click a man and choose a color:
how do the relationships between colors affect perception?
why are some some color combinations differently evocative than others?
and can this experience of the relationships among colors be translated
across a color space without disturbing the evocative quality of the relationships?
inversely, can color be organized such that a mapping between a color combination
and an evocative reaction will remain invariant under translation (along perpendicualr axes) in the color
space?
SEE:
N. Jacobson and W. Bender
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