Heading
| Description
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Name | This heading does not appear as a column selection, but it always appears in the bin. The column contains the name of the clip or sequence (you can rename a clip or sequence after it has been captured). |
Audio | The audio resolution (sample rate). |
Audio Format | The audio format of master clips (AIFF-C, SDII, or WAVE). |
Audio Sample Size | The sample size used when you work with audio files: 16bit or 24bit. |
Auxiliary Ink | Auxiliary ink format settings allow you to display two types of ink numbers at the same time. This lets you track additional types of film information for different film gauges. Used for 24p projects, 25p projects, and matchback projects only. |
Auxiliary TC1 | You can enter an auxiliary timecode, such as Aaton or Arri, or another timecode for editing film or audio timecode for film. |
CFPS | The captured frames per second. |
Cadence | The type of pulldown present on the source NTSC tapes when in a 23.976 or 24p project. |
Camera | The camera used to film this clip. This feature is used in multicamera shoots. |
Camroll | The camera roll containing this clip. Used for 24p projects, 25p projects, and matchback projects only. |
Color | The color of the bin objects for organizing the objects. |
Creation Date | The date and time the clip was logged or captured. |
Drive | The last known drive on which the media for that master clip existed. |
Duration | The length of the clip. |
End | The timecode of the clip's tail frame. |
FPS | The play rate: the number of frames to be displayed each second. The default is 29.97 for NTSC and 25 for PAL for video. The play rate can also be 24 or 23.98. |
IN-OUT | The length of the marked segment, if any. |
Ink Number | The ink number for the clip. Used for 24p projects, 25p projects, and matchback projects only. |
KN Duration | The length of the clip, expressed in feet and frames. Used for 24p projects, 25p projects, and matchback projects only. |
KN End | The ending key number for the clip. Used for 24p projects, 25p projects, and matchback projects only. |
KN IN-OUT | The Mark IN and Mark OUT key number for the clip. Used for 24p projects, 25p projects, and matchback projects only. |
KN Mark IN | The key number for the IN point, if you set one for the clip. Used for 24p and 25p projects only. |
KN Mark OUT | The key number for the OUT point, if you set one for the clip. Used for 24p and 25p projects only. |
KN Start | The starting key number for the clip. Used for 24p projects, 25p projects, and matchback projects only. |
Labroll | The labroll containing the clip. |
Lock | Specifies whether the clip is locked against deletion. |
Mark IN | The timecode for the IN point, if you set one for the clip. |
Mark OUT | The timecode for the OUT point, if you set one for the clip. |
Media File Format | The clip media format. |
Modified Date | The date and time a sequence was last edited or changed. |
Offline | The track names for any media files that are offline. |
Perf | The film edge perforations format used for 3-perf projects. Used for 24pƔprojects, 25p projects, and matchback projects only. |
Project | The project under which the media was originally captured. |
Pullin | The telecine pulldown of the first frame of the clip (pulldown phase). Pullin can have the values A, B, X (matchback only), C, or D. Used for 24p projects and matchback projects only. (NTSC only) |
Pullout | The telecine pulldown of the last frame of the clip. Pullout can have the values A, B, X (matchback only), C, or D. Used for 24p projects and matchback projects only. (NTSC only) |
Scene | The scene number of the clip. |
Shoot date | The date the footage was shot. |
Sound TC | The timecode for audio. |
Soundroll | The sound roll this clip came from. Used for 24p projects, 25p projects, and matchback projects only. |
Start | The timecode of the clip's head frame. |
TC 24 | The 24-fps timecode. |
Take | The take number of the scene. |
Tape | The source tape name. |
TapeID | The Tape ID number. |
Tracks | All tracks used by this media object. |
Video | The resolution under which the media for that clip was captured. |