ÄΦô«âAâjâüëfëµæòÆué╠ôoÅΩ
A hand-powered animation device entered the stage
âvâëâNâVâmâXâRü[âvé≡ìlê─é╡é╜âGâ~ü[âïüEâîâCâmü[é╞éóéñÉlé¬üAâvâëâNâVâmâXâRü[âvé≡üAôèëeé┼é½éΘéµéñé╔ëⁿù╟é╡é╜âAâjâüæòÆuüB
ôèëeé╖éΘé▒é╞é╔éµé┴é─üAæσÉ¿é╠Élé¬ô»Ä₧é╔î⌐éΘé▒é╞é¬é┼é½éΘéµéñé╔é╚éΦüAâîâCâmü[é═é▒éΩé╔üuâeâAâgâïüEâIâvâ`âbâNüvé╞û╝òté»é─ï╗ìsé≡ìsé┴é╜üBéPéXÉóïIûûé╠é▒é╞é┼üAæ╜é¡é╠Élé¬üAé▒é╠âAâjâüæòÆué╔éµéΘâJâëü[üEâAâjâüé≡èyé╡é±é╛é╠é┼é╖üB
Emile Reynaud, who invented the praxinoscope, further improved it by adding a projecting capability. This capability enabled many people at a time to see animation. Reynaud began a business by showing "Theatre optique" at the end of the 19th century. Many people enjoyed colored animation with it.