OdC '97 CHIN_PIPA.SCL 5 Observed tuning from Chinese balloon guitar (p'i-p'a), Ellis CHIN_SHENG.SCL 7 Observed tuning from Chinese sheng or mouth organ CHIN_SIEN-TSU.SCL 5 Observed tuning from Chinese tamboura (sien-tsu), Ellis CHIN_YUN-LO.SCL 7 Observed tuning from Chinese gong-chime (yu"n-lo), Ellis DIAT_EQ.SCL 7 Equal Diatonic, Islamic form, similar to 11/10 x 11/10 x 400/363 DIAT_GOLD.SCL 7 Diatonic scale with ratio between whole and half tone the Golden Section DOWLAND_12.SCL 12 subset of Dowland's lute tuning, lowest octave DOW_HIGH.SCL 14 Highest octave of Dowlands lute tuning, strings 5,6. 1/1=G (1610) DOW_LOW.SCL 17 Lowest octave of Dowlands lute tuning, strings 1,2,3. 1/1=G. (1610) DOW_MIDDLE.SCL 24 Middle octave of Dowlands lute tuning, strings 3,4,5. 1/1=G (1610) HARRISON_5.SCL 5 From Lou Harrison, a pelog style pentatonic HARRISON_5_1.SCL 5 From Lou Harrison, a pelog style pentatonic HARRISON_5_3.SCL 5 From Lou Harrison, a pelog style pentatonic HARRISON_5_4.SCL 5 From Lou Harrison, a pelog style pentatonic HARRISON_8.SCL 8 Harrison 8-tone from Serenade for Guitar HARRISON_CINNA.SCL 12 Lou Harrison, "Incidental Music for Corneille's Cinna" (1955-56) HARRISON_DIAT.SCL 7 From Lou Harrison, a soft diatonic HARRISON_JOY.SCL 6 Lou Harrison's Joyous 6 HARRISON_MID.SCL 7 Lou Harrison mid mode HARRISON_MIN.SCL 5 From Lou Harrison, a symmetrical pentatonic with minor thirds HARRISON_MIX1.SCL 5 A "mixed type" pentatonic, Lou Harrison HARRISON_MIX2.SCL 5 A "mixed type" pentatonic, Lou Harrison HARRISON_MIX3.SCL 5 A "mixed type" pentatonic, Lou Harrison HARRISON_MIX4.SCL 5 A "mixed type" pentatonic, Lou Harrison HIRAJOSHI.SCL 5 Observed Japanese pentatonic koto scale HOFMANN1.SCL 7 Hofmann's Enharmonic #1, Dorian mode HOFMANN_CHROM.SCL 7 Hofmann's Chromatic INDIAN-DK.SCL 9 Raga Darbari Kanada INDIAN-INVROT.SCL 12 Inverted and rotated North Indian gamut INDIAN-MAGRAMA.SCL 7 Indian mode Ma-grama (Sa Ri Ga Ma Pa Dha Ni Sa) INDIAN_D.SCL 7 Indian D (Ellis, correct) INDIAN_RAT.SCL 22 Indian Raga, From Fortuna, after Helmholtz, ratios by JC INDIAN_ROT.SCL 12 Rotated North Indian Gamut IRAN_DIAT.SCL 7 Iranian Diatonic from Dariush Anooshfar, Safi-a-ddin Armavi's scale from 125 ET IRAQ.SCL 8 Iraq 8-tone scale, Ellis ISLAMIC.SCL 5 Islamic Genus (DF#7), from Rouanet JEMBLUNG2.SCL 5 Bamboo gamelan jemblung at Royal Batavia Society. 1/1=504 Hz. LYDIAN_PIS.SCL 15 The Diatonic Perfect Immutable System in the Lydian Tonos MARIMBA1.SCL 17 Marimba of the Bakwese, SW Belgian Congo (Zaire). 1/1=140.5 Hz MARIMBA3.SCL 10 Marimba from the Yakoma tribe, Zaire. 1/1=185.5 Hz MBOKO_ZITHER.SCL 7 African Mboko Zither (chordophone; idiochordic palm fibre, plucked) MIRING1.SCL 5 Gamelan Miring from Serdang wetan, Tangerang. 1/1=309.5 Hz MIRING2.SCL 5 Gamelan Miring (Melog gender) from Serdang wetan MOKHALIF.SCL 7 Iranian mode Mokhalif from C MUSAQA.SCL 7 Egyptian scale by Miha'il Musaqa OLYMPOS.SCL 5 Scale of ancient Greek flutist Olympos, 6th century BC as reported by Partch PARTCH-BARSTOW.SCL 18 Guitar scale for Partch's Barstow (1941, 1968) PARTCH-GREEK.SCL 12 Partch Greek scales from "Two Studies on Ancient Greek Scales" on black/white PARTCH-INDIAN.SCL 22 Partch's Indian Chromatic, Exposition of Monophony, 1933. PARTCH-UR.SCL 39 Ur-Partch curved keyboard, published in Interval PARTCH_29.SCL 29 Partch/Ptolemy 11-limit Diamond PARTCH_37.SCL 37 From "Exposition on Monophony" 1933, unp. see Ayers, 1/1 vol.9(2) PARTCH_39.SCL 39 Ur-Partch Keyboard 39 tones, published in Interval PARTCH_41.SCL 41 13-limit Diamond after Partch, Genesis of a Music, p 454, 2nd edition PARTCH_41A.SCL 41 From "Exposition on Monophony" 1933, unp. see Ayers, 1/1 vol. 9(2) PARTCH_43.SCL 43 Harry Partch's 43-tone pure scale ROBOT.SCL 12 Dead Robot (see lattice) ROBOT_LIVE.SCL 12 Live Robot SCHILLINGER.SCL 36 Joseph Schillinger's double equal temperament, p.664 Mathematical Basis... SLENDRO.SCL 5 Observed Javanese Slendro scale SLENDRO13.SCL 5 13-tET quasi slendro, Blackwood SLENDRO2.SCL 5 Gamelan slendro from Ranchaiyuh, distr. Tanggerang, Batavia. 1/1=282.5 Hz SLENDRO3.SCL 5 Gamelan kodok ngorek. 1/1=270 Hz SLENDRO4.SCL 5 Low gender from Kuta, Bali. 1/1=183 Hz SLENDRO5_1.SCL 5 A slendro type pentatonic which is based on intervals of 7; from Lou Harrison TEMP3EBT.SCL 3 Cycle of 3 equal beating thirds TEMP4EBMT.SCL 4 Cycle of 4 equal beating minor thirds TEMP4EBSI.SCL 4 Cycle of 4 equal beating major sixths TEMP5EBF.SCL 5 Cycle of 5 equal beating fifths TEMP5EBS.SCL 5 Cycle of 5 equal beating harmonic sevenths XENAKIS_CHROM.SCL 7 Xenakis's Byzantine Liturgical mode, 5 + 19 + 6 parts XENAKIS_DIAT.SCL 7 Xenakis's Byzantine Liturgical mode, 12 + 11 + 7 parts XENAKIS_SCHROM.SCL 7 Xenakis's Byzantine Liturgical mode, 7 + 16 + 7 parts XYLOPHONE.SCL 5 Observed south Pacific pentatonic xylophone tuning YOUNG2.SCL 12 Young 2 well temperament, ca. 1800