1. Inputs & Level Matching The MX12/4 has 8 mono input channels with both balanced XLR-type microphone inputs and balanced/unbalanced TRS phone jack line inputs. Switchable phantom power for all balanced inputs provides direct compatibility with high-performance phantom-powered condenser microphones and DI boxes. Stereo line sources can be directly connected to either of 2 stereo input channels (9/10 and 11/12) with unbalanced L/MONO and R phone jack inputs. The L/MONO inputs allow the stereo channels to be used for mono signals. Gain trim controls with a 44-dB range and LED peak indicators on all mono and stereo inputs facilitate optimum level matching with a wide range of sources. |
2. Channel Insertion Insert send/return patch points are included on channels 1 through 4 for convenient insertion of compressor/limiters (a must for top-quality vocal sound), equalizers, or any other outboard equipment you might need to apply to individual channels. |
3. Gain Trim Gain trim controls with a 44-dB range and LED peak indicators on all mono and stereo inputs facillitate optimum level matching with a wide range of sources. |
4. 3-band Channel EQ 3-band equalization on each input channel can be used to bring out the best in the sound of individual instruments or voices, emphasize a channel in relation to others, blend the sound of several channels, create special effects, reduce noise, and much more. |
5. Monitor & Effects Send Independent monitor and effect send controls on each channel provide considerable signal-routing flexibility. The effect send output can be switched to |
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