Avid systems offer you a flexible approach to finishing your project, whether it originates as video or film.

For video projects, you can use the offline capabilities of the Avid editing system and the Total Conform capabilities of the Symphony system to produce the highest quality, uncompressed broadcast masters.

For film and 24-fps or 25-fps HDTV (high-definition television) projects, you can use the Avid editing system's UniversaláOffline Editing capabilities to capture footage at 24 fps or 25fps and edit the content in its native frame rate. Then use the Symphony system's film-tape-film-tape (FTFT) and Total Conform capabilities to finish and deliver uncompressed NTSC, PAL, 4:3, 16:9, and letterbox formats, as well as frame-accurate film cut lists and edit decision lists (EDLs), all from the same 24p (24-fps progressive) or 25p media.