Evaluation |
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This previous work shows a clear preoccupation with expression as embodied in human faces and the composition of, and relationships between, different human bodies. Meaning is derived less from stylistic constraints than from the arrangement of human features and bodies. The gaze, the formal composition of space and an aspect of discomfort created through implied meanings and readings are the crucial aspects of the expression. Style is an important, but by no means exclusive, component of the visual experience. |